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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5e68e6f8d34bcf00a52fd5a6/155a175e-1925-466a-90f4-ba807c443e49/seiwert_scan001-1.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.7033008252063015em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left</span>: Franz Wilhelm Seiwert (German, 1894–1933)<br><em>Demonstration</em>, 1925<br>Oil on canvas, 26 3/4 x 35” (68 x 89 cm)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Right</span>: as reproduced in <em>a bis z</em>, no. 26 (August 1932): 102</p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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    <td valign="top" class="section-text-area section-content-cell padding-mobile-both" style="padding-top:8px;padding-right:44px;padding-bottom:0px;padding-left:44px;color:#000;background-color:transparent;">
      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;margin-top:0px;margin-bottom:0px;" class="">If the most effective way to reach the greatest number of viewers was through print media, and especially cheaply produced periodicals, it is little wonder that so many works by the Cologne Progressives were reproduced in their journal <em>a bis z</em> (Cologne, 1929–1933; Heinrich Hoerle, Walter Stern, Franz W. Seiwert, eds.). In this newsletter, we present a selection of paintings, drawings, and prints in the collection, together with their reproductions in <em>a bis z </em>(indicated within red frames).</p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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    <td valign="top" class="section-text-area section-content-cell padding-mobile-both" style="padding-top:13px;padding-right:44px;padding-bottom:0px;padding-left:44px;color:#000;background-color:transparent;">
      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left (above)</span>: Franz Wilhelm Seiwert (German, 1894–1933)<br><em>Die Fabrik</em> (The Factory), 1923<br>Linocut, 11 5/8 x 15 1/4” (29.5 x 38.7 cm), irreg.<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left (below)</span>: Augustin Tschinkel (Czech, 1905–1983)<br><em>Weg zur Arbeit</em> (Way to Work), 1929<br>Linocut, 17 3/4 x 11” (45 x 28 cm)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Right</span>: as reproduced in <em>a bis z</em>, 12 (November 1930): 45</p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left</span>: Franz Wilhelm Seiwert (German, 1894–1933)<br><em>Arbeiter</em> (Worker), early 1920s<br>Ink on paper, 8 1/2 x 5 5/16” (21.6 x 13.5 cm)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Right</span>: as reproduced in <em>a bis z</em>, no. 1 (October 1929): 2</p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left</span>: Franz Wilhelm Seiwert (German, 1894–1933)<br><em>Betriebsorganisation</em> (Business organization), 1922<br>Linocut, 9 5/8 x 7” (24.4 x 17.8 cm)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Right</span>: as reproduced in <em>a bis z</em>, no. 5 (February 1930): 18 </p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5e68e6f8d34bcf00a52fd5a6/57117564-897c-4251-a955-13a9cc6620bd/JJ_60D_3437.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.7033008252063015em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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    <td valign="top" class="section-text-area section-content-cell padding-mobile-both" style="padding-top:11px;padding-right:44px;padding-bottom:11px;padding-left:44px;color:#000;background-color:transparent;">
      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left</span>: Gerd Arntz (German, 1900–1988) <br><em>Strandbad</em> (Beach), 1925. Edition of 15<br>Woodcut, 14 x 9 3/8” (35.5 x 23.6 cm)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Right</span>: as reproduced in <em>a bis z</em>, 5 (February 1930): 20</p>
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            <td align="left" valign="middle" class="section-image-cell section-content-cell section-hoverable-image" data-aspect="ORIGINAL" style="padding:0;">
              
  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5e68e6f8d34bcf00a52fd5a6/7ae65aca-6f37-41a0-b023-a6392535dec0/Hoel01.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.7033008252063015em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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    <td valign="top" class="section-text-area section-content-cell padding-mobile-both" style="padding-top:11px;padding-right:44px;padding-bottom:11px;padding-left:44px;color:#000;background-color:transparent;">
      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left</span>: Heinrich Hoerle (German, 1895–1936)<br><em>Man und Frau</em> (Man and Woman), c. 1930<br>Lithograph, 6 5/8 x 5 3/8” (16.8 x 13.7 cm)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Right</span>: as reproduced in <em>a bis z</em>, 12 (November 1930): 46</p>
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            <td align="left" valign="middle" class="section-image-cell section-content-cell section-hoverable-image" data-aspect="ORIGINAL" style="padding:0;">
              
  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5e68e6f8d34bcf00a52fd5a6/4812c4f1-530a-48f4-992c-c2d5c9cb15ce/JJ_60D_3547.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.7033008252063015em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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<div id="text-text-section-18">



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    <td valign="top" class="section-text-area section-content-cell padding-mobile-both" style="padding-top:11px;padding-right:44px;padding-bottom:11px;padding-left:44px;color:#000;background-color:transparent;">
      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left</span>: Peter Alma (Dutch, 1886–1969)<br><em>Die Ordnung der Welt: Acht Sociale Portretten</em> (World Order: Eight Social Portraits), clockwise: Warden, Priest, Diplomat, Lawyer, 1929–1931<br>Each: Linocut, 11 1/8 x 12 1/4”&nbsp; (28.2 x 31.1 cm)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Right</span>: as reproduced in <em>a bis z</em>, no. 20 (December 1931): 79</p>
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            <td align="left" valign="middle" class="section-image-cell section-content-cell section-hoverable-image" data-aspect="ORIGINAL" style="padding:0;">
              
  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5e68e6f8d34bcf00a52fd5a6/57afea6a-db24-4bd0-87c3-7e06bfb48944/JJ_60D_3425.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.7033008252063015em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left</span>: Gerd Arntz (German, 1900–1988)<br>Inscribed: <em>Schaufenster II</em> (Shop Window II), 1925. Edition of 15<br>Woodcut, 14 x 9” (35.5 x 23.6 cm)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Right</span>: as reproduced in <em>a bis z</em>, no. 24 (May 1932): 96 (as <em>Straße </em>[street])</p>
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            <td align="left" valign="middle" class="section-image-cell section-content-cell section-hoverable-image" data-aspect="ORIGINAL" style="padding:0;">
              
  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5e68e6f8d34bcf00a52fd5a6/cdbdc68a-9609-43de-9e97-fc7f188cc733/JJ_60D_3461.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.7033008252063015em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left</span>: Gerd Arntz (German, 1900–1988) <br><em>Wahldrehscheibe </em>(Election Wheel),<em> </em>1932. Edition of 30<br>Woodcut, 13 3/4 x 9 5/8” (34.8 x 24.5 cm)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Right</span>: as reproduced in <em>a bis z</em>, no. 26 (August 1932): 104</p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5e68e6f8d34bcf00a52fd5a6/eeb2a9e8-bd32-4cc5-864f-86ad20b4462e/JJ_60D_064773.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.7033008252063015em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Left</span>: Augustin Tschinkel (Czech, 1905–1983)<br><em>Die Friedenstauben</em> (The Doves of Peace), 1932<br>Ink, gouache, and pasted paper on paper, 10 1/2 x 6 1/2” (26.5 x 16.5 cm)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Right</span>: as reproduced in <em>a bis z</em>, no. 25 (July 1932): 100</p>
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