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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class="">Carl Grossberg (German, 1894–1940)<br><em>Renaissance</em>, 1929<br>Oil on wood panel, 18 3/4 x 15”  (48 x 38 cm)</p>
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      <p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">Today we present ten highlights of German paintings in the collection. Whether filled with  beings—human or otherwise—or uncannily vacant, the iconography of these works is resonant of the unsettled, foreboding undercurrents of Germany in the interwar period. &nbsp;</p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class="">Felix Nussbaum (German, 1904–1944)
<em>Antikenpark</em> (Antique Park), 1931 <br>Oil on canvas, 23 1/2 x 28” (60 x 72 cm)</p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class="">Gottfried Brockmann (German, 1903–1983)<br><em>Krüppeldasein</em> (The Existence of a Cripple)<br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Clockwise</span>: <br>No. 1, 1922. Oil on panel, 7 3/8 X 8 3/8” (19 x 22 cm). Merrill C. Berman<br>No. 1, [1922-23]. Gouache on board, 7 x 8 5/8” (17.8 x 21.9 cm). <a href="https://www.moma.org/collection/works/34612" rel="nofollow" style="color:#160ba3 !important;">MoMA</a><br>No. 4, [1922-23]. Gouache on board, 8 1/2 x 7 1/8” (21.5 x 18.1 cm). <a href="https://www.moma.org/collection/works/34596" rel="nofollow" style="color:#160ba3 !important;">MoMA</a></p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class="">Otto Dix (German, 1891–1969)<br><em>Bildnis Jankel Adler </em>(Portrait of Jankel Adler), 1926<br>Oil and mixed media on canvas, 25 1/4 × 18 3/4” (64.1 × 47.6 cm)</p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class="">Jankel Adler (Polish, 1895–1949)<br><em>Artist</em>, 1927<br>Oil and sand on canvas, 39 1/2 x 25 1/2” (100.4 x 65 cm)</p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class="">Carl Grossberg (German, 1894–1940)<br><em>Hauptbahnhofplatz Köln</em> (Central Train Station, Cologne), 1927<br>Oil on plywood, 23 1/2 x 27 1/2”  (60 x 70 cm)</p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5e68e6f8d34bcf00a52fd5a6/a048d5f4-470e-4b12-bde5-82cf68deb0d8/Untitled+6.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.7033008252063015em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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    <td valign="top" class="section-text-area section-content-cell padding-mobile-both" style="padding-top:11px;padding-right:44px;padding-bottom:30px;padding-left:44px;color:#313131;background-color:transparent;">
      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class="">Carl Grossberg (German, 1894–1940)<br><em>Jacquard-Webereien </em>(Jacquard Weaving Mill), 1934<br>Oil on plywood, 19 x 15 3/4” (48.3 x 40 cm)</p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5e68e6f8d34bcf00a52fd5a6/abead380-858a-479d-a660-1f4b99985ca7/Untitled+5.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.7033008252063015em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class="">Carl Grossberg (German, 1894–1940)<br><em>Interieur</em> (Interior), 1935<br>Oil on plywood, 15 3/4 x 19 3/4”  (40 x 50 cm)</p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5e68e6f8d34bcf00a52fd5a6/a42d5b01-d5d0-45bf-83c0-8e2263822d73/Untitled+4.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.7033008252063015em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class="">Franz Wilhelm Seiwert (German, 1894–1933)<br><em>Demonstration</em>, 1925<br>Oil on canvas, 26 3/4 x 35” (68 x  89 cm)</p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class="">Gerd Arntz (German, 1900–1988)<br><em>Schifferstreik</em> (Sailors’ Strike), 1930<br>Oil on board, 47 1/4 x 31 1/2”  (120 x 80 cm)</p>
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