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British War Art: Nevinson and Nash (Supplements)
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Christopher Richard Wynne Nevinson (British, 1889–1946)
Poster: Now Back the Bayonets with your War Savings Certificates, 1918
Lithograph, 29 1/2 x 19” (74.9 x 48.2 cm)
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Our newsletter of August 4, 2020 featured British War Art: Nevinson and Nash. Today, we supplement the works presented there with additional posters and prints from the collection. For an immersion into British art prior to the Second World War, we recommend a visit to the inspired exhibition of the Leslie and Johanna Garfield Collection Modern Times: British Prints, 1913–1939 (until January 9, 2022), organized by Jennifer Farrell, Curator, Drawings and Prints, at The Metropolitan Museum of Art, New York, which dovetails serendipitously with the Cooper-Hewitt’s Underground Modernist: E. McKnight Kauffer (until April 10, 2022).
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Christopher Richard Wynne Nevinson (British, 1889–1946)
Returning to the Trenches, 1916
Drypoint on off-white laid paper, 6 x 8” (15.1 x 20.4 cm)
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Paul Nash (British, 1889–1946)
Men Marching at Night, 1918
Lithograph, 20 x 16 1/2” (51.2 x 41.8 cm)
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Paul Nash (British, 1889–1946)
Left: Void of War, 1918
Lithograph on brown wove paper; 14 1/2 x 17 1/2” (37 x 44.5 cm)
Right: Poster: Paul Nash: An Official Artist on the Western Front, War Paintings and Drawings, Leicester Galleries (May 1918), 1918
Lithograph, 29 1/2 x 19” (74.9 x 48.3 cm)
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Paul Nash (British, 1889–1946)
Void, 1918
Lithograph on cream wove paper, 7 x 9” (18 x 22.9 cm)
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Paul Nash (British, 1889–1946)
Strange Coast, Dymchurch, 1920
Lithograph on off-white wove paper, 12 1/2 x 16” (31.4 x 40.7 cm)
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Paul Nash (British, 1889–1946)
The Bay, 1922
Wood-engraving on white wove paper, 5 1/2 x 7 1/2” (14 x 20 cm)
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