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$$PLAIN_TEXT_PREVIEW$$
April Greiman (American, born 1948)
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Poster: Does It Make Sense? Design for special issue of Design Quarterly, no.133, published by the Walker Art Center, 1986 Offset Lithograph (printed on one side), 25 1/2 x 76” (64.8 x 193 cm) For an example of a double-sided version, click here.
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April Greiman is a self-described “thinker and transmedia artist-designer,” who is perhaps best known for her innovative use of computer technology as a design tool. Originally from New York, Greiman studied at the Kansas City Art Institute and then at the Allgemeine Kunstgewerbeschule in Basel, Switzerland. In 1976 she moved to Los Angeles and, shortly thereafter, recognized the potential of the original 1984 Macintosh computer as a tool for creative exploration. As a graduate student at Basel’s Allgemeine Kunstgewerbeschule, Greiman studied with Armin Hofmann (1920–2020) and Wolfgang Weingart (1941–2021), two masters of modern Swiss design whose work is also represented in the collection. This training instilled in Greiman a thorough understanding of the principles of the modernist grid. It also emboldened her defiance of it through mechanisms such as photographic collage, layering, and the diagonal placement of text. In the early 1990s, Merrill acquired material directly from the artist. The collection includes some twenty posters—a selection of which we share with you here—as well as numerous examples of printed ephemera.
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April Greiman (design and typography) and Jayme Odgers (creative direction, photography, and design) Poster: CalArts, 1978 Lithograph, 11 x 46” (28 x 117 cm), unfolded
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Poster: Warner Bros. Records Inc., 1981 Offset Lithograph, 37 x 24” (94 x 61 cm)
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Poster: Your Turn, My Turn, 3-D, 1983 Offset lithograph, 36 x 24” (91.5 x 61 cm)
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April Greiman (design) and Jayme Odgers (photography) Poster: Olympic Games, Los Angeles, 1984 Offset lithograph, 36 x 24” (91.5 x 61 cm) This example is signed by both artists.
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Poster: AIGA, California Design 2, San Francisco and Los Angeles Chapters, 1985 Offset lithograph, 36 1/2 x 24” (93 x 61 cm)
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Poster: Snow White and the Seven Pixels. Designer in Residence Program, Maryland Institute College of Art, 1986 Lithograph, 36 x 24” (91.5 x 61 cm)
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Poster: Sci-arc, Southern California Institute of Architecture, 1986 Offset lithograph, 36 x 24” (91.5 x 61 cm)
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Poster: Pacific Wave, Fortuny Museum, 1987 Offset lithograph, 38 7/8” x 26 7/8” (99 x 68 cm)
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Poster: The Modern Poster, The Museum of Modern Art, New York, 1988 Offset lithograph, 39 x 24 3/4” (99 x 62.3 cm)
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Poster: Graphic Design in America: A Visual Language History, Walker Art Center, 1989 Offset lithograph, 18 1/2 x 44” (47 x 112 cm)
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