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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><em>The 20th Century Poster: Design of the Avant-Garde<br></em>Walker Art Center, Minneapolis, MN; Everson Museum of Art, Syracuse, NY; <br>Saint Louis Art Museum, MI; Dayton Art Institute, OH; Neuberger Museum of Art, Purchase, NY; Montreal Museum of Fine Arts, Quebec<br>May 12, 1984–November 10, 1985 <br>Catalogue by <strong>Dawn Ades</strong></p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content" style="min-width:100%;width:100%;">
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    <td valign="top" class="section-text-area section-content-cell padding-mobile-both" style="padding-top:11px;padding-right:44px;padding-bottom:11px;padding-left:44px;color:#000;background-color:transparent;">
      <p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">The first exhibitions that included significant loans from my collection hold a special place for me. They enabled me to activate my collection as a teaching tool at college and university art museums as diverse as Purchase, Williams, Wesleyan, Muhlenberg, Columbia, and Harvard. </p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">The two shows that brought broader attention to my collection—<em>The 20th-Century Poster</em> (1984–1985) and <em>Graphic Design in the Mechanical Age</em> (1998–1999)—traveled throughout the United States, Europe, Canada, and Japan. <br>I remain grateful to the curators—women in almost every case—with whom I had the privilege to collaborate and who realized these projects and their lasting catalogues. </p>
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    <td valign="top" class="section-text-area section-content-cell padding-mobile-both" style="padding-top:11px;padding-right:44px;padding-bottom:30px;padding-left:44px;color:#000;background-color:transparent;">
      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><em>Art for the Masses: Russian Revolutionary Art from <br>the Merrill C. Berman Collection<br></em>Williams College Museum of the Art, Williamstown, MA, and Davison Art Center, Wesleyan University, Middletown, CT<br>January 27–October 18, 1985<br>Catalogue by <strong>Darra Goldstein</strong></p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content" style="min-width:100%;width:100%;">
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><em>Avant-Garde Alchemy: Russian Stage Design, 1900</em>–<em>1930<br></em>Martin Art Gallery, Muhlenberg College, Allentown, PA<br>April 18–June 8, 1986<br>Catalogue by <strong>Dorothy K. White</strong> </p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><em>Graphic Design in America: A Visual Language History<br></em>Walker Art Center, Minneapolis, MN; IBM Gallery of Science and Art, New York; Phoenix Art Museum, AZ; Design Museum, London<br>November 5,1989–1990<br>Catalogue by <strong>Mildred Friedman</strong></p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><em>Art Into Life: Russian Constructivism, 1914–1932<br></em>Henry Art Gallery, University of Washington, Seattle, WA; Walker Art Center, Minneapolis, MN; State Tret’yakov Gallery, Moscow<br>July 1990–Spring 1991<br>Catalogue by <strong>Richard Andrews and Milena Kalinovska</strong></p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><em>Building the Collective: Soviet Graphic Design 1917-1937, <br>Selections from the Merrill C. Berman Collection</em>. <br>Miriam and Ira D. Wallach Art Gallery, Columbia University, New York and Busch-Reisinger Museum, Harvard University, Cambridge, MA<em><br></em>February 7, 1996–March 30, 1997<br>Catalogue by <strong>Leah Dickerman</strong></p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:center;" class=""><em>Graphic Design in the Mechanical Age: <br>Selections from the Merrill C. Berman Collection <br></em>Williams College Museum of Art, Williamstown, MA; Cooper Hewitt, Smithsonian Design Museum, New York; IVAM, Centro Julio Gonzalez, Valencia; <br>Suntory Museum of Art, Tokyo; Kawasaki City Museum; Obihiro Museum of Art; and Henry Art Gallery, University of Washington, Seattle, WA <br>1998–1999<br>Catalogue by <strong>Deborah Rothschild</strong>, <strong>Ellen Lupton</strong>, and <strong>Darra Goldstein</strong></p>
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