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This week we present six abstract paintings created in Belgium, England, France, and Poland between 1914 and 1941. Whether rich in color (Atkinson) or drained to a pensive grisaille (Servranckx, Freundlich), painted in oil or gouache alone or combined with other elements such as string (Szczekacz), the language of abstraction both resonated across cultural milieus and transcended national and linguistic specificity during these generative years.
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