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Carl Grossberg: New Forms in the World of Technology Munich, Hirmer, 2025 Adrian Sudhalter With essays by Mary E. Bauer, Joe Bucciero, Olaf Peters, and Melissa Venator Long associated with the German Neue Sachlichkeit (New Objectivity) movement of the 1920s, Carl Grossberg (1894–1940) is revered for his precise paintings of industry devoid of human figures but vibrant with color. His Traumbilder (Dream Pictures) envision industrial settings inhabited by unexpected creatures, such as monkeys, bats, and birds, which act to destabilize the certainty of such materialized rationalism. Focusing on the rich collection of paintings, drawings, and prints by Grossberg in the Merrill C. Berman Collection, this scholarly volume is the first to fully utilize the Grossberg Papers at the Harvard Art Museum Archives and takes an unprecedented object-based approach. Sudhalter’s overarching essay and the volume’s robust, fully-illustrated chronology highlight Grossberg’s Bauhaus training, his interrelated practices as a painter and interior designer, the reception of his work during his lifetime, and his relationship with the National Socialist regime after 1933. To order in Europe: Hirmer To pre-order in US: University of Chicago Press
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