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  <url>
    <loc>https://mcbcollection.com/natan-altman</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b8d14466-d291-4f78-97bf-8d07c483f47d/altm12.jpg</image:loc>
      <image:title>Natan Altman</image:title>
      <image:caption>Postage stamp design: RSFSR (Russian Soviet Federative Socialist Republic), 1918 Ink on paper 9 x 7 1/8” (22.9 x 18.1 cm)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/553350f3-234c-4678-a7ad-61275e79cc0f/altm12lg.jpg</image:loc>
      <image:title>Natan Altman</image:title>
      <image:caption>Postage stamp design: RSFSR (Russian Soviet Federative Socialist Republic), 1918 Ink on paper 10 3/8 x 7 1/16” (26.3 x 17.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e835bf60-5b93-4b3e-b38a-eeaf4585b808/Altman_004.jpg</image:loc>
      <image:title>Natan Altman</image:title>
      <image:caption>Postage stamp design: RSFSR (Russian Soviet Federative Socialist Republic), 1918 Ink on paper 8 7/8 x 7” (22.5 x 17.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/779cb9ff-06d7-46a0-b544-76804300ac28/altm11lg.jpg</image:loc>
      <image:title>Natan Altman</image:title>
      <image:caption>Postage stamp design: RSFSR (Russian Soviet Federative Socialist Republic), 1918 Ink on paper 9 x 7 1/8” (22.9 x 18.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e26c0eae-3270-4630-9247-6331f1513196/JJ_60D_2575.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Print: Klub khudozhnikov (The Artists’ Club), 1919 Wood engraving 6 1/8 x 9 3/8” (15.5 x 23.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/63652175-89ed-4036-baa6-c31b530aa5d8/JJ_60D_070013.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Print: Klub khudozhnikov (The Artists’ Club), 1919 Wood engraving, with inscription 6 1/8 x 9 3/8” (15.5 x 23.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a939db3c-4849-43ca-a4db-c0522645ab25/Screen+Shot+2022-04-19+at+3.25.13+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/dda8dcda-183d-4ef6-98b3-ae5abf5bf44f/JJ_60D_9410.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover design (in Yiddish): Yehezkiel Dobrushin, Got der fayer (God the Fire) (Moscow: Yungwald, 1922), c. 1922 Pencil on paper 8 11/16 x 6 3/8” (22.1 x 16.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5d5dacbe-2709-4c4f-9031-09d26c33c0df/JJ_7D_9155.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover (in Yiddish): Yehezkiel Dobrushin, Got der fayer (God the Fire) Moscow: Yungwald, 1922 Lithograph 7 1/8 x 4 1/2” (18.1 x 11.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/284ea833-2712-4ac1-9984-3751164a0f0a/Screen+Shot+2022-04-19+at+3.25.13+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/619f715c-3bdb-4c26-8306-c698506abafc/Screen+Shot+2022-04-11+at+3.30.35+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/926fb8ab-cb7b-425a-9341-bd8e8d2401ac/JJ_60D_9415.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover design (in Yiddish): David Hofsteyn (Hofstein; Gofstein) and Arn Kushnirov (Aaron Kushnirov), Shtam: Azkore (Stem: Memorial) (Moscow, Farlag “Shtrom,” 1922), 1922 Pencil, ink and gouache on paper mounted on board with glassine 9 3/16 x 6 1/4” (23.3 x 15.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/87b9602b-4252-4452-a785-6c7c67c183a5/JJ_60D_9413.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Periodical cover: Zavtra: literaturno-kriticheskii sbornik (Tomorrow: Literary-critical collection). Evgenii Zamiatin, Mikhail Kuzmin, and M. Lozinsky, eds. Berlin: Petropolis, 1923 Letterpress 8 3/4 x 6 7/16” (22.2 x 16.3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/bdcc3aa9-36a4-4f40-a9af-363f1b979cdb/JJ_60D_9433.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover: Mikhail Kuzmin, Kryl’ia: Povest’ v trekh chastiakh (Wings: A Novel in Three Parts) Berlin: Petropolis, 1923 Lithograph 9 3/4 x 7 1/16” (24.8 x 17.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2e4eb1b1-7fe2-4e2c-bf43-dc08e423c28c/Screen+Shot+2022-04-19+at+3.25.13+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/86c1ea04-52a4-4c5f-8089-55a4a28de0b8/altm13.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Periodical cover design: Krasnyi Student (Red Student), no. 8, 1923 Ink and gouache on paper 15 3/8 x 11” (39.2 x 29 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/13e068c3-bd05-4a40-aaeb-c281106a2fb1/Untitled.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Periodical cover design: Krasnyi Student (Red Student), no. 8, 1923 Ink and crayon on paper 15 3/8 x 11 1/2" (39 x 29.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ebf51269-b944-4c52-aa90-060cad6fa61c/Screen+Shot+2022-04-11+at+3.30.35+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/414a2086-a145-4d56-a86a-2db8cedb2d0b/Screen+Shot+2022-04-19+at+3.25.13+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/634815b3-cc02-45ef-9173-8a7ce41b3384/JJ_60D_9429.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover design (in Yiddish): David Hofstein (Gofstein), In Tavel fun Vent (On the Tablet on the Wall) (Berlin: Farlag “Funken,” 1923), c. 1923 Gouache, ink and cut paper on paper 10 1/8 x 7 7/16” (25.7 x 18.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6fe5f0f1-0a80-4873-9b68-0b1c7124dae0/JJ_60D_03406.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover (in Yiddish): David Hofstein (Gofstein), In Tavel fun Vent (On the Tablet on the Wall) Berlin: Farlag “Funken,” 1923 Lithograph 12 3/8 x 7 3/4” (31.4 x 19.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/637a3071-0383-4fea-8a27-3b00a2424c19/Untitled+1.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book: Ilya Ehrenburg, Lik voiny (The Face of the War). Berlin: Gelikon, 1923 Letterpress 7 1/2 x 5 1/2” (19 x 14 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/61db5119-8ee2-4733-a091-1e897536d5e5/Screen+Shot+2022-04-11+at+3.30.35+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/dcc4dddf-90de-46ac-9d70-1d587ef3c0b4/JS_5D_7656.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover: Natan Altman: Evreiskaia Grafika (Natan Altman: Jewish Graphics), text by Maks Osborn Berlin: Petropolis, 1923 Lithograph and letterpress 19 1/8 x 14 1/2” (48.6 x 36.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1bc17c98-75c5-41d2-a206-677dc6f13487/JS_5D_7660.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Plate from: Natan Altman: Evreiskaia Grafika (Natan Altman: Jewish Graphics) (Berlin: Petropolis, 1923)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7e1c226d-8b90-4bbf-ac0c-e86cc78e5fc9/JS_5D_7663.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Plate from: Natan Altman: Evreiskaia Grafika (Natan Altman: Jewish Graphics) (Berlin: Petropolis, 1923)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6a0d90fa-dae6-48f7-9a76-ac55175d6557/JS_5D_7665.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Plate from: Natan Altman: Evreiskaia Grafika (Natan Altman: Jewish Graphics) (Berlin: Petropolis, 1923)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/eb1b40c7-ecf7-4f30-a062-d76d70ec8bf8/_MG_9811+copy.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Film program cover (in Russian): Evreiskoe schast’e (Jewish Luck), Aleksandr Granovsky’s Yiddish-language film Yidishe glikn based on the writings of of Sholem Aleichem, text by Viktor Shklovsky Moscow: Kinopechat', 1926 Lithograph and letterpress 11 15/16 x 8 15/16” (30.2 x 22.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a3b8400b-61a6-441a-b1f2-51aa1a5a31f2/Altman_Jewish_Luck+copy.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Film poster (in Russian): Evreiskoe schast’e (Jewish Luck), Aleksandr Granovsky’s Yiddish-language film Yidishe glikn based on the writings of Sholem Aleichem, [1926] Lithograph 40 3/4 x 28 15/16” (103.5 x 73.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/aee663ba-28e8-4429-8450-1062e3ec8ba8/Screen+Shot+2022-04-11+at+3.30.35+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7ad350c6-a01c-4dae-8202-759cb6594452/Screen+Shot+2022-04-11+at+3.30.35+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e65a4b1e-181b-43fe-b57f-d308f552f149/JJ_60D_9428.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover design (in Yiddish): Sholem Aleichem (Eleykhem), Mayses far Kinder (Stories for Children), 1926 Ink and gouache on paper 9 x 6” (22.9 x 15.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b13a977a-7f2b-4e11-a7ef-93e902e5be8a/JJ_60D_9414.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover: Isaac Babel, Istoriia moei golubiatni: Rasskazy (The Story of My Dovecot: Stories) Moscow-Leningrad: ZIF (Zemlia i fabrika), 1927 Letterpress 7 1/2 x 5 3/4” (19 x 14.6 cm) Note: A full translation of the remarkable title story can be read here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3be83ad-8320-4b58-b45b-4fa203407e8d/Screen+Shot+2022-04-19+at+3.25.13+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f34e492a-1408-4577-98e3-a8689933ab08/Screen+Shot+2022-04-11+at+3.30.35+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9b200c36-1d6e-485f-9e6a-16ffdcf9c24a/JJ_60D_9423.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover: Ilya Ehrenburg, Lik voiny (The Face of War) Moscow: ZIF (Zemlia i fabrika), 1928 Letterpress 8 3/8 x 5 3/4” (18.2 x 14.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c7dccf9e-a4c3-4bdd-a3e2-f777546d9a79/JJ_60D_9420.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover: Ilya Ehrenburg, V Protochnom pereulke (At Protochnyi Street) Moscow: ZIF (Zemlia i fabrika), 1928 Letterpress 9 1/16 x 6 5/8” (23 x 16.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ad0ce48b-5395-4ba3-bee6-853a56393a1e/JJ_60D_9417.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover: Ilya Ehrenburg, Liubov Zhanny Ney (Love of Jane Ney) Moscow: ZIF (Zemlia i fabrika), 1928 Letterpress 8 3/8 x 6 1/8” (21.3 x 15.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/37648ce1-e1ba-4207-aa6f-1b287253ed4d/JJ_60D_9418.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover: A. Novikov-Priboi, More zovet (The Sea is Calling) Moscow: ZIF (Zemlia i fabrika), 1927–28 Letterpress 8 3/8 x 6” (21.3 x 15.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/20802813-65ce-4889-9fc7-b1e985501909/Untitled+2.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Book cover: Yu. Lebedinsky, Kommunisty (Communists) Moscow: ZIF (Zemlia i fabrika), 1928 Letterpress 8 1/2 x 5 13/16” (21.6 x 14.8 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/32859449-ab02-432d-810b-8d26df84eddb/JJ_60D_9436.jpg</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Proof: Arts et Metiers Graphiques, no. 30 (1932) Lithograph 12 1/8 x 9 3/8” (30.8 x 23.8 cm) Note: Altman’s realized cover of this issue of Arts et Metiers Graphiques differs from this proof.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/fee89920-7a74-494b-b90f-55adbe6223ab/Screen+Shot+2022-04-19+at+3.25.13+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/766189e8-47aa-47c3-8425-8da53d73a786/Screen+Shot+2022-04-19+at+3.25.13+PM.png</image:loc>
      <image:title>Natan Altman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/american-posters-of-the-wpa-era</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588897732565-1GNT8ECH16EBIO7C6GPG/floethe01-key+img+crop.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588784383308-0AWXZACQ690L0UHW4IE6/floethe02.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Richard Floethe (1901–1988) Exhibition: Oils and Watercolors. Federal Art Gallery, New York (April 27–May 11, 1938), 1938 Silkscreen on board 13 3/4 x 21 3/4 (34.9 x 55.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588784647355-XM5O2I1J6Y7O9Z1NKS26/JS_5D_2287.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) National Art Week  (November 25–December 1, [1941]), [1941] Silkscreen on board 22 x 13 1/8” (55.9 x 33.3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588785237649-MAHVUL9IFKZKHRSPBFQ0/Untitled.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Arlington Gregg (1909–1964) International Exhibition: Watercolors. The Art Institute of Chicago (March 23 – May 14, 1939), 1939 Silkscreen on paper 14 x 10" (35 x 25.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588785415070-QFF2THS4ACHCACOHAMV9/wpa09.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>John Buczak [life dates?] Annual Exhibition by Students of the School. The Art Institute of Chicago (June 6–July 7, 1940), 1940 Silkscreen on paper 14 x 10" (35 x 25.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588785675112-6A6M4A26W0R2F8EH1V2W/wpa10.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[Designer Unknown] Exhibition of Watercolors. The Art Institute of Chicago (July 17–October 5, 1941), 1941 Silkscreen on paper 14 x 10 7/8" 14 x 10" (35 x 27.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588784459141-JKKIPFQHAYXSB126POH0/floethe01.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Richard Floethe (1901–1988) Regional Poster Exhibition. Federal Art Gallery, New York (November 18–December 8, 1939), 1939 Silkscreen on board 8 11/16 x 5 11/16” (22 x 14.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588784810332-H99REIRN9FODH7EQOU1K/JS_5D_3588.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) Exhibition: Non-Sectarian Religious Art. South Side Community Art Center (April), [after 1940] Silkscreen on card and thick paper 21 5/8 x 13 7/8” (54.9 x 35.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588785172443-Q6698F6PRHX7POXMZ3XZ/wpa07.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[Designer Unknown] Half A Century of American Art. The Art Institute of Chicago (November 16, 1939–January 7, 1940), 1939 Silkscreen on paper 14 x 10" (35 x 25.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588785492744-VCOPXTKKA17MRR84H0SQ/wpa03.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[Galic.] 51st Annual Exhibition: American Painting and Sculpture. The Art Institute of Chicago (November 14, 1940–January 5, 1941), 1940 Silkscreen on paper 14 x 10" (35 x 25.4 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588785730031-0Q68GISV5OWHX19HJM1I/wpa11.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[Designer Unknown] 52nd Annual Exhibition: American Paintings and Sculpture. The Art Institute of Chicago (October 30, 1941–January 4, 1942), 1941 Silkscreen on paper 14 x 10" (35 x 25.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588784483662-SOZEJ9NMNMSAY7RIIN8A/JS_5D_2286.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) Buy American / Give American / Own American Art. National Art Week (November 17–23, 1941), 1941 Silkscreen on board 22 x 13 1/8” (55.9 x 33.3 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588784887269-CESXJO61LDL8W5KG6NJ7/scheer01.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Benjamin Sheer [life dates?] Exhibition Illinois: Federal Art Project, W.P.A., Federal Art Gallery, New York (February 16–March 12, [year?])[between 1936 and 1938] [medium?] [dimensions?]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588785336537-NBE495Y6D835I9VWH75P/wpa04.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>John Buczak [life dates?] 44th Annual Exhibition: Artists of Chicago and Vicinity. The Art Institute of Chicago (March 14–April 14, 1940), 1940 Silkscreen on paper 14 x 10" (35 x 25.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588785610730-NTI6TVKPU6DX4EIG5RW3/JS_5D_2284.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) 45th Annual Exhibition: Artists of Chicago and Vicinity. The Art Institute of Chicago (March 17–April 1, 1941), 1941 Silkscreen on board 22 x 13 1/8” (55.9 x 33.3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588775855199-1MTWAT27ITU35AZUCPWR/_MG_5247.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) WPA Federal Music Project will Present 8 Roof Garden Concerts at Jamaica YMCA Free to the Public, 1936 Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588777862642-6UQQY4SA61YA5CG022HN/_MG_5706.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Negro Music: Past and Present (February 12, 1939), 1939 Silkscreen on paper mounted on board 22 x 14” (55.8 x 35.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588775865377-YL1J97SJPQUH67C0QGTC/_MG_5241.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Pre-Bach to Moderns: W.P.A. Concerts of Unusual Music: 8 Consecutive Wednesday Evenings, 1936 Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588775884997-O13RF4BN3Z5RN4WSH9L9/_MG_5693.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Free Music Instruction, St. Johns Music Center, NY. W.P.A. The Federal Music Project, c. 1938 Silkscreen on card 14 x 11" (35 x 27.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588786024018-8N7ULPUE9RTBMSR1XUX8/_MG_5697.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) “American Holiday,” a new play by Edwin L. and Albert Barker, Manhattan Theatre, New York (February 21, 1936), 1936 Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588786596701-19RVAQWM5HFDCTU49S7L/_MG_5248.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Richard Halls (1906–1976) Federal Theatre presents [a revival of] "Processional" [1925] by John Howard Lawson. The first modern American play. Maxine Elliott’s Theatre, New York (October 1937), 1937 Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588787329876-CWHG5W7XC8F0BHZ1PTKX/JJ_60D_02433.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[Designer Unknown] Negro Peoples Theatre Presents: Langston Hughes’ Great Play, “Don’t You Want to be Free?” Directed by Fanny McConnell, Lincoln Centre  (April 1938), 1938  Silkscreen on paper mounted on board 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588787709130-129DS7P36JFC4BU9IB9M/_MG_5244.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) "Fun To Be Free" by Ben Hecht and Charles MacArthur. A fundraising pageant for the Fight for Freedom Committee, an organization advocating preemptive U.S. military action to oust Hitler, held at Madison Square Garden (October 5, 1941), 1941 Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588786399405-7LVFEMG5BYHP24SBZH71/decolas1.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Emanuel Decolas (1895–1939) W.P.A. Federal Theatre presents "Native Ground" by Virgil Geddes. Maxine Elliott’s Theatre, New York  (March 23, 1937), 1937 Silkscreen  [dimensions?]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588787043591-5GUP6BJM2NWAH8DSB3XI/_MG_5702.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) “Pins and Needles: A Musical Revue” produced by the International Ladies Garment Workers Union (ILGWU) with music and lyrics by Harold Rome. Labor Stage, New York (November 27, 1937), 1937 Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588787441607-HMON19QB4J4WZ352TLVE/_MG_5249.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Richard Halls (1906–1976) “Big Blow. A Drama of the Hurricane Country” by Theodore Pratt. Maxine Elliott’s Theatre, New York (October 1, 1938), 1938 Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588786542379-MMHMR0EY29B7X4AOAUN7/halls01.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Richard Halls (1906–1976) WPA Federal Theatre presents "The Case of Philip Lawrence" A new play based on George McEntee's "11 PM": A Negro Theatre Production. Lafayette Theatre, New York  (June 7, 1937), 1937 Silkscreen on paper mounted on board 22 x 13 7/8" (55.8 x 35.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588787190166-8POJN076HXCMUEBWY3J6/JJ_60D_02321.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Vera Bock (1905–1973) Haiti: A Drama of the Black Napoleon by William Du Bois. Lafayette Theatre, New York (March 2, 1938), 1938 Silkscreen on board 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588787549143-WC9GMK738JTOHU3JYJM0/wpa05.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Federal Theatre – Marionette Theatre presents [revival of] "R.U.R." [Robots universels de Rossum, by Karel Čapek of 1922]. Remo Bufano director, 1939 Silkscreen 21.5 x 14” (54.5 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588787968422-2GM2GFVN7LC2MLAWLXYQ/JS_5D_2283.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) “The foolishest book is a kind of leaky boat on the sea of wisdom; some of the wisdom will get in anyhow.”—Oliver Wendell Holmes. Illinois WPA Project, c. 1938  Silkscreen on board 22 x 13 1/8” (55.9 x 33.3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588788042239-4DK03WL3ZYQGHDMPLZCH/JS_5D_2279.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) Certain People of Importance [possibly for Kathleen Norris’s novel, first edition 1922; second edition 1930], c. 1939 Silkscreen on board 30 x 20” (76.2 x 50.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588788189097-O4J5FIS0L3CQ26A34KD4/sarr01.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Cleo Sara [life dates?] Legends of Illinois. The Illinois Writers Project with the Barnum Radio Players, c. 1939–1942 [medium?] [dimensions?]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588788429255-NXMNDYC49MGTIRHLD024/JJ_60D_02654.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[Designer Unknown] USA Work Program WPA, O.[fficial] P.[roject] 65–31–, c. 1939–40 Lithograph on paper 30 11/16 x 31" (77.9 x 78.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588788513003-8IEQK4GDBR563BSC2ZWO/_MG_4821.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[Designer Unknown] Women Work For Victory. Farm Office Factory. Apply Nearest U.S. Employment Service Office or State Defense Council. Hartford, Connecticut, [between 1941 and 1943] Silkscreen 25 1/2 x 17 1/2" (46 x 66 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588789644713-P9Z8KUCL0X1IO06LOW5Q/Untitled+6.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Richard H. Jansen (1910– 1998) Rural Slums on Worn Out Land. Resettlement Administration is offering new opportunities to farmers, c. 1935 Sponsor: Resettlement Administration Lithograph on paper, mounted on linen 24 x 36 3/4’ (61 x 93.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588789777975-4NSC9OGRRNL185QGN6OU/JS_5D_1996.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Bernarda Shahn Bryson (1903–2004) A Mule and a Plow. Resettlement Administration. Small Loans Give Farmers a New Start, 1935 Sponsor: Resettlement Administration Original color photo–offset poster on white stock backed on linen 42 x 28 3/4” (106.7 x 73 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588789858476-6M8W7RGEZYYV7QNHA3XI/JJ_60D_05288.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Ben Shahn (1898–1969) Years of Dust. Resettlement Administration Rescues Victims Restores Land to Proper Use, 1936 Sponsor: Resettlement Administration Lithograph on paper – mounted on canvas 38 1/4 x 25"(97.1 x 63.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588790175108-PQBLSTA1XXEIJZERTOFE/Untitled+1.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Your Family Needs Protection Against Syphilis. New York State Department of Health, [between 1936 and 1939] Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588790525871-PWB7NFXTV6CLPWF5GGJD/_MG_9748.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Leonard Karsakov (1917–1993) No home remedy ever cured Gonorrhea, c. 1941 Sponsor: U.S. Public Health Service Lithograph on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588791216802-OBDF26L3W1NZPSI15QC1/_MG_9747.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Leonard Karsakov (1917–1993) Prostitution Spreads Syphilis and Gonorrhea. U.S. Public Health Service, 1941 Sponsor: U. S. Public Health Service Lithograph on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588791516634-EEV2JF4BW2OFIQF4JI5O/JS_5D_3584.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) Vigilance. National Hospital Day (May 12 [year?]), c. 1940s Silkscreen on card and thick paper 22 x 13 3/4” (55.9 x 34.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588791682103-115SBU76GZ7AY35MX105/_MG_5704.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Security. Workmen’s Benefit Fund, Brooklyn, New York, [1930s–1940s]\ Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588790227236-ZJS38VSUVR8MLGZU8XLX/_MG_9750.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Leonard Karsakov (1917–1993) Know for sure–get blood tests before marriage, 1941 Sponsor: U.S. Public Health Service Lithograph on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588790685231-XK32PCLIBKSHI5GHGEV9/_MG_9751.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Leonard Karsakov (1917–1993) Make our Men as Fit as Our Machines: Regular Physical Check–Ups with Blood Tests, 1941 Sponsor: U.S. Public Health Service Lithograph on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588791358903-43VX0MKSKV6UNUMOHKGI/JJ_60D_02939.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[Designer Unknown] Syphilis. Untreated mothers: 8 babies out of 10 dead or syphilitic. Treated mothers: 9 babies of 10 healthy and normal, [between 1941 and 1945] Offset lithograph on paper 27 7/8 x 22" (70.8 x 55.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588791561364-VOKUE4DOZ1GN56ANRKFU/_MG_9752.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Leonard Karsakov (1917–1993) Both of these Men had Syphilis. He took his shots every week until cured. He didn’t take his shots, [between 1941 and 1945] Lithograph on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588790301059-64KDPBYJXOOEMZODFMMT/_MG_9749.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Leonard Karsakov (1917–1993) Know for sure–get a blood test for Syphilis, 1941  Sponsor: U.S. Public Health Service Lithograph on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588790979027-SNOWSI5W2NEJGDPHE0HM/_MG_9746.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Leonard Karsakov (1917–1993) No home remedy or quack ever cured syphilis or Gonorrhea / see your doctor or health officer, 1941 Sponsor: U.S. Public Health Service Lithograph on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588791422293-HRJYP1MRE5HH97XL9IWJ/_MG_9753.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Dorothy Fellnagel (1913–2006) Syphilis: A Million New Victims Each Year, c. 1941 Sponsor: United States Public Health Service Lithograph on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588791628277-O9WJ5LMTWRTEK3LWSEV0/_MG_5698.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Protect the Baby Molars. The Health of Your Children’s Teeth Depends on You, [between 1936–1943] Silkscreen on card 20 1/4 x 13" (51.4 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588791878978-JZCFU3XU38WIUDTVVZDF/_MG_5240.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Second Annual World Labor Athletic Carnival, Randall’s Island, New York  (July 11, 1937), 1937 Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588791972791-LEM4MWAVNY6JXEAN4AKN/rivolta01.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Jack Rivolta (1890–[?]) Up Where Winter Calls to Play. Olympic Bobsled Run. Operated by N.Y. State Conservation Dept. Lake Placid, c. 1938 Silkscreen 24 x 16” (61 x 40.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588793084679-GRXSJEP86570B5PZFP9W/_MG_5245.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Know The World You Live In: Free Informal Study Groups. Workers Education Project, New York. W.P.A., [1936 or 1937] Silkscreen on board 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588794136901-CAJZ0V5DZASFROXKILD0/JJ_60D_02590.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Louis B. Siegriest (1899–1981) Indian Court, Federal Building, Golden Gate International Exposition, San Francisco. Poster 1 (of 8), 1939 Silkscreen on paper 36 x 25" (91.4 x 63.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588794814221-S1LJPVYGEP5IZ35VF1II/JJ_60D_02601.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Louis B. Siegriest (1899–1981) Indian Court, Federal Building, Golden Gate International Exposition, San Francisco. Poster 4 (of 8), 1939 Silkscreen on paper 36 x 25" (91.4 x 63.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588795065016-3K93DKTTVYPLFP8DRRXD/_MG_5814.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Louis B. Siegriest (1899–1981) Indian Court, Federal Building, Golden Gate International Exposition, San Francisco. Poster 8 (of 8), 1939 Silkscreen on paper 36 x 25" (91.4 x 63.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588795435990-LKEXLFL2P2JHFUJJP6BB/JS_5D_2281.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) Books Curb Service. Chicago Public Library, c. 1940s Silkscreen on board 22 x 13 1/8” (55.9 x 33.3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588793160942-N33RFJPLB4LUHUTFMVSX/roth01.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Jerome Henry Roth (Rothstein) (1918–2008) Craft School: pottery, modeling, weaving, painting, drawing, woodcarving, sewing, needlework, metalwork, photography. Henry Street Settlement, [between 1936 and 1939] Silkscreen 21 15/16 x 14 1/16" (55.7 x cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588794572689-YCDGZM1QQMO0EJAS7SOF/JJ_60D_02633.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Louis B. Siegriest (1899–1981) Indian Court, Federal Building, Golden Gate International Exposition, San Francisco. Poster 2 (of 8), 1939 Silkscreen on paper 36 x 25" (91.4 x 63.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588794894165-0RIO30KIX3ZLOHZYB4N8/JJ_60D_02631.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Louis B. Siegriest (1899–1981) Indian Court, Federal Building, Golden Gate International Exposition, San Francisco. Poster 6 (of 8), 1939 Silkscreen on paper 36 x 25" (91.4 x 63.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588795179435-8Q4F18VIVV97Z2Z96SDK/JS_5D_3586.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) Send your magazine subscriptions to New Trier. Help support The Scholarship Fund. Illinois WPA, c. 1940 Silkscreen on card and thick paper 21 7/8 x 13 7/8” (55.6 x 35.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588795527876-IENXEONFUDO6A49VB57Y/JS_5D_2280.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) Ask the Librarian for “Keep ‘em Flying” United States Army Information, c. 1940s Silkscreen on board 22 x 13 1/8” (55.9 x 33.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588793244659-PH3VLQGNBQYGETGFY4N0/galic01.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[Galic.] Museum of Science and Industry, Chicago, Illinois, [between 1936 and 1940] Silkscreen [dimensions?]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588794685260-6KJ6DUFOVMBJQIFSRF93/JJ_60D_02594.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Louis B. Siegriest (1899–1981) Indian Court, Federal Building, Golden Gate International Exposition, San Francisco. Poster 3 (of 8), 1939 Silkscreen on paper 36 x 25" (91.4 x 63.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588794957444-YF5KCTB569Y4A3WCV69B/JJ_60D_02592.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Louis B. Siegriest (1899–1981) Indian Court, Federal Building, Golden Gate International Exposition, San Francisco. Poster 7 (of 8), 1939 Silkscreen on paper 36 x 25" (91.4 x 63.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588795348144-JD5GCS5S9HLQHFICWKQH/JS_5D_3587.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) What of Teaching? Illinois State Teachers Colleges Exhibit, 1940 Silkscreen on card and thick paper 22 x 13 7/8” (55.9 x 35.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588795590996-CPOGQP5IJNDZKZBIIRD9/JS_5D_2282.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) With Library Books to Bring you Cheer It’s Christmas Time Throughout the Year. Statewide W.P.A. Library Project, c. 1940s Silkscreen on board 22 x 13 1/8” (55.9 x 33.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588799297310-9X12NBKNW5YO8Z33N62Z/JJ_60D_02599.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Dorothy Waugh (1896–1996) Where the Deer and the Antelope Play: National Parks, 1934 Sponsor: National Park Service Lithograph on paper 39 7/8 x 26 7/8" (101.2 x 68.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588799634218-TLXMIMSNH82PAGKP7J5Q/JJ_60D_02597.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Dorothy Waugh (1896–1996) Mystery Veils The Desert: National Parks, 1934 Sponsor: National Park Service Lithograph on paper mounted on canvas 42 3/8 x 29 5/8" (107.6 x 75.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588799924161-4SP2IXI4YK0AX77GIUW0/JS_5D_2277.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) Fire Wrecks a Forest, c. 1938 Sponsor: U.S. Department of the Interior Silkscreen on board 30 x 20” (76.2 x 50.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588799418799-BB7AVZKQSX0SFO2ZOOT6/JJ_60D_02652.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Dorothy Waugh (1896–1996) The Lure of the National Parks, 1934 Sponsor: National Park Service Lithograph on paper mounted on canvas 41 3/4 x 28 3/4" (106 x 73 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588799712234-HHL12N2XJM5A12X9GVQC/JJ_60D_02999.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Harry Herzog [life dates?] See America. Visit the National Parks, [between 1936 and 1940] Sponsor: National Park Service Silkscreen on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588799519517-PQPDON4XD53K0GNB7CWS/JJ_60D_02637.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Dorothy Waugh (1896–1996) His Hunting Ground of Yesterday: National Parks, 1934 Sponsor: National Park Service Lithograph on board 40 x 26 3/4" (101.6 x 67.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588799811606-CL2TV8Y5QJ5O4BEUSAX1/JJ_60D_03003.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Frank S. Nicholson [life dates?] Wild Life. The National Parks Preserve All Life, [between 1936 and 1940] Sponsor: National Park Service Silkscreen on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588800080114-TRDH3WQRDQLNTYVBEOVW/Untitled+4.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Cleo Sara [life dates?] See Alaska: America’s Last Frontier, [date?] Silkscreen on card (state of the final poster) 22 x 14” (55.8 x 35.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588800265995-XD5SHWCSI0VUYGBJCNES/sarr02.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Cleo Sara [life dates?] See Alaska: America’s Last Frontier, [date?] [medium?] [dimensions?]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588800546090-IFWLZUPH0EBHFFIQBTMZ/JS_5D_3583.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) The Historical Records Survey, Chicago, Illinois: Inventory of the County Archives of Illinois, Knox County, c. 1940s Silkscreen on paper  19 7/8 x 10 7/8” (50.5 x 27.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588800842143-6WX680DLFAILIUGHAF46/image-asset.jpeg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Fire–Retard Halls and Stairways. Tenement House Department of the City of New York, c. 1934–38 Sponsor: Tenement House Dept. of The City of New York Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588801828090-9QPG42GQ51TL0CWUZWRS/_MG_6757.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Katherine Milhous (1894–1977) Visit Historic Ephrata Pennsylvania, Ephrata Cloisters, c. 1936 Lithograph on paper 25 1/4 x 20" (64.1 x 50.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588800144069-ZUERKAZZRT2Z9U5B959J/Untitled+5.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Cleo Sara [life dates?] See Alaska: America’s Last Frontier, [date?] Silkscreen on card (state of the final poster) 22 x 14” (55.8 x 35.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588800361136-PUZ01DK9E5XVU8GGPH3V/JS_5D_3581.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) The Historical Records Survey, Chicago, Illinois: Inventory of the Church Archives of Illinois, Cairo Presbytery, c. 1940s Silkscreen on paper 19 7/8 x 10 7/8” (50.5 x 27.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588800631848-TGFOADOFOUPCGJ7ZYG8C/_MG_5239.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Maurice Merlin (1909–1947) Mobilizing Michigan for Farm and Factory; US Employment Service Survey Conducted House to House by Veteran’s Organizations (April 13–25 [year?]), [between 1941 and 1943] Silkscreen [dimensions?]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588801011847-TMOU5GZEFXIFR5QLQKGZ/_MG_5696.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Keep Yards and Courts Clean, c. 1934–38 Sponsor: Tenement House Dept. of The City of New York Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588801961578-8D28QOI3HQ6G78BWEY0T/JJ_60D_02945.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Katherine Milhous (1894–1977) Rural Pennsylvania: Agriculture, Towns, Costumes, Architecture, Ceramics, c. 1938 Lithograph on paper 25 x 19" (63.5 x 48.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588800199010-IZUXQUB4NGRSD7W8ALUH/Untitled+3.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Cleo Sara [life dates?] See Alaska: America’s Last Frontier, [date?] Silkscreen on card (state of the final poster) 22 x 14” (55.8 x 35.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588800443941-0VMK5EECQBTF7KFGBBZP/JS_5D_3582.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) The Historical Records Survey, Chicago, Illinois: Inventory of the County Archives of Illinois, Sangamon County, c. 1940s Silkscreen on paper 19 7/8 x 10 7/8” (50.5 x 27.6 cm)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588800743284-YYHQ3MH6P4NYKGG5SBB7/_MG_6758.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Jerome Henry Roth (Rothstein) (1918–2008) See America: Welcome to Montana, [between 1936 and 1938] Sponsor: United States Travel Bureau Silkscreen on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588801148934-9FXEJT5V9WV1BAOHKFZM/JJ_60D_03001.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[Harry Herzog (life dates?)] City of New York Municipal Airports No. 1 Floyd Bennett Field – No. 2 North Beach, [1936 or 1937] Silkscreen on paper 28 x 22" (71.1 x 55.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588802411145-W0LJCFFXJ8XGPEYJUQQD/Untitled+2.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Youth Challenges the War–Makers, Columbus, Ohio (December 27, 28, 29, 30, 1938), 1938 Sponsor: Youth Committee Against War Silkscreen on paper 22 x 14” (55.8 x 35.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588802679570-7VTY85EBYZFBRCW6I9TX/_MG_5705.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Workmen's Circle Ball and Camp Reunion (April 1, [1940?]), [1940?] Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588802513877-OO4C253C3NIJ341O16WN/_MG_5703.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) Unity House: Reunion in Manhattan. International Ladies Garment Workers Union (ILGWU) (March 15, 1939), 1939 Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588802754146-7J0VEBSPQUKVJCU6QRHD/JS_5D_3589.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Kenneth Whitley (1918–1979) Park Employees Picnic (September 14, 1941), 1941 Silkscreen on card and thick paper 21 1/2 x 13 3/4” (54.6 x 34.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588802564644-N3LP5F3RVYYX2PVJAI4W/_MG_5701.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>Charles Verschuuren (1891–1955) 2nd Annual Ball. Workmen’s Circle. Proceeds to Young Jewish Workers of Poland (April 6 [year?]), [year?] Silkscreen on card 22 x 14” (55.8 x 35.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1588802824020-KV4G11RJFSXC3ZH2VQB7/_MG_5246.jpg</image:loc>
      <image:title>American Posters of the WPA-Era: 1935-1943</image:title>
      <image:caption>[A. S.] Thrift Shop. Bldg. #556. Do you have any household and personal effects we can sell for you, [1930s to 1940s] Silkscreen on board 20 1/4 x 13 1/4" (51.4 x 33.6 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/error</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-06-28</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/online-exhibitions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1a94bc82-0056-44e0-aab1-1bab19c21123/JS_5D_5514+copy.jpg</image:loc>
      <image:title>Online Exhibitions - Make it stand out</image:title>
      <image:caption>Exploded Books: Social Kunst no. 8: Photomontage Launched: October 31, 2023 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/dd0878b9-afc0-46ca-9f98-05b6873c255c/JS_5D_6380-square.jpg</image:loc>
      <image:title>Online Exhibitions - Make it stand out</image:title>
      <image:caption>A4: Letterheads of the 1920s and 1930s Launched: July 19, 2022 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5828e0da-9dd4-4c02-a5dc-fcd7af227127/JS_5D_7248-square.jpg</image:loc>
      <image:title>Online Exhibitions - Make it stand out</image:title>
      <image:caption>Vladimir Mayakovsky: Across Media Launched: January 5, 2022 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1631029700336-40TFBYB9FE3ALOAN90QL/anonru67-square.jpg</image:loc>
      <image:title>Online Exhibitions - Make it stand out</image:title>
      <image:caption>Visualization of Data in the Soviet Union: Informational Posters and Pictorial Statistics of the 1920s and 1930s Launched: September 7, 2021 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621345573120-M40WH7M6R88CNSFHW078/JF_5D__6246-square.jpg</image:loc>
      <image:title>Online Exhibitions - Make it stand out</image:title>
      <image:caption>Posters of the Spanish Civil War (1936–1939) Launched: May 18, 2021 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617653122819-5PQPHPY33ZJH8KRHO46D/Tschic06-banner3SQUARE1.jpg</image:loc>
      <image:title>Online Exhibitions</image:title>
      <image:caption>Jan Tschichold: Designer, Theorist, Collector Launched: April 6, 2021 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609772789148-ST5AK3FV4Z1ZUAJZI5OQ/JS_5D_4626_cropped+with+mat.jpg</image:loc>
      <image:title>Online Exhibitions</image:title>
      <image:caption>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945 Launched: January 5, 2021 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1598305024102-0TMWRHESVIW2W728T0IR/JS_5D_4908-2.jpg</image:loc>
      <image:title>Online Exhibitions</image:title>
      <image:caption>Early Soviet Anti-Religious Propaganda: 1921-1931 Launched: August 25, 2020 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1589293384064-TV1P59L5WHE67O2AWJXS/floethe01-square.jpg</image:loc>
      <image:title>Online Exhibitions</image:title>
      <image:caption>American Posters of the WPA-Era: 1935-1943 Launched: May 13, 2020 Deaccessioned to Getty Research Institute: January 2023. View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605567475698-5FG1SBJFIWTD54EPUMMY/BPEthyl-square.jpg</image:loc>
      <image:title>Online Exhibitions</image:title>
      <image:caption>E. McKnight Kauffer (1890–1954), Part II: Shell Oil and Return to America Launched: November 17, 2020 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593783811695-HWL2B76HV3JZCDOI3O1O/JF_5D_6570-square.jpg</image:loc>
      <image:title>Online Exhibitions</image:title>
      <image:caption>Black Self-Empowerment from The Crisis to the Black Panthers, 1920s–1990s Launched: July 3, 2020 Deaccessioned to Getty Research Institute: January 2023. View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604957857170-B4QKHRO54PH7N1B8GQYK/Birds+top-banner-square.jpg</image:loc>
      <image:title>Online Exhibitions</image:title>
      <image:caption>E. McKnight Kauffer (1890–1954), Part I: The London Years Launched: November 10, 2020 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592922868612-F79DDG8JFXLAGABE87QJ/JJ_60D_03162-squareblank.jpg</image:loc>
      <image:title>Online Exhibitions</image:title>
      <image:caption>Abstract Antwerp: Belgian Avant-Garde, 1917-1925 Launched: June 23, 2020 View the exhibition</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/loans-to-exhibitions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/faf593ab-e946-42a6-9ea3-f2668caabc95/Screenshot+2025-12-08+at+11.01.46%E2%80%AFAM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>The Day Is Gone: 100 Years of the New Objectivity Tel Aviv Museum of Art December 12, 2025–May 23, 2026 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/99e66c33-efbc-4d4d-ab95-12bf6addd2ac/Screenshot+2025-01-14+at+11.27.37%E2%80%AFAM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Neue Sachlichkeit / New Objectivity Neue Galerie, New York February 20–May 26, 2025 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0d5ec918-1295-4025-968c-8044f24fcb9f/Screenshot+2024-08-12+at+3.04.52%E2%80%AFPM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Lester Beall &amp; A New American Identity Poster House, New York September 26, 2024–February 23, 2025 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a14ddef3-7c98-40a0-9ed5-ba00ddff57d3/Screenshot+2024-02-13+at+1.30.59%E2%80%AFPM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Fortunato Depero - from Avant-garde Art to a new Advertising Italian Cultural Institute, Miami March 7–May 5, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/25cca9e6-037f-42e9-befc-a429dc6e435b/Screen+Shot+2023-03-28+at+2.58.04+PM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>From Depero to Rotella: Italian Commercial Posters Between Advertising and Art Center for Italian Modern Art, New York February 16- June 10, 2023 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624897397172-6Y17C0TPS9MSDDZ32KIV/Kauffer-jacket_500.jpg</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Underground Modernist: E. McKnight Kauffer Cooper Hewitt, Smithsonian Design Museum, New York September 10, 2021- April 10, 2022 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1620751404058-QAJ4UYT2V5LWT2CUY2KY/1972+munich+olympics+art+and+propoganda+2.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>1972 Munich Olympics: Art and Propaganda Williams College Museum of Art July 2- August 15, 2021 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d787b73f-71dc-4a17-a535-16fa5af5ef66/Screenshot+2025-12-08+at+11.00.00%E2%80%AFAM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Witnessing Humanity: The Art of John Wilson The Metropolitan Museum of Art September 20–February 8, 2026 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c2738b2d-7f16-4f36-9afb-1e1dacbde6a0/Screenshot+2025-01-14+at+11.24.33%E2%80%AFAM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Twentieth Century Stores Forum Gallery, New York November 14, 2024–February 1, 2025 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/044550af-2f75-4482-a542-334bf20eee6e/Screenshot+2024-02-13+at+1.11.00%E2%80%AFPM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>The Juncture: Ukrainian Artists in Search of Modernity and Identity Mead Art Museum, Amherst May 24-October 13, 2024 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/421c5890-a187-499d-9a59-ab462d31cdee/b756d137e40978ae425278e63d2bcd06f6aca82b-5120x5120.jpg</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Art for the Millions: American Culture and Politics in the 1930s The Metropolitan Museum of Art September 7–December 10, 2023 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9b56df6b-366e-44bc-a015-b1e9586c7de0/Screen+Shot+2022-09-07+at+10.04.57+AM.png</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Bruno Munari: The Child Within Center for Italian Modern Art, New York October 6, 2022- January 14, 2023 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1620750710365-5QGIFC2Z9KCO062C9CHC/new+woman+behind+the+camera.jpg</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>The New Woman Behind the Camera The Metropolitan Museum of Art, New York July 2-October 3, 2021 The National Gallery, Washington DC October 31, 2021-January 30, 2022 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116064969-ZBEA8RTC0KZYG3CVOY9L/sleeping+giant1.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>The Sleeping Giant: Posters &amp; The Chinese Economy Poster House, New York February 26- August 23, 2020 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/35cf3cac-e5e8-4045-9999-e55730edc134/Screenshot+2025-05-13+at+10.34.01%E2%80%AFAM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Blacklisted: An American Story The New York Historical June 13–October 19, 2025 Capital Jewish Museum, Washington D.C. March 6–September 6, 2026 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7ca26fbd-2e92-4842-97be-74faa294f5e3/Screenshot+2025-12-08+at+10.52.46%E2%80%AFAM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Fallout: Atoms for War &amp; Peace Poster House, New York March 13–September 7, 2025 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2faa8fec-5f33-477c-be10-9ad71431fcf0/Screenshot+2024-08-12+at+3.04.07%E2%80%AFPM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Digital Witness: Revolutions in Design, Photography, and Film Los Angeles County Museum of Art November 24, 2024–July 13, 2025 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/14a8211f-6101-484e-a44b-de6c067c3c28/Screenshot+2024-02-13+at+1.05.00%E2%80%AFPM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Wonder City of the World: New York City Travel Posters Poster House, New York March 14–September 8, 2024 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a8b179c9-e32e-4bd5-a64a-7016e49f81b0/Screenshot+2023-10-24+at+3.14.26%E2%80%AFPM.png</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Léon Tutundjian Rosenberg &amp; Co, New York September 28–December 22, 2023 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f215a187-54c2-435c-b5b3-9f91854c3656/Untitled+3.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Allemagne / Années 1920 / Nouvelle Objectivité / August Sander Centre Pompidou, Paris, France May 11, 2022- September 5, 2022 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590002853177-7RNQT44FT2324YBK8YMZ/herbret+bayer+bauhaus.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Herbert Bayer: Bauhaus Master Cooper Hewitt, Smithsonian Design Museum, New York November 16, 2019-April 5, 2020 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590003055064-QGV4RMEEA1NC050IQ2V8/genealogies+of+art.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Genealogies of Art Fundación Juan March, Spain October 11, 2019–January 12, 2020 Museo Picasso Malaga, Spain February 26, 2020-May 31, 2020 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590011047095-RAA75DVIZN5XAZZXBX3W/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>The Ecstatic Eye. Sergueï Eisenstein, filmmaker at the crossroads of the arts Centre Pompidou-Metz, France September 9, 2019- February 24, 2020 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590002900280-ZW8VNQA1UOL7EK94K7MU/building+a+new+world.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Building a New World: Amerikanizm in Russian Architecture Canadian Centre for Architecture, Montreal, Quebec, Canada November 12, 2019-April 5, 2020 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590003655955-NYWO02AXGALHPOJEUVJ1/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Made in Tokyo: Architecture and Living, 1964/2020 Japan Society, New York October 11, 2019- January 26, 2020 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590011069905-Q3146Y0TD2BF2O0FAXWD/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Italian Types: Graphic Designers from Italy in America Italian Cultural Institute, New York March 21- May 2, 2019 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590002922970-FTF7AQUY165GJ0Z7WY66/great+monster+dada+show.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>The Great Monster Dada Show Henie Onstad Art Center, Høvikodden, Norway October 25, 2019-January 26, 2020 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590003696560-0WUYPZEITNIER0KU108T/new+york+dada.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>New York Dada and the Arensberg Circle of Artists Francis Naumann Fine Art Gallery, New York September 12-November 23, 2019 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590011080519-UAAL13R6HZJ23FQ5FCKE/bauhaus+and+harvard.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>The Bauhaus and Harvard Busch-Reisinger Museum, Harvard Art Museums, Cambridge, MA February 8-July 28, 2019 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116213559-JDAECRFQD6844MET5ZP6/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Constructing the World: Art and Economy 1919-1939 and 2008-2018 Kunsthalle Mannheim, Germany October 11, 2018-March 2, 2019 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116254790-W4FOUW876VS5CAD2HMJ4/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Histórias Afro Atlânticas Museu de Arte de São Paulo, Brazil and Instituto Tomie Ohtake, São Paulo, Brazil June 28- October 21, 2018 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116680856-J6Z52MFVF0HMXYSASV3V/splendor+and+misery.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Splendor and Misery in the Weimar Republic Schirn Kunsthalle, Frankfurt, Germany October 27, 2017-February 25, 2018 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116758512-H5GCCU50PGYMCGY905AN/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Revolution Every Day Smart Museum of Art, The University of Chicago, IL September 15, 2017-January 14, 2018 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116886955-R7VB3KES6B9S5ICP0EVO/the+shadow+of+color.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>The Shadow of Color: Otto Freundlich, Len Lye, Lygia Clark, and Blinky Palermo The Israel Museum, Jerusalem, Israel December 22, 2016-April 22, 2017 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117032418-16J7ZCNL12LTEXYIGE85/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Berlin Metropolis: 1918-1933 Neue Galerie, New York October 1, 2015-January 4, 2016 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117066929-3FH47ACE3KZ9JLG2KF5A/futurist+depero.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Depero The Futurist (1913-1950) Fundación Juan March, Madrid, Spain October 10, 2014-January 18, 2015 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117112984-D8PCYAEH0SBQC3DCKQ32/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>The European Poster 1888-1938 Picasso Museum, Málaga, Spain June 18-September 16, 2012 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116228246-RY313X9ZMVPMMBD2OOEA/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Charles White: A Retrospective The Museum of Modern Art, New York October 7, 2018-January 13, 2019 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116266436-MP4E9YM05PPKWUUYXAOR/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Constructing a New World: The Soviet Experiment, 1920s-30s Amherst Center for Russian Culture at Webster Hall, Amherst College, MA March 1- June 23, 2018 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116694557-7HV8UONYXLZIWVS4H5UJ/russian+revolution.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Russian Revolution: A Contested Legacy International Print Center New York October 12-December 16, 2017 Brochure by Masha Chlenova View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116768117-LANR9YZOX6WK8ZN68I1C/the+revolution+is+dead.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>The Revolution is Dead. Long Live the Revolution! Kunstmuseum Bern, Switzerland April 13-July 9, 2017 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116905443-FN3KGP2MBGAVRI3990KK/francis+picabia.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Francis Picabia: Our Heads are Round so Our Thoughts Can Change Direction The Museum of Modern Art, New York November 21, 2016-March 19, 2017 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117040988-KD2UIFP1Q6MV3B00HJLW/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>The Power of Pictures: Early Soviet Photography, Early Soviet Film Jewish Museum, New York; September 25, 2015-February 7, 2016 Frist Center for Visual Arts, Nashville, TN March 11- July 4, 2016 Joods Historisch Museum, Amsterdam September 25, 2015-February 7, 2016 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117099541-QFISWNOBR4IQJZUHGRNG/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Léger: Modern Art and the Metropolis Philadelphia Museum of Art, PA October 14, 2013-January 5, 2014 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117142612-Q0YDF7L6E81EB45LK618/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Aleksandr Deineka (1899–1969): Avant-Garde for the Proletariat Fundación Juan March, Madrid, Spain October 7, 2011-January 15, 2012 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116241796-969KEBMNG1OGIKIT2I4H/serious+play.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Serious Play: Design in Mid-Century America Milwaukee Art Museum, WI September 28, 2018–January 6, 2019 Denver Art Museum, CO May 5, 2019-August 25, 2019 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116667972-LEFA0A0MSZRW5FJT59OM/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test Art institute of Chicago, IL October 29, 2017-January 15, 2018 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116743176-P6LAOHDXTKKEJX3RCPR1/william+morris.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>William Morris and Company: The Arts and Crafts Movement in Great Britain Fundación Juan March, Madrid, Spain October 6, 2017-January 21, 2018 Museu Nacional d'Art de Catalunya, Barcelona, Spain February 22, 2017-May 20, 2018 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116794117-U4J6Y4ABDYIJQISAJ7ZQ/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>How Posters Work Milwaukee Art Museum, WI and Cooper Hewitt, Smithsonian Design Museum, New York March 31- June 25, 2017 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590116920172-326Y8UGQQ12SLS40CTOT/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>You Say You Want a Revolution: American Artists and the Communist Party Galerie St. Etienne, New York October 18, 2016-February 11, 2017 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117055353-TKDG802A4F4SOI2I5J5W/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Modern Taste: Art Deco in Paris, 1910-1935 Fundación Juan March, Madrid, Spain March 26-June 28, 2015 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1611322324482-GM1DABZTZXT049UVD1F9/shock+of+the+news.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Shock of the News National Gallery of Art September 23, 2012-January 27, 2013 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117165369-CTSB6RJ5UG01082V0K22/bauhaus+workshops.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Bauhaus 1919-1933: Workshops for Modernity The Museum of Modern Art, New York November 8, 2009-January 25, 2010 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117673590-YGRH2YJ2KC8D36TDSK3A/van+doesburg.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Van Doesburg and the International Avant-Garde Stedelijk Museum, Amsterdam, The Netherlands October 20, 2009-January 3, 2010 Tate Modern, London, England February 4-May 16, 2010 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117729545-L2ABLNXE5SJL0FYQQLSY/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Modernism: Designing a New World 1914–1939 Victoria and Albert Museum, London, England April 6-July 23, 2006 Corcoran Gallery of Art, Washington, DC  2007 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117772245-4WRTVNTO26TSH97XNHE0/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Neue Sachlichkeit: “New Objectivity” in Weimar Germany Ubu Gallery, New York September 21-December 18, 2004 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117693937-JFX73P4NLSBPJRRL7GOJ/rodchenko+and+popova.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Rodchenko and Popova: Defining Constructivism Tate Modern, London, England February 12- May 17, 2009 State Museum of Contemporary Art, Thessaloniki, Greece June 18-September 20, 2009 Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain October 20, 2009-January 31, 2010 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117741050-NED4BO6YE1M7Z7XY49F5/tempo+tempo.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt Bauhaus-Archive, Berlin, Germany October 12, 2005-January 9, 2006 Busch-Reisinger Museum, Harvard University; Cambridge, MA March 11-May 21, 2006 The International Center of Photography, New York June 9-August 27, 2006 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117795103-QX0GW1ERO3XCSJJUFY7Z/klutsis+and+kulagina.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Gustav Klutsis and Valentina Kulagina: Photography and Montage after Constructivism International Center of Photography, New York March 12-May 30, 2004 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117713778-7YM4828OOHSVRZJ0ONGU/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Bauhaus style or constructivism? Museum of Concrete Art, Ingolstadt, Germany October 12, 2008-January 11, 2009 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117753025-G5J2QR4QU4UKUCEUCXR3/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Dada: Zurich, Berlin, Hannover, Cologne, New York Musée National d'Art Moderne, Centre Pompidou, Paris, France October 5, 2005-January 9, 2006 The National Gallery of Art, Washington, DC February 19-May 14, 2006 The Museum of Modern Art, New York June 18- September 11, 2006 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117805894-A7YCZZO55PH9D7XU3IT8/century+city.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Century City: Art and Culture in the Modern Metropolis Tate Modern, London, England February 1-April 29, 2001 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117580416-GVD8Q6QU0ZJSXQ61EYBV/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Aleksandr Rodchenko The Museum of Modern Art, New York June 25- October 6, 1998 Kunsthalle Düsseldorf, Germany October 1998-January 1999 Moderna Museet, Stockholm, Sweden March 6-May 24, 1999 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117619944-2AMYPHZ1ZN8EU707F2SI/gustav+klucis.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Gustav Klucis: Retrospektive Museum Fridericianum, Kassel, Germany March 24-May 26, 1991 Centro de Arte Reina Sofia, Madrid, Spain June 11-July 29, 1991</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/17f404bc-63d2-4228-8825-1a20dfa12c9f/2am316.jpg</image:loc>
      <image:title>Loans to Exhibitions - Make it stand out</image:title>
      <image:caption>Posters American Style National Museum of American Art, Washington D.C., March 27, 1998 - August 9, 1998 Norton Museum of Art, West Palm Beach, Florida, August 29 - October 25, 1998 The Oakland Museum of California June 12, 1999 - August 15, 1999</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117589346-I45HK0UR1EGKUJ6VO0PL/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Montage and Modern Life: 1919-1942 Institute of Contemporary Art, Boston, MA April 7-June 7, 1992 The Vancouver Art Gallery, British Columbia, Canada August 19-October 18, 1992 The Palais des Beaux-Arts, Brussels, Belgium November 3, 1992-January 3, 1993 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117634070-Q5C989ZT98EOJWFT19NZ/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>High and Low: Modern Art and Popular Culture The Museum of Modern Art, New York October 7, 1990-January 15, 1991 The Art Institute of Chicago, IL February 20-May 12, 1991 The Museum of Contemporary Art, Los Angeles June 21-September 15, 1991 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117607595-37M56J9CSESTJFN96S42/image-asset.jpeg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>The Great Utopia: The Russian and Soviet Avant-Garde 1915-1932 Schirn Kunsthalle, Frankfurt, Germany March 1-May 10, 1992 Stedelijk Museum, Amsterdam, The Netherlands June 5-August 23, 1992 Solomon R. Guggenheim Museum, New York September 25-December 15, 1992 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117643052-UPF2EZNZ2FA8T7BC7M1W/art+into+life.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Art Into Life: Russian Constructivism 1914-1932 Henry Art Gallery, University of Washington, Seattle, WA July 4-September 2, 1990 Walker Art Center, Minneapolis, MN October 7-December 30, 1990 State Tret'yakov Gallery, Moscow, Russia Spring 1991</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117548826-FXAHR3YLYA4B54538P97/dada+and+constructivism.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Dada and Constructivism The Seibu Museum of Art, Tokyo, Seibu, Japan October 8-November 13, 1988 Tsukashin Hall, Amagasaki, Japan November 19-December 19, 1988 The Museum of Modern Art, Kamakura, Japan January 5-February 12, 1989 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590117557787-0J72QCQ9KH7NU3NAQONN/dada.jpg</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>The World According to Dada Taipei Fine Arts Museum, Taiwan June 11-August 7, 1988 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/690df9bc-d124-45a2-b8c6-70185cc84c6d/Screen+Shot+2021-11-16+at+2.12.42+PM.png</image:loc>
      <image:title>Loans to Exhibitions</image:title>
      <image:caption>Graphic Design in America: A Visual Language History Walker Art Center, Minneapolis, MN; IBM Gallery of Science and Art, New York; Phoenix Art Museum, AZ; Design Museum, London November 5, 1989–January 21, 1990</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/collection-exhibitions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a9de098d-c55e-4d84-b96e-405cb33c5868/Screen+Shot+2022-06-27+at+2.09.56+PM.png</image:loc>
      <image:title>Collection Exhibitions - Make it stand out</image:title>
      <image:caption>Black Power to Black People: Branding the Black Panther Party Poster House March 2–September 10, 2023 View the exhibition</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1603220410099-8K9RFW64AV3JWZWQ2SQ0/61QJYPAdBkL.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Engineer, Agitator,Constructor: The Artist Reinvented The Museum of Modern Art, New York December 13, 2020-April 10, 2021 Catalogue by Jodi Hauptman and Adrian Sudhalter View the exhibition</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5cd3af77-077e-4d8a-9914-74a30936c92c/JS_5D_7371.jpg</image:loc>
      <image:title>Collection Exhibitions - Make it stand out</image:title>
      <image:caption>Made in Japan: 20th Century Poster Art &amp; Design Poster House March 2–September 10, 2023 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590156986726-4PLLUHD7PIL5SLA0S5KY/youth+style.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>"Youth Style": Austrian and German Posters from the Merrill C. Berman Collection Galerie St. Etienne, New York March 18-May 22, 2020 Brochure by Jane Kallir View the exhibition</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1632253154159-EW9JP6DLGSXRWPE0CPSR/Untitled.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Disrupting Design: Modern Posters, 1900–1940 High Museum of Art December 10, 2021–April 24, 2022 View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157065637-MNJVKROQATQXJJ084WYR/Futurismo.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Futurismo! The Italian Avant-Garde and its Cultural Impact: Selections from the Merrill C. Berman Collection CUNY Queens College, New York November 19, 2019-January 24, 2020 View the exhibition</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157154432-5BS5EGQ3JLTV2JQG420C/image-asset.jpeg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Carl Grossberg: Selections from the Merrill C. Berman Collection Busch-Reisinger Museum, Harvard University, Cambridge, MA August 4-December 12, 2017 and December 15, 2017–July 22, 2018 Catalogue by Melissa Venator View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157289755-9LQFSWFB9LT8K62KP3S1/american+masterworks.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>American Masterworks from the Merrill C. Berman Collection Alexandre Gallery, New York May 14-June 26, 2015 Catalogue by Robert Cozzolino, David C. Driskell, Peter Nesbett, and John Yau View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157402580-BDR2GO24RIGXVIMXQNHI/lebdev+juan+march.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Vladímir Lébedev (1891-1967) [drawn primarily from Berman’s collection] Fundación Juan March, Cuenca, Spain June 15-September 9, 2012 Catalogue by Masha Koval , et. al. View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157476554-IDWDCHEWZDAS04DWR0RE/photomontage+between+the+wars.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Photomontage Between the Wars, 1918-1939: Selections from the Merrill C. Berman Collection Museo de Arte Abstracto Español, Cuenca, Spain March 2-May 27, 2012 Museu Fundación Juan March, Palma de Mallorca, Spain June 13-September 8, 2012 Carlton University Art Museum, Ottawa, Canada October 15-December 16, 2012 Catalogue by Adrian Sudhalter and Deborah L. Roldán View the catalogue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157091668-GKKOPUCFY1W7ZHUCAVPP/Fluxus.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Fluxus Museum Ulm, Germany April 5-July 7, 2019 Catalogue by Laura Caroline Bösl View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157259451-5ULAH3PR63D3Q4JBBKTH/the+ring.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>The Ring: Art and Commerce, Kurt Schwitters and Colleagues, Selections from the Merrill C. Berman Collection [two gallery rotations over a six-month period] Busch-Reisinger Museum, Harvard Art Museums, Cambridge, MA June 2016-January 2017 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157312523-935772ZYRG8VZUXPGWUL/schwitters.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Kurt Schwitters: Avant-Garde and Advertising [drawn from Berman’s and José María Lafuente’s collections] Museo Fundación Juan March, Palma de Mallorca, Spain July 16-October 4, 2014 Museo de Arte Abstracto Español, Cuenca, Spain October 15, 2014-February 15, 2015 Catalogue by Javier Maderuelo and Adrian Sudhalter View the exhibition View the catalogue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157418645-0SH5FRN115TBVY9NJW5V/icpny+cuban.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Coming Attraction: Cuban Movie Posters from the Merrill C. Berman Collection International Print Center, New York (IPCNY) April 5-May 12, 2012 View the exhibition</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157134549-8UHCRDWQ1MHEHEFFNBIK/image-asset.jpeg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Who Owns the World? Art and Politics in the Weimar Republic [gallery rotation drawn from Berman’s and Harvard’s collections] Busch-Reisinger Museum, Harvard Art Museums, Cambridge, MA December 11, 2018-May 31, 2019 View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591396779851-RD4M26V5H8X8QDXBSK74/Untitled-1.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Art as Activism: Graphic Art from the Merrill C. Berman Collection New York Historical Society, New York June 26-September 13, 2015 View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157362442-WRG7I5ASYQM09NCR7DUO/image-asset.jpeg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Elegance and Extravagance: Japanese Posters from the Merrill C. Berman Collection Ackland Museum of Art, Chapel Hill, NC September 7, 2012-January 6, 2013 Catalogue by Peter Nisbet View the exhibition View the catalogue</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157443893-KIF95FJQBPCGU7ZYHSYR/avant+garde+applied.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>The Avant-Garde Applied, 1890-1950 [drawn from the collections of Merrill C. Berman and José María Lafuente] Fundación Juan March, Madrid, Spain March 30-July 1, 2012 Catalogue by Manuel Fontán del Junco, Richard Hollis, Maurizio Scudiero, and Bruno Tonini View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590158802621-1WY9ENS50L8J9794ALCB/Bolshevik+poster.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>The Bolshevik Poster 1917-1921: From the Collection of Merrill C. Berman Manhattanville College, Arthur M. Merger Art Gallery October 7-November 3, 2009 Brochure by Jim Frank</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157757481-F6I1AD8TXO2LAPCF2F11/cut+and+paste.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Cut and Paste: European Photomontage, 1920–1945 Estorick Collection of Modern Art, London September 24-December 21, 2008 Catalogue by Lutz Becker View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590502474522-F9JTGZY1ZDZVN92AMY3G/graphische+arbeiten.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Graphischen Arbeiten der Avantgarde 1918-1934: Aus der Sammlung Merrill C. Berman Langen Foundation, Neuss February 12-May 14, 2006 Catalogue by Lutz Becker [The Langen Foundation was the last stop on the tour of the Hayward Gallery’s Avant-Garde Graphics exhibition that began in 2004. The Langen Foundation produced their own German-language catalogue, which is related to but differs from the English-language catalogue.]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157916963-B5OL43TATKKH55DDDS5L/image-asset.jpeg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Avant-Gardes: Selections from the Merrill C. Berman Collection, Constructivism, Dada, De Stijl, Futurism, Neue Sachlichkeit, Surrealism Ubu Gallery, New York February 5-April 24, 2004 Catalogue View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590159146875-8QLCA7UFJBN5ZW4GLV91/european+and+russian+photomontage2.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>European and Russian Photomontage, 1920-1940: From the Collection of Merrill C. Berman Ubu Gallery, New York May 15-July 31, 2009 View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157775359-NG85KRC7UN3FAENEUT2X/image-asset.jpeg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Packaging Presidents: 200 Years of Campaigns &amp; Candidates. Illustrated with selections from the Merrill C. Berman Collection Abraham Lincoln Presidential Library Foundation, Springfield, IL February 5-November 30, 2008 Catalogue by Frederick Voss, Rick Beard, and Michael Cheney [See 1984 publication of the same name by Frederick Voss, upon which this publication builds.] View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157861525-GZI5R4HZ5Y6CYQNWHBL9/avant+garde+graphics.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Avant-Garde Graphics, 1918–1934: From the Merrill C. Berman Collection Hunterian Art Gallery, Glasgow, Scotland October 1-November 27, 2004 Glynn Vivian Art Gallery, Swansea, South Wales December 4, 2004-February 13, 2005; Estorick Collection of Modern Italian Art, London March 23-June 5, 2005 Kettle's Yard, Cambridge July 30-September 25, 2005 Langen Foundation, Neuss, Germany February 12-May 14, 2006 Catalogue by Lutz Becker and Richard Hollis, published by Hayward Gallery View the exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157729278-3RV776YIF9W1WUVXJRYD/bauhaus+modern+smith.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Bauhaus Modern [drawn from Berman’s and Smith’s collections] Smith College Museum of Art, Northampton, Massachusetts September 26-December 7, 2008 Brochure by Karen Koehler View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590502459601-Y1DOHN9Q6E0HK7M30M98/image-asset.jpeg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Aspects of Russian Art, 1915–1935: Selections from the Merrill C. Berman Collection Ubu Gallery, New York May 3-July 22, 2005 Catalogue View the exhibition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590157902772-AOLIVOY5UJPGPU43X1S1/image-asset.jpeg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Power to the People: Early Soviet Propaganda Posters The Israel Museum, Jerusalem, Israel March 17-June 30, 2004 Catalogue by Alex Ward View the exhibition</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590158055253-CFIAI5S8SD73HXB2CZ2H/image-asset.jpeg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Graphic Design in the Mechanical Age: Selections from the Merrill C. Berman Collection Williams College Museum of Art, Williamstown, MA; Cooper Hewitt, Smithsonian Design Museum, New York; IVAM, Centro Julio Gonzalez, Valencia; Suntory Museum of Art, Tokyo; Kawasaki City Museum; Obihiro Museum of Art; and Henry Art Gallery, University of Washington, Seattle, WA 1998-1999 Catalogue by Deborah Rothschild, Ellen Lupton and Darra Goldstein</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590158072449-FIVPEPFQ8YUYZ9W9RO2Q/building+the+collective.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Building the Collective: Soviet Graphic Design 1917-1937, Selections from the Merrill C. Berman Collection Miriam and Ira D. Wallach Art Gallery, Columbia University, New York and Busch-Reisinger Museum, Harvard University, Cambridge, MA February 7, 1996–March 30, 1997 Catalogue by Leah Dickerman</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590158185681-FQWW629YZJ81KF08QRJ5/captured+glance.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Captured Glance: The Avant-Garde and Advertising in the Twenties, in collaboration with Merrill C. Berman Helen Serger/La Boetie, New York April 4-May 29, 1987 Catalogue</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590158266874-Z8NLCDJ4QZOXWHGLNRTQ/packaging+presidents-2.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Packaging Presidents: Memorabilia from Campaigns Past Hudson River Museum, Yonkers, NY September 23-November 11, 1984 Catalogue by Frederick Voss</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d3d02505-3e4f-410e-a785-2e03019d8bb3/7.png</image:loc>
      <image:title>Collection Exhibitions - Make it stand out</image:title>
      <image:caption>Avant-Garde Alchemy: Russian Stage Design, 1900–1930 Martin Art Gallery, Muhlenberg College, Allentown, PA April 18–June 8, 1986 Catalogue by Dorothy K. White</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590158306746-N8MBKNN46S52IFACA7XS/20th+century+poster.jpg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>The 20th Century Poster: Design of the Avant-Garde [drawn largely from Berman collection] Walker Art Center, Minneapolis, MN; Everson Museum of Art, Syracuse, NY; Saint Louis Art Museum, MI; Dayton Art Institute, OH; Neuberger Museum of Art, Purchase, NY; and Montreal Museum of Fine Arts, Quebec May 12, 1984–November 10, 1985 Catalogue by Dawn Ades, Alma Law, Merrill C. Berman, et. al.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590158202006-J128YXIXHJQRZ4TPRE9A/image-asset.jpeg</image:loc>
      <image:title>Collection Exhibitions</image:title>
      <image:caption>Art for the Masses: Russian Revolutionary Art from the Merrill C. Berman Collection Williams College Museum of the Art, Williamstown, MA January 27-March 17, l985 Davison Art Center, Wesleyan University, Middletown, CT August 28-October 18, 1985 Catalogue by Darra Goldstein</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/belgian-avant-garde</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592855421519-MGIXE2ZUKSK84IR05N0H/JJ_60D_03162-detail2.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590788513612-EC5RHC8FEQWNVBEXZPAA/JS_5D_4467-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters 6 Linos Antwerp: De Sikkel, 1921 Portfolio cover and six linocuts Cover folded, 9 1/2 x 8 1/2” (24 x 22 cm) Cover unfolded, 18 5/8 x 14 5/8” (43.7 x 37.1 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591370099935-N31SVFRRINEQ6NE1HYKY/JS_5D_4463.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from 6 Linos. Dated in plate: ‘20 8 1/4 x 9 1/4” (21 x 23.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590768638784-N52NWVD11CIBX4246R9P/JS_5D_4460.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from 6 Linos. Dated in plate: ‘21 9 1/4 x 8 1/4” (23.5 x 21 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590768475924-XFS3JH8JN9Y8MX7PWWM2/JS_5D_4465.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from 6 Linos 9 1/4 x 8 1/4” (23.5 x 21 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592596116492-ACVJ6YJNPGYKTGSFXW87/JS_5D_4464.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from 6 Linos. Dated in plate: ’21 8 1/4 x 9 1/4” (21 x 23.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590768497450-J3SRABBY2S7ME8I9MOX8/JS_5D_4461.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from 6 Linos. Dated in plate: ’20 9 1/4 x 8 1/4” (23.5 x 21 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590768598056-IBKYTT7B5M99WFBJDKGY/JS_5D_4462.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from 6 Linos. Dated in plate: ‘21 9 1/4 x 8 1/4” (23.5 x 21 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1590788735053-4F0U7YSZJZZFJ9HLMPPK/JS_5D_4468-recto.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters 8 Linos Antwerp: [publisher?], January 1922 Linocuts on a single sheet of paper, which also serves as cover Folded, 13 3/4 x 9 3/4” (35 x 25 cm) Unfolded, 19 1/2 x 27 1/2” (50 x 70 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Recto</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Verso</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters 6 Linos: Postkarten (Postcards) Antwerpen: Uitgave van de Dreihoek, 1924-25 Linocuts on postcard stock Cover folded, 5 1/2 x 3 1/2” (14 x 9 cm) Cover unfolded, 9 1/2 x 5 5/16” (24.1 x 13.4 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Lino III, 1925 5 1/2 x 3 1/2” (13.9 x 8.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Lino VI, 1925 5 1/2 x 3 1/2” (13.9 x 8.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Lino I, 1925 5 1/2 x 3 1/2” (13.9 x 8.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Lino IV, 1925 5 1/2 x 3 1/2” (13.9 x 8.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Lino II, 1925 5 1/2 x 3 1/2” (13.9 x 8.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Lino V, 1925 5 1/2 x 3 1/2” (13.9 x 8.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Textile Design, 1923 Watercolor or gouache and graphite on paper 12 3/8 x 8 3/8” (31.4 x 21.2 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Announcement pole for the artists’ group Kring Moderne Kunst (Circle of Modern Art), c. 1920 Graphite and colored pencil on paper 11 1/2 x 8 3/4” (29.5 x 22.5 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Design for graphic identity of the artists’ group Kring Moderne Kunst (Circle of Modern Art): Kring Moderne Kunst LDKAART, c. 1920 Ink and graphite on card 6 x 4 ¾” (15 x 12.4 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Announcement pole for the artists’ group Kring Moderne Kunst (Circle of Modern Art), c. 1920 Graphite and colored pencil on paper 11 1/2 x 8 3/4” (29.5 x 22.5 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Design for graphic identity of the artists’ group Kring Moderne Kunst (Circle of Modern Art):  Kring Moderne Kunst: Secretariaat, c. 1920 Ink on paper 3 3/4 x 7” (9.8 x 18.2 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Announcement pole for the artists’ group Kring Moderne Kunst (Circle of Modern Art), c. 1920 Graphite and colored pencil on paper 13 x 7” (33 x 18.2 cm), irreg.</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Design for graphic identity of the artists’ group Kring Moderne Kunst (Circle of Modern Art):  MK, c. 1920 Ink on paper 3 3/4 x 4” (9.7 x 10.6 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Beginletters (Preliminary letter designs): ABKSOW  / Kunst v. d. Teekenaar, c. 1924 Ink on board 14 x 11” (35.7 x 27.7 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Naamletters (Initials): JM (Jean Mondalt), 1923 Ink on paper 11 x 14” (28 x 36 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Preliminary design for announcements of Moderne Dichten (Modern Poems) recited by Germaine Michielsen, introduced by Marnix Gijsen, Beethoven Hall (February 25, 1921), 1921 Graphite on paper 11 x 7 1/2” (28.2 x 19.2 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Beginletters (Preliminary letter designs): ABKSOW / Kunst van den Teekenaar, c. 1924 Ink on board 11 x 14” (27.7 x 35.7 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Naamletters (Initials): CVHH, 1922 Ink on paper 11 x 12” (28.4 x 30.5 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Preliminary design for announcements of Moderne Dichten (Modern Poems) recited by Germaine Michielsen, introduced by Marnix Gijsen, Beethoven Hall (February 25, 1921), 1921 [Linocut] 7 3/4 x 5 1/8” (19.7 x 13 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Beginletters (Preliminary letter designs): ABKSOW / Kunst van den Teekenaar / Horizontaal Vertikaal, c. 1924 Ink on board with blue taped edges 13 x 11” (33.2 x 28 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Naamletters (Initials): CDG, 1924 Ink on paper 7 1/2 x 14” (19.2 x 36.3 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Preliminary design for announcements of Moderne Dichten (Modern Poems) recited by Germaine Michielsen, introduced by Marnix Gijsen, Beethoven Hall (February 25, 1921), 1921 Graphite and colored pencil on paper 5 5/8 x 6 3/4” (14.2 x 17.1 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Cover of Het Overzicht, no. 13 (November 1922), Lithograph and letterpress 12 3/4 x 9 3/4” (32.3 x 22.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Cover of Het Overzicht, no. 16 (May-June 1923) Lithograph and letterpress 12 3/4 x 9 3/4” (32.3 x 22.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Albert Carel Willink Cover of Het Overzicht, no. 20 (January 1924) Lithograph and letterpress 12 3/4 x 9 3/4” (32.3 x 22.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Unused design for portfolio cover: Het Overzicht, series II, nos. 13-24, 1923-1924, 1925 Ink on paper 9 1/2 x 13 3/4” (24.3 x 35 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Karel Maes Cover of Het Overzicht, no. 14 (December 1922) Lithograph and letterpress 12 3/4 x 9 3/4” (32.3 x 22.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Robert Delaunay Cover of Het Overzicht, no. 17 (September 1923) Lithograph and letterpress 12 3/4 x 9 3/4” (32.3 x 22.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Cover of Het Overzicht, no. 21 (April 1924) Lithograph and letterpress 12 3/4 x 9 3/4” (32.3 x 22.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Frontal view of Portfolio cover for Het Overzicht, series II, nos. 13-24, 1923-1924, 1925 Letterpress Folded, 13 x 10” (33 x 25.4 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Victor Servranckx Cover of Het Overzicht, no. 15 (March-April 1923) Lithograph and letterpress 12 3/4 x 9 3/4” (32.3 x 22.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jos Léonard Cover of Het Overzicht, no. 18-19 (October 1923) Lithograph and letterpress 12 3/4 x 9 3/4” (32.3 x 22.8 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Cover of Het Overzicht, no. 22, 23, 24 (February 1925) Lithograph and letterpress 9 3/4 x 12 3/4” (22.8 x 32.3 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jozef Peeters Side view of Portfolio cover for Het Overzicht, series II, nos. 13-24, 1923-1924, 1925 Letterpress Folded, 13 x 10” (33 x 25.4 cm)</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Jan Cockx   Negen Houtsneden (Nine Woodcuts) Antwerp: [The Artist's Studio], 1921 Color linocut (cover) and nine loose woodcuts 14 1/2 x 11”  (37 x 27.8 cm) Edition: 86/100</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Negen Houtsneden</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Negen Houtsneden</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Negen Houtsneden</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Negen Houtsneden</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Negen Houtsneden</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Negen Houtsneden</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Negen Houtsneden</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Albert Daenens  Maurice Casteels, Banalités avec 5 linos par Albert Daenens Brussels: Édition du Pot d’Étain, 1921 Letterpress, 27 pages 7 x 4 1/2 ” (18 x 11.4 cm) Edition: 225/300 copies</image:caption>
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      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from Banalités, opposite p. 17</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591033739770-DDF35PVU7WBMOKVLGAHU/JJ_60D_4592.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from Banalités, opposite p. 21</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591035993806-JO802VUQO1IM4V6NCC3U/JS_5D_4567.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Marc H. Darimont   Mixture of Spleen Liège: Editions Anthologie, 1929 Ten loose woodcuts on paper in [vellum] cover 13 x 10 7/8” (35.2 x 26.7 cm) Edition: 44/115</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591382897756-QWCA3RWWRAF2O0FVH8T6/JS_5D_4563-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Mixture of Spleen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592416756290-5D8APF1XOLHY9RPYXK68/JS_5D_4557.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Mixture of Spleen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592417168326-HNBC401NI8XGITMIRYTC/JS_5D_4560.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Mixture of Spleen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592418398016-4R6KDNRPJPWPVQAB11A3/JS_5D_4565.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Mixture of Spleen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592416916993-7XU4ZAKA608UNWPQXL00/JS_5D_4559.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Mixture of Spleen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592418235443-FIQ3LP9IV2ORIBSMSLM0/JS_5D_4562.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Mixture of Spleen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592416595858-6EG3ZD4GI26JICEQFKF7/JS_5D_4556.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Mixture of Spleen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592418422801-QUYI10NL63PT092OO0TT/JS_5D_4564.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Mixture of Spleen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591382918905-BS9DQ3X80DS4X5E3GZ07/JS_5D_4558-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Mixture of Spleen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592417577306-4FODLAGH124QN6YVIHS2/JS_5D_4561.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from Mixture of Spleen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591041627960-0DD6CC7RF90VPAWSGING/deboeck02.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Félix De Boeck Untitled, 1923 Watercolor and ink 6 x 6” (16 x 16 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591385889417-0I2STJ4WL8B3BJ2LYMY1/JS_5D_4578-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Pierre Louis Flouquet 9 Gravures Sur Lino (9 linocuts) Antwerp: Editions Ça Ira, 1922 Woodcuts on paper 10 1/4 x 7 1/2” (26 x 19 cm) Edition: 89/100</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591383535181-JVKK9SZEHGR9R74MR8NP/JS_5D_4570-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from 9 Gravures Sur Lino</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591383406910-9X7JOFNZEJAHEH9SMRP7/JS_5D_4569-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Print from 9 Gravures Sur Lino</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591387157756-ER3HECFJ6KA9GA6O3XWN/JS_5D_4580-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Pierre Louis Flouquet Pierre Bourgeois, Romantisme à toi. Poèmes de Pierre Bourgeois. Linos de Pierre Flouquet Brussels: Éditions L’Équerre, Société coopérative d’édition et de propagande intellectuelle, 1927 Letterpress and linocut, 88 pages 8 3/4 x 6 1/8 x 1/4” (23 x 15.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591128776300-8L6ZVUR4W31KXGXYYZCH/JS_5D_4589.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from Romantisme à toi, opposite title page verso</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591195002396-QSBU2VYTVG4VO0WMUQ2C/JS_5D_4588.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from Romantisme à toi, opposite p. 12</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591625769392-KCOAX7F5P5AK5UBHFTIZ/JJ_50D_00267-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Pierre Louis Flouquet Camille Poupeye, La Mise en scène théâtrale d’aujourd’hui. 20 gravures sur lino de Flouquet Brussels: Éditions L’Équerre, Société coopérative d’édition et de propagande intellectuelle, [1927] Lithograph or letterpress, 82 pages, 19 plates 9 1/4 x 12” (23.4 x 30.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591625686414-MF19L2RQ4J6MZIDENIA7/JJ_50D_00279-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from La Mise en scène théâtrale d’aujourd’hui</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591625699028-BLO8BLX6O9K61GE7QAWH/JJ_60D_00280.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from La Mise en scène théâtrale d’aujourd’hui</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591387506877-6WUXRO1NZWHQOBMDBQSO/JS_5D_4543-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Oskar Jespers Paul van Ostaijen, Bezette Stad (Occupied City) Book of poems by van Ostaijen with original woodcuts and drawings by Jespers Antwerp: Uitgave van hrt Sienjaal, 1921 Letterpress, 154 pages 11 x 9” (28.5 x 22.9 cm) Edition: 240/500</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591213942019-6QSYUWOZ24IJF3FUPGGK/JS_5D_4549.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from Bezette Stad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591213989462-E7AKF0M0AI5A6KSF3XX0/JS_5D_4548.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from Bezette Stad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592447252355-7J6ZIQK5X4FF4IGQTU6L/JF_5D_8964_8bit-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Paul Joostens Untitled, 1917 Cut-and-pasted papers with gouache on paper 10 1/2 x 11” (26.5 x 28 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/064e03db-97d1-448b-beb2-2f6644c8d321/scan2_2_22.jpeg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Paul Joostens Untitled, c. 1917-1925 &lt; TK &gt; Found objects (rope, metal, [plastic]) in wood box 10 1/4 x 7 7/8 x 1 3/4” (26 x 20 x 4.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591027498009-PJDXBF1X9KXJIUNLMTUA/JJ_60D_05993.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Karel Maes Untitled (Composition 10), 1921 Linocut on paper 11 3/4 x 10 1/4” (29.8 x 26 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591032881813-9VXC5MMLZ0FY7GVHINJB/Maes01.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Karel Maes Poster for premiere of Herman Teirlinck’s play De man zonder lijf (The Man without a Body), Koninklijke Vlaamsche Schouwburg (Royal Flemish Theater), Brussels (December 13, 1924), 1924 Two color linocut in three parts 42 3/4 x 22” (108.5 x 55.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591031570913-AY300Y7UCJDGFIEA74CQ/JJ_60D_05997.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Karel Maes Untitled (Tekening), 1922 Linocut on paper 11 3/4 x 10 1/4” (29.6 x 26 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592861337541-6AAIWJDBJE602UPDDAFC/teirlinck.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Karel Maes Cover for Herman Teirlinck, De man zonder lijf: de klucht der dubbelgangers, spel in drie bedrijven (The man without a body: the farce of the doppelgangers, play in three acts). Arnhem: Van Loghum Slaterus, 1925 [Linocut] and letterpress, 78 pages 9 1/2 x 6” (24 x 15 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591032166770-LSAL2D0CVZ9P22ZDX933/JJ_60D_05995.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Karel Maes Untitled, 1922 Linocut on pink paper 11 x 8 3/4” (27.9 x 22.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591032665154-ZR6S39RTZ1MXC64RWPJA/%5BGmurzynska+image%5D.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Victor Servranckx Opus 44 - 1923 (Construction), 1923 Oil on canvas 17 3/4 x 23 1/4” (45 x 59 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592447476350-5T46ME3XESCO1H3ZL5RA/JJ_60D_3202-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Victor Servranckx Cover of Anton van de Velde, Tijl: gekke historie in vier kapittels (Till: Crazy history in four chapters), vol. 1 Antwerp: Vlaamsche Volkstoneeluitgaven, 1925 Letterpress, 131 pages 8 3/8 x 6 1/4” (21.2 x 15.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591033096221-5E5SJ7T9USRRJBUHCHR1/servranckx.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Victor Servranckx Untitled (textile design), 1920/1925 Gouache on paper 11 3/8 x 16 1/8” (29 x 41 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591628603733-XPKR5VGKBODLPWAB516Q/image-asset.jpeg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Stationery: Ça Ira , c. 1920-1923 Letterpress 10 3/8 x 8 1/4” (26.3 x 21 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591628638389-ENA28RMRHGOQSFGYR7CJ/image-asset.jpeg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Invoice: Ça Ira: Revue mensuelle d’art et de critique, c. 1920-1923 Letterpress 8 3/8 x 5 3/8” (21.2 x 13.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591628620252-W4F19D5VV1PJLR62UU3J/image-asset.jpeg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Stationery: Ça Ira: Revue mensuelle d’art et de critique / Action d’art / Éditions; Directeurs: Maurice van Essche &amp; Paul Neuhuys, c. 1920-1923 Letterpress 10 3/4 x 8 1/4” (27.3 x 21 cm)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591628645261-O2A5SB7WNL7UMKIMTM0Q/image-asset.jpeg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Envelope: Ça Ira Administration-Rédaction, c. 1920-1923 Letterpress 4 7/8 x 6” (12.3 x 15.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591628630630-IOWTJ8BMT22JXBWQE5N0/image-asset.jpeg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Stationery: Maurice van Essche, c. 1920-1923 Letterpress 10 3/4 x 8 5/8” (27.3 x 21.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591628653572-SHGV17IKRAARS53QTBLZ/image-asset.jpeg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Envelope: Éditions Ça Ira, c. 1920-1923 Letterpress 4 7/8 x 6” (12.3 x 15.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591629678543-HGF029RAALXNMSB6ERSS/image-asset.jpeg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Sheet of mailing labels: Ça Ira Imprimés Périodiques, c. 1920-1923 Letterpress 10 3/4 x 5 5/8” (27.3 x 14.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591629685517-ILPO3QH1JUB84I6QEFIM/JJ_60D_9714.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Sheet of mailing labels: Ça Ira Imprimés Périodiques, c. 1920-1923 Letterpress 13 3/4 x 5 1/4” (34.9 x 13.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591629699719-CJYBJ2TIVOZFWEKK0E41/JJ_60D_9681.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Subscription card: Ça Ira: Revue mensuelle d’art et de critique,  c. 1920-1923 Letterpress 4 1/2 x 7” (11.4 x 17.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591630136251-XLBURKH9FGM50S27ZL8K/JJ_60D_9659.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Announcement: Groupe Ça Ira: Defense du Lyrisme Nouveau, Conference par Paul Dermée (November 8), 1922 Letterpress 9 1/4 x 8 5/8” (23.4 x 21.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592418916046-2GXSJ9XT0K5GFLW3VKUG/JJ_60D_9721.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Announcement: Groep Ça Ira/Club Artes: Lezing door Wies Moens, Vlaanderen en de nieuwe poesie (April 21), 1923 Letterpress 3 1/2 x 5 1/2” (8.8 x 12.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591630185305-TYE8N1LS557O5KC4ZLHW/JJ_60D_9660.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Program: Ça Ira Presente au Club Artes (November 18), 1922 Letterpress 7 1/2 x 4 1/2” (19 x 10.1 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591630354145-ZH2U8656JXCI9YJAFR0F/JJ_60D_3769.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Lecture announcement: “DADA DADA” by Maurice Van Essche, Mariaburg, Belgium (September 18), 1926 Letterpress 9 5/8 x 9 5/8” (24.4 x 24.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591630242160-XU4VNGBKI6BACEF3OZY4/JJ_60D_9656.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Announcement: Ça Ira/Club Artes: Conference par Georges Auric. La jeune musique contemporaine (January 25), 1923 Letterpress 11 3/8 x 8 1/4” (28.8 x 20.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592419141831-F6WYLZVT26DRH4SN1L5Z/JJ_60D_9719.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Catalogue for the first Ça Ira Exhibition: Jan Cockx, Prosper De Troyer, Alice Frey, Paul Joostens, Jos. Leonard, Jozef Peeters, Edm. van Dooren, Cercle Royal Artistique (October 28-November 9, 1922), 1922 Letterpress 8 3/8 x 6 1/2” (21.2  x 15.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591630554425-9K89MBG6GJNELL4GGQSM/JJ_60D_9679-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Catalogue for the second Ça Ira Exhibition, Cercle Royal Artistique (April 21-May 4, 1923), 1923 Letterpress 8 3/8 x 6 1/2” (21.2  x 15.2 cm) Open, 8 3/8 x 11” (21.2 x 27.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591630495463-5WMWEIS0HAIBNR0LVSLL/image-asset.jpeg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from Second Ça Ira Exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591630590594-8RAS9MA4D15DGE1HC8AD/JJ_60D_9679-2.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Verso from Second Ça Ira Exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591630732235-YVVPRA08E686WEJCHCZH/JJ_60D_9684.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Catalogue for the third Ça Ira Exhibition : Jan Cockx, Alice Frey, Paul Joostens, Jozef Peeters, Victor Servranckx, Edmond van Dooren, Cercle Royal Artistique (January 17-28, 1926), 1926 Letterpress 8 3/8 x 6 1/2” (21.2  x 15.2 cm) Open, 8 5/8 x 11 1/8” (21.9 x 28.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591630689179-WDUQAYYV4D7WJ36JRUYF/image-asset.jpeg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from Third Ça Ira Exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591630803537-S6PYORRH654T09O9HF96/JJ_60D_9684-2.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Verso from Third Ça Ira Exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591631100658-DM7P7ECJ67S0WBNMKWQC/JJ_60D_9662.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Packaging slip: Ça Ira, Vient de paraître (just published), [date?] Letterpress Open, 3 1/4 x 16 3/8” (8.2 x 41.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591638138200-Q0E0H5NW8GLN2NZ7JVOL/Belgian+publications+pile.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Announcements for Ça Ira artists’ monographs: L’Oeuvre plastique de: Paul Joostens, Jan Cockx, Floris Jespers, Oscar Jespers, and Jozef Peeters Each: Letterpress Each: 10 3/4 x 8 1/2” (27.3 x 21.5 cm) Only one book in this announced series was ultimately published:  L’Oeuvre plastique de Paul Joostens (Antwerp: Ça Ira, 1923)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591631168410-NLZOW0G0B01K7KLU2QJA/JJ_60D_9716.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Book publication announcement: Marcel Sauvage, Le Chirurgien des roses, ou Roses des îles et du soir, poèmes en prose... Antwerp: Ça Ira, 1922 Letterpress 8 1/2 x 5 1/2” (21.5 x 13.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1592419620811-M7GX53946PX0M8VP68TY/CaIra+collage.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Five announcements of Ça Ira books published, on press, and upcoming, 1921-1923 Letterpress All approx. 8 1/2 x 5 3/8” (21.5 x 13.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591631227666-96MONDHZYFREGBX1NIZ0/JJ_60D_9715.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Designer unknown Book publication announcement: Clément Pansaers, Point d’orgue. Antwerp: Ça Ira, 1922 [announced, but not published] Letterpress 8 5/8 x 5 1/16” (21.9 x 12.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591199013871-AA9HV7HOMEUDUDJXF02O/Belgian_concert_poster.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Émile Henvaux  (Belgian, 1903-1991) Concert announcement: Concert de Musique Moderne, Academie de Musique de Charleroi (March 15, 1925), 1925 Letterpress 23 3/4 x 19” (60.3 x 48.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591624897570-XJCEW7GFWUSC56P71FVU/JS_5D_4523-1.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Man Ray (American, 1890-1977) Cover of the score for Garage, a work for piano and voice by E. L. T. (Edouard Léon Théodore) Mesens and Philippe Soupault, designed by Man Ray, executed by Marcel-Louis Baugniet, and dedicated to Evelyne Brélia Brussels: Edition “Music,” 1926 Letterpress sheet music on paper 13 3/4 x 10 5/8” (34.9 x 26.9 cm) Edition: 500 copies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591199191172-A8GGVFWYQD4LS6IWVVAK/JS_5D_4521.jpg</image:loc>
      <image:title>Abstract Antwerp: Belgian Avant-Garde, 1917-1925</image:title>
      <image:caption>Spread from the score for Garage</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/mikhail-razulevich</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b8eb0ad7-8288-4d96-8e71-287c4b8710f3/JJ_60D_02912.jpg</image:loc>
      <image:title>Mikhail Razulevich</image:title>
      <image:caption>Mikhail Razulevich Untitled, c. 1930s Gouache and watercolor on paper 11 3/4 x 7 3/4" (30 x 19.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c2ce37e4-1602-4bff-b220-50c34361ee7f/JJ_60D_02202.jpg</image:loc>
      <image:title>Mikhail Razulevich</image:title>
      <image:caption>Mikhail Razulevich Samolet “Maksim Gorky” nad Leningradom (Airplane “Maxim Gorky” flying over Leningrad), c. 1934 Gelatin silver print (darkroom photomontage) 11 1/8 x 7 3/8" (28.3 x 18.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5c4dc880-ff4e-4b74-9f8a-3b92f9842b87/RazuScan4.jpg</image:loc>
      <image:title>Mikhail Razulevich</image:title>
      <image:caption>Mikhail Razulevich Sovetskaia vlast’ plius elektrifikatsiia est’ Kommunizm (Soviet Power Plus Electrification is Communism), c. 1926 Gelatin silver print (photo of a photomontage) 6 9/16 x 23" (16.6 x 58.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7a75efc4-cd1b-4370-a71c-2f8f82f55e04/JJ_60D_3190.jpg</image:loc>
      <image:title>Mikhail Razulevich</image:title>
      <image:caption>Mikhail Razulevich Untitled (woman with religious figures), c. 1930s Gelatin silver print with gouache and pencil on paper 18 1/6 x 12 3/4” (46.1 x 32.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ca70fbbe-d784-4df5-a670-9fd1bbf0c992/JJ_60D_00878.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover (youth/children): Untitled, c. 1930s Gouache, ink and cut-and-pasted paper on paper 10 1/2 x 7 1/4" (26.5 x 18.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8ac3b13a-b220-430d-b06b-dc8757d0ac44/JJ_60D_00880.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover (youth/children): M[ikhail] Ilyin, Mashiny-zagadki, igrushki-razgadki (Mystery Machines, Riddle Toys), c. 1931 Gouache, ink, and cut-and-pasted paper on paper 6 5/8 x 10" (17 x 25.5 cm) Note: This book was published by OGIZ-Molodaia gvardiia (Young Guard), Leningrad-Moscow, in 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5fcb8332-19f6-483f-871d-03335a95f767/JJ_60D_00903.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover (youth/children): M. Maisler, My-udarniki (We are the Shock-Workers), c. 1930 Cut-and-pasted printed and transparent papers, oil pencil, ink, and pencil on cardboard 6 3/4 x 10" (17 x 25.5 cm) Note: This book was published by Gosudarstvennoe izdatel’stvo, Moscow-Leningrad, in 1930. It was exhibited at the Exhibition of Soviet Graphic Arts, Posters, and Art and Children’s Books and Photography, Chicago in 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8386a841-480e-4d5f-963e-153ede3c90b8/JJ_60D_00886.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for periodical cover (youth/children): Iunye udarniki (Young Shock Workers), no. 3 (May 1930) Gouache, pastel, and cut-and-pasted printed and non-printed papers on paper 9 3/4 x 6 1/8" (25 x 15.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e6ab4eee-8c6d-4a48-b85f-eba54cb949a7/JJ_60D_00884.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Periodical cover (youth/children): Iunye udarniki (Young Shock Workers), no. 3 (May 1930). Izdanie Glavsotsvosa Gosizdata i izd-sva Rabotnik Prosveshcheniia Lithograph 8 5/8 x 5 7/8" (22 x 15 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ff6211c6-0c11-4c7d-b08e-89265c967a01/JJ_60D_00889b.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof (printed in reverse) for book cover (youth/children): Chislo na stroike. Pervyi god matematiki v gorodskoi shkole (Number on the Construction Site. The First Year of Mathematics in the City School), c. 1931 Lithograph 9 1/4 x 6" (23.5 x 15.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/35b8f704-b37e-4a32-b76a-87550edc613c/JJ_60D_3189.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover: P. Borovitsky, Belyi ugol’ (White Coal), c. 1931 Cut-and-pasted halftone prints and papers, gouache, and ink on card 11 15/16 x 7 5/8" (30.5 x 19.5 cm) Note: The printed book P. Borovitsky, Belyi ugol’ Leningradskoi oblasti i Karel’skoi ASSR i ego ispol’zovanie (White Coal of the Leningrad region and the Karelian ASSR and its use) appeared as part of the series Kraevaia biblioteka shkol’nika (Regional School Library Series) by Uchebno-pedagogicheskoe izdatel’stvo (Educational and Pedagogical Publishing House), Moscow-Leningrad, in 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1671d16c-c2c2-40c5-85fc-5482489a0719/JJ_60D_01212.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover (youth/children): A.V. Luizov, Zhelezo (Iron), c. 1932 Gouache on paper 11 1/4 x 7 1/4" (28.5 x 18.5 cm) Note: This book about metal production in the USSR was intended for students. It was published by Uchpedgiz (acronym for Gosudarstvennoe uchebno-pedagogicheskoe izdatel’stvo [State Educational and Pedagogical Publishing House]), Moscow-Leningrad, in 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d498ffd9-9ac7-4d16-99fa-7ce3e9dad4de/JJ_60D_2507.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover: L. Valershtein, ed. Za bol’shevistskie zheleznye dorogi (For the Bolshevik Railways). Po resheniiam iiun’skogo i oktiabr’skogo plenumov TsK VKPb (According to the Decisions of the June and October Plenums of the Central Committee of the All-Union Communist Party of Bolsheviks), c. 1932 Cut-and-pasted halftone prints, ink and gouache on board 10 1/4 x 7 1/8" (26 x 18 cm) Note: This book was published by Uchpedgiz (Gosudarstvennoe uchebno-pedagogicheskoe izdatel’stvo [State Educational and Pedagogical Publishing House]), Moscow-Leningrad, in 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f533fc19-e3b4-4774-89a5-5ad229fdefd0/JS_5D_8215.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover (youth/children): S[ergei] Bezborodov, Shest’ uslovii pobedy (Six Conditions for Victory), c. 1932 Cut-and-pasted halftone prints and paper and gouache on paper 14 1/2 x 11 1/2" (35.6 x 27.9 cm) Note: This book was published by OGIZ/Molodaia gvardiia (Young Guard), Moscow-Leningrad, in 1932. The copy in the Russian State Library in Moscow (same publisher and year) has a slightly different cover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3e8c5cae-8412-41b0-953c-057549772241/RazuScan2.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover: (youth/children) Aleksandr Ershin, Tam gde delaiut kabel’ i ukhvaty (Where Cables and Grips are Made), c. 1933 Cut-and-pasted halftone prints and paper, gouache, ink, and pencil on paper 6 3/16 x 9 9/16" (15.7 x 24.2 cm) Note: This book about production at the Sevkabel’ factory in Leningrad was published by OGIZ-Molodaia gvardiia (Young Guard), Leningrad- Moscow, in 1933.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/865b80ca-e803-4f9a-9d06-8922f468362d/JJ_60D_2510.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover: Vladimir Zybkovets, Ot sokhi k traktoru (From the Plow to the Saw), c. 1934 Cut-and-pasted gelatin silver prints and halftone prints and gouache on board 10 3/4 x 7 13/16" (27.2 x 20 cm) Note: This book was published by Lenpartizdat, Leningrad in 1934.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f2c068fc-2a8b-4979-ab37-bde5dd4b53df/JJ_60D_00916.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover (youth/children): Konstantin Zvantsev, Zimo (short for Zimovka, or Wintering), c. 1934 Ink and gouache on paper 6 7/8 x 4 3/4" (17.5 x 12 cm) Note: This book, a first-hand account by Komsomol (All-Union Leninist Young Communist League) member Konstantin Zverev about his travels to the Polar Circle, was published by Molodaia gvardiia (Young Guard), Leningrad, in 1934.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5b95d550-997d-401f-ad38-9a158e5dab43/JJ_60D_00906.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Parial proof for book cover: I. P. Shcherbakov, Ratsionalizatsiia pogruzo-razgruzochnykh rabot na vodnom transporte (Rationalization of loading and unloading operations on water transport), c. 1934 Lithograph 7 3/8 x 5" (19 x 13 cm) Note: This book, edited by Ia. B. Kantorovich, was published by OGIZ, Gostransizdat, Leningrad, in 1934.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f198e23d-7518-441b-8bc7-2b687314c4dd/RazuScan3.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover: L. V. Antonov, Noveishie navigatsionnye instrumenty (Latest navigation tools), c. 1934 Cut-and-pasted paper, ink, gouache, watercolor, and ink on paper 12 7/16 x 8 3/8 (31.5 x 21.2 cm) Note: This book, which is about the technological improvements and industrial production of navigation tools, was published by OGIZ-Gostransizdat, Leningrad, in 1934.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f9c93164-1139-4184-9772-0aaa541874b6/JJ_60D_00902.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): M. Maisler, My-udarniki (We are the Shock-Workers), c. 1930 Lithograph 6 5/8 x 9 3/4" (17 x 24.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/889416c7-7a7f-42e0-b341-878212dc09ea/JJ_60D_00887.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Back cover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/47994904-66e1-4e3c-bc40-336447dce917/JJ_60D_00885.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Back cover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/03839f71-d281-4ac3-ae3d-b937c89c302f/JJ_60D_00888.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof (printed in reverse) for book cover (youth/children): Chislo na stroike. Vtoroi god matematiki v gorodskoi shkole (Number on the Construction Site. The Second Year of Mathematics in the City School), c. 1931 Lithograph 9 1/4 x 6" (23.5 x 15.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/012ab600-da97-483e-bb84-b74c51867fe9/JJ_60D_01207.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: P. Borovitsky, Belyi ugol’ (White Coal), c. 1931 Lithograph 9 x 5 3/8" (23 x 13.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/45e1e6bd-9f36-453b-9eff-ce157e70f79e/JJ_60D_00897.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): A.V. Luizov, Zhelezo (Iron), c. 1932 Lithograph 8 1/8 x 5 1/4" (20.7 x 13.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5174de74-6d29-480c-9cc0-098f418ba2e6/JJ_60D_2501.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: L. Valershtein, ed. Za bol’shevistskie zheleznye dorogi (For the Bolshevik Railways). Po resheniiam iiun’skogo i oktiabr’skogo plenumov TsK VKPb (According to the Decisions of the June and October Plenums of the Central Committee of the All-Union Communist Party of Bolsheviks), c. 1932 Lithograph 10 x 6 5/8" (25.5 x 17 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f5a088c5-3ceb-47da-aa65-15fc15eb07c1/JJ_60D_2500.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): S[ergei] Bezborodov, Shest’ uslovii pobedy (Six Conditions for Victory), c. 1932 Lithograph 9 1/4 x 7 1/8" (23.5 x 18 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/fbe9fc80-c213-4a93-9114-c7d2a1ab7873/RazuScan1.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): Aleksandr Ershin, Tam gde delaiut kabel’ i ukhvaty (Where Cables and Grips are Made), c. 1933 Letterpress 8 1/2 x 13 1/4" (21.5 x 33.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b8b689e4-6ce0-420e-8abc-d6246fb39297/JJ_60D_2505.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: Vladimir Zybkovets, Ot sokhi k traktoru (From the Plow to the Saw), c. 1934 Lithograph 7 5/8 x 6 1/8" (19.5 x 15.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c73d6a15-6aeb-4f52-9273-e9daa1968fc2/JJ_60D_00871.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: Konstantin Zvantsev, Zimovka (Wintering), c. 1934 Lithograph 7 3/4 x 11 5/8" (19.7 x 29.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/235df9d5-5038-4166-a1ed-f01bed9cec1d/JJ_60D_00867.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: I. P. Shcherbakov, Ratsionalizatsiia pogruzo-razgruzochnykh rabot na vodnom transporte (Rationalization of loading and unloading operations on water transport), c. 1934 Lithograph 6 5/8 x 4 3/4" (17 x 12 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/bc6781cc-85cd-4520-8634-d6310d2456b6/JJ_60D_00883.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: L.V. Antonov, Noveishie navigatsionnye instrumenty (Latest Navigation Tools), c. 1934 Lithograph 7 7/8 x 5 1/4" (20 x 13.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/26d7522d-b328-4892-aa11-b519137894cb/JJ_60D_00898.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Book (youth/children): M. Maisler, My-udarniki (We are the Shock-Workers), 1930 Lithograph (30 pages) 6 5/8 x 4 7/8" (17 x 12.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d0df0185-6954-4506-9b7d-17fe5ee0c252/JS_5D_12851.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Title page</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e7874f04-b881-402e-9a0e-64dbf6f85beb/JJ_60D_00866.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof (printed in reverse) for book cover (youth/children): Chislo na stroike. Tretii god matematiki v gorodskoi shkole (Number on the Construction Site. The Third Year of Mathematics in the City School), c. 1931 Lithograph 9 1/4 x 6" (23.5 x 15.2 cm) Note: This book was published by Gosudarstvennoe uchebno-pedagogicheskoe izdatel’stvo (State Educational and Pedagogical Publishing House), Moscow-Leningrad, in 1931. All three proofs are printed in reverse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/101dc37d-5b2a-4fe3-bdc2-bdb3e3c0b05e/JJ_60D_00892.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Book cover: Konstantin Zvantsev, Zimovka (Wintering), c. 1934 Lithograph 6 5/8 x 10 1/2" (17 x 26.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6862ee9d-20db-41a2-9778-71e235de505e/JS_5D_5148.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Poster (youth/children): Chto mne chitat’ (What Should I Read?). Leningrad: Gosudarstvennoe izdatel’stvo, 1928 Lithograph 21 1/4 x 28 1/2" (54 x 72.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0f128e04-a9f1-46b8-8cf1-5d4b67b807b5/JJ_60D_00918.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): V. Shtamm, A cherviaki letaiut? (Do Worms Fly?), c. 1930s Lithograph 8 3/4 x 6 1/4" (22.2 x 16 cm) Note: The publisher noted is Gosudarstvennoe izdatel’stvo (State Publishing House), but a published copy has yet to be located.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/11c03285-debd-456d-8caf-86a5e83a89f8/JJ_60D_00870.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Book cover (youth/children): N[ikolai] Zabolotsky, Rezinovye golovy (Rubber Heads), 1930 (printed on cover) Lithograph 6 3/4 x 10 1/4" (17 x 26 cm), open Note: This book was published by Molodaia gvardiia (Young Guard), Moscow, in 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6ab4d912-3af7-4c8c-a19d-d81cba9b00fc/JJ_60D_00872.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): E. Beletsky, Gr. Sozhin, Lager’ v gorakh (Camp in the Mountains), c. 1935 Lithograph 7 1/8 x 11 1/4" (18 x 28.5 cm) Note: The publisher noted is Molidaia gvardiia (Young Guard), Leningradskoe otdelenie (Leningrad branch), but a published copy has yet to be located.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/931d925b-9775-4ec0-9ede-76f10791d259/JJ_60D_00912.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): Irina Karnaukhova, ed. Zhar-ptitsa. Russkie skazki v obrabotke (Firebird. Russian Fairy Tales). Cover by M. Razulevich, drawings by E. Firsova, c. 1947 Lithograph 9 1/2 x 6 3/4" (24 x 17 cm) Note: This book was published by Gosudarstvennoe izdatel’stvo Karelo-Finskoi SSR (State Publishing House of the Karelo-Finnish SSR), Petrozavodsk, in 1947.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ae16b522-157e-4d5c-879b-b791369d07be/JJ_60D_00891.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover (youth/children): Ya.[kov] I.[sidorovich] Perelman, Fokusy i razvlecheniia (Tricks and Entertainment), c. 1930s Cut-and-pasted transparent paper and paper, ink, and gouache on board 11 1/8 x 7 1/8" (28.2 x 18 cm) Note: The publisher noted is Detizdat TsK VLKSM (Children’s publishing house of the Central Committee of the Komsomol), but a published copy has yet to be located.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3b86fab7-766f-42ad-99f2-4a98817a546b/JJ_60D_01209.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover (youth/children): N. S. Popova, N. A. Artemenko, A.V. Bogdanova, Mathematics in School. Factory School First Year (translated to English by M. A. Berkutova), c. 1932 Cut-and-pasted paper and gouache on board 11 7/16 x 7 3/8" (29 x 18.7 cm) Note: This book was published by The State Pedagogical Publishing House, Moscow-Leningrad, in 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/abd7dbf6-ec31-438d-8896-6a01117758a5/JJ_60D_00913.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Back cover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/bb6c79ee-e9e2-4e79-9091-c6d687dfe634/JJ_60D_00919.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): Olga Trizna, Sapozhnik-velikan (Giant Shoemaker), c. 1931 Lithograph 9 1/4 x 5 3/8" (23.5 x 13.7 cm) Note: This book was published by Gosudarstvennoe uchebno-pedagogicheskoe izdatel’stvo (State Educational and Pedagogical Publishing House), Moscow-Leningrad, in 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/db197bfc-a172-440f-b3f2-e15f1376828b/JJ_60D_00875.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): S[ergei] Bezborodov, Bol’sheviki otkryli Sibir’ (The Bolsheviks Discovered Siberia), c. 1932 Cover photo by Max Alpert, Donbass: Gorniaki idut na rabotu (Donbass: Miners go to work) from the series Ugol’ (Coal, 1931). Previously reproduced in Proletarskoe foto (Proletarian Foto), no. 3 (1931). Lithograph 9 1/4 x 7" (23 x 18 cm) Note: This book was published by OGIZ-Molodaia gvardiia (Young Guard), Moscow-Leningrad, in 1932. This proof is for the 1932 edition. In the 1934 edition, the photo is slightly cropped at right (see copy at the Russian National Library). In 1933, a German edition was published under the title Die Entdeckung Sibiriens (Moscau, Leningrad: Verfagsgenossenschaft auslandischer arbeiter in der UdSSR).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f1296b06-0999-45e8-b395-02d71c8684fb/JJ_60D_00894.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Title page</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e4de8016-b60f-4b3b-85fc-653d7b4c299f/JJ_60D_00893.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): Ia. Finkel’shtein, Na linii ognia. Fabrichno-zavodskaia molodezhnaia pechat’ v Leningrade (In the Line of Fire. Youth Press at the Factories and Plants in Leningrad), c. 1931 Lithograph 7 1/8 x 10 1/4" (18 x 26 cm) Note: This book was published by OGIZ-Molodaia gvardiia (Young Guard), Leningrad, in 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0285cc92-7bba-4eec-9d05-5f7681a1af6a/JJ_60D_00862.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): N. I. Gil’chenko, Matros i ego rabota (The Sailor and His Work), c. 1933 Lithograph 7 x 10 1/4" (18 x 26 cm) Note: This book was published by OGIZ-Lengortransizdat, Leningrad, in 1933.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e9b9fe1d-0044-4a55-b53c-5d4297362851/JJ_60D_00895.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Colophon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e9273c73-7f6c-4e15-8d7d-c32029f1255f/JJ_60D_2513.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Maquette for book cover (youth/children): M. Ilyin, Rasskaz o velikom plane (The Story of the Great Plan), c. 1930 Cut-and-pasted halftone prints and gouache on board 11 1/8 x 8 1/8” (28.2 x 20.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/90ef2de2-c0df-4fcc-a088-e5ae2bcce269/JJ_60D_00911.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): M. Ilyin, Rasskaz o velikom plane (The Story of the Great Plan), 1931 Lithograph 8 1/2 x 5 1/2" (21.5 x 14 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6df1be8e-2b2f-4692-8bce-b63ff5050e30/JJ_60D_2504.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): M. Ilyin, Rasskaz o velikom plane (The Story of the Great Plan), c. 1930 Letterpress 8 1/4 x 6 1/2" (21 x 16.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/96d83596-4b38-4fd0-a395-354608801c21/JJ_60D_00868.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof (in the in Tadjik language) for book cover (youth/children): M. Iljin [Ilyin]. Hikoja dar boraji plani Buzurg (The Story of the Great Plan) Lithograph 8 1/8 x 5 7/8" (20.7 x 15 cm) Note: The Tadjik language edition of this book was published by Tadzhikskoe Gosudarstvennoe izdatel’stvo, Stalinabad-Leningrad, in 1935.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e0f3cd29-d883-4966-8a03-5ccef460d5df/JS_5D_12582.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Book (youth/children): M. Ilyin, Rasskaz o velikom plane (The Story of the Great Plan). Moscow-Leningrad: Gosudarstvennoe izdatel’stvo, 1930 Lithograph (170 pages) 8 3/8 x 6 3/4” (21.3 x 12.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/87d89ee4-fffe-4c97-bb76-f826d265d9b8/JJ_60D_00874.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for periodical cover (youth/children): Yozh/Ezh (Hedgehog), no. 7–8 (1932) Lithograph 10 5/8 x 8" (27 x 20.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f8dc3223-5315-4983-a3ac-35c867bedf61/RazuScan5.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Print (youth/children): “Real’nost’ nashei programmy—eto zhivye liudi” (The Reality of Our Program is Active People), 1932 Lithograph 8 1/4 x 15 1/4" (21 x 39 cm) Note: The quote is from Stalin, “Real’nost’ nashei programmy—eto zhivye liudi, eto my s vami, nasha volia k trudu, nasha gotovnost’ rabotat’ po novomu, nasha reshimost’ vypolnit’ plan.” (The reality of our program is active people, it is me and you, our will to work, our readiness to work in a new way, our decisiveness to fulfill the plan.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f6d6928a-23ef-40ec-ac8b-060e1ce923ea/JJ_60D_1177.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Periodical cover (youth/children): Real’nost’ nashei programmy—eto zhivye liudi (The Reality of Our Program is Active People), 1932, Yozh/Ezh (The Hedgehog), no. 19–20, 1932 Lithograph 10 x 15" (38.3 x 25.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e0c24982-5ddd-44cf-b77f-e2dcf93b34c0/JJ_60D_01203.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Poster: Drug vodki, vrag profsoiuza (The Friend of Vodka is the Enemy of the Trade Union), 1925 Lithograph 16 1/4 x 12 3/4" (41.2 x 32.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/febee301-e007-4ff4-8128-77290d6b2dbe/JJ_60D_00908.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Book: Konstantin Vysokovsky, V portu (At the Port), 1930 Lithograph (14 pages) 7 3/4 x 5 1/4" (20 x 13.5 cm) Note: This book was published by GIZ, Leningrad in 1929 and Gosudarstvennoe izdatel’stvo, Moscow-Leningrad, in 1930. The title page notes that both the cover and internal illustrations are by M. Razulevich. The cover design for this book was included in the 1969 exhibition 50 let leningradskoi knizhnoi grafiki (Fifty Years of Leningrad Book Design) at the State Russian Museum in Leningrad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1da8361c-63ef-4111-8c76-b85396779eca/JJ_60D_01211.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: Goroda i derevni. Literaturno-khudozhestvennye al’manakhi (Cities and Villages, Literary and Artistic Almanacs), c. 1926 Lithograph 15 3/8 x 11 1/8" (39 x 28 cm) Note: This book was published by Gosudarstvennoe izdatel’stvo (State Publishing House), Moscow-Leningrad, in 1926.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3d002409-3a19-45e6-b59e-3a89636d6988/JJ_60D_00904.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: V. I. Markin, Proshloe zemli leningradskoi oblasti (The Past of the Land of the Leningrad Region), c. 1931 Letterpress 8 1/8 x 5 3/8" (20.7 x 13.7 cm) Note: This book was published by Gosudarstvennoe uchebno-pedagogicheskoe izdatel’stvo (State Educational and Pedagogical Publishing House), Moscow-Leningrad, in 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f5deb935-4d6e-4267-bd25-616c668e4610/JJ_60D_00877.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Partial proof for book cover, c. 1930s Lithograph 9 1/4 x 6 3/4" (23.5 x 17 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d38a1970-8ce6-4340-8e93-227ae1096c92/JJ_60D_01200.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): I. Albats, B. Rein, Arsenal industrializatsii (Arsenal of Industrialization), c. 1931 Lithograph 6 7/8 x 5 1/4" (17.7 x 13.5 cm) Note: This book was published by OGIZ-Molodaia gvardiia (Young Guard), Moscow-Leningrad, in 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c584dc74-bc9e-4f9b-8bd2-b58f19970976/JJ_60D_00896.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Partial proof for book cover, c. 1930s Lithograph 8 5/8 x 12 1/4" (22 x 31 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e6d74d4e-5c6f-4d95-a790-f357f153c4db/JJ_60D_00863.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover (youth/children): D. Mikhailov, Novyi gorod (New City), c. 1931 Lithograph Cover photo (possibly by Curt Rehbein) of the lost model for Ludwig Mies van der Rohe’s unrealized Glass Skyscraper Project of 1922 8 x 5 1/4” (20.5 x 13.5 cm) Note: This book about new forms of architecture arising alongside the growth of cities around the world, was published by OGIZ-Molodaia gvardiia (Young Guard), Moscow-Leningrad, in 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4a9ae4cc-14ec-498d-8c5c-0fdeb00609ef/JJ_60D_00907.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: S. P. Uskov. Lesa i lesozagotovki Karelii. Uchebnaia kniga dlia shkol kolkhoznoi molodezhi i vechernego raboche-kolkhoznogo obrazovaniia Karel’skoi ASSR (Forests and Logging of Karelia. Textbook for schools of working youth and evening workers’ and collective farm education of the Karelian ASSR), c. 1932 Lithograph 9 1/8 x 6" (23 x 15.2 cm) Note: This textbook for lumber industry workers was published by Gosudarstvennoe uchebno-pedagogicheskoe izdatel’stvo (State Educational and Pedagogical Publishing House), Moscow-Leningrad, in 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/164bd21a-c4df-4bd5-b5c3-780b323d5a46/JJ_60D_00864.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Book cover (youth/children): S. M. Kirov i Komsomol (S.M. Kirov and the Komsomol/All-Union Leninist Young Communist League), 1934 Lithograph 6 5/8 x 5 1/8" (17 x 13 cm) Note: This book was published by Molodaia gvardiia (Young Guard), Leningrad, in 1934</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c2417d4e-3a1e-4f96-90d5-f85394aebc4d/JJ_60D_00915.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: [Rabkory-udarniki—politekhnicheskoi shkole]. Tovarishch bol’shoi Kozitsky ([Shock-workers—correspondents to Polytechnic school]. Comrade Bolshoi Kozitsky), c. 1932 Lithograph 8 1/4 x 5 1/2” (21 x 14 cm) Note: This book was published by Gosudarstvennoe uchebno-pedagogicheskoe izdatel’stvo (State Educational and Pedagogical Publishing House), Leningrad-Moscow, in 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cc345be8-905c-4182-8389-739116db42f6/JJ_60D_00865.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: G. I. Danilovsky, G. T. Glushchenko, I. M. Shlisman, Smazka sudovykh dizelei (Lubrication of Marine Diesel Engines), c. 1934 Lithograph 7 7/8 x 5 1/2" (20 x 14 cm) Note: This book was published by Gostransizdat, Leningrad, in 1934.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/65ea657a-d523-4723-8660-34576cc72d18/JJ_60D_00917.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: V. Rumiantsev and P. Veber, [Rabkory-udarniki-- politekhnicheskoi shkole]. Pobezhdaem prostranstvo ([Shock-workers—correspondents to Polytechnic school]. Conquering Space), c. 1932 Lithograph 8 1/8 x 5 3/4" (20.5 x 14.5 cm) Note: This book was published by Uchpedgiz (Gosudarstvennoe uchebno-pedagogicheskoe izdatel’stvo; State Educational and Pedagogical Publishing House), Moscow-Leningrad, in 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/180e38a1-2c83-4f74-a6a0-c03462516057/JJ_60D_00890.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: V. Toboliakov, Voda i veter na sluzhbe cheloveka (Water and Wind in the Service of Man), c. 1934 Lithograph 10 1/4 x 7" (26 x 18 cm) Note: This book was published by Lenoblizdat (Leningradskoe oblastnoe izdatel’stvo; Leningrad Regional Publishing House), Leningrad, in 1934.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/49901faa-8751-4943-8fab-05334bb42113/JJ_60D_00905.jpg</image:loc>
      <image:title>Mikhail Razulevich - Make it stand out</image:title>
      <image:caption>Mikhail Razulevich Proof for book cover: R. Rait, Fabrika-kukhnia (A Factory-Kitchen), c. 1933 Lithograph 8 3/8 x 5 1/4" (21.2 x 13.5 cm) Note: This book was published by Gosudarstvennoe uchebno-pedagogicheskoe izdatel’stvo (State Educational and Pedagogical Publishing House), Moscow-Leningrad, in 1933. The author of this book is probably American writer Richard Nathaniel Wright (1908–1960), who became a member of the Communist Party in 1932. The book is about a “factory-kitchen,” a large, mechanized enterprise of food service in the Soviet Union, originating in the 1920s and 1930s. Its main purpose was centralized preparation of food (both prefabrication and full processing) to supply communal dining rooms.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/aleksandr-deineka</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1611071491513-BW66GDIFS8AV8QFI8786/iterations_scan_3.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Poster: Mekhaniziruem Donbass (We are mechanizing the Donbass), 1930 Lithograph 42 7/8 x 29 1/4” (108.9 x 74.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610127976763-8AL5549PSDZAKFVWZIEW/scan6.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Poster: “Nado samim stat’ spetsialistami, khoziaevami dela, nado povernut’sia litsom k tekhnicheskim znaniiam”—Stalin (“We Should Become Specialists, Should Turn to Technical Knowledge”—Stalin), 1931 Lithograph 56 3/4 x 40 1/8" (144 x 102 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/92dfbe7a-cc87-4046-b9fd-8a3c5eab2bc8/Screenshot+2024-03-25+at+1.12.32%E2%80%AFPM+copy.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Left half of poster: Da zdravstvuet pobeda sotsializma vo vsem mire! (Long Live the Victory of Socialism in the Entire World!), 1933 Lithograph Full poster: 27 1/4 x 79 7/8" (69.2 x 202.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610127769639-BVL7CZJDGK0KRHQXTELP/JJ_60D_04012.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Poster: My trebuem vseobshchego obiazatel’nogo obucheniia (We Demand Compulsory Education), 1930 Lithograph 42 1/16 x 28 9/16” (106.8 x 72.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1611020621595-6T13CP6SO777NUWO1TTO/Dein03.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Poster: Dadim proletarskie kadry Uralo-Kuzbassu! (We Will Provide Proletarian Workers for the Ural-Kuzbass!), 1931 Lithograph 27 3/8 x 40 3/4” (69.5 x 103.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/797ba45d-0b36-45be-adcb-24492a0064f5/Screenshot+2024-03-25+at+1.12.32%E2%80%AFPM.jpg</image:loc>
      <image:title>Aleksandr Deineka - Make it stand out</image:title>
      <image:caption>Right half of poster: Da zdravstvuet pobeda sotsializma vo vsem mire! (Long Live the Victory of Socialism in the Entire World!), 1933 Lithograph Full poster: 27 1/4 x 79 7/8" (69.2 x 202.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1611020599984-J8YRV5XWXM4DY3YYYLG1/Dein01.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Poster: Postroim moshchnyi sovetskii dirizhabl’ “Klim Voroshilov” (We Will Build the Powerful Soviet Dirigible “Klim Voroshilov”), 1930 Lithograph 42 15/16 x 30 1/2” (109.1 x 77.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128015585-WQVDCRLGESMO64680COJ/Dein04lg.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Poster: Rabotat’, stroit’ i ne nyt’! (Work, Build, and Don’t Complain!), 1933 Lithograph 40 x 29 3/4” (101.6 x 75.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e93db260-183e-4bd4-bf8c-1250a6b0ef7a/JS_5D_11624+copy.jpg</image:loc>
      <image:title>Aleksandr Deineka - Make it stand out</image:title>
      <image:caption>Poster: Kitai na puti osvobozhdeniia ot imperializma (China on the Path of Liberation from Imperialism), 1930 Lithograph 42 3/4 x 30 1/4” (108.5 x 76.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1611020576791-2VZZ5B8T75U5LFBAZ83X/Dein02.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Poster: “V period pervoi piatiletki my sumeli organizovat’ entuziazm, pafos novogo stroitel’stva i dobilis’ reshaiuahchikh uspekhov. Teper’ eto delo dolzhny my dopolnit’ entuziazmom, pafosom osvoeniia novykh zavodov i novoi tekhniki”—Stalin (“During the period of the First Five Year Plan we were able to organize enthusiasm and zeal for new construction and achieved decisive success. Now we should supplement this matter with enthusiasm and zeal for the mastery of new factories and new techniques.”—Stalin), 1933 Lithograph 40 7/8 x 28 13/16” (103.8 x 73.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128162361-U203P7HN7HDHPYAFJCMG/image-asset.jpeg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Postcard: Khokei (Hockey), printed 1930 (image bears the date 1928) Lithograph 5 7/8 x 4 1/8” (14.9 x 10.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128241952-03EWG900LCTU3UUBTG3X/JJ_60D_9531.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Postcard: Dneprostroi, 1930 Lithograph 4 x 5 3/4” (10.2 x 14.6 cm) Verso text: Plotina Dneprostroia podnimaet vodu na 37 m. Elektricheskaia stantsiia dast 810.000 losh. [loshadinykh] sil narodnomu khoziaistvu. Shliuz sozdast nepreryvnyi vodnyi put’ po Dnepru. Vse sooruzheniia budut zakoncheny v 1932 g. (The Dneprostroi Dam raises the water by 37 m. The power plant will give 810,000 horsepower to the national economy. The gateway will create a continuous waterway along the Dnieper River. All structures will be completed in 1932.)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128353204-78KS9Q9WQM2PZG66LPNS/image-asset.jpeg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Smotrit solntse iz-za tuchi. Ukhmyliaetsia luna. K dovoennoi blizka norme Bol’shevitskaia strana (The sun is watching behind the clouds. The moon grins. The country of the Bolsheviks is close to the pre-war norm) Bezbozhnik u stanka (Atheist at the Workbench), no. ? (c. 1920s) Lithograph 14 1/2 x 10 1/2” (36.8 x 26.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128495692-5FH94SXAZ6T1IZDSSFFW/jf_5D_1276.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Batiushka nashego prikhoda (The Priest of Our Parish) Bezbozhnik u stanka (Atheist at the Workbench), no. 7 (1925), pp. 10–11 Lithograph 14 3/4 x 21 1/8” (37.5 x 53.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128362341-AR0XTOM5F8QREAZBZDYA/JJ_60D_1173.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Na Krasnoi ploshchadi. Bud’ gotov!—Vsegda gotov! (At Red Square. Be Prepared!—Always Prepared!) Bezbozhnik u stanka (Atheist at the Workbench), no. 10 (1924), p. 4 Lithograph 13 7/8 x 10 3/8” (35.2 x 26.4 cm) Note: Motto of the Young Pioneers in the Soviet Union.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128515880-4QICHPMBCOX3K83EX9D5/jf_5D_1272.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Za veru, tsaria i otechestvo (For the Russian Orthodox Faith, the Tsar, and the Fatherland) Bezbozhnik u stanka (Atheist at the Workbench), no. 6 (1926), pp. 12–13 Lithograph 14 1/4 x 21 1/8” (36.2 x 53.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128393249-T5IU4FHLCJ7VGM5RX01D/JJ_60D_1174.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Kazhdyi za sebia, a bog za vsekh (Everyone for himself, but God for all) Bezbozhnik u stanka (Atheist at the Workbench), no. 2 (1927), p. 21 Lithograph 14 1/8 x 10 3/8” (35.9 x 26.4 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128597907-IXZI500QZSK6QV26WMA1/jf_5D_1273.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>V raionnom klube (At the District Club) Bezbozhnik u stanka (Atheist at the Workbench), no. 3 (1926), pp. 12–13 Lithograph 14 1/8 x 21 3/8” (35.9 x 54.3 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128412021-59YT60JXV1A5EYEH38D7/JJ_60D_1176.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Sport-ploshchadka. U finisha (The Sporting Ground. At the Finish) Bezbozhnik u stanka (Atheist at the Workbench), no. 9 (1927) Lithograph 14 1/4 x 10 3/4” (36.2 x 27.3 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128867985-VWCL33GSI1AYWPSVWEWQ/JJ_60D_1179.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Cover of U Stanka (At the Factory Workbench), no. 2 (1924) Lithograph 14 x 10 1/2” (35.6 x 26.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128924484-YN65L5JP930CVMPKG77F/JJ_60D_1841.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Sotsialisticheskoe sorevnovanie (Socialist competition) Cover of Daesh' (Let's Produce!), no. 2 (May 1929) Lithograph 11 7/8 x 9 1/8” (30.2 x 23.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128955582-Y1JLER8UIUOPYWY77JA2/JJ_60D_1878.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Proizvodstvo produktov pitaniia (Food Production) Cover of Daesh' (Let's Produce!), no. 5 (August 1929) Lithograph 12 x 9” (30.5 x 22.9 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610128976127-HYTD659ADIWQYF1ZJO6B/JJ_60D_1167.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Cover of Krasnaya Panorama (Red Panorama), no. 4 (February 5, 1930) Lithograph 11 3/8 x 8 1/4” (28.9 x 21 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610129037343-YV0HLAHTC9JQL1F8C6MY/JJ_60D_2566.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Untitled drawing for Ogon’ (Moscow: Akademiia, 1935), the Russian translation of Henri Barbusse’s book Le feu (The Fire; 1916) Ink on paper 11 1/2 x 12 1/2” (29.2 x 31.8 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/84c1fdca-64af-411a-b4af-0d72fd4cf62a/JJ_60D_1163+copy.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Cover (left) and spread (right) of the picture book Aleksandr Deineka, V oblakakh (Among the Clouds), for which Deineka also provided the illustrations. Moscow: State Publishing House, 1930 Lithograph 9 x 7 5/8” (22.9 x 19.4 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/036419df-f194-4c0f-8f56-95370a22b361/JJ_60D_1280+copy.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Cover (left) and spread (right) of the children’s book N. Aseev, Kuter’ma (Commotion). Moscow: State Publishing House, 1930 Lithograph 8 1/2 x 6 7/8” (21.6 x 17.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a026960b-30c8-49bc-a246-d37f5379919b/JS_5D_9439++copy.jpg</image:loc>
      <image:title>Aleksandr Deineka - Make it stand out</image:title>
      <image:caption>Cover (left) and spread (right) of the book Agniya Barto, Pervoe Ma’ia (The First of May) Moskva: Gosudarstvennoe Izdatelstvo, 1928. Second edition. Lithograph 11 1/2 x 8 7/8” (29.2 x 22/5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610981319834-VDRJ9F1A25QWVMP80L7T/JJ_60D_2568.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Verso of untitled drawing for Ogon’ (Moscow: Akademiia, 1935) showing two lightly sketched female figures in pencil.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e5941730-6191-49f5-957b-3cbc5a8a9b36/JS_5D_11627+copy.jpg</image:loc>
      <image:title>Aleksandr Deineka - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f1f89a83-87a6-450e-aa0e-a3b2769733b7/JS_5D_11626+copy.jpg</image:loc>
      <image:title>Aleksandr Deineka - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/53e13528-0ee7-490f-86d8-a86b0f16c383/JS_5D_11628+copy.jpg</image:loc>
      <image:title>Aleksandr Deineka - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1611071505649-ETNMND76LEZYRA8EE2YU/iterations_scan_2.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Maquette: Mekhaniziruem Donbass (We are mechanizing the Donbass), 1930 Gouache on paper 41 1/4 x 28 1/4” (104.8 x 71.8 cm) Formerly Merrill C. Berman Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1611020506206-FJWHZF4D0JVETPHI58YT/Dein07.jpg</image:loc>
      <image:title>Aleksandr Deineka</image:title>
      <image:caption>Poster: Prevratim Moskvu v obraztsovyi sotsialisticheskii gorod proletarskogo gosudarstva (We Will Turn Moscow into a Model Socialist City of the Proletarian State), 1931 Lithograph 57″ × 82 1/2″ (144.8 × 209.6 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/e-mcknight-kauffer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-21</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/fortunato-depero</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-21</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/josef-peeters</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-21</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/elena-semenova</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624987735361-MK17WOVKSDHAGUH5HRJM/JJ_60D_3631.jpg</image:loc>
      <image:title>Elena Semenova</image:title>
      <image:caption>Maquette: Sostav TsIK IV sozyva (Fourth Convocation of the Central Executive Committee), n.d. Gouache, ink, and pencil on board 3 13/16 × 3 13/16″ (9.7 × 9.7 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York Note: The Fourth Convocation of the Central Executive Committee took place in 1918, prior to Semenova’s enrollment at SVOMAS. The work includes statistical information at left and right suggesting that it may have been executed some years after the event itself.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624987758546-3S182M43CLD5XN1RCW4B/JJ_60D_3596.jpg</image:loc>
      <image:title>Elena Semenova</image:title>
      <image:caption>Maquette: Natural Resources of U.R.S.S. [sic], 1926 Pencil, metallic paint, and gouache on paper 9 7/8 x 6 7/8” (25 x 17.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624987785390-4XGW1QIUVSX33B8B5Q5D/Semenov05.jpg</image:loc>
      <image:title>Elena Semenova</image:title>
      <image:caption>Maquette: Politicheskii sostav rukovodiashchikh organov GOMHDANA (Members of the Leadership of the [Chinese political party] GOMNDAN), n.d. Ink, gouache, metallic paint, gelatin silver prints 4 3/4 x 4” (12 x 10.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624987804318-TVK0AQTIN58PCHWY6U8X/JJ_60D_3650.jpg</image:loc>
      <image:title>Elena Semenova</image:title>
      <image:caption>Maquette: Otkryta podpiska: Krasnoarmeets, 1928–1929 (Subscription to the magazine Red Army Soldier for 1928–1929 has opened), c. 1928 Gouache, ink, and pencil on card 12 1/2 x 8 3/4” (31.8 x 22.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624987827616-9EVMTMCPIHLEBOZIJO9P/SEMENOVA_RELAXATION_ROOM.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Komnata otdykha v rabochem klube (Workers’ Club Lounge), 1926 Watercolor, ink, and pencil on board 9 1/2 × 15 1/4″ (24.2 × 38.8 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1628016354189-Y7PBXPJRA3UJT1UGEY48/ed60ee2f-b3f1-4027-a2c6-3ff76c88c235__640.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Exhibition kiosk with projection screen, 1928 Watercolor with pen and black, graphite, and isolated areas of varnish on paperboard 10 7/8 x 7 3/8” (27.6 x 18.7 cm) Formerly Merrill C. Berman Collection; now National Gallery of Art, Washington, D.C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624987844705-Z9LIU8ID7KAY2M652AWQ/JJ_60D_04826.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Reading room, 1930 Gouache, ink, and pencil on colored paper 15 3/16 × 19 7/8″ (38.5 × 50.5 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1626118464831-DT4HO00DQEY1YADMIDH3/semenov1.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Exhibition display unit, 1928 Watercolor and silver paint with pen and black ink on paperboard 6 7/8 x 8 7/16” (17.5 x 21.4 cm) Formerly Merrill C. Berman Collection; now National Gallery of Art, Washington, D.C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624987866487-WS5S6LXFYW6XDEEWMN3V/JJ_60D_04827.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Obshchestvennaia stolovaia (Cafeteria), 1930 Gouache, ink, and pencil on paper 14 7/8 × 20 3/8″ (37.8 × 51.8 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624987965377-6JJLX6NA5TY79LZJWY1O/JJ_60D_3600.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Dom kul’tury (House of Culture), c. 1926–28 Ink, pencil, and gouache on paper mounted on board 8 3/4 × 8 1/8″ (22.3 × 20.7 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988024759-FWL30GFUQ7J1731CIXM8/JJ_60D_3579.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Maquette for book cover: Zaochnyi kommunisticheskii universitet (Communist University, Program by Correspondence). Moscow: Gosudarstvennoe izdate’stvo, n.d. Ink and pencil on paper 9 3/16 x 15 1/8” (23.3 x 38.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988048467-2CVWB88CIPCVIL6W0Y88/JJ_60D_3574.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Maquette for book cover: Zaochnyi kommunisticheskii universitet (Communist University, Program by Correspondence). Moscow: Gosudarstvennoe izdate’stvo, n.d. Ink and pencil on paper 9 11/16 x 14 5/8” (24.6 x 37.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988068218-158MS019E9413O2IYK7R/_MG_3201.JPG</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Typographical design: “Nado mnoiu nebo--sinii shelk” (“Above me the sky is blue silk”), lines from Vladimir Mayakovsky’s poem of 1927, Khorosho (Very Good), c. 1927 Ink on paper 6 1/8 x 7 7/8” (15.5 x 20 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988089662-A1VDA8UUSMM7TZTZ1DZN/JJ_60D_070017.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Typographical design: Novye izdaniia pechataiutsia (New editions are in the process of being printed), n.d. Lithograph 6 3/8 x 4 1/4” (16 x 10.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988180258-VI0UQT30JBTQCV21AYIZ/JJ_60D_03855.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>no. 13 (1925)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988268806-TLL66A506TFQQ8R2K362/JJ_60D_03851.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>no. 27-28 (1926)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988207265-TW7ZKR7FGROP43ANLMG5/JJ_60D_03854.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>no. 14 (1925)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988284365-S38N3XK6XXDZ2MS4AOSD/JJ_60D_03850.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>no. 29 (1926)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988229042-LINHKA8TB6WTZ0AVPYKZ/JJ_60D_03853.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>no. 15 (1925)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988301738-78IUUJRFJS89BP9F4VJS/JJ_60D_03849.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>no. 30 (1926)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988248412-GLD7EAFE5EKDUKVF7QBV/JJ_60D_03852.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>no. 18 (1925)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988317930-7QPDITMZ6IZPZST88MR3/JJ_60D_03848.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>no. 31 (1926)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988121284-KCNC9JYXCJ23EN7RM8SY/JJ_60D_06889.jpg</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Poster: Vstupai v Aviakhim (Enlist in Aviakhim [Society of Friends of Aviation and Chemical Defense and Industry]), 1926 Lithograph 27 5/8 × 42 3/8″ (70.2 × 107.6 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988937913-OC4206DATQR6OQBCAWOH/MoMA+pull+1.png</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Poster: Budem okhraniat’ elektroprovoda! (We Will Stand Guard Over Our Power Lines!), c. 1928 Lithograph 42 × 28″ (106.7 × 71.1 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988910641-MEFMMCWXQJJEG18579ME/MoMA+pull+3.png</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Elena Semenova (Russian, 1898–1986) and Lydia Naumova (Russian, 1902–1986) Poster: Kazhdyi rabochii dolzhen zorko sledit’ za tem kak snizhaetsia sebestoimost’ izdelii na ego predpriiatii (Every Worker Must Keep a Keen Eye on How the Net Cost of Production Is Lowered at Their Workplace), 1929 Lithograph 28 5/8 × 42 5/8″ (72.7 × 108.3 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624988873361-5B4M1XHXF3467LWVRD10/MoMA+pull+2.png</image:loc>
      <image:title>Elena Semenova - Make it stand out</image:title>
      <image:caption>Poster: Industrial’nyi kozhevnik (Industrial leatherworker) magazine, 1930 Lithograph 29 × 24 1/4″ (73.7 × 61.6 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/nikolai-dolgorukov</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-07</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/herbert-bayer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601485517140-HF208NPZEWXPII1PFIUN/Bauhaus_Scan+11.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Design for signage for the Bauhaus Exhibition, Weimar, 1923 Pencil, ink, and gouache on paper 12 x 3 3/4” (30.5 x 9.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656506316-PZRY17EWYBPUSSO30N8A/JS_5D_2462.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Maquette for postcard announcing the Bauhaus Exhibition, Weimar, 1923 Gouache, ink, and pencil on paper 3 13/16 x 5 3/4” (9.6 x 14.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656706896-T5X6DLSKSLE2LDYFTJIN/Bauhaus_Scan+10.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: Art and Bookstore Karl Rauch, Six Lectures (Winter 1925–1926), 1925 Photolithograph and letterpress 22 7/8 x 16 3/8” (52.2 x 41.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656859392-KT5M6IJ8PKSPOZBEI2B8/JS_5D_2546.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Cover of sales catalogue: The Bauhaus, Catalogue of Designs, 1925 Letterpress 11 3/4 x 8 1/4” (30 x 21 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601657892210-6PVECK7731NHNL9Y59X9/JS_5D_2519.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Prospectus: Bauhaus Dessau (April 1927), 1927 Letterpress and offset 8 3/16 x 5 3/4” (20.8 x 14.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658102789-1UK12IWBY49SC7RBYML2/JS_5D_2478.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Calling card: Herbert Bayer, Dessau Bauhaus, advertising design and execution, February 1928 Letterpress 4 3/16 x 5 7/8” (10.8 x 14.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601659485631-5RBQQ5XIYZTD7LCW1CWV/JS_5D_2480-combo.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Brochure: Detmold Forest, c. 1930 Halftone and letterpress 8 1/4 x 8 3/16” (20.9 x 20.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658363803-T8HX9J01Q2HX9OD8BHT4/JS_5D_0057.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: Our Allies Need Eggs, Your Farm Can Help. A poster for the NYC WPA War Services, c. 1942 Lithograph 20 1/8 x 30” (51.1 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601494712722-3QFIZGQGNIEI37G7K45H/Bauhaus_Scan+10.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Maquette for postcard announcing the Bauhaus Exhibition, Weimar, 1923 Gouache on paper 5 15/16 x 4” (15.1 x 10.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656634050-TVE80389ZVDOB7OK4PMN/_MG_3924.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Maquette for postcard announcing the Bauhaus Exhibition, Weimar, 1923 Gouache, ink, pencil, and cut paper on paper 3 11/16 x 5 7/8” (9.2 x 14.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656739385-9KR4OUK182X429AW4OR7/Bayer14.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: Professor Hans Poelzig, Slide Lecture on Architecture presented by Der Kreis der Freunde (Circle of Friends) of the Bauhaus (February 26, 1926), 1926 Lithograph 18 7/8 x 25 1/2” (47.9 x 64.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656882419-LZQMATZNV0LF0H8CMKGO/JS_5D_2569.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Stationery: Circle of Friends of the Bauhaus, 1925 Letterpress Format A4: 11 5/8 x 8 3/16” (29.5 x 20.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601657908004-8EYVMFBHIJ96VB8NJJIN/Bayer20.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: Bauhaus Standard Wallpaper, manufactured by Rasch &amp; Co., Bramsche, c. 1927 Lithograph and adhered wallpaper sample on paper 19 3/4 x 12 3/4” (50.2 x 32.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658131898-A5F2THNE16ZG1ZRI42WX/JJ_60D_05030.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: Exhibition of European Applied Arts, Grassi Museum, Leipzig (March 6–August 15, 1927), 1927 Lithograph 35 5/16 x 26 9/16” (89.7 x 67.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658252939-9OLB614NSZOS90LP7IQ4/JS_5D_4163.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: IBA: 8. Internationale Büro Ausstellung (Eighth International Exhibition for Office Furniture), Berlin (September 7–16, 1934), 1934 Offset lithograph 46 3/8 x 33” (118 x 84 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658381932-6BS524ZNO3GY2B987NR8/JS_5D_4164.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: Polio Research, 1949 Lithograph 44 1/2 x 29” (113.0 x 73.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601494752758-GMINWR43HTLUT6FCJWM8/Bayer08.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Maquette for postcard announcing the Bauhaus Exhibition, Weimar, 1923 Gouache on paper 6 1/16 x 4 1/8” (15 x 10 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656648297-ULJ1IBL5KW4L0CY2ZB1M/JS_5D_2485.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Design for signage announcing crafts display at the Grassi Museum, Leipzig, 1925 Gouache and pencil on paper 3 5/16 x 4 15/16” (8.3 x 12.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656801412-88XCA2I1DXVVZWWG3REP/JS_5D_2505-1.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Invitation: Topping-out ceremony for the new Bauhaus (March 21, 1926), 1926 Lithograph 6 x 8 3/8” (15.2 x 21.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656895614-36WSUCW5UPX5SO8AD30K/JS_5D_2499.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Invitation: The White Party, Bauhaus Dessau (March 20, 1926), 1926 Letterpress 8 3/8 x 11 3/8” (20.7 x 28.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601657929320-Q5L98IUU7EO5TE1UPBX1/JS_5D_2610.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Journal cover: Bauhaus: Zeitschrift für Bau und Gestaltung (Magazine for Building and Design), vol. 2, no. 1 (February 15, 1928), 1928 Photolithograph 11 5/8 x 8 1/4” (29.5 x 21 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658182203-DFEATTQYF09EQNIKQU5V/Bayer21.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Design for portable exhibition stand for Ventzky Agricultural Machines, 1928 Pencil, gouache, paste, and halftone photograph 19 5/8 x 26 3/16” (49.8 x 66.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658285060-6FOYF1RP0P1QK5OCY3OC/Bayer16.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: Trade Fair for Restaurants, Hotels, Backers, and Patisseries, Kaiserdamm Exhibition Hall, Berlin (October 5–10, 1935), 1935 Lithograph 46 x 50 1/8” (116.8 x 127.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601494903137-9XRX3MAFKJD1GVKJD0UP/JS_5D_2449.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Maquette for postcard announcing the Bauhaus Exhibition, Weimar, 1923 Gouache, ink, and pencil on paper 5 15/16 x 4 1/16” (15.1 x 10.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656669221-5FFHHAVH27F4U7VC1A1Z/JS_5D_2486.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Design for signage announcing crafts at the Grassi Museum, Leipzig, 1925 Gouache and pencil on paper 4 x 6 15/16” (10 x 17.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601656819330-EH4OI5KHIU8MHDSO4SCT/JS_5D_4167.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: Ernst May, Lecture on New Architecture in Frankfurt am Main (January 29, 1927), 1927 Lithograph 23 1/4 x 18 1/8” (59.3 x 46.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601659470998-QYB53U8KH1FOQ2KH613F/JS_5D_2594.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Invitation: Beards Noses Hearts Festival, Bauhaus Dessau (March 31, 1928), 1928 Letterpress 5 13/16 x 16 5/8” (15.0 x 42.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601657957436-SOJJCOH2ESMQNPZXFU36/JS_5D_2579.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Stationery: Das Bauhaus in Dessau, 1926–1928 Letterpress Format A4: 11 5/16 x 8 3/16” (28.6 x 20.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658195527-JVXJ0ZR28YHSEQVVQO2C/6520f9cde94e1430-bayer_allemande-1.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: Section Allemande (German Section) of the Exposition of the Society of Artists and Decorators, Grand Palais, Paris (May 14–July 13, 1930), 1930 Photolithograph 62 1/4 x 46 1/8” (158.2 x 117.3 cm) Formerly Merrill C. Berman Collection; now Busch-Reisinger Museum, Harvard Art Museums</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658310998-RYE51WM9CVN1GP36D4XN/JS_5D_4165.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster: German People—German Work Exhibition, Berlin (April 21–June 3, 1934), 1934 Lithograph 39 1/4 x 28” (99.9 x 71 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658577798-V8BZM8XV7C5XAOI89CK6/B054.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Wall-painting study for the stairwell of the Weimar Bauhaus building on the occasion of the Bauhaus Exhibition, Weimar, 1923 Gouache, ink, and pencil on paper, cut-and-pasted on paper with pencil 26 1/8 × 15 3/4″ (66.3 × 40 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658685384-4YB6RYJLKN5EKFTCH7XQ/Bayer12.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Dachreklame (Roof Advertisement), 1923 Promotional design for glass painter Ernst Kraus Gouache, ink, and pencil on paper 11 1/4 × 8 3/8″ (28.6 × 21.3 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658597283-HGMGX4P02GZY24Z5JH8V/B053.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Poster design (unrealized) for Bauhaus Exhibition, Weimar, 1923 Gouache, ink, and pencil on paper 18 1/16 × 11 7/8″ (45.8 × 30.2 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658699332-SJ7RICW1FFIRRXZT5RMF/Bayer11.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Dachreklame/Teilweise transparent (Roof Advertisement/Partially Transparent), 1923 Promotional design for glass painter Ernst Kraus Gouache, ink, and pencil on paper 11 1/4 × 8 7/16″ (28.5 × 21.4 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658620062-XZBC9N1OENIBVOIL3SHO/_MG_9874.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Design for an exhibition stand for electrical company, 1924 Gouache, ink, pencil, and cut-and-pasted printed paper on board 26 3/8 × 14 15/16″ (67 × 38 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658717981-95LSSTHE3HTF7ES3F64Z/Bayer10.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Promotional design for glass painter Ernst Kraus, 1923 Gouache, ink, and pencil on paper 11 1/4 × 8 3/8″ (28.5 × 21.3 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1601658634616-D1CKM1PT7ZEAMP9PJWU6/Bayer13.jpg</image:loc>
      <image:title>Herbert Bayer</image:title>
      <image:caption>Herbert Bayer Wirkung der Transparente vom Bahnhof gesehen (Effect of Banners Seen from the Train Station), 1923 Promotional design for glass painter Ernst Kraus Ink, gouache, and pencil on paper, cut-and-pasted on paper with pencil 11 1/4 × 8 7/16″ (28.5 × 21.4 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/dimitri-moor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/eb09fe8f-2225-4f9a-b704-a9fd4de86f84/JS_5D_1528.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Smert’ mirovomu imperializmu (Death to World Imperialism!), 1919 Lithograph 42 x 28 1/8” (106 x 71.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c397ed55-acda-4a28-a087-397908496ca0/JJ_60D_04064.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Tovarishchi musul’mane (Comrades Muslims), 1919. Lithograph 39 1/4 x 27” (99.7 x 68.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/94b37896-1511-45f4-837f-bb711ba5236e/JS_5D_6020.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Petrograd ne otdadim! (We will not Surrender Petrograd!), 1919 Lithograph 41 15/16 x 27 11/16” (106.5 x 70.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b583a9ae-55c5-41c5-b132-cd17f03201f0/JS_5D_8664.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Tsarskie polki i Krasnaia Armiia. Za chto srazhalis’ prezhde. Za chto srazhaiutsia teper’ (The Tsarist Regiments and the Red Army. What you were Fighting Before. What you are Fighting Now), 1919 Lithograph 19 1/8 x 27 5/16” (48.6 x 69.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1e25a824-0de8-4a91-a685-0dceb4f219b9/_MG_1549.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Sovetskaia Rossiia—osazhdennyi lager’. Vse na oboronu! (Soviet Russia is like a Besieged Camp. All on Defense!), 1919 Lithograph 35 5/8 x 26 5/8” (90.5 x 67.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a13d2436-5f0c-48e7-ac8f-4ff66afb9156/JJ_60D_03974.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Ukhodiashchaia shliakhta… Prokliat’e i smert’ naemnym ubiitsam! (The Departing Gentry…Damnation and Death to the Assassins!), 1919 Lithograph 40 1/2 x 26 1/2” (102.9 x 67.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/002ee219-3192-4120-8ade-fb7dcdb3b885/JJ_60D_02700.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Chertova kukla (The Devil’s Puppet), 1920 Lithograph 27 1/4 x 17 3/4” (69.2 x 45.1 cm) Note: Baron Pyotr N. Wrangel (Petr Vrangel; 1878–1928) was a White Army general and commanding officer of the anti-Bolshevik White Guards during the Civil War years. In this poster, Moor’s red cavalryman uncloaks Baron Wrangel, exposing his clandestine support from foreign powers including British Prime Minister Lloyd George, French military commander Foch, and others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b2c913fe-545a-41d2-8c37-a05e469d3cb2/JS_5D_6298.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Oktiabr’ 1917-oktiabr’ 1920: Da zdravstvuet vsemirnyi Krasnyi Oktiabr’! (October 1917–October 1920: Long Live the Worldwide Red October!), 1920 Lithograph 27 1/4 x 41 5/8” (69.2 x 105.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/08d54362-fb4a-4053-8dd8-a398c6391bbd/JJ_60D_03679.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Vrangel’ eshche zhiv, dobei ego bez poshchady (Wrangel is still Alive! Finish him off without Mercy! ), 1920 Lithograph 27 x 19 5/8” (68.6 x 49.8 cm) Note: Baron Pyotr N. Wrangel (Petr Vrangel; 1878–1928) was a White Army general and commanding officer of the anti-Bolshevik White Guards during the Civil War years. Wrangel is depicted in the lower section of the poster together with other White Russian Generals Anton Dinikin (1872–1947), Nikolai Yuidenich (1862–1933), and Admiral Aleksandr Kolchak (1874–1920). Wrangel’s outstretched arm reaches from the Crimea to the Don Basin, Russia’s productive industrial center. Above, a Red Army soldier raises a sword. This poster was printed in an edition of 65,000, the largest print of any Soviet poster during the Civil War period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/dac30d74-e460-4eb9-92b1-24a6f07facfd/JJ_60D_03996.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Nakanune vsemirnoi revoliutsii (On the Eve of the World Revolution), 1920 Lithograph 43 x 28 3/4” (109.2 x 73 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8a1c2e04-b2f8-475a-a7c4-c794aeb3b60b/JS_5D_8665-1.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Kazak, ty bil tsarei bil i boiar, sbros’ boiarina Vrangelia v Chernoe more (Cossacks, you Beat the Tsars and the Boyars in the Past, and now you should Throw Wrangel into the Black Sea), 1920 Lithograph 28 1/8 x 21 1/4” (71.4 x 54 cm) Note: Cossacks (from Turkic kazak, “adventurer” or “free man”) were mercenary, military warriors. Cossacks united in the fifteenth century as a self-governing military group that was loyal only to the Russian Tsar. They settled in six different areas: the Don, the Greben in Caucasia, the Yaik, near the Ural River, the Volga, the Dnieper and the area west of the Dnieper. During the Russian Civil War (1918–1921), the Cossacks were divided. Those in southern Russia formed the core of the White armies there, while some Cossacks (so-called Red Cossacks) became the biggest cavalry formation of Bolsheviks and the Soviet government of Ukraine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a2b1adb8-4fbc-4197-afc4-b27028594097/JJ_60D_04376.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Kuda devaet khleb Vrangel? (Where does Wrangel Send the Bread?), 1920 Lithograph 18 3/8 x 27 3/8” (46.7 x 69.5 cm) Note: This caricature shows Baron Wrangel of the White Army giving Russian bread to the Entente.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e8792e9e-c5a5-48bb-b456-d1ecbeb694a2/JS_5D_6875.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Ptashki tsarskie (The Birds of the Tsar), 1917–1922 Lithograph 27 3/16 x 20 3/16” (69 x 51.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ba668ee9-0fbd-48ae-8ed3-1104cc37e018/JJ_60D_03961.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Popy pomogaiut kapitalu i meshaiut rabochemu: Proch ’s dorogi! (Priests Help Capital but Interfere with the Worker: Get out of the Way!), 1920 Lithograph 29 7/8 x 42 5/8” (75.9 x 108.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d3e5b079-895f-4871-b130-2b35ad16d6b5/JS_5D_8663.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Vrangel idet na nas! Chernyi razboinik-baron khochet zakhvatit’ khleb, ugol’ i neft’, rabochikh i krest’ian. Ne dadim vragu zadushit’ nas golodom! Krov’iu dobytoe—krov’iu otstoim! (Wrangel is Approaching! The robber baron wants to seize our grain, coal and oil, workers and peasants. Let’s not let the enemy choke us with hunger! What was produced with blood—we’ll defend with blood!), c. 1920 Lithograph 21 x 13 7/8” (53.4 x 35.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1c384b81-85a5-4cd8-b25b-1d3b442b6435/JJ_60D_03966.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Da zdravstvuet III International (Long Live the Third International), 1920 Lithograph 42 1/2 x 27” (108 x 68.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/456967e1-f524-4734-a8b8-3f68c626caa8/JS_5D_5152.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Kazak, u tebia odna doroga s trudovoi Rossiei (Cossack, You Have One Path with the Working People of Russia), 1920 Lithograph 27 1/4 x 21” (69.3 x 53.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4b3ef865-c08b-402e-b66c-587e417b7ab7/Moor07.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Prezhde: Odin s soshkoi, semero s lozhkoi; Teper’: Kto ne rabotaet,tot ne est (Before: One with the Plough; Seven with a Spoon; Now: He who does not Work Shall not Eat), 1920 Lithograph 18 x 13” (45.7 x 33 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/19f91b83-141b-475f-8b83-e585483d4f15/Moor04.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Narodam Kavkaza (To the People of the Caucasus), 1920 Lithograph 27 11/16 x 31 1/4” (70.3 x 79.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/65ed0148-0019-49a7-ba68-d0fa693ba6a7/JS_5D_6877.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Krasnyi soldat na fronte ne obut, ne odet. Otkryvaite sunduki .Otdavaite vse, chto mozhete vashemu zashchitniku. Ne vyderzhit on, --pogibnete i vy. Na pomoshch’ Krasnoi Armii! (The Red Soldier at the Front is without Footwear and Clothing. Open your Chests. Give Everything you can to Your Defender. If he [a defender] won’t be able to overcome it, then you’ll also perish. Help the Red Army!), 1920 Lithograph 32 5/8 x 22 3/8” (82.9 x 56.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/207c520b-9308-4dda-8a1f-9a11db4edbfa/JS_5D_6910.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Krasnyi podarok belomu panu (A Red Present to the White Pan), 1920 Lithograph 32 1/4 x 23 1/2” (81.9 x 59.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/db530983-20c1-4a6c-b4a4-33751fe74389/JS_5D_7333.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Kazak, ty s kem? S nami ili s nimi? (Cossack, who are you with? With us or with them?), 1920 Lithograph 31 1/2 x 23 1/8” (80 x 58.7 cm) Note: The Cossack stands in the middle, flanked by Red Army soldiers at left and a group including the Baron Wrangel (the Polish ‘pan”) and pomeshchik (a landowner) at right, who together represent the forces of the White Army and its international supporters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ad51ca41-5a8d-40cd-9ac4-6c791153742f/JS_5D_7934.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Trud (Labor), 1920 Lithograph 27 5/8 x 21” (70.2 x 53.3 cm) Note: The oppression of workers by landowners, the church, and the military is denounced in this poster, which calls upon all laborers to join the Red Army to defeat their capitalist exploiters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/46f69377-7641-46d2-81c5-9edffab900f6/JS_5D_7332.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Ty l’esh’ krov’ za raboche-krest’ianskuiu  revoliutsiiu. Rabochie i krest’iane lishaiut sebia neobkhodimogo, iz poslednikh sredstv daiut tebe odezhdu i obuv’ (You’re spilling your blood for the Workers' and Peasants’ Revolution. Workers and peasants deprive themselves of all the necessities, providing you with clothes and shoes, using their last means), 1920 Lithograph 22 1/2 x 30 1/2” (57.2 x 77.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f66e1ecd-9267-44a5-aa4a-ee0ece71626e/JS_5D_6912.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>1-oe Maia, Vserossiiskii subbotnik (First of May, All-Russian Voluntary Work Day), 1920 Lithograph 33 x 21 5/8” (83.8 x 54.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b41ed528-3311-4a75-8729-5576675c5c87/JS_5D_6301.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Poslednii, reshitel’nyi boi (The Last Decisive Battle), 1920 Lithograph 42 x 26 1/2” (106.7 x 67.3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5c352d53-14da-4cfe-9931-76f021be87c1/_MG_1540.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Kazak! Tebia tolkaiut na strashnoe, krovavoe delo protiv tvoego naroda. Kazak! Povoroti konia i srazi svoego nastoiashchego vraga—darmoeda (Cossack! You are forced to get involved in a bloody war against your own folks. Cossack! Turn your horse around and strike your real enemy—a parasite), c. 1920 Lithograph 28 x 20 7/8” (71.1 x 53 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/87c9fd9b-42eb-46b7-850d-64c1e75f3fac/JJ_60D_04005.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Pomogi (Help), 1921. Lithograph 41 x 26 1/2” (104.1 x 67.3 cm) Note: This visually bold, iconic poster was a plea for international relief from the Povolzhye famine that devastated Russia in 1921–1922.  It was reproduced frequently in in European publications of the 1920s and 1930s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a88ece23-10d2-4154-935a-b707ee54975a/JJ_60D_04053.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Krasnyi strazh ne khochet krovi, no stoit on nagotove (The Red Guard does not Want Blood, but Stands Always Ready), 1921 Lithograph 42 x 27 7/8” (106.7 x 70.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/35075b7c-eb7f-4511-87b7-34497b23a249/JS_5D_4910.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Khleb-nasha sila. Interventam-mogila. Sobirai urazhai (Bread is Our Strength. Death to the Occupants. Collect the Harvest), 1931 Lithograph 39 3/4 x 27 1/4” (101 x 69.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1571e231-ddfb-4939-9e01-2e0162272eb6/Moor02.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>My byli stranoi sokhi, my stali stranoi traktora-kombaina (We were a Country of the Plow, We Became a Country of the Tractor), 1934 Lithograph 34 1/2 x 23 5/8" (87.6 x 60 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6e40c1bb-b957-48ae-8e1d-6873ea7a5c8b/JJ_60D_00494.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Drawing for the journal Krokodil (Crocodile): God–Capital, 1923 or after Ink and pencil on paper 10 x 8” (25.4 x 20.3 cm) Inscribed: recto (pencil): Black 5 1/2 square, for journal Crocodile no. 2 / to create by January 2 Note: The satirical journal Krokodil (Crocodile), edited by V. Kataev and Kukryniksy, was published in Moscow from 1923–1954.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5891fd1f-bf42-4717-ae9a-48bf8553e5f9/JJ_60D_04386.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Attributed to Dmitrii Moor Krokodil: ezhenedel’noe prilozhenie  Rabochei gazety. Rabochaia gazeta  podpisyvaetsia i chitaetsia sotniami tysiach rabochikh i rabotnits (Crocodile: A Weekly Supplement to the  Rabochaia gazeta   [Workers’ Newspaper].  Workers’ Newspaper  is Subscribed to and Read by Hundreds of Thousands of Workers and Women Workers), 1925 Lithograph 21 x 28” (53.3 x 71.1 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e5b0b8d2-116a-489d-be55-f3bf2f80251e/JJ_60D_1835.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Cover of Daesh’ (Let’s Produce), no. 1, 1929 Lithograph 11 7/8 x 9” (30.2 x 22.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/31625be3-39cc-42dd-a7c0-4be726db0bb2/JJ_60D_00500.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Drawing for the journal Bezbozhnik (Atheist): Virgin Mary, c. 1928 Ink and pencil on paper 10 1/2 x 10” (26.7 x 25.4 cm) Inscriptions: recto, lower right (pencil): Papa rimskii, podnimaiushchii sviashchennyi “pokhod” protiv  kollektivizatsii, govorit s kulakom (Pope of Rome, initiating a campaign against collectivization, speaks to kulak via Virgin Mary: “I have nothing to do with this, this is what the Virgin Mary wants”) Note: In 1922, the All-Union Communist Party of Bolsheviks in Moscow began publication of the anti-religious journal Bezbozhnik (Godless or Atheist). In 1923, the journal was renamed Bezbozhnik u stanka (Atheist at the Workbench), the title under which it appeared until 1931. For more on these publications, see our online exhibition Early Soviet Anti-Religious Propaganda: 1921–1931. “Collectivization” was a policy adopted by the Soviet government between c. 1928 and 1933, intended to transform traditional agriculture and to reduce the economic power of the kulaks (prosperous peasants). Under collectivization the peasantry was forced to give up their individual farms and join kolkhoz (large collective farms).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c0aed9cb-58d5-4f48-8257-ce2ce9b49ce6/blank.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/12016dcd-bcff-4266-a803-52720b718a78/JJ_60D_1848.jpg</image:loc>
      <image:title>Dimitri Moor - Make it stand out</image:title>
      <image:caption>Cover of Daesh’ (Let’s Produce), no. 11, 1929 Lithograph 12 x 9” (30.5 x 22.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/26efe208-ae7c-4582-bfd7-0c080cd2ab45/JJ_60D_00497.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Drawing for the journal Bezbozhnik (Atheist), c.1928 Ink on paper 11 1/8 x 8” (28.2 x 20.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/abedd151-b311-466c-92bc-39895abda33e/JJ_60D_00495+copy.jpg</image:loc>
      <image:title>Dimitri Moor</image:title>
      <image:caption>Drawing for the journal Bezbozhnik u stanka, no.10 (1924), p. 19: Na Moskvu! Popovskie polki “Sviatoi bogoroditsy.” (Towards Moscow! Regiment of Priests, [dedicated to] Mother of God), c. 1924 Ink and cut paper on paper 7 1/8 x 12 1/8” (18.1 x 30.8 cm) Inscriptions: verso (pencil): B. u s. No.10, 24 g. str.19</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/aleksandr-rodchenko</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006535493-MO7BIAUHDUMJ78F2GJX5/_MG_1031.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Likely Varvara Stepanova (after original by Rodchenko) Likely reconstruction after poster design: Galoshi Rezinotresta (Rubber Trust Galoshes), likely 1965 (after 1923 design) Text by Vladimir Mayakovsky (1893–1930): Protection in the rain and slush. Without galoshes, Europe can only sit and cry Gouache, cut-and-pasted halftone print, and pencil on gelatin silver print 8 1/4 x 5 7/8” (21 x 14.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006560699-O0VYE35XYMHZCBBKDE21/_MG_1037.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Rezinotrest (Rubber Trust) Galoshes, 1923 Text by Vladimir Mayakovsky (1893–1930): Buy! People of the East! The best galoshes, brought by camel Lithograph 28 3/16 x 19 13/16” (71.6 x 50.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006579612-OJTHUXSDS6BQFJZS7K4I/JS_5D_2885.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Rezinotrest (Rubber Trust) Galoshes, 1923 Text by Vladimir Mayakovsky (1893–1930): Galoshes of the Rubber Trust. Simply a delight! Worn north, west, south, and east Lithograph 27 1/2 x 19 3/4” (70 x 50.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006595683-KV3WWOE6AUXQFDWRLAJP/RODC_DobroletScan_Crop.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Russian state airline Dobrolet, 1923 Text: Everyone... Everyone... Everyone... He who is not a stockholder in Dobrolet is not a citizen of the USSR. One gold ruble makes anyone a stockholder in Dobrolet Lithograph 13 1/4 x 17 3/4" (33.7 x 45.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006604823-MPZZHR1IS3KN71ZKFBCR/anonru53.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Russian state airline Dobrolet, 1923 Lithograph 27 3/4 x 20 3/4” (70.5 x 52.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006652063-EMLWQJCLUJIU1ETRPCAV/Untitled.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Russian state airline Dobrolet, 1923 Lithograph 27 3/4 x 20 1/8” (70.5 x 51.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006676611-RTE9CREJO6ESNNOLVX9B/_MG_1033.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Unfolded packaging: “Zebra” cookies, Red October factory, Moscow, 1924 With text by Vladimir Mayakovsky (1893–1930). Lithograph 13 7/8 x 5 11/16 " (26 x 14.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006694314-UUYJ1TFQER0XF9LM9JGC/_MG_1029.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Mossel’prom “Cinema” Cigarettes, 25 count, 1924 Lithograph 13 1/16 x 9 9/16” (33.2 x 24.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006710721-2WJHNA8F6GMBUB2D9ALB/_MG_1146.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Lef (Journal of the left front of the arts), 6 issues to appear in 1924, 1923–24 Lithograph 26 7/8 x 20 7/8” (68.3 x 53 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006746063-D3Q2DUSNRHPELJ1H0AZ0/RODCH01_scan_crop.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Molodaia gvardiia (The Young Guard) Publishing House, 1924 Lithograph 32 7/8 x 23 13/16” (83.5 x 60.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006769653-64LA61XSD080XTZSECFB/%5BMEC+temp+image+number+20210408-2%5D.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Red Army Soldier, Bring Gosizdat Books to Every House. Books are Light and Knowledge, 1925 Lithograph 28 1/4 x 42 1/2” (71.8 x 108 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006789346-PV1RJ0164JUB8N6QMFTF/_MG_0720.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: MGSPS (Moscow City Council of Professional Unions), 1925 Lithograph 14 x 9 15/16” (35.6 x 25.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006805963-4SS8D8ACM3K5E57044ZF/Rodch03_Scan_crop.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: MGSPS (Moscow City Council of Professional Unions), 1925 Lithograph 9 15/16 x 13 7/8” (25.2 x 35.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006818792-NSW06PCBVDSUWRBIKRLC/Rodchenko_Kino_Eye.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Cinema-Eye, six films by Dziga Vertov, 1924 Lithograph 36 1/2 x 27 1/2” (92.7 x 69.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006835702-DVB50ZBC6AP176YUJH74/Rodch11_Scan_crop.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: Battleship Potemkin, a film by Sergei Eisenstein, 1925 Lithograph 28 1/4 x 42 1/2” (71.8 x 108 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1618006852327-DXZ3Q3MY777UTB0U5YYU/Rodch09_Scan_crop.jpg</image:loc>
      <image:title>Aleksandr Rodchenko</image:title>
      <image:caption>Poster: One Sixth of the World, a film by Dziga Vertov, 1926 Lithograph 42 x 27 3/8” (106.7 x 69.5 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/valentina-kulagina</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989617522-G1HLC3HK29ZJR3J0FGPE/Kulag01.jpg</image:loc>
      <image:title>Valentina Kulagina</image:title>
      <image:caption>Untitled, 1923 Lithograph 9 1/16 x 6 1/2” (22.8 x 15.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989649770-8O3IR4KH77H7WBE8TQPA/JS_5D_6604.jpg</image:loc>
      <image:title>Valentina Kulagina</image:title>
      <image:caption>Untitled, 1923 Lithograph 7 1/2 x 5 1/4” (19 x 13.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989668999-OYWSZKIP4HGVNGMRQP5S/JS_5D_1134.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Poster: 1905 god—put’ k Oktiabriu (The Year 1905—the Path to October), 1929 Lithograph 41 3/8 x 28 7/8” (105 x 73.2 cm) Note: An incomplete printing proof of this poster (the orange and brown sections only) appears on its verso.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989750979-M1F1DH2QZDBVQT3T5U28/JJ_60D_03035.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Poster: Mezhdunarodnyi den’ rabotnits—boevoi den’ proletariata (International Women Workers’ Day—A Battle for the Proletariat), 1931 Lithograph 39 5/8 x 27 5/8” (100.6 x 70.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989684238-ZP5H3D7CF9WMN3X0V3KB/JS_5D_1131.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Poster: Na oboronu SSSR (To the Defense of the USSR), 1930 Lithograph 35 1/2 x 23 3/4” (90.5 x 65.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989767650-P32MMZBZPLYW0XDMA7EG/JJ_60D_03037.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Valentina Kulagina (Russian, 1902–1987) or Natalia Pinus (Russian, 1901–1986) Preparatory drawing for an unidentified poster on  verso of Kulagina’s Mezhdunarodnyi den’ rabotnits—boevoi den’ proletariata (International Women Workers’ Day—A Battle for the Proletariat), 1931 Watercolor, graphite 27 5/8 x 39 5/8” (70.1 x 100.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989713444-99PNV711BN5MYGCHY06V/JS_5D_1136.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Poster: Dadim dlia stroiashchegosia sotsializma v 1931 godu 8 mln. ton chuguna (Let’s Give 8 million Tons of Pig Iron for Socialism in Construction in 1931), 1931 Lithograph 28 1/2 x 20 1/4” (72.2 x 51.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989786894-8OV8XE92NRF2I1KL293T/Kulag07.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Design for factory wall: Elektrokombinat (Electro-combine) with chart at left showing growth of the society of inventors, [1930] Cut-and-pasted paper, gouache, and halftone photographs 7 1/8 x 11” (18.1 x 28 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989803138-I4D6QRPWPGRJMG6B7JWR/JJ_60D_06309.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Maquette for book cover: A.[lexander] Tarasov-Rodionov, Oktiabr’ (October), Gosudarstvennoe izdatel'stvo  (State Publishing House), 1930 Cut-and-pasted gelatin silver prints, gouache, and ink on paper 8 x 12 1/4” (21 x 31 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989840527-X775RZYT9B4Y4GUPQZYO/JS_5D_1119.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Maquette: Tovarishchi gorniaki! (Comrades Coal Miners!), c. 1933 Gouache and pencil on paper 18 1/2 x 13” (46.9 x 33 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989856432-XGIHAS5ZAHO1TUGWBGOO/JS_5D_1132.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Poster: Tovarishchi gorniaki! Vyvedem ugol'nuiu promyshlennost' na bol'shevistskuiu dorogu pobed! Vospitaem izotovykh peredovoi tekhniki! Izzhivem biurokraticheskii metod rukovodstva ugol'noi promyshlennost'iu! Dadim shakhtam i zaboiam postoiannye Inzhenerno-tekhnicheskie kadry! (Comrades Coal Miners!  Let's Make the Coal Industry a Bolsheviks' Victory! Let's Get Rid of Bureaucratic Methods in Management of Coal Industry! Let's Establish Permanent Engineering and Technical Manpower in the Mines!), 1933 Lithograph 40 3/4 x 28" (103.5 x 71 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989903766-MLKZMUEA5Y6JEJRV3VPC/KULAGINA_WeAreBuilding_1929_Collage.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Maquette: Stroim (We Are Building), 1929 Cut-and-pasted printed and painted paper, sandpaper, gouache, and pencil on paper 22 5/8 × 14 1/4″ (57.5 × 36.2 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989961387-MQQF7DEFD1FYCSG0QSZW/081+Valentina+Kulagina.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Poster: Mezhdunarodnyi den’ rabotnits (International Women Workers’ Day), 1930 Lithograph 42 7/8 × 28 3/8″ (108.9 × 72.1 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989923518-UMD2QKHZWL9FZ470K4TQ/JJ_60D_06312.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Postcard: Stroim (We Are Building), c. 1930 Letterpress 5 3/4 × 4″ (14.6 × 10.2 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989978220-XTGZKQ35MEJXZA8EC68B/62+Women+Workers.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Poster: Rabotnitsy—udarnitsy, krepite udarnye brigady, ovladevaite tekhnikoi, uvelichivaite kadry proletarskikh spetsialistov (Women Shockworkers, Fortify Your Shockworker Brigades, Master Technology, Increase the Cadres of Proletariat Specialists), 1931 Lithograph 39 3/8 × 28 5/16″ (100 × 71.9 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989940742-Z1YU2E3FNQH6O49EIJ80/JJ_60D_4104.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Journal cover: Krasnaia niva (Red field), no. 45 (1929) Lithograph and letterpress 12 3/16 × 9″ (30.9 × 22.9 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624989994890-0EX5XWXCU2S2DS0ULKZM/JJ_60D_03035.jpg</image:loc>
      <image:title>Valentina Kulagina - Make it stand out</image:title>
      <image:caption>Poster: Mezhdunarodnyi den’ rabotnits—boevoi den’ proletariata (International Women Workers’ Day—A Battle Day for the Proletariat), 1931 Poster for International Women Workers’ Day Lithograph 38 × 28″ (96.5 × 71.1 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/nikolai-sedelnikov</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983288587-4RE1PYPB7T28VTKVNYUZ/JJ_60D_03047.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Chelovek sozdan dlia schast’ia (A Man is Created for Happiness), 1927 Cut-and-pasted printed paper, gouache, and ink on paper 13 1/16 x 9 1/2" (33 x 34.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983564229-WP37HEWBV9ZG4MSUU0HR/JS_5D_3788.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Pobeda chempiona (Victory of a Champion), c. 1929 Cut-and-pasted printed paper and gouache on paper 13 1/8 x 9 15/16” (33.3 x 25.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1612886428612-TVOD9JTEIUHPN8L3R2F4/JJ_60D_04694.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Maquette for the book cover: A. G. Kravchenko, Kak kapitalisty vsekh stran ugnetaiut slabye narody (How the Capitalists of the World Suppress Poor Nations). Moscow: Gosudarstvennoe izdatel’stvo, 1929 Cut-and-pasted printed papers and gouache on paper 10 3/4 x 15 1/4“ (27.3 x 38.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610986576059-EKU6M0OU4V38V1269FI6/JS_5D_3903-2.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Untitled, 1929 Gelatin silver print (photogram) 12 3/4 x 9 1/4” (32 x 23.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983976357-WAQ5B9TH5W83RVPLBLI4/Sidelscan4.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Untitled, c. 1933 Cut-and-pasted printed paper, gouache, and ink on paper 8 5/8 x 12 3/8” (21.9 x 31.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610984046635-W8C7MFJI4GQ4ZH8LVUTL/JS_5D_3790.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Untitled, c. late 1920s–early 1930s Cut-and-pasted printed paper, gouache, and ink on paper 11 7/8 x 16 5/8” (30 x 42 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1611938394180-JK5TXD03CUX6HQ8X4YKF/Sidelscan7.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Untitled (Woodrow Wilson), c. 1930 Cut-and-pasted printed paper, gouache, and ink on paper 14 1/4 x 10" (36.2 x 25.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983626976-OYBSWBYF655TPST1FM1Z/JS_5D_3778.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Velosport (Cycling), No. 3 , c. 1930 Cut-and-pasted printed paper, gouache, and ink on paper 9 3/8 x 6 7/8” (23.8 x 17.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983767446-WMYIPMULMYIN8RMYK697/JJ_60D_04697.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Maquette for book cover (unused): Put’ ubiits (Path of the Killers). Moscow: Gosudarstvennoe izdatel’stvo, c. 1929 Cut-and-pasted printed paper and gouache on paper 10 1/2 x 14 1/2” (26.6 x 36.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983927463-3M1OXJXHC1DFRMVROX4A/Sidelscan14.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Untitled (for Figure Skating), 1930 Gelatin silver print (photogram) 9 3/8 x 6 7/8” (23.8 x 17.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983989258-ANE87F5IWIDSKGKPD4QI/Sidelscan5.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Mashiny v lesu (Cars in the Forest), c. late 1920s–early 1930s Cut-and-pasted printed paper, gouache, and ink on paper 9 7/8 x 13 7/8” (25.1 x 35.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610984062292-ROPHRB9G9YF2Z7VMV7ZD/Sidelscan3.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Tekhnika molodezhi (Youth’s Technology), no. 5, c. 1928 Cut-and-pasted printed paper, gouache, pen, and pencil on paper 9 7/8 x 13 3/4” (25.1 x 34.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1611938378780-U0GBSHSWQ6XH5I5RH9OJ/JS_5D_3786.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Soldaty Armii Truda (Soldiers of the Army for Labor), c. 1932 Cut-and-pasted printed paper, gouache, and pencil on paper 15 x 11 1/4” (38.2 x 28.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983671015-MX6YP1R72MCYRRM66H3J/Sidelscan9.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Narod pomoshchnik Krasnoi Armii (People Helpers to the Red Army), c. 1928 Cut-and-pasted gelatin silver prints and printed paper, gouache, and ink on paper 12 3/8 x 10 7/8” (31.4 x 27.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1612886377363-QY0BB6YJ5DWXWCWOWH9O/JS_5D_3899.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Maquette for the book cover: Periodika SSSR (Periodicals of the USSR). Moscow: Mezhdunarodnaia kniga, 1931 Gouache and pencil on paper 5 7/8 x 22 1/2 ” (14.9 x 57.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983944073-EXNT5J5HWSQZPPL0GRG7/Sidelscan15.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Untitled (for Figure Skating), 1930 Gelatin silver print (photogram) 7 3/8 x 5 1/8” (18.7 x 13 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610984002063-L9EHZW9SINA2AZIWQBP3/Sidelscan.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Rost produktsii i promyshlennosti SSSR (Production and Industry Growth in the USSR), c. 1930s Cut-and-pasted gelatin silver print, printed paper, and gouache on paper 11 7/8 x 16 1⁄2” (30.2 x 41.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610984074166-IXITSUQKWAJCAZGRUL45/Sidelscan1.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Molodoe popolnenie rabochego klassa (Young Replenishment of the Working Class), c. 1927 Cut-and-pasted printed paper, gouache, ink, and pencil on paper 9 x 12 1/2” (22.9 x 31.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983380514-2VK710FX0FTYBD4NTOVG/JJ_60D__2907.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Rabotnitsa! Uluchshai kachestvo, snizhai sebestoimost”, podnimai proizvoditel’nost’ truda, povyshai znaniia (Female Worker: Improve Quality, Reduce Costs, Raise Labor Productivity, Increase Knowledge), c. 1930 Cut-and-pasted gelatin silver print, lithograph, gouache, ink, and pencil on paper 12 5/8 x 11 1/4" (32.1 x 28.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983707957-8U6M6EPS2YFX55BLP3GM/Sidelscan10.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Aeroplany (Airplanes), c. 1931 Cut-and-pasted printed paper, gouache, and ink on paper 11 3/8 x 9” (28.9 x 22.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1612982537831-XGSAP9MKH852GE3OM2IF/JS_5D_5981.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Maquette for book cover: N. Stobrovsky, Dirizhabli (Airships). Moscow/Leningrad: Gosudarstvennoe nauchno-tekhnicheskoe izdatel’stvo. Moscow/Leningrad: State Scientific-Technical Publishing House, 1931 Cut-and-pasted gelatin silver print and printed paper, gouache, and ink on paper 12 x 15 3/4” (32.3 x 40 cm) Note: The final, printed book is in the collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610983957891-3YVMXCF516RTZRJ8W2Z1/JS_5D_0009.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Book: V. G. Buchirin and N.P. Ermolov, V pomoshch’ chertezhniku- poligrafistu (Aid for the Draftsman and Graphic Designer). Moscow/Leningrad: GNTI-Gosudarstvennoe izdatel’stvo, 1932 Lithograph 8 3⁄4 x 5 3⁄4” (22.2 x 14.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610984031109-FC19L2SCECNJE9K4CM6N/sidel95b.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Tvortsy sovetskikh machin (The Creators of Soviet Machines), c. 1934 Cut-and-pasted printed and colored paper, gouache, and ink on paper 10 1/4 x 14 1/8” (26 x 36 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1610984679147-0MOF5Q1K1L3XEX4H1N64/JS_5D_3989.jpg</image:loc>
      <image:title>Nikolai Sedelnikov</image:title>
      <image:caption>Prazdnik sovetskoi fizkul’tury (Celebration of Soviet Physical Culture), c. 1928 Cut-and-pasted printed paper, gouache, and ink on paper 10 x 21 13/16” (25.3 x 55.4 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/karl-hubbuch</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-10-04</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/carl-grossberg</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/127a3ebf-13bf-4644-a36c-8db64d6f0009/MCB_Grossberg_Publicity_Cover_web.jpg</image:loc>
      <image:title>Carl Grossberg - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/331dbf1d-f6c6-46e2-b02a-be1ab31fc65d/JS_5D_12050.jpg</image:loc>
      <image:title>Carl Grossberg - Make it stand out</image:title>
      <image:caption>Carl Grossberg Oberweimar, March 1, 1920 Charcoal on paper 12 7/8 x 11 1/2” (33 x 29 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/49db8c0b-8b87-4332-a1a7-8f28221fca85/JS_5D_12204_crop.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Untitled (Fan or Turbine), c. 1938 Ink, watercolor, gouache, and graphite on paper 15 7/8 x 19 1/2” (40.3 x 49.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604882806-HLV97EGLS4MX62NNH1WZ/JJ_60D_064766.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Maschinenhalle (Machine Hall), 1924 Graphite on paper 19 1/8 x 25” (48.6 x 63.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602603897793-Q1RWXT86PFQ1MY5YKWJH/Untitled.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Hobelmaschine (Planing Machine), Koenig &amp; Bauer, 1924 Graphite on paper 15 3/4 x 19 5/16” (40 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604033204-RFXUL1HTEQMN7PJHHD52/JJ_60D_01155.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Drawing for Kaffeerösterei (Coffee Roasters), 1933 Graphite on paper 15 5/8 x 19 1/2” (39.7 x 49.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602603931713-N07MH8MZPOAWNECOBR0M/JJ_60D_01152.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Aushebung des Hafens (Excavation of the Port), 1929 Sheet 2 from the series BEWAG, Kraftwerk West (Berlin Municipal Electric Company, Power Plant West) Lithograph 15 1/8 x 19” (38.4 x 48.3 cm), plate size</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604002095-BWO4SX0TG674W5JB6OIW/JS_5D_2787.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Vor den Kesseln (View of the Boilers), 1930 or 1931 Sheet 8 from the series BEWAG, Kraftwerk West (Berlin Municipal Electric Company, Power Plant West) Lithograph 25 1/4 x 18 3/4” (64.1 x 47.6 cm), plate size</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604205049-CK75ETIMNX00J6CCLOD5/JS_5D_2786.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Vorwärmerhalle (Preheater Hall), 1930 Sheet 5 from the series BEWAG, Kraftwerk West (Berlin Municipal Electric Company, Power Plant West) Lithograph 15 1/2 x 19 5/8” (39.4 x 49.8 cm), plate size</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604018069-8ZZKXXJH0SUDWDWGT8OD/GROSS_Maschinenhalle.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Maschinenhalle (Machine Hall), 1931 Sheet 10 from the series BEWAG, Kraftwerk West (Berlin Municipal Electric Company, Power Plant West) Lithograph 15 5/8 x 19 1/2” (39.7 x 49.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602603971853-OEWHYVY4V2XOPL2HPGHA/JJ_60D_01159.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Kühlwasserpumpen (Cooling Pumps), 1930 or 1931 Sheet 6 from the series BEWAG, Kraftwerk West (Berlin Municipal Electric Company, Power Plant West) Lithograph 15 1/2 x 19 1/2” (39.4 x 49.5 cm), plate size</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602603983816-UJ7VVQZSFCA481UZN6HJ/JJ_60D_01158.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Bekohlungsanlage (Coaling Station), 1931 Sheet 7 from the series BEWAG, Kraftwerk West (Berlin Municipal Electric Company, Power Plant West) Lithograph 15 1/2 x 19 1/2” (39.4 x 49.5 cm), plate size</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/884b563a-1d1e-4a84-8697-2eff91914009/JS_5D_12391.jpg</image:loc>
      <image:title>Carl Grossberg - Make it stand out</image:title>
      <image:caption>Carl Grossberg Komposition mit Kirche zwischen Häusern (Composition with Church between Houses), 1923 Oil on canvas 19 1/2 × 15 3/4" (50 × 40 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/98f82607-4273-4e77-ae44-780f0c158ad6/JS_5D_6606.jpg</image:loc>
      <image:title>Carl Grossberg - Make it stand out</image:title>
      <image:caption>Carl Grossberg Amsterdam, Rokin, 1926 Tempera on canvas adhered to laminate wood structure 19 7/8 x 23 7/8” (50.5 x 60.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604255792-0AE52NTN0K6ZOM6ZIRBW/Untitled+copy+2.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Würzburg, Grombühl, 1924 Oil on canvas 10 5/8 x 12 5/8” (27 x 32 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604444338-IOUVOJHCCBMMMC5APVDW/Grossberg_Rhein.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Köln, Hauptbahnhof (Cologne, Central Station), 1927 Oil on laminate wood structure 23 1/2 × 27 1/2 × 5/8" (60 × 70 × 1.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604420617-CSXJO1S6Y42AVGC70T9K/Grossberg_Wagnerei_final%281%29.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Würzburg, Wagnerei (Würzburg, Wainwright Workshop), 1925 Oil on canvas 15 x 19” (38.1 x 48.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604678528-RLGZ49H7WMHH8X44R5XX/Untitled+copy+3.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Marktbreit, 1931 Oil on canvas 27 1/2 x 23 1/2” (70 x 60 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604433092-2DRLJD7491L8ZZQW8P8W/JS_5D_2337.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Amsterdam, Brouwersgracht, 1925 Oil on canvas 20 x 23 3/4” (50 x 60 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604046761-5FLD9S33ULDHMDD6SBCW/JJ_60D_06155.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Drawing for Drawing for Vorbereitungssaal (Preparation Hall), G. L. Pott &amp; Hinrichs, Wuppertal-Elberfeld, 1935 Graphite, watercolor, and thin applications of gouache on paper 19 1/2 x 15 5/8” (49.5 x 39.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c1c19b34-969c-4ea6-adaf-6a4aa610e2a4/Untitled+1.jpg</image:loc>
      <image:title>Carl Grossberg - Make it stand out</image:title>
      <image:caption>Carl Grossberg Konstruktion (Construction), 1928 Oil on laminate wood structure 15 × 10 8/8 x 7/8” (38 × 27 × 2.25 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604732359-WKZTJXUB8MKE8NCONGEW/Gross_factory.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Vorbereitungssaal (Preparation Hall), G. L. Pott &amp; Hinrichs, Wuppertal-Elberfeld, 1935 Oil on commercially prepared hardboard with pre-applied ground on recto, verso, and edges 19 x 15 3/4 x 1/2” (48.3 x 40 x 0.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604770533-I2NIKG7BO8SH866W9YEO/Grossberg_Interieur.gerahmt.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Stahlmöbel (Steel Furniture), 1935 Oil on commercially prepared hardboard with pre-applied ground on recto, verso, and edges 15 3/4 x 19 3/4 x 1/2” (40 x 50 x 0.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/398160e4-0eaf-4d50-af40-de2a9b10d86d/JS_5D_12414w.jpg</image:loc>
      <image:title>Carl Grossberg - Make it stand out</image:title>
      <image:caption>Carl Grossberg Drawing for Jacquard-Weberei (Jacquard Weaving Mill), G. L. Pott &amp; Hinrichs, Wuppertal-Elberfeld, 1934 Graphite on paper 19 1/2 x 15 3/4” (49.6 x 40 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604704954-HJZE6SCNS89N4OIWCEI8/Gross_JW.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Jacquard-Webereien (Jacquard Weaving Mill), G. L. Pott &amp; Hinrichs, Wuppertal-Elberfeld, 1934 Oil on commercially prepared hardboard with pre-applied ground on recto, verso, and edges 19 1/2 x 15 3/4 x 1/2" (50 x 40 x 0.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/43f75cf4-be87-4d45-b3b7-d55d0adafe5b/Untitled.jpg</image:loc>
      <image:title>Carl Grossberg - Make it stand out</image:title>
      <image:caption>Carl Grossberg Komposition “Renaissance 1929” (Composition “Renaissance 1929”), 1929 Oil on laminate wood structure 18 3/4 x 15 x 1” (48 x 38 x 2.6 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ef3ec69e-3e19-4cf9-a8b5-309c10ac88e4/JS_5D_12051.jpg</image:loc>
      <image:title>Carl Grossberg - Make it stand out</image:title>
      <image:caption>Carl Grossberg Untitled (Traumbild [Dream Picture]), 1939 Oil and graphite on commercially prepared hardboard with pre-applied ground on recto, verso, and edges 25 5/8 x 21 3/8 x 1/4” (65 x 54 x 0.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7e450ada-259f-4087-826c-2ae08faa1a25/blank.jpg</image:loc>
      <image:title>Carl Grossberg - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7e450ada-259f-4087-826c-2ae08faa1a25/blank.jpg</image:loc>
      <image:title>Carl Grossberg - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604920888-MXK6A2AUT9VRRFW876AL/C.Grossberg_Zandvoort.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Zandvoort , 1925/26 Oil on canvas 23 4/8 x 19 11/16” (60 x 50 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604965851-CUEKFD96M2WV6UWXFRAU/JS_5D_2008-combined.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Maquette for the temporary mural Industrielandschaft (Industrial Landscape), c. 1934 Oil on two pieces of hardboard joined by two metal hinges at center 23 5/8 x 88 1/2” (60 x 225 cm) Formerly Merrill C. Berman Collection; now the Busch-Reisinger Museum, Harvard Art Museums, Cambridge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714950294-GWSHIR3911SJDNCT0YWN/Gross_Automobil.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Automobilstraße (Automobile Street, also known as AVUS), 1928 Oil on wood 17 1/4 x 27 1/2” (44 x 70 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604980432-8HZ0ACKEOEZHD7DBMP3M/JS_5D_3807.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Stahlskelett, Reichsluftfahrtministerium Berlin (Steel Frame, Reich Aviation Ministry, Berlin), 1935 Oil on hardboard 25 1/2 x 21” (65 x 54 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604935573-BI62A0EBJOIEX26AAO6A/Grossber_Nr18_Turbine.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg Komposition mit Turbine (Composition with Turbine), 1929 Tempera and oil on laminate wood structure 23 1/2 x 27 1/2 x 1/2” (59.7 x 69.9 x 1.1 cm) Formerly Merrill C. Berman Collection; now the Busch-Reisinger Museum, Harvard Art Museums, Cambridge</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1602604947883-SKHN3NDSDTX1SKAI3YPE/Untitled+1.jpg</image:loc>
      <image:title>Carl Grossberg</image:title>
      <image:caption>Carl Grossberg 14 preparatory studies for the temporary mural Industrielandschaft (Industrial Landscape), 1934 Watercolor and graphite on paper Sizes range from: 6 7/8 x 19 11/16” (17.5 x 50 cm) to 13 1/8 x 37 3/16” (33.3 x 94.5 cm) Formerly Merrill C. Berman Collection; now the Busch-Reisinger Museum, Harvard Art Museums, Cambridge</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/john-heartfield</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607711973400-M6GVSH8IT8CANDFMEJD8/B027.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Neue Jugend (New Youth; June 1917), John Heartfield, ed. Announcement for Kleinen Grosz Mappe (Small Grosz Portfolio). Berlin: Der Malik-Verlag Halftone letterpress 25 3/16 x 20 11/16” (63.9 x 52.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607711845168-F77J36ZETIKKIPR97FPS/JS_5D_3851.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Advertisement for the book Günter Reimann, Das Deutsche Wirtschaftswunder (The German Economic Miracle). Berlin: Vereinigung Internationaler Verlagsanstalten, [1927], printed on the back cover of the book Günter Reimann, Giftgas in Deutschland: Die Machtstellung der I.G. Farbenindustrie A.G. (Poisonous Gas in Germany: The Power of I. G. Farben). Berlin: Vereinigung Internationaler Verlagsanstalten, [1927] Lithograph and letterpress 8 3/4 x 6” (22.2 x 15.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607711789371-L2AK9RS0G6RZVO7OON4Q/036+Jedermann.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Jedermann sein eigner Fussball (Everyone His Own Soccer Ball), vol. 1, no. 1 (February 15, 1919). Wieland Herzfelde, ed. Berlin: Der Malik-Verlag. Complete in one issue. Halftone letterpress 16 7/8 x 11 11/16” (42.9 x 29.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607711860446-Q94V8NRBDJRR0EY1JXR9/_MG_9914.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>13 Jahre Mord: 1914–1927, Profit heisst Krieg! (13 Years of Murder: 1914–1927, Profit Means War!) German Communist Party, Section of the Communist International, ed. Berlin Vereinigung Internationaler Verlagsanstalten G.m.b.H., 1927 Halftone letterpress 10 5/16 x 7 3/8” (26 x 18.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607711806681-O67NOC138R9V65QBZAHS/035+Der+DADA+n3.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Der Dada, no. 3 (April 1920). George Grosz, Raoul Hausmann, and John Heartfield, eds. Berlin: Der Malik-Verlag Halftone letterpress 9 1/8 x 6 3/16” (23.2 x 15.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1608139534511-SI062DK68LCAC3V4HSCL/Heartf10+2.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Der Knüppel: Satirische Zeitschrift (The Cudgel: Satirical Newspaper), vol. V, no. 4 (Berlin; June 1927). Special Edition: The Plumber’s Shop. The Front, Hail! Offset lithograph 12 9/16 x 9 7/16” (31.9 x 24 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607711820697-X7WO0FNNW8L3HUX2P8ZH/JS_5D_2848.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Erste Internationale Dada-Messe (First International Dada Fair), Kunsthandlung Otto Burchard, Berlin (June 30–August 25, 1920). Exhibition organizers: George Grosz, Raoul Hausmann, John Heartfield. Exhibition catalogue with text by Wieland Herzfelde. Berlin: Der Malik-Verlag Halftone letterpress 12 1/4 x 15 3/8” (31.1 x 39.1 cm), single folded sheet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607712241736-F1BAFTNY3GTZ04MDBYFE/042+Petroleum.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Upton Sinclair, Petroleum. Berlin: Der Malik-Verlag, 1927 Offset lithograph 7 7/16 x 18 3/8” (18.9 x 46.7 cm), unfolded English edition: Upton Sinclair, Oil: A Novel. New York: Grosset and Dunlap, 1927</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1608133852254-XT70UIB0KWK93FHW5M97/Heartf18.jpeg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Upton Sinclair, Nach der Sintflut: Ein Roman aus dem Jahre 2000. Berlin: Der Malik Verlag, 1925 Offset lithograph 7 1/2 x 18 1/4” (19.1 x 46.4 cm)  English edition: Upton Sinclair, The Millennium: A Comedy of the Year 2000. Girard, KS: Haldeman-Julius Co., 1924</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607712304016-YR3K1IF4LFT7YSM3B75O/JS_5D_5094.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Lili Körber, Eine Frau erlebt den roten Alltag: Ein Tagebuchroman aus den Putilovwerken (A Woman’s Experience of Everyday Soviet Life: A Diary-Novel from the Putilov Plant). Berlin: Rowohlt Verlag, 1932 Offset lithograph 7 11/16 x 17 5/8” (19.5 x 44.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607712457673-Z5PDEIO3WRCAIHNXRLW9/JS_5D_5054.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Upton Sinclair, Der Sumpf. Berlin: Der The Malik-Verlag, 1924 Hardcover with adhered dust jacket (offset lithograph) 7 1/2 x 5 1/4 x 1” (19.1 x 13.3 x 2.5 cm) Click here to view the full recto/verso cover. English edition: Upton Sinclair, The Jungle. New York: Grosset and Dunlap, 1906  Also in the collection: The Malik-Verlag edition of 1928</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607712644276-908B200BCUC0DZ1AO5A1/JS_5D_5068.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Upton Sinclair, Hundert Prozent. Berlin: Der Malik-Verlag, [1928] Hardcover with adhered dust jacket (offset lithograph) 7 9/16 x 5 5/16 x 13/16” (19.2 x 13.5 x 2 cm) Click here to view the full recto/verso cover. English edition: Upton Sinclair, 100%: The Story of a Patriot. Pasadena, CA: the author, 1920 Also in the collection: Malik-Verlag editions of 1921 (softcover, dust jacket adhered), 1924 (hardcover, dust jacket adhered), 1926 (hardcover, dust jacket adhered), and 1928 (hardcover with dust jacket)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607712948759-YKHL2D9SS3Y3FLIKKU2D/JS_5D_4996.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Upton Sinclair, Das Geld Schreibt. Eine Studie über die amerikanische Literatur. Berlin: Der Malik-Verlag, 1930 Softcover with partially adhered dust jacket (offset lithograph) 7 9/16 x 5 1/16 x [1]” (19.2 x 12.8 x [2.54] cm) Click here to view the full recto/verso cover. English edition: Upton Sinclair, Money Writes!: A Study of American Literature. Long Beach, CA: the author, 1927 Note: Heartfield’s first design for the 1927 edition of the book—pictured here—includes a photograph of the German writer Emil Ludwig and his family on the back cover, implying that Ludwig was a puppet of the state. After Ludwig won a lawsuit against The Malik-Verlag for defamation, Heartfield omitted the faces of each family member—including the dog—via circular cut-outs.   Click here to view the censored version.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713285105-GJ4G5XLUMO3A3665GWDC/JS_5D_4953.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>F. C. Weiskopf, Zukunft im Rohbau: 18,000 Kilometer durch die Sowjetunion (Future in Shell Construction: 18,000 Kilometers Through the Soviet Union). Berlin: Der Malik-Verlag, 1932 Softcover with adhered dust jacket (offset lithograph) 7 7/16 x 5 1/8 x 1” (18.9 x 13 x 2.54 cm) Click here to view the full recto/verso cover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607712486902-CYLHADIOWAVHL0IT8NF7/JS_5D_5042.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Upton Sinclair, Die Wechsler. Berlin: Der Malik-Verlag, 1925 Hardcover with adhered dust jacket (offset lithograph) 7 1/2 x 5 1/16 x 3/4” (19.1 x 12.9 x 1.9 cm) Click here to view the full recto/verso cover.  English edition: Upton Sinclair, The Moneychangers. Pasadena, CA: the author, 1926</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607712696271-067L9PTBOTGV3CVO8OGE/JS_5D_5118.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Kurt Tucholsky, Deutschland, Deutschland über Alles (Germany, Germany Above All). Berlin: Neuer Deutscher Verlag, 1929 Cloth covered boards with embossed halftone and letterpress 9 3/8 x 7 3/8 x 1/2” (23.8 x 18.7 x 1.3 cm) Click here to view the full recto/verso cover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713107142-891T24R5S5BB6NHD83V2/JS_5D_4968.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Maxim Gorky, Wie ein Mensch geboren ward (How A Person is Born). Berlin: Der Malik-Verlag, 1930 Softcover with dust jacket (offset lithograph) 7 7/16 x 5 1/8 x [1]” (18.9 x 13 x [2.54] cm) Click here to view the full recto/verso cover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713309511-9D3MNJGUTWWP3OI8GNYI/JS_5D_4934.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>The Brown Book of the Hitler Terror, and the Burning of the Reichstag. Foreword by Lord Marley. New York: Alfred A. Knopf, 1933 Hardcover with dust jacket (offset lithograph) 7 3/4 X 5 1/2 x 1 1/2” (19.7 x 14 x 4 cm) Click here to view the full recto/verso cover. Note: Heartfield’s motifs on both the front and back covers previously appeared in AIZ, vol. XII, no. 36 (September 14, 1933) and AIZ, vol. XII, no. 30 (August 3, 1933), respectively.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607712516502-SWDGQCBH42HKH7EGH62Z/JS_5D_5028.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>John Reed, Zehn Tage, die die Welt Erschütterten. Vienna and Berlin: Verlag für Literatur und Politik, 1927 Softcover (offset lithograph) 7 15/16 x 5 1/4 x 1 1/8” (20.2 x 13.4 x 2.8 cm) Click here to view the full recto/verso cover.  English edition: John Reed, Ten Days That Shook the World. New York: Boni and Liveright, 1919</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607712712501-SRA753QMH4IEQ7S78MNK/JS_5D_5002.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Upton Sinclair, Leidweg der Liebe. Berlin, Der Malik-Verlag, 1930 Hardcover with dust jacket (offset lithograph) 7 1/2 x 5 1/8 x 1 15/16” (19 x 13 x 5 cm) Click here to view the full recto/verso cover.  English edition: Upton Sinclair, Love’s Pilgrimage: A Novel. New York and London: Mitchell Kennerley, 1911</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713080645-1VFQHVKJKS3F3SA1VGJQ/JS_5D_4962.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Upton Sinclair, So macht man Dollars. Berlin: Der Malik-Verlag, 1931 Hardcover with dust jacket (offset lithograph) 7 1/4 x 5 1/4 x 1 1/4” (18.4 x 13.3 x 3 cm) Click here to view the full recto/verso cover.  English edition: Upton Sinclair, Mountain City. New York: A. and C. Boni, 1930</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713340268-PTPSQL07LAFF50OEPIRP/JS_5D_4947.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Upton Sinclair, Autokönig Ford. London: Der Malik-Verlag, 1938 Hardcover with dust jacket (offset lithograph) 7 1/2 x 5 1/8 x 1 3/16” (19 x 13 x 3 cm) Click here to view the full recto/verso cover.  English edition: Upton Sinclair, The Flivver King: A Story of Ford-America. Pasadena, CA: the author, 1937</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607965428933-NT4OPFQV75UNCNFCO7DG/JS_5D_5021.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Heinrich Wandt, Erotik und Spionage in der Etappe Gent (Eroticism and Espionage on the Ghent Stage). Vienna-Berlin: Agis-Verlag, 1928 Hardcover with dust jacket (offset lithograph) 7 1/2 x 5 5/16 x 13/16” (19 x 13.5 x 2 cm) Click here to view the full recto/verso cover. Note: Wandt’s widely read, scathing indictment of the First World War was first published in 1920. Heartfield’s first design for the 1928 cover of the book—seen here—pictures a German soldier with his hand on a woman’s bare thigh. It was promptly censored and reissued in a version in which a priest wields scissors that extract the offending touch. Click here to view the censored version.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607712827974-P364Q9XXCGK4TF1QDEHO/JS_5D_5008.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Vsevolod Ivanov, Der Buchstabe G: Ausgewaehlte Erzaehlungen (The Letter G: Selected Stories). Berlin: Der Malik-Verlag, 1930 Hardcover with dust jacket (offset lithograph) 7 3/8 x 8 3/4 x 1 1/4” (18.7 x 22.2 x 235 cm) Click here to view the full recto/verso cover.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713255132-HSHGQMAKDUCN2FW25TXU/JS_5D_4957.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Ilya Ehrenburg, Der Heiligsten Güter: Roman der Grossen Interessen (The Holiest Goods: A Novel of Great Interest). Berlin: Der Malik-Verlag, 1931 Hardcover with dust jacket (offset lithograph) 7 1/4 x 5 1/4 x 1 3/8” (19 x 13 x 3.4 cm) Click here to view the full recto/verso cover.  Russian edition: Published as Edinyj front (United Front) in 1930</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713419906-CC84MLHYTZY6SEWJHUMD/JS_5D_5106.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Richard Wright, Twelve Million Black Voices: A Folk History of the Negro in the United States of America. London: Lindsay Drummond Limited, 1947 Hardcover with dust jacket (offset lithograph) 9 13/16 x 6 3/4 x 13/16” (25 x 17.1 x 2 cm) Click here to view the full recto/verso cover. Note: Edwin Rosskam secured, selected, and edited the photographs in this volume, which were shot by various photographers under the auspices of the Security Farm Administration. The volume was first published in the United States by Viking Press, New York, in 1941.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713705080-7EHN1CYST5ALAVH19WH4/JS_5D_4427.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>No Man, No Penny for the Imperialist Armaments! Reject the Referendum, October 3–16, 1928 Offset lithograph 28 x 18 1/2” (71.1 x 47 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713774310-F5YRYJMPQAMTKKEIW813/Heartf01.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>In the East, 160 Million March Joyfully into the Future! And You, Working Germany! Recognize the Sign of your Strength! Fight with the Communist Party! Vote List 3, c. 1932 Offset lithograph 38 1/2 x 26 5/8” (97.8 x 67.6 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/102d82c6-366a-4e89-b01e-96f3218382dd/JS_5D_13312.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Protect the Soviet Union! Reject on August 1st! Against Imperialist War and the Danger of War! 1929 Lithograph and halftone 36 7/16 x 24 4/5” (92.5 x 63.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713789599-QTCOCIZLKB5C1MNK8871/Heartf22.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Fight Against Hunger and War! Elect [Ernst] Thälmann!, 1932 Offset lithograph 28 x 19 5/8” (71.1 x 49.8 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713738445-X2N9G9585048HTU9MSXI/JS_5D_4428.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Fight With Us! Vote Communist List 4, 1930 Lithograph 27 5/6 x 19 3/4” (70.7 x 50.2 cm) Also in the collection: A postcard depicting the same motif accompanied by the phrase Werktätige in Stadt und Land! Heraus zum volkensentscheid! Am 15. November stimmt alle mit JA (Workers in town and country! Reject the referendum! Vote yes on November 15th).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713752191-RQPBUG4QLLPB9LCBOT2R/Heartf17.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Down with the Warmongers! Fight for the Soviet Union! Vote Communist List 6, 1930 Offset lithograph and letterpress 29 1/4 x 19 5/16” (70 x 48 cm)  Note: This design appears in variants, calling to “Vote Communist List” 4, 5, and 6. Also in the collection: A postcard with “Vote Communist List 5.”</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607717038450-FYC9U43QB54N1SHQNFXM/_MG_0067.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Front cover: AIZ, vol. IX, no. 17 (Berlin; [July] 1930) Photogravure 15 x 10 1/2” (38.1 x 26.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713957545-Q74M1RC902DGIES4DUHS/_MG_0054.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Front cover: AIZ, vol. XIII, no. 16 (Prague; April 19, 1934). Mimikry (Mimicry). Nachdem alle Versuche, die nationalsozialistischen Ideen in die Arbeiterschaft zu tragen, erfolglos geblieben waren, ist Goebbels auf einen letzten verzweifelten Einfall gekommen: er hat den "Führer" überredet, fortan, wenn er vor Arbeitern spricht, sich einen Karl-Marx-Bart umzuhängen. (When all attempts to convey National Socialist ideas to the working class failed, Goebbels had one last desperate idea: he persuaded the “Führer” to wear a Karl Marx beard in the future when addressing workers.) Photogravure 15 x 10 1/2” (38.1 x 26.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713909690-BZ86ZO2ONUYSX3X5VAOE/040+AIZ+11+n4.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Front cover: AIZ, vol. XI, no. 42 (Berlin; October 16, 1932). Der Sinn des Hitlergrusses. Kleiner Mann bittet um grosse Gaben. (The meaning of the Hitler salute. Little man asks for big gifts.) Photogravure 18 3/8 x 13” (46.7 x 33 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713980153-F4CGNW7Y7M8TR7CMTDOP/JS_5D_2810.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Front cover: AIZ, vol. XIII, no. 29 (Prague; July 19, 1934). Gesang der vorläufig Hinterbliebenen (Song of the temporarily bereaved) Photogravure 15 x 10 1/2” (38.1 x 26.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0e1ec705-4355-464e-a863-a6485f96fd54/_MG_0057.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Back cover: AIZ, vol. XIII, no. 14 (Prague; April 5, 1934). Hjalmar oder Das wachsende Defizit (Hjalmar or the growing deficit) Photogravure 15 x 10 1/2” (38.1 x 26.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607713997223-YLM3IX16NBNE0S1IYM5M/JS_5D_4218.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Back cover: AIZ, vol. XIV, no. 5 (Prague; January 31, 1935). Hitlers Friedenstaube (Hitler’s Dove of Peace) Photogravure 15 x 10 1/2” (38.1 x 26.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a08ff9c2-bfcd-451e-bc9d-c5fea7e37986/_MG_0059.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Back cover: AIZ, vol. XIII, no. 15 (Prague; April 12, 1934). Chor der Rüstungsindustrie: “Ein feste Burg ist unser Genf.” (Choir of the Arms Industry: “A Mighty Fortress is our Geneva.”) Photogravure 15 x 10 1/2” (38.1 x 26.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714036666-3SGBKCTUF7DKO65CB4W2/_MG_0063.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Front cover: AIZ, vol. XIV, no. 9 (Prague; February 28, 1935). Das Spiel der Nazis mit dem Feuer. "Wenn die Welt erst brennt, werden wir schon beweisen, daß Moskau der Brandstifter war." (The Nazis Play with Fire. “When the world eventually burns, we will manage to prove that Moscow was the arsonist.”) Photogravure 15 x 10 1/2” (38.1 x 26.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714070695-YYNWWGMSW5JMHNAAFR4S/Heartf19.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Cover of Illustrierte Geschichte der Russischen Revolution (Illustrated History of the Russian Revolution). Berlin: Neuer Deutscher Verlag/Willi Münzenberg, 1927. No. 13 of 20 issues. Halftone letterpress 11 1/4 x 8 1/2” (28.6 x 21.6 cm), folded</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714089497-A22P8IHMXK84JMDJY3N6/JS_5D_5127.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>J.[ames] Thomas, ed. Illustrierte Geschichte Des Bürgerkrieges in Russland, 1917–1921 (Illustrated History of the Civil War in Russia, 1917–1921). Berlin: Neuer Deutscher Verlag/Willi Münzenberg, c. 1928. 480 pages in twenty issues. Fabric-covered cardboard folio containing twenty numbered and stapled issues, each halftone letterpress 11 1/2 x 8 1/2 x 1 1/8” (29.2 x 21.6 x 2.8 cm), folio; 11 1/2 x 8 1/2” (29.2 x 21.6 cm), each issue Note: The image repeated on each cover is a still from Sergei Eisenstein’s 1928 film October: Ten Days That Shook the World. The NDV published this serialized history as a single volume in 1929.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714193101-GY31LCAGIQSKGYPQ6ESV/JJ_60D_2902.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Prozhektor (Spotlight), year 9, nos. 31-33 (289-291) (1931) Lithograph 13 1/2 x 10 1/4” (34.3 x 26 cm) Note: Heartfield’s photomontage reproduced on the cover—Das tote Parlament (The Dead Parliament)—originally appeared in AIZ, vol. IX, no. 42 (1930), p. 823. Paragraph 48 of the Weimar Constitution was the “emergency ordinance,” which conferred far-reaching powers to the Reich President. This issue contains a review of Heartfield’s 1931 exhibition in Moscow.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1608056038836-O1SFZ2Y4X5DBSRKDUZQ2/JS_5D_5717.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>“Vystavka Dzhona Khartfil'da v Moskve” (Exhibition of John Heartfield's works in Moscow), Prozhektor (Spotlight), year 9, nos. 31–33 (289–291) (1931), p. [22] Lithograph 13 1/2 x 10 1/4” (34.3 x 26 cm)  Note: This page includes installation shots and an assessment of the monographic exhibition John Heartfield, Vsekokhudozhnik (Cooperative Union of Russian artists), Moscow (November 20–December 20, 1931).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714352402-PKTLWSR4138P0U4IG8ET/JS_5D_5134-full.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Cover of Sergei Tret’iakov and Solomon Telingater, Dzhon Khartfilʹd: Monografiia (John Heartfield: Monograph). [Moscow]: Ogiz, 1936 Hardcover (case-binding) letterpress, halftone, and two tipped-in plates 11 3/4 x 9 3/16 (29.8 x 23.3 cm), closed, 79 pages</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714250310-HQVXRTJ1AGXBBIGDO14D/JS_5D_5697.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Sergei Tret’iakov, Dzhon Khartfilʹd: Monografiia (John Heartfield: Monograph). [Moscow]: Ogiz, 1936, pp. 8-9.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714266162-WPSE964KAFA1413XYBR8/JS_5D_5698.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Sergei Tret’iakov, Dzhon Khartfilʹd: Monografiia (John Heartfield: Monograph). [Moscow]: Ogiz, 1936, pp. 24-25.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714280908-NFO62PDLDDLDSK94YLTY/JS_5D_5699.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Sergei Tret’iakov, Dzhon Khartfilʹd: Monografiia (John Heartfield: Monograph). [Moscow]: Ogiz, 1936, pp. 52-53.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714401798-J93WVMDMHZGCJCDWN3R5/038+Hurra+der.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Maquette for covers of the journal Die rote Fahne (The Red Flag), vol. 11, no. 201 (August 26, 1928), and the brochure Hurra! Der Panzerkreuzer A ist da! (Hooray! The battle cruiser A has arrived!; October 1928), 1928 Gelatin silver print with ink 8 1/4 × 6 1/8″ (21 × 15.5 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714500516-YDZOG9TASVJGT63LNE34/Heartf05.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Das letzte Stück Brot raubt Ihnen der Kapitalismus (Capitalism Robs You of the Last Piece of Bread), 1932 Campaign poster for Communist Party representative Ernst Thälmann in the April 1932 presidential election Lithograph 37 3/4 × 28 1/2” (95.9 × 72.4 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714445262-HSKN0AMVTIR33IZ47F8A/Heartf13_scan.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>5 Finger hat die Hand (The Hand Has Five Fingers), 1928 German Communist Party campaign poster for parliamentary seat in election of May 20, 1928 Lithograph Motif also appeared on journal cover: Die rote Fahne (The Red Flag), vol. 11, no. 112 (May 13, 1928) 38 1/2 × 29 1/4″ (97.8 × 74.3 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714525946-D64HPI2E7IMEK9HIIEUC/041+Treue+um+treue.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Preliminary state of the photomontage reproduced as Treue um Treue. Grus vom Führer (Loyalty for Loyalty. Greetings from the Führer) in AlZ, vol. 13, No. 28 (12 July 1934) Gelatin silver print (photograph of a photomontage), date of print unknown 9 3/8 × 7 1/8 (23.8 × 18.1 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714458409-N4N3D2X4NZKQMUHGVJ0A/JJ_60D_3350.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>5 Finger hat die Hand (The Hand Has Five Fingers), 1928 Letterpress postcard 5 7/8 × 4 1/8” (14.9 × 10.5 cm) Publisher: Muzei revoliutsii SSSR (Museum of the Revolution of the USSR) Printer: Tip. im. Volodarskogo (Printing press in the name of Volodarsky), Leningrad Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1607714480828-SKMJY668E5M9RHF1BIJR/Heartf23.jpg</image:loc>
      <image:title>John Heartfield</image:title>
      <image:caption>Preliminary state of the photomontage reproduced as Zwangslieferantin von Menschenmaterial nur Mut! Der Staat braucht Arbeitslose und Soldaten! (Forced supplier of human material, take courage! The state needs unemployed workers and soldiers!) in AIZ, vol. 9, no. 10 (March 8, 1930) Gelatin silver print with graphite 10” x 8 7/8” (25.4 x 22.5 cm) Formerly Merrill C. Berman Collection</image:caption>
    </image:image>
  </url>
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  <url>
    <loc>https://mcbcollection.com/solomon-telingater</loc>
    <changefreq>daily</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623105441272-NPLR0RPG2SRD4XL4QE7I/JS_5D_1306.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) and Solomon Telingater Vsesoiuznaia Poligraficheskaia vystavka (All-Union Printing Trades Exhibition), VSKhV (All-Union Agricultural Exhibition), Moscow. Moscow: Komitet poligraficheskoi vystavki (Committee of the Printing Trades Exhibition), 1927 Letterpress on paper Closed: 7 x 5 x 1/2” (17.6 x 12.5 x 1 cm); open: 11 1/2 x 8 1/2” (29 x 22 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623077982649-9IJ5S9RNDN46SEAOVQAX/JS_5D_1309.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623078066641-1C5CLXTHPPVWCPO2SPI6/JS_5D_1312.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623078153356-SC2U9RCOOOEP25SHZQYU/JS_5D_1310.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623105392962-Q7QG79LW4D8OMV77HRGT/JS_5D_6009.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Alexander Bezymensky, Komsomoliia: Stranitsy epopei (Komsomol: Pages of an Epic). Moscow-Leningrad: Gosizdat, 1928 Cover: metallic ink on linen; letterpress (52 numbered pages) 13 1/2 x 10 3/8” (34.2 x 26.3 cm) Note: “Komsomol” is an acronym for Kommunisticheskii Soiuz molodezhi (Communiust Youth Union).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623080540610-8F3EIXQJ68JPENU508HD/JS_5D_6368.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623080724124-OM0NC4COYCW8AKNRVLVP/JS_5D_6369.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623080760508-NC46YVRFR61AH1W6YMOY/JS_5D_6370.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623074695722-SG16GHMZK1XIILK0ROM6/JS_5D_6318.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Book: Semen Kirsanov, Slovo predostavliaetsia Kirsanovu (Kirsanov is Called Upon to Speak). Moscow: Gosudarstvennoe izdatel'stvo (State Publishing House), 1930 Letterpress 8 x 3 1/8” (20.3 x 7.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623078590836-OUAHQIXCYL2LN9EZTRO9/JS_5D_6344.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623078613620-3FE3E826DATEXV4YK47P/JS_5D_6345.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623078894998-6C5661ODW69M3LCK9LYL/JS_5D_6319.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623105221993-DFVKEWC8RW6E6FC24OLK/JS_5D_6371.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Brigada Khudozhnikov (Artists Brigade), no. 1 (1931). Moscow: Izobrazitel'noe iskusstvo Offset lithography and letterpress on paper (32 numbered pages) 11 1/2 x 8 1/2” (29 x 21.7 cm) Note: Brigada Khudozhnikov (Artists Brigade) was published from 1931 to 1932. Solomon Telingater was the artistic director.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623087153580-IE3T3K6NK2WGRTQX4U07/JS_5D_6373.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623087178118-SIXATH6JOXXUS349172S/JS_5D_6374.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623087194963-LX8IRRHPPINTL0SFPRES/JS_5D_6375.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623105157925-8WZYS04LQ241N855KVJM/JS_5D_6346.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Semyon Kirsanov, Piatiletka (Five-Year Plan). Moscow and Leningrad: State Publishing House Art and Literature, 1931. Cover: metallic ink on linen; letterpress and lithograph (173 numbered pages with 16 photographs and a fold-out map) 7 7/8 x 11” (20 x 28 cm); unfolded map: 25 3/4 x 18 1/2” (65.6 x 47.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623090843427-C8FJ1FAXYZLWJWPI442D/JS_5D_6351.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623090683953-HPB93VUG0YESR8UWPGBA/JS_5D_6348.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623090772188-ZVBLBOZDA29RPBM7JV5O/JS_5D_6352.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623090702510-FLF8Y6LUCA4RN5QJRVR9/JS_5D_6349.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623090896874-LABOLOG92FVEBC3MXEE7/JS_5D_6353.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623090718553-ROANU1S1APB63S7EEXI6/JS_5D_6350.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623090912117-8MJ8P7ZPIUM8O7TET1CH/JS_5D_4676.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623105569543-UOBY7P2TUT1QG12NSKJL/JS_5D_0230.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Book: Ilya Feinberg, 1914-i: Dokumental’nyi pamphlet (The Year 1914: A Documentary Pamphlet). Moscow: MTP (The Moscow Association of Writers), 1934 Cover: metallic ink on linen; letterpress and lithograph 9 13/16 x 7" (25 x 17.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623104845919-MIB5TF04DX1NEQS3G85A/JS_5D_6363.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623104764851-A1VFLYFB7SDOQFTH3XUS/JS_5D_6360.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623104863502-H7E90GMPK5VE4BTD37BC/JS_5D_6364.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623104717100-45ABINE1DPW8NTR682J9/JS_5D_6361.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623104881802-YPLMRICO8H6KI5NP5PHF/JS_5D_6365.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623104829954-3OONFPG9F4HA1SC57P9S/JS_5D_6362.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623104981524-800RQ9QYYNTAAI3BZD4U/JS_5D_6366.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623078248195-GWPIIC0RHO9NQ8N0HQFU/JS_5D_5134-full.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Sergei Tret’iakov and Solomon Telingater, Dzhon Khartfilʹd: Monografiia (John Heartfield: Monograph). [Moscow]: Ogiz, 1936 Hardcover (case-binding) letterpress, halftone, and two tipped-in plates (79 numbered pages) 11 3/4 x 9 3/16” (29.8 x 23.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623078334135-X63H0P64TSAXYSLN1744/JS_5D_5137.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623078215454-HJW0VL68N0Q0ACI5IXNN/JS_5D_5697.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623078232628-GV7HPCS0KRX6Y8ZLUULX/JS_5D_5699.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623074555893-0N9ODAJ0MWIPUFDTC39D/JS_5D_4060.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Printer’s proof: B. Neiman, Metodika raboty s knigoi (Methods of Working with a Book). Moscow-Leningrad: Gosudarstvennoe izdatel’stvo (State Publishing House), 1928 Letterpress 8 1/8 x 11 3/8” (20.5 x 28.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623074574284-N3F161RFDVWZF7HA31W3/JS_5D_4067.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Printer’s proof: Katalog knig: Khudozhestvennaia literature, Memuarnaia literature (Catalogue of Books: Literature, Memoirs) Moscow-Leningrad: Gosudarstvennoe izdatel’stvo (State Publishing House), 1929 Letterpress 9 1/4 x 14” (23.7 x 35.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623074588183-MC55C3NHWS95F6FD646C/JS_5D_4018.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Printer’s proof: Standarty formatov knizhnoi produktsii (Standard Rules for Formats of Book Production) [Moscow-Leningrad]: Gosudarstvennoe izdatel’stvo (State Publishing House), 1930 Letterpress 8 x 11 1/2” (20.2 x 29.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623074603367-SSD6K93USZZL0AOLKAM1/JS_5D_2855.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Printer’s proof or advertising flyer: Esther Emden, Vsegda gotov! Immer Bereit! Toujours prêt! Always Ready! [Moscow-Leningrad]: Gosudarstvennoe izdatel’stvo (State Publishing House), 1930 Lithograph 9 x 14 1/2” (24 x 36.8 cm), folded Note: One side of this sheet reproduces the front and back cover of the book, plus two interior pages; the other side repeats the black ink sections of these motifs only (the orange-red sections are omitted). It is unclear if this is a printer’s proof or an advertising flyer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623074427216-FQZ9E6WNIXWMWDKN1E4F/JS_5D_5276.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Solomon Telingater and Aleksei Kravchenko (Russian, 1889–1940) Poster: Vsesoiuznaia poligraficheskaia vystavka, 1917–1927 (All-Union Printing Trades Exhibition, 1917–1927), VSKhV (All-Union Agricultural Exhibition), 1927 Lithograph 42 3/8 x 27 3/8” (107.6 x 69.5 cm) Note: A supplementary piece of printed paper is adhered at the upper right corner providing the opening date: August 6.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623074440489-UPZVONGPIRMKISNRHW3U/JS_5D_6270.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Solomon Telingater and Nikolai Sedelnikov (Russian, 1905–1994) Poster: Podpisyvaites’ na edinstvennyi studencheskii massovyi illustrirovannyi zhurnal  “Krasnoe studenchestvo,” 1928-1929 uchebnyi god (Subscribe to the only student mass illustrated journal Krasnoe studenchestvo [Red Students’ Life], 1928-29 academic year) c. 1928 Lithograph 27 1/2 x 21 1/4” (19 x 54 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623074466613-PNB7YSGMV0S1A45ZFO4X/JS_5D_3102.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Poster: Poligrafiheskaia tekhnika: Ezhemesiachnyi massovyi zhurnal p o voprosam tekhniki i obmenu opytom (Printing Technique: Monthly Journal on Technical Issues and Exchange of Experience), c. 1930s Letterpress 18 1/8 x 13 1/8 x 22 1/8” (46 x 33 x 56 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1623074521081-VJISF09YOLNXD52YSHJI/JS_5D_3103.jpg</image:loc>
      <image:title>Solomon Telingater - Make it stand out</image:title>
      <image:caption>Poster: Exhibition of six years of work by the artistic collective “Kukryniksy” (M. Kupreyanov, P. Krylov, N. Sokolov),  Maxim Gorky Club of Soviet Writers, Moscow, 1932 Letterpress 39 1/8 x 27 1/2" (99.3 x 69.8 cm) Note: Telingater also served as the exhibition designer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/cologne-progressives</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-29</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/constructivism</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/dada</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-29</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/konstantin-vialov</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-21</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/futurism</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-10-24</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/karl-teige</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985068854-LSDKZC2DN8KMKA0KFYRP/JS_5D_0513.jpg</image:loc>
      <image:title>Karl Teige</image:title>
      <image:caption>Karel Teige Book cover: Karel Teige and Jaroslav Seifert, eds. Revoluční sborník Devětsil (Devětsil Revolutionary Anthology) Prague: Večernice V. Vortel, 1922</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985103879-9JI5582AWEL6DL2O5R73/JS_5D_2310.jpg</image:loc>
      <image:title>Karl Teige</image:title>
      <image:caption>Bedřich Feuerstein (Czech, 1892–1936), Jaromir Krejcar (Czech, born Austria. 1895–1949), Josef Šima (French, born Bohemia. 1891–1971), and Karel Teige Book cover: Jaromír Krejcar, ed. Život II: Sborník nové krásy (Life II: An Anthology of New Beauty) Prague: Obdor Umělecká Beseda, 1922 (published spring 1923) Letterpress (in cloth binding) 10 x 7 1/4” (25.4 x 18.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c0d72815-88b2-49a4-a130-b31f03509332/JS_5D_5613.jpg</image:loc>
      <image:title>Karl Teige</image:title>
      <image:caption>Karel Teige Bound journal: ReD. Revue Devětsil: měsíčník pro moderní kulturu (Devětsil Review: Monthly International Journal for Contemporary Form-Giving). Karel Teige, ed. Vol. 1 (no. 1, October 1927–no. 10, July 1928) Prague: Odeon-Jan Fromek, 1927–1928 9 x 7 x 1 1/2” (22.9 x 17.8 x 3.8 cm) Cloth binding with cut-and-pasted photomechanical prints and ink; letterpress Note: In total, ReD was published in three volumes: vol. 1 (no. 1, October 1927–no. 10, July 1928); vol. 2 (no. 1, September 1928–no. 10, June 1929); and vol. 3 (no. 1, October 1929–no. 10. [July] 1930).</image:caption>
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      <image:title>Karl Teige</image:title>
      <image:caption>Karel Teige Bound journal: ReD. Revue Devětsil: měsíčník pro moderní kulturu (Devětsil Review: Monthly International Journal for Contemporary Form-Giving). Karel Teige, ed. Vol. 2 (no. 1, September 1928–no. 10, June 1929) Prague: Odeon-Jan Fromek, 1927–1928 Cloth binding; letterpress 9 x 7 x 1 1/2” (22.9 x 17.8 x 3.8 cm)</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Designer unknown Catalogue cover: Internationale Ausstellung des Deutschen Werkbundes: Film und Foto, Städtischen Ausstellungshallen am Interimthetaterplatz, Stuttgart (May 18–July 7, 1929), 1929 Letterpress 8 1/8 x 5 7/8” (20.6 x 14.9 cm) Note: Teige was represented in Film und Foto by the cover and four photomontaged compositions from the book Abeceda.</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Vitĕzslav Nezval, Abeceda: Tanecni kompozice Milča Mayerová (Alphabet: Dance Compositions Milča Mayerová [photographed by Karel Paspa]) Prague: J. Otto, [December] 1926 Letterpress and halftone 11 3/4 x 9 1/8” (29.8 x 23.2 cm)</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>“D” from Abeceda, pp. 12–13.</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Designer unknown Season entry card for Film und Foto (Stuttgart venue) made out to “Herrn Karel Teige,” 1929 Letterpress, typewriter, and ink inscription 3 x 4 3/16” (7.6 x 10.6 cm)</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>“A” from Abeceda, pp. 6–7.</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>“E” from Abeceda, pp. 14–15.</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f4f33c94-3386-4fe3-959b-29a9fcc5637d/JS_5D_7238.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>“B” from Abeceda, pp. 8–9.</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>“F” from Abeceda, pp. 16–17.</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/27335b91-44f8-46c2-a00b-1a2b2851ff8f/JS_5D_7239.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>“C” from Abeceda, pp. 10–11.</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>“Z” from Abeceda, pp. 54–55.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985350398-OOAX06O31U45LSFODBMD/JJ_60D_4411.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Guillaume Apollinaire, Prsy Tiresiovy: nadrealistické drama o dvou jednánich s prologem (The Breasts of Tiresias: Surrealist Drama in Two Acts and a Prologue) Prague: Odeon, 1926 Lithograph 7 7/8 x 5 1/2” (20 x 14 cm) Note: On October 23, 1926, the Czech production of this play premiered in Prague with scenography and costumes by Teige and others. The book cover was later included in the Ring “neue Werbegestalter” exhibition Tentoonstellung internationaal recalme drukwerk foto’s fotomontages, Stedelijk Museum, Amsterdam (June 20–July 12, 1931).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985465462-F0SHFBIOMFNVRKRCYJLO/JJ_60_D_3950.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Konstantin Biebl, Zlom (Rupture) Prague: Odeon, 1928 Letterpress on yellow wove paper (illustrations) and ivory laid paper (text) 7 3/4 x 5 1/2” (19.7 x 14 cm) Note: This cover was included in the Ring “neue Werbegestalter” exhibition Tentoonstellung internationaal recalme drukwerk foto’s fotomontages, Stedelijk Museum, Amsterdam (June 20–July 12, 1931).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985487890-QI2IXUF0AP45MB8JSE9M/JJ_60_D_3951.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Konstantin Biebl, S lodí jež dováží čaj a kávu: Poesie (With a Ship Importing Tea and Coffee: Poetry) Prague: Odeon, 1928 Letterpress 7 3/4 x 5 1/2” (19.7 x 14 cm)</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Paul Éluard, Výbor básní (Selected Poems) Prague: Odeon, 1926 Lithograph 7 1/8 x 5 1/8” (18.1 x 13 cm) Note: The book’s frontispiece is a portrait of Paul Éluard by Man Ray.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a974fdbe-97bf-46ae-b071-091a37cdb809/JJ_60D_9615.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Loose page from Konstantin Biebl, Zlom (Rupture): frontispiece, c. 1928 Letterpress 7 5/8 x 5 3/8” (19.4 x 13.7 cm) Note: This page was included in the Ring “neue Werbegestalter” exhibition Tentoonstellung internationaal recalme drukwerk foto’s fotomontages, Stedelijk Museum, Amsterdam (June 20–July 12, 1931).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985514545-7NXBFS3TW6QSKEUOW6J9/B121.2.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Loose plate from Konstantin Biebl, S lodí jež dováží čaj a kávu: Poesie (With a Ship Importing Tea and Coffee: Poetry): frontispiece, c. 1928 Lithograph, hand-colored with watercolor 7 5/8 x 5 3/8” (19 x 13.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c20af64a-b139-4cfd-b45c-3d2573cbcbdc/JS_5D_7235.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Karel Teige, Svět, který se směje I: O humoru, clownech a dadaistech, (A World of Laughter: On Humor, Clowns, and Dadaists) Prague: Odeon, 1928 Lithograph 7 7/8 x 5 1/2” (20 x 14 cm)</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Loose page from Konstantin Biebl, Zlom (Rupture): opp. p. 33, c. 1928 Prague: Odeon, 1928 Letterpress 7 5/8 x 5 3/8” (19.4 x 13.7 cm) Note: This page was reproduced in Gefesselter Blick 1930, p. 97, where Teige described it as a “picture from the printer’s chase,” in which the choice and combination of found elements evokes “the lyrical tones of a violin, of flowers, of perfume.” It was also included in the Ring “neue Werbegestalter” exhibition Tentoonstellung internationaal recalme drukwerk foto’s fotomontages, Stedelijk Museum, Amsterdam (June 20–July 12, 1931).</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Loose plate from Konstantin Biebl, S lodí jež dováží čaj a kávu: Poesie (With a Ship Importing Tea and Coffee: Poetry): appears prior to p. 11, c. 1928 Lithograph, hand-colored with watercolor 7 1/2 x 5 3/8” (19 x 13.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985432122-EL80KAPL1K99NDLI6S7I/JS_5D_5623.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Jindřich Honzl, Moderní ruské divadlo (Modern Russian Theater): Meierhold, Tairow, Vachtangov, Granovskij, etc. Prague: Odeon, 1928 Lithograph 7 1/4 x 5” (18.4 x 12.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985559779-KSZCLVNR53SA9RQTGGE4/JJ_60D_3509.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Jaroslav Seifert, Na Vlnách TSF [Télégraphe Sans Fil]: Poesie (On the Waves of the Telegraph: Poetry) Prague: Vaclav Petr, 1925 Letterpress 8 7/8 x 6 3/4” (22.5 x 17.1 cm) Note: This cover was included in the Ring “neue Werbegestalter” exhibition Tentoonstellung internationaal recalme drukwerk foto’s fotomontages, Stedelijk Museum, Amsterdam (June 20–July 12, 1931).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1341bef1-862e-4aa7-94b3-7f6bb93b3624/JJ_60D_4410.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Konstantin Biebl, Nebe peklo ráj (Heaven Hell Paradise) Prague: Nakladatelství Sfinx Bohumila Jandy, 1931 Lithograph 8 1/4 x 5 7/8” (21 x 14.9 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2cf6b294-2aae-4efc-80c7-3943120ef128/JS_5D_0212.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Vítězslav Nezval, Žena v množném čísle (Women in the Plural) Prague: Fr. Borový, 1936 Lithograph 8 1/2 x 5 3/8" (21.7 x 13.6 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985601209-R9VPJ8SL4RZUGVOVK04I/JS_5D_5686.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Karel Konrád, Dinah Prague: Václav Petr, 1928 Lithograph 7 3/4 x 5” (19.7 x 12.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985655564-VXUTBUZQQBSLQJ8Q8FSP/JS_5D_5634.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Vítězslav Nezval, Zpáteční lístek (Return Ticket) Prague: Fr. Borový, 1933 Lithograph 8 1/2 x 5 1/4” (21.6 x 13.3 cm)</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Theodor Procházka, V předvečer války (On the Eve of War) Prague: Melantrich, 1945 Lithograph 9 x 6” (22.9 x 15.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ead5b134-a3aa-4543-9811-9e0c08996ae8/JS_5D_6574.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Pierre Girard, Poznejte lépe srdce žen (Know the Hearts of Women Better) Prague: A. Němec, 1928 Lithograph 6 1/4 x 3 1/2” (15.9 x 8.9 cm)</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Karel Čapek, Hordubal Prague: Fr. Borový, 1934 Lithograph 7 9/16 x 4 7/8” (19.3 x 12.4 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624986410262-95K2P4FMX7PJPMFF1JHA/JS_5D_5630.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Paul Verlaine, Prokletí básníci (The Cursed Poets) Prague: Otto Girgal, 1946 Lithograph 8 3/8 x 6” (21.3 x 15.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624985620088-SXZBVC75ISK9EZU4EKK5/JS_5D_0206.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Ladislav Klima, Utrpení Knížete Sternenhocha: Groteskni Romanetto (The Sufferings of Prince Sternenhoch: A Grotesque) Prague: Plejada, 1928 Lithograph 7 5/16 x 5 3/16” (20.1 x 13.1 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624986370212-2FN5QYWCSHUZMXPFXRBS/JS_5D_5636.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Book cover: Laco (Ladislav) Novomeský, Otvorené okná (Open Windows) Prague and Bratislava: L. Mazáč, 1935 Lithograph 7 1/4 x 5 3/8” (18.4 x 13.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624986527663-5DGPT7ZKJVRL8EAU06F6/Teige02.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige Poster: Výstava Mezinárodní Nové Architektury. Putovní výstava korporace Deutscher Verband”a Soubor Ceskoslovenské Nové Architektury (Exhibition of International Modern Architecture. Traveling Exhibition of the Deutscher Werkbund and a Selection of Czechoslovak Modern Architecture), sponsored by Stavba, Municipal Library, Prague (May 16–31, 1929), 1929 Lithograph 25 1/8 x 37 1/2” (63.8 x 95.3 cm) Note: This poster is reproduced in ReD vol. 2, no. 9 (May 1929), p. 270, and in Gefesselter Blick 1930, p. 97, where Teige describes the “clear structure” of the typography: the way in which the two-color red-and-black printing causes the eye to toggle between two different planes, front and back.</image:caption>
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      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Designer unknown Journal cover: Stavba (Building), vol. X, no. 4 (1931). Oldřich Starý, ed. Lithograph 12 1/8 x 9 3/5” (30.8 x 24.4 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d0537eb3-3216-4458-964e-6576580eec47/blank.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/216e5b54-7a33-4502-acc9-e60562607b79/JS_5D_7233.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige, “Otázky sovĕtského urbanismu” (Questions of Soviet Urbanism) in Stavba, vol. X, no. 4 (1931): 62–63.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6c430be3-615d-4b78-9740-d6bde2b784d4/blank.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3e4dd24e-21ec-486b-bad7-d0f27714194d/JS_5D_7234.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Karel Teige, “Otázky sovĕtského urbanismu” (Questions of Soviet Urbanism) in Stavba, vol. X, no. 4 (1931): 64–65.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4f3c85ce-c34d-4f87-8637-0ba183cd6bc6/JJ_60D_00009.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Designer unknown Book cover: Heinz and Bodo Rasch, eds. Gefesselter Blick: 25 kurze Monografien und Beiträge über neue Werbegestaltung (Captivated Gaze: 25 Short Monographs and Statements on New Advertising Design). Sponsored by the Ring der Werbegestalter des Schweizer Werkbundes Stuttgart: Verlag Dr. Zaugg and Co., 1930 Letterpress and halftone 10 1/4 x 8 1/4” (26 x 21 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/939a1faa-a208-40ce-a883-6cf366d53b6e/JS_5D_7230.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Designer’s statement: “Karel Teige,” in Heinz and Bodo Rasch, eds. Gefesselter Blick, p. 95.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/19b63d3b-7a2d-44d2-b1a4-1ec447e1e285/JS_5D_7231.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Designer’s statement: “Karel Teige,” in Heinz and Bodo Rasch, eds. Gefesselter Blick, pp. 96–97.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2045c962-17ca-4d1d-b229-1869327da8f6/JS_5D_7232.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Designer’s statement: “Karel Teige,” in Heinz and Bodo Rasch, eds. Gefesselter Blick, p. 98.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1626116993157-U8YXN1KAIZZ4CHSB7271/JS_5D_2311.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Designer unknown Exhibition catalogue: Bauhaus Dessau wähend der Leitung unter Hannes Meyer, 1928–1930 (Bauhaus Dessau under the Director Hannes Meyer, 1928–1930). Moscow: Moskva, 1931 Letterpress 6 5/8 x 4 7/8“ (16.8x 12.3 cm) Formerly the Merrill C. Berman Collection; now Busch-Reisinger Museum, Harvard Art Museums, Cambridge, MA Note: The stamp on the title page of this catalogue indicates that this copy formerly belonged to Teige.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c3a96742-bed1-47fb-884f-fe093429c0b7/JJ_60D_6033.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Serial set: Zd. Nejedly, V. Prochazka, B. Smeral, K. Teige, eds. Monographie Sovĕtský Svaz (Monographs on the Soviet Union): SSSR Sovĕtske Hospodářstvíi (USSR: Soviet Economy), nos. 1–12 Prague: Prokopová, 1935 Cloth covered portfolio cover with eight loose booklets 8 1/2 x 5 1/4 x 1” (21.6 x 13.3 x 2.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624986638672-BS1V64S3GD4JBP3HO43N/JS_5D_2313.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Title page of Bauhaus Dessau wähend der Leitung unter Hannes Meyer, 1928–1930 with Karel Teige’s stamp.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/75c5348d-b309-41e8-9484-859a54e00133/JS_5D_7245.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Jiří Friml (pseudonym for Karel Poličanský) Issue covers: Zd. Nejedly, V. Prochazka, B. Smeral, K. Teige, eds. Monographie Sovĕtský Svaz (Monographs on the Soviet Union): SSSR Sovĕtske Hospodářstvíi (USSR: Soviet Economy), nos. 1–12 (1935) Each: letterpress Each: 8 1/4 x 5 3/8” (21 x 13.7 cm)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f2b61e51-caad-4fe3-9a91-45655c6cdccf/blank.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/99cddf26-e409-4acd-88e1-f6925abb1342/JJ_60D_6033.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Serial set: Zd. Nejedly, V. Prochazka, B. Smeral, K. Teige, eds. Monographie Sovĕtský Svaz (Monographs on the Soviet Union): Organisace práce (USSR: Work Organization), nos. 13–22 Prague: Prokopová, 1935 Cloth covered portfolio cover with seven loose booklets 8 1/2 x 5 1/4 x 1” (21.6 x 13.3 x 2.5 cm)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/75c3a3e6-65c0-4241-b965-88be76b35944/blank.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5ead7ca8-6b41-4f80-8059-c211dc9921f7/JS_5D_7244.jpg</image:loc>
      <image:title>Karl Teige - Make it stand out</image:title>
      <image:caption>Jiří Friml (pseudonym for Karel Poličanský) Issue covers: Zd. Nejedly, V. Prochazka, B. Smeral, K. Teige, eds. Monographie Sovĕtský Svaz (Monographs on the Soviet Union): Organisace práce (USSR: Work Organization), nos. 13–22 (1935) Each: letterpress Each: 8 1/4 x 5 3/8” (21 x 13.7 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/augustin-tschinkel</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0833ee2c-46a6-4c88-a1f9-12d7e1960540/JJ_60D_064690.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Vorstadt (Suburb), 1928 Woodcut 5 3/8 x 7 1/4” (13.7 x 18.4 cm) Inscribed (pencil): tschinkel 28 Haags Prentenkabinet 1976, prints, no. 3 (as 1927)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/44e209b8-4ecb-46f3-913a-25edbeea3507/JJ_60D_3421.jpg</image:loc>
      <image:title>Augustin Tschinkel</image:title>
      <image:caption>Weg zur Arbeit (Way to Work), 1930 Linocut on tissue paper 17 3/4 x 11” (45 x 28 cm) Inscribed (pencil): aug. tschinkel / tschinkel 1930 Reproduced: a bis z, 12 (November 1930), p. 45; Wendingen, vol. 11, no. 9 (1930 [published c. August 1931]), p. 18 Haags Prentenkabinet 1976, prints, no. 14</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/04f4faf4-8807-41ab-8d23-5d26fe8ef3f1/JJ_60D_3434.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Zum Walfisch (The Whale House), 1930 Linocut 11 3/4 x 11 5/8” (30 x 29.7 cm) Inscribed (pencil): aug. tschinkel 30 Haags Prentenkabinet 1976, prints, no. 21</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7d998911-f643-4ca8-ac2c-ca8e7110b770/JJ_60D_3435.jpg</image:loc>
      <image:title>Augustin Tschinkel</image:title>
      <image:caption>Amerikanisches Denkmal (Dollar) (American Monument [Dollar]), 1929 Linocut on tissue paper 11 5/8 x 8 7/8” (29.5 x 22.5 cm) Inscribed (pencil): tschinkel</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/bfa4c63c-2f62-424c-a903-4752bf6cbd0c/tschinkel01.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Alltag (Everyday Life), 1930 Woodcut on tissue paper 11 1/8 x 9&amp;quot; (28 x 22 cm) Inscribed (pencil): alltag / aug. tschinkel 1930 Haags Prentenkabinet 1976, prints, no. 15</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c37ba2a3-c657-46a5-8c3c-df4b2b453501/JJ_60D_3428.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Wahlversprechungen (Election Promises), 1932 Linocut 9 3/4 x 11” (25 x 28 cm) Dated (in plate): T / 32 Haags Prentenkabinet 1976, drawings, no. 3 (not in prints)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/85308d47-e20c-4a4c-a96e-c3768e039bf1/JJ_60D_3450.jpg</image:loc>
      <image:title>Augustin Tschinkel</image:title>
      <image:caption>Waffensegnung (Blessing Weapons), 1928 Linocut on rag paper 11 x 8 1/2” (27.9 x 21.5 cm) Inscribed (pencil): aug. tschinkel Haags Prentenkabinet 1976, prints, no. 8</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/383fccc3-28f0-473a-af1d-4fe4a0581071/JJ_60D_3429.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Arbeiter I (Workers I), 1930 Linocut on tissue paper 12 1/8 x 8 5/8” (30.8 x 22 cm) Inscribed (pencil): tschinkel 1930 Haags Prentenkabinet 1976, prints, no. 16</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/dec3f568-fd57-4a4f-b71c-8041ebe5fc36/JJ_60D_3457.jpg</image:loc>
      <image:title>Augustin Tschinkel</image:title>
      <image:caption>Profitgesellschaft (Profitable society), 1928 Linocut on tissue paper 12 x 9” (30.6 x 23 cm) Inscribed (pencil): aug. tschinkel Reproduced: a bis z, 10 (August 1930), p. 40 Haags Prentenkabinet 1976, prints, no. 7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/38f034ca-d50e-45ca-bfa0-c327e6b63f63/JJ_60D_3431.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Liebe und Ordnung (Love and Order), 1931 Linocut on tissue paper 14 x 9 1/2” (35.4 x 24 cm) Inscribed (pencil): aug. tschinkel 31 Haags Prentenkabinet 1976, prints, no. 19</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f1f4294b-0314-4d7c-83fe-71b82df836ab/JJ_60D_064688.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Der verliebte Schneider (The Beloved Tailor), 1935 Ink, gouache and pencil on paper 11 1/4 x 8 1/2” (28.6 x 21.6 cm) Inscribed (pencil): t Haags Prentenkabinet 1976, drawings, no. 4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7030a739-0ca4-457e-b0f2-f61d923a07ac/JJ_60D_064686.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Der verliebte Schneider (The Beloved Tailor), 1935 Linocut 11 1/4 x 8 1/2” (28.6 x 21.6 cm) Inscribed (pencil): aug. tschinkel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1edd1bb1-1e36-4672-af3f-f9ada22d3527/JJ_60D_064773.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Die Friedenstauben (The Doves of Peace), 1932 Ink, gouache, and pasted paper on paper 10 1/2 x 6 1/2” (26.5 x 16.5 cm) Inscribed (ink): t Reproduced: a bis z, no. 25 (July 1932), p. 100 Haags Prentenkabinet 1976, drawings, no. 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/156cc6e4-7ec7-42b3-b40b-b5dd8939ea8c/abisz45r.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>a bis z, no. 12 (November 1930), p. 45</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b3dd1d33-cbb1-4fda-a858-30acf4daf94f/JJ_60D_3712.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Břetislav Mencák and F. W. Seiwert, ed. Soziale Grafik: Ein Bilderbuch mit internationaler Auswahl Kladno: Naše Cesty, 1932 Lithograph 5 3/4 x 4 3/8” (14.5 x 11 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/470e1e10-aec6-4931-aca6-51dd5776a20c/abiszno10r2.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>a bis z, no. 10 (August 1930), p. 40</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9e806696-d19c-41a2-ba2e-988e40875029/JS_5D_11407.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/48afcac8-df70-405c-9a7d-cbc084b9b555/JS_5D_7096r.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>a bis z, no. 25 (July 1932), p. 100</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ce494a49-9eae-4674-a03e-a4c6a0348f1d/JS_5D_11408.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7e450ada-259f-4087-826c-2ae08faa1a25/blank.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8eda54e1-7ee5-494f-8e28-fa4a8695baf0/JS_5D_11409.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/29c7fa62-12e2-44d2-af44-efee0ac711f8/JS_5D_8972.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (design) August Tschinkel, “Práce Sociologického a Hospodářského Musea ve Vídni,” Vytvarne snahy (VS; Art Endeavors), year. XI, no. 5 (1929–30), pp. 78–81. Lithograph 10 x 7” (25.4 x 17.7 cm) Haags Prentenkabinet 1976, writings 1930 (no number)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/380b6010-a1c6-4686-9ec1-1148051f4611/JS_5D_7071.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Augustin Tschinkel, “Statistik und Kollektivform,” a bis z, no. 13 (January 1931), p. 51. Letterpress 11 3/4 x 8 1/2" (29.8 x 21.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4ea0a19f-9f85-4006-9c36-9ce637236347/JS_5D_6622.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Cover of Wendingen (Amsterdam), vol. 11, no. 9 (1930 [published c. August 1931]). Issue devoted to Beeldstatistiek, Sociologische Grafiek (Pictorial Statistics, Social Graphics), edited by Peter Alma. Lithograph 13 1/8 x 13 1/4” (33.3 x 33.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/be7d8676-ccb5-4115-b283-cdf9a6c45a95/JS_5D_11400.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1551946a-9141-4a6c-ae46-9ceb7001cb61/JS_5D_11424.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e16577ea-c4c0-4531-8059-5229934eb6c8/JS_5D_6625t2.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3f8dfa72-f0e9-4944-bd20-b18013bca34a/JS_5D_11436.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7e450ada-259f-4087-826c-2ae08faa1a25/blank.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5f0ec355-a93d-4546-b9bb-2269cf7c92d1/JS_5D_11427r.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0b70f1ad-439c-4bab-a0a6-ffc79ba3ca14/JS_5D_11392.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Augustin Tschinkel, Zemepisné rebusy (Geography Puzzles) Prague: Státní grafická skola, 1936 Lithograph 5 7/8 x 8 1/4” (14.9 x 21 cm) Haags Prentenkabinet 1976, books 1936 (no number)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/556b2465-cc6d-4245-a781-bc66cac202c1/JS_5D_11387.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Augustin Tschinkel, Symbol, Rebus, Písmeno (Symbol, Puzzle, Letter) Prague: Státní grafická škola, 1937 Lithograph 8 1/4 x 5 7/8” (21 x 14.9 cm) Haags Prentenkabinet 1976, books 1937 (no number)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0099ce40-028b-4d21-aebb-e336c23f7528/JS_5D_11394.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ee193f9f-6d70-4574-9398-08ec70f3caa4/JS_5D_11389.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a60e8c8a-3739-49e2-ae5c-a61f57563b23/JS_5D_11396.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f00db30d-e496-4c59-8db4-4f8a1b9faa4c/JS_5D_11390.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e1e0f8ee-834f-4c61-a632-58d8df56117b/JS_5D_11397.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/82602ea8-6fa1-446c-a619-84fcdc5fa703/JS_5D_11391.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3e4f1f73-cde1-45de-ace3-5b6c679d73cb/JS_5D_3597.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (design) and Augustin Tschinkel (photos) Poster: Dělnická Olympiáda československá (Third Czechoslovak Worker’s Olympiad; July 1–8, 1934), 1934 Lithograph 49 1/2 x 37” (126 x 94 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b07070f9-1c49-4354-8cac-f180ad66ce9f/JS_5D_11411.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (typography) and Augustin Tschinkel (cover and illustrations) Maršak Iljin, Hory a Lidé (Men and Mountains) Prague: Družstevní práce, 1936 Lithograph and letterpress 8 7/8 x 6 1/2 x 3/4” (22 x 16.5 x 2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b4bd3b90-3641-4baa-95dc-58415d1a9267/JS_5D_11416.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (editor and designer) and Augustin Tschinkel (maps and diagrams) Bedřich Mendel, Mala vlastivěda (Little civics reader) Prague: Statni pedagogicke nakladatelstvi (SPN), 1935 Lithograph 8 3/16 × 11 13/16″ (20.8 x 30 cm) Haags Prentenkabinet 1976, books 1935 (no number)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7e69c203-4406-4c94-8780-bd15b9bfbd34/JS_5D_11420.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e6d94b4d-165c-4c76-9518-63218207be2f/JS_5D_11142-and-JS_5D_11143.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (design) and Augustin Tschinkel (photos) Postcard (recto and verso): Dělnická Olympiáda československá (Third Czechoslovak Worker’s Olympiad; July 1–8, 1934), 1934 Lithograph 5 3/4 x 3 3/4” (14.5 x 9.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f5487947-8bda-401b-a7a4-df77ef5ecd0e/JS_5D_11412.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/72d7d720-2c60-49cf-baba-c88177d798cd/JS_5D_11418.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ec39ee7a-fe88-408f-9482-3aaa9eb93ff4/JS_5D_11421.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1bf74790-ad70-4897-a6d1-c28fa2dd7120/318t.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (design) and Augustin Tschinkel (photos) Program (17 pp): Dělnická Olympiáda československá (Third Czechoslovak Worker’s Olympiad; July 1–8, 1934) Prague: Výbor III. dělnická olympiada, 1934 Lithograph and letterpress 8 x 5” (20 x 12.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/64c70f1b-1e1d-42ab-8571-5b0dcb990035/JS_5D_11414.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/394b3cd5-4282-4d1c-85da-63c261c31da9/JS_5D_11419.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ac4dde06-84dc-4d47-b4d6-2276b7f7a56c/JS_5D_11422.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7e450ada-259f-4087-826c-2ae08faa1a25/blank.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ee1c04c4-b0c5-4371-8716-4a96bf5ccdc7/JS_5D_11415.jpg</image:loc>
      <image:title>Augustin Tschinkel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/jan-tschichold</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-08</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/piet-zwart</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-21</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/ring</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-20</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/bauhaus</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-21</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/neue-sachlichkeit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-25</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/kultur-lige</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-14</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/black-self-empowerment</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593548494302-F4HYRT30SJRQRSZ1GK4B/JF_5D_6570-2.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593187877728-8E7ASTLES2GKGGSSZTDK/JS_5D_3447.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Photographer unknown Joe Louis, June 13, 1946 Gelatin silver print, date of print unknown 8 x 6” (20.3 x 15.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593187971942-GH07NL0M4H5TWAREG2GH/JS_5D_3453.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Flip Schulke (American, 1930-2008) Dr. Martin Luther King, Jr., 1963 Gelatin silver print, date of print unknown 11 x 14” (27.9 x 35.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593187923854-Z4KV5SPNUGGOKJWGTJAL/JS_5D_3451.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Flip Schulke (American, 1930-2008) Myrlie Evers (née Beasley) at the funeral of her husband Medgar Evers, Jackson, Mississippi, June 19, 1963 Gelatin silver print, printed 1976 14 x 11” (35.6 x 27.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593187987677-6TF7ODGYXACAF44MN3CM/JF_5D_6566.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Jeffery Blankfort (American, born 1934), photograph Black Panther Party poster: Eldridge Cleaver, Minister of Information, 1968 Lithograph  17 7/8 x 22 11/16” (45.4 x 57.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593547842047-XI8H99RCYCRAR70DCJLR/Swann_lot+303_online.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Arthur L. Ward ([American], 1928-2014) Press photograph of Malcolm X speaking at a press conference with Louis Farrakhan by his side, New York, May 1963 Gelatin silver print, printed at unknown later date 11 x 14” (27.9 x 35.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593188008637-1VQGZJ6B5WKSJTER2MSL/_MG_4361.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Photographer unknown Black Panther Party poster: Huey P. Newton, c. 1970 Lithograph 29 x 23” (73.7 x 58.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593188073539-1X9D1YO5Z74F8CNRVA9I/JS_5D_2036.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: The Crisis (March 1928) 11 3/4 x 8 1/2” (29.8 x 21.6 cm) [Lithograph]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593189153272-AS6DJRZ5UVTZAJ1IXWSW/JS_5D_2056.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: The Crisis. Children’s Number (October 1928) 11 3/4 x 8 1/2” (29.8 x 21.6 cm) [Lithograph]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593189206032-YC1Z218CK34TMJPMKP45/JS_5D_2044.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown; Vivian Schuyler Key (American, 1905-1990), illustration Journal cover: The Crisis. For this New Year, O Lord (January 1929) 11 3/4 x 8 1/2” (29.8 x 21.6 cm) [Lithograph]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593188089787-JKU8APGYWXZDEFM6NAC1/JS_5D_2052.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: The Crisis. Education Number (August 1928) 11 3/4 x 8 1/2” (29.8 x 21.6 cm) [Lithograph]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593189168101-BKV1AT5HQMFHZZ1GL02X/JS_5D_2058.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: The Crisis (November 1928) 11 3/4 x 8 1/2” (29.8 x 21.6 cm) [Lithograph]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593189224107-7Q0AIPB6MIJ9KLMDEEMK/JS_5D_2040.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown; Vivian Schuyler Key (American, 1905-1990), illustration Journal cover: The Crisis (February 1929) 11 3/4 x 8 1/2” (29.8 x 21.6 cm) [Lithograph]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593188103552-FH8HNS1A6OC9JDKF71SY/JS_5D_2049.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown; Joyce Carrington [nationality, life dates], illustration Journal cover: The Crisis (September 1928) 11 3/4 x 8 1/2” (29.8 x 21.6 cm) [Lithograph]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593189187010-SWJOPE2PLFHMZTXG6QX0/JS_5D_2042.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown; Laura Wheeler Waring (American, 1887-1948), illustration Journal cover: The Crisis (Christmas 1928) 11 3/4 x 8 1/2” (29.8 x 21.6 cm) [Lithograph]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593189251577-YGWKTIGPCUJJSPDQUNPM/JS_5D_2038.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown; Ellis Wilson (American, 1899-1977), illustration Journal cover: The Crisis (March 1929) 11 3/4 x 8 1/2” (29.8 x 21.6 cm) [Lithograph]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593202799091-1ESJ46HACRY8ISHHHM7G/JJ_60D_4765.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: Labor Defender. Dreiser on Scottsboro (June 1931) Lithograph  12 1/8 x 9 1/8” (30.8 x 23.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593202813583-ZRIGBI40SRQ0C5MPBS0R/JJ_60D_4766.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: Labor Defender. War in the Coal Fields by Wm. Z. Foster. Scottsboro’s Testimony by John Dos Passos (July 1931) Lithograph 12 1/8 x 9 1/8” (30.8 x 23.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593467571946-G9VXDRK72YW97C6VMIB5/JJ_60D_4772.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: Labor Defender. Free the Scottsboro Negro Boys! (February 1932) Lithograph 12 1/8 x 9 1/8” (30.8 x 23.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593202840125-OVK7O7CU7SCI5V1SGBXE/anonus04_scan_crop.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: Demand Unemployment Insurance Relief. Vote Communist, 1932 Letterpress 22 x 17” (55.8 x 43.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593202852643-QQFWNND9EK5MFPKQT8FW/anonus02_scan_crop.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: Equal Rights for Negroes Everywhere! Vote Communist, 1932 Lithograph and letterpress 26 9/16 x 19 1/4” (67.5 x 48.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593649199514-PAVW0TPTA4X2G50N6G4T/JS_5D_4616.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: Vote Communist for a Workers and Farmers Government, 1932 Lithograph and letterpress 21 3/4 x 16 3/4” (55.2 x 42.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593202883334-Y9M5YGXO25ROGP7E64OK/Hayden_001.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Palmer Hayden (American, 1890–1973) Spirituals (Dreams), c. 1935 Watercolor and graphite on paper 14 11/16 × 9 1/2” (37.3 × 24.1 cm) Formerly Merrill C. Berman Collection; now Whitney Museum of American Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593202898287-CN2PIYMPNR2SBNEHXHHJ/Delaney_001.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Joseph Delaney (American, 1904-1991) Harlem, NY 1934, c. 1935 Watercolor on paper 15 x 11” (38.1 × 27.9 cm) Formerly Merrill C. Berman Collection; now Williams College Museum of Art, Williamstown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593202915736-BK0208A3H4WFYLKCKS0E/Untitled+copy+2.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Charles Wilbert White (American, 1918-1979) Untitled (Seated Woman), c. 1939 Oil monotype on cream wove paper 9 x 7” (22.8 x 17.9 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203023045-WTBPPVHR741C8MVII9YQ/JS_5D_2355.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Felton E. Coleman (American, 1911-2002) Camp Meeting, c. 1940s Oil on board 16 x 20” (40.6 x 50.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203076102-1A8PK9KO3L2QZP5CW3OP/pippin_001.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Horace Pippin (American, 1888-1946) Sunday Morning Breakfast, 1943 Oil on fabric 16 x 20” (40.6 × 50.8 cm) Formerly Merrill C. Berman Collection; now Saint Louis Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203143249-VMT68JINB21QHVG5MRRK/biggers_001.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>John Biggers (American, 1924-2001) The Garbage Man, 1944 Oil on panel 33 x 40” (83.8 x 101.6 cm) Formerly Merrill C. Berman Collection; now Crystal Bridges Museum of American Art, Bentonville</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203036096-P9SZKRGXTSDPRF479E0O/johnson_002.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>William H. Johnson (American, 1901-1970) Children (Three Girls), 1941 Oil and pencil on wood panel 17 1/2 x 12 1/2” (44.5 x 31.8) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203111069-DSXOA6S9QHL6MQZPM642/Untitled-moma.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Eldzier Cortor (American, 1916-2015) Drawing for Southern Gate, 1942–43 Ink on paper 28 1/2 × 13 1/2” (72.4 × 34.3 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203155634-Z0K0W5XRMGZJNZNHTLN9/biggers_003.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>John Biggers (American, 1924-2001) Victim of the City Streets, #2, 1946 Oil on canvas 40 x 20” (101.6 × 50.8 cm) Formerly Merrill C. Berman Collection; now Crystal Bridges Museum of American Art, Bentonville</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203057031-IDH8TOIX2YW8G4Y6E2YV/johnson_001.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>William H. Johnson (American, 1901-1970) Homesteaders, c. 1942 Gouache, ink, and pencil on paper 19 x 15 3/8” (48.3 x 39.1 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203128648-KDI0GF9Y0JS7FZIU9QZ8/AIC+img.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Eldzier Cortor (American, 1916-2015) The Room No. VI, 1948 Oil and gesso on Masonite 42 1/4 × 31 1/2" (107.3 × 80 cm) Formerly Merrill C. Berman Collection; now Art Institute of Chicago</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203167563-F8AQPZBTFS610N4UJS4H/biggers_002.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>John Biggers (American, 1924-2001) Mother and Children, 1947 Conte crayon and gouache on board 31 x 23” (78.7 x 58.4 cm) Formerly Merrill C. Berman Collection; now Williams College Museum of Art, Williamstown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203187321-EX1IVWLT0SSEGPXIGU5O/Lawrence_001.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Jacob Lawrence (American, 1917-2000) Makeup (Dressing Room), 1952 Egg tempera on hardboard 20 x 24” (50.8 x 61 cm) Formerly Merrill C. Berman Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203205593-PALELSM7X43301FAKBRO/Lawrence_002.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Jacob Lawrence (American, 1917-2000) Northbound, 1962 Tempera on board 24 x 30” (61 x 76.2 cm) Formerly Merrill C. Berman Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593547912152-D9M4XRC5GR3WS25R8QKZ/Swann_lot+304_online.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Photographer unknown Press photograph of Malcolm X issued after his comments on the Kennedy assassination, New York, December 5, 1963 Gelatin silver print, date of print unknown 8 1/2 x 6 1/2” (21.6 x 16.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593547958998-K1M0J4MKHTDXQN2PLEHR/Swann_lot+306_online.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: A Memorial to Brother Malcolm X, 1968 [medium] 18 1/4 x 12” (46.4 x 30.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203221764-W8XAJ3IR7BZYJ1RC7JZW/Untitled+copy.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Jack R. Thornell (American, born 1939) Press photograph of the shooting of James Meredith on the March Against Fear, June 7, 1966 Gelatin silver print, date of print unknown 5 3/4 x 8 1/2” (14.6 x 21.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203247874-I5A67KPIA1S4H35YFOCT/KKKtape+copy.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Eugene B. Sloan Reel-to-reel audio recording of speech attributed to Robert E. Scoggin, South Carolina United Klans of America Grand Dragon, at a rally in Ravenel, South Carolina, July 29, 1967 [the date “July 30, 1967” inscribed on the box is an error] Formerly Merrill C. Berman Collection; now The Avery Research Center for African American History and Culture, College of Charleston, Charleston, South Carolina Audio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203274565-LKXLNWSQX9QCTK6RP82N/IMG_2809+copy.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Eugene B. Sloan Reel-to-reel audio recording of speech by Dr. Martin Luther King, Jr., County Hall, Charleston, South Carolina, July 30, 1967 Formerly Merrill C. Berman Collection; now The Avery Research Center for African American History and Culture, College of Charleston, Charleston, South Carolina Audio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203290477-B6CHT6LN2JB3QZSXD1PQ/IMG_2813+copy.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Eugene B. Sloan Reel-to-reel audio recording of speech by Reverend Ralph David Abernathy, President of the Southern Christian Leadership Conference, speaking during the Charleston Hospital Workers’ Strike, South Baptist Church, Charleston, South Carolina, March 31, 1969 [the date “April 1, 1969” typed on the box is an error] Formerly Merrill C. Berman Collection; now The Avery Research Center for African American History and Culture, College of Charleston, Charleston, South Carolina Audio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193040394-HJJDE8WH2GBPP3Y43YI6/JF_5D_6574.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Black Panther Party poster: An Attack Against One Is An Attack Against All. The Slaughter of Black People Must Be Stopped! By Any Means Necessary! Distributed by the Robert Brown Elliott League, c. 1968-69 Lithograph 22 1/2 x 17 5/8” (57.2 x 44.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203339913-OFAKFDPCW0O1STOC5I4B/JJ_60D_00419.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Black Panther Party greeting card with Huey P. Newton quote: “An unarmed people are slaves, or subjected to slavery at any given time,” c. 1968-1973 [Offset lithograph] 7 x 5” (17.8 x 12.7 cm), folded</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193110964-5HZBM4YGUE9CBHP2CNRW/_MG_4348.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Black Panther Party poster: Bobby Seale and Huey P. Newton in front of Black Panther Party Headquarters, 1967 Lithograph 28 3/8 x 23 1/16” (72.1 x 58.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203309935-0A84ZE9WTN1QI2HLNU2X/image-asset.jpeg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Front of hand-painted double-sided sign: BPP [Black Panther Party] for SD [Self-Defense], Free Huey &amp; Eldridge, c. May-June 1968 [Gouache] on board 21 1/4” (54 cm), diameter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203352985-KVDPERAC8HJZ4Y9JZWFN/JJ_60D_00415.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Black Panther Party greeting card with Eldridge Cleaver quote: “Revolution In Our Lifetime,” c. 1968-1973 [Offset lithograph] 7 x 5” (17.8 x 12.7 cm), folded</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193132712-G75VST4OFY6N8CD1G7X5/JF_5D_6572.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Black Panther Party poster: Free the Panthers, 1969 Lithograph 21 3/8 x 14 3/4” (54.3 x 37.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203323091-G7FMGZQN142NL8XTV0IY/Untitled+1.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Back of hand-painted double-sided sign: Peace and Freedom, c. May-June 1968 [Gouache] on board 21 1/4” (54 cm), diameter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203366311-W1V3L0Z8L87HTRB4S1RJ/JJ_60D_00417.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Black Panther Party greeting card with Bobby Seale quote: “Fascism breeds when the lazy, tricking, demagogue politicians lie and mislead people about the suffering that Black People are subjected to,” c. 1968-1973 [Offset lithograph] 7 x 5” (17.8 x 12.7 cm), folded</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193151979-JSUM46L8S4OW5050JGNW/JJ_60D_02312.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>[Blair Stapp] [nationality, dates], photograph Black Panther Party poster: Huey P. Newton, Black Panther Minister of Defense, c. 1967-1968 Lithograph 35 x 22 15/16” (88.9 x 58.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193168168-M4GTAIZQXEX8LGFJDMJC/JS_5D_3499.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: Huey Newton For U.S. Congress, 1968 Lithograph 23 x 17 1/2” (58.4 x 44.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593548012852-LI9ITEN2G33FSMRIW3OG/Swann_lot+142_online.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Book cover: The Genius of Huey P. Newton. Eldridge Cleaver, introduction [San Francisco]: [BP] Ministry of Information, c. 1970 9 3/4 x 6 3/8” (24.7 x 16.1 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193207540-ITIDDSOUSNE197606N78/JJ_60D_9517.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown [Poster:] [Profit and Loss / Bobby Seale], 1960s-1970s [Lithograph]  16 1/4 x 22” (41.3 x 55.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193267141-JK2YZ6XE51R3BO2JDEV0/DSC_3521.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Stephen Shames (American, born 1947), photographer Poster: [related to Bobby Seale’s 1970 memoir] Seize the Time, 1970 Silkscreen on continuous computer printer paper 21 3/4 x 14 3/4” (55.2 x 37.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193224014-8DYMEOZOVUEH7Z0IJB7A/JJ_60D_9516.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Flyer: Bobby Seale Brigades, 1960s-1970s Lithograph  10 7/8 x 17” (27.6 x 43.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193282960-BUSEAV9XMLY6DLV03ZLG/JS_5D_2028.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Revolutionary Contingent Statewide Antiwar March... Free Bobby Seale, Victory to NLF and Pathet Lao, 1970 [Lithograph and letterpress] 13 3/8 x 18 7/8” (34 x 47.9 x 34 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593548053823-DDY7IHHBHFY8YAM2YOCT/Swann_lot+147_online.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: The Oppressor May Jail Our Warriors, but the People Will Move Against Their Jailer. Free Bobby Seale!, c. 1969 Silkscreen 22 x 17” (55.9 x 43.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193314658-U4G35TOP1P5CRS1D1ZGB/JS_5D_4432.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Floyd Sowell [nationality, life dates], art, and Dorothy E. Hayes (American, 1935-2015), design Poster: “Injustice anywhere is a threat to justice everywhere”—Martin Luther King, 1971 [medium] 29 7/8 x 22” (76 x 55.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193349072-DB4JJYI3IH739C3ERBHQ/JF_5D_6580.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: Cleaver for President, 1968 Silkscreen 22 x 14” (55.9 x 35.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193368006-N0ZX074X8216N66BI6MG/JS_5D_3500.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: Cleaver For President of the United States of America, 1968 Lithograph 22 x 17” (55.9 x 43.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193385203-I2IRG77Q3IU1IKKPETNR/JS_5D_3501.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: Cleaver for President. Peggy Terry for V.P., 1968 Lithograph 22 x 17” (55.9 x 43.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193454029-56K58TS5Z0XQL4KT6X9Q/JF_5D_6570.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>[Emory Douglas] (American, born 1943) Black Panther Party poster: “I am a Revolutionary.” Fred Hampton, Deputy Chairman I11, Chapter, Black Panther Party, c. 1971 Lithograph 18 x 24” (45.7 x 61 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203398510-YS7HBGYSZ1ZU7V546QJS/JJ_60D_9513.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Flyer: In Honor of Fred Hampton (1948-1969), 1969 Photocopy 13 7/8 x 10 7/8” (35.2 x 27.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193526963-0K5NLDMXT4IST351HGF3/JS_5D_3498.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Black Panther Party poster: Untitled, 1968 Lithograph 22 3/4 x 8 3/4” (57.8 x 22.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193694777-QYY5J1I98N4TOC0CC2EL/_MG_4355.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Maquette for poster: No More Riots Two’s and Three’s, c. 1970 Collage with gouache, ink, pencil, and cut paper 13 x 11 1/2” (33 x 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203424793-2HTCN8XOE499ZA5CFFWP/JF_5D_8638.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Back cover of the newspaper: The Black Panther, vol. V, no. 15 (October 10, 1970) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193602639-W82SX86QA9UH21AAYDA4/JJ_60D_00425.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Black Panther Party greeting card with revolutionary Cuban proverb: “If I should return, I shall kiss you. If I should fall on the way, I shall ask you to do as I have in the name of the revolution,” c. 1968-1973 [Offset lithograph] 7 x 5” (17.8 x 12.7 cm), folded</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193711222-B4BVHUJLP5INT54CBS9R/_MG_4360.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Poster: No More Riots Two’s and Three’s, c. 1970 Lithograph 29 7/8 x 22 3/4” (75.9 x 57.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203437495-ABXLPBTOQIRUNAUO240K/JF_5D_8664.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Back cover of the newspaper: The Black Panther, vol. V, no. 25 (December 19, 1970) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193632501-UWHLD53F68I42ID0TW03/JF_5D__8405.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Black Panther Party poster: All Power to the People, 1969 Lithograph 14 7/8 x 22 3/4” (37.8 x 57.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193738034-VNOJN1A0YG1ED3W87II4/_MG_4350.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Poster: H. Rap Brown, 1967 Lithograph 17 1/2 x 22” (44.5 x 55.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203453875-8NTD4HER5D3ZFHSIF92I/Untitled.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Back cover of the newspaper: The Black Panther, vol. III, no. 21 (September 13, 1969). Seize the Time Two color offset lithograph on newsprint 11 1/2 x 17 5/8” (29.2 x 44.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193835239-3EV4HPLJHSJKI4BB26TF/JF5D_IMG_0001.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Newspaper cover: The Black Panther, vol. IV, no. 5 (January 3, 1970) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193979206-POUWJAI5HV9DWD04LB6D/JF_5D_8637.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Newspaper cover: The Black Panther, vol. V, no. 15 (October 10, 1970) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194034730-IT4SEXWYJY0OT5FUQDOO/JF_5D_8667.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Newspaper cover: The Black Panther, vol. VI, no. 5 (February 27, 1971) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193886532-XAUOV6FY5B4K0BDSAQGG/JF_5D_8649.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Newspaper cover: The Black Panther, vol. IV, no. 24 (May 19, 1970) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194016442-07DH6NWNTE8JQKVFYPPA/JF_5D_8661.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Newspaper cover: The Black Panther, vol. V, no. 20 (November 14, 1970) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194055344-7LJCNZC39HIXX08AG49M/JF5D_IMG_0004.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Newspaper cover: The Black Panther, vol. VI, no. 11 (April 10, 1971) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593193938756-0S9PBYR1SXSRTFA7R6TW/JF_5D_8639.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Newspaper cover: The Black Panther, vol. V, no. 11 (September 12, 1970) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593203469266-9JRINVTYXQ4TEQDUEMX2/JF_5D_8663.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Newspaper cover: The Black Panther, vol. V, no. 25 (December 19, 1970) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194070175-GHYZZFHTVJILUC7PQUK0/JF_5D_8669.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Emory Douglas (American, born 1943) Newspaper cover: The Black Panther, vol. VI, no. 19 (June 5, 1971) Two color offset lithograph on newsprint 17 5/8 × 11 1/2" (44.8 × 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194139593-R9DBTUFVLMJ73TOWP4RC/JS_5D_3473.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: Black Politics: A Journal of Liberation, vol. 1, no. 1 (January 1968) Lithograph 11 x 8 3/4” (27.9 x 22.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194234642-BFS1JMT84R567P4MM9L1/JS_5D_3483.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: Black Politics: A Journal of Liberation, vol. 1, no. 6-8 (summer 1968) Lithograph 11 x 8 3/4” (27.9 x 22.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194185913-AH3NRV2ZZRJA4DMCAFHY/JS_5D_3477.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: Black Politics: A Journal of Liberation, vol. 1, no. 3 (March 1968) Lithograph 11 x 8 3/4” (27.9 x 22.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194248780-CYCZFXOOB3IU9A2AJG2T/JS_5D_3485.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Black Journal cover: Black Politics: A Journal of Liberation, vol. 1, no. 9-10 (September-October 1968) Lithograph 11 x 8 3/4” (27.9 x 22.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194204329-8YY3U41C8D4YWGKJFUIQ/JS_5D_3475.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: Black Politics: A Journal of Liberation, vol. 1, nos. 4 and 5; special issue Huey P. Newton (April-May 1968) Lithograph 11 x 8 3/4” (27.9 x 22.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194265251-RVWT7N4ZDG2WKE3RVEJT/JS_5D_3487.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Journal cover: Black Politics: A Journal of Liberation, vol. 2, nos. 13-14 [1969] Lithograph 11 x 8 3/4” (27.9 x 22.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194286684-XDMOG9I724GPGAIEO6TN/JF_5D_6571.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Newspaper cover: [The] Street Wall Journal, supplement: vol. 1, first of 9. 1 year after indictment (1970) Lithograph 22 7/8 x 16 1/2” (58.1 x 41.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194303244-XSX3PEBH0WHCTFCG3Q5D/JJ_60D_00849.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Newspaper cover: The Street Wall Journal, vol. 1, no. 2, 1970 (May 15, 1970) Silkscreen  22 x 17 1/8” (55.9 x 43.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194318544-4S2I38OX05T0AWT76PV5/JJ_60D_00848.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Newspaper cover: The Street Wall Journal, vol. 1, no. 3, 1970 (May 21, 1970) Silkscreen and lithograph  22 x 15 1/2” (55.9 x 39.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1594391043049-EKXKOX3YTEEJASPWXAJN/RS121539_M_2019_12_2_at.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Aminah Brenda Lynn Robinson (American, 1940-2015) Oh Mary, Don't You Weep, 1978 Mixed media on panel 74 3/4 × 23 1/2” (189.9 × 59.7 cm) Formerly Merrill C. Berman Collection; now Williams College Museum of Art, Williamstown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1594391056669-JCV2N36UOZB29H1BYNU2/RS121539_M_2019_12_1_at.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Aminah Brenda Lynn Robinson (American, 1940-2015) Slavery Chain, 1978 Mixed media on heavy stock 94 1/4 × 37 1/4” (239.4 × 94.6 cm) Formerly Merrill C. Berman Collection; now Williams College Museum of Art, Williamstown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194364928-H1SRMLC2BGGD3PMZKWGP/JJ_60D_9510.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Flyer: Angela Davis “Like it Is: A Documentary Film” and letter from the Angela Davis Defense Committee, 1970 Photocopy 17 x 11” (43.2 x 27.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194382838-3E0Q04MQ887YXN2Y37TR/JJ_60D_9523.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: Free Angela Davis, c. 1970 Lithograph 22 1/2 x 17 1/2” (57.2 x 44.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194412428-K9DV7HEAW24PTXNA76RL/JJ_60D_9499.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: Angela Davis urges - Declare your Independence, 1976 Lithograph  22 1/4 x 15 3/8” (56.5 x 39.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593197611016-U9JU60PNIJA5R4L56435/_MG_4344.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown; George Jackson (American, 1941-1971), text; Mark Kent [life dates], calligraphy Poster: Rumbling, c. 1980 Lithograph 22 1/2 x 17 1/2” (57.2 x 44.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1593194453242-XXZLT9JULJ42PP6FNR52/JJ_60D_03059.jpg</image:loc>
      <image:title>Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s</image:title>
      <image:caption>Designer unknown Poster: “Wear Black on October 22 the national day of protest to Stop Police Brutality, repression, and the criminalization of a generation,” c. 1990s Silkscreen 18 x 24” (45.7 x 61 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/early-soviet-anti-religious-propaganda</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1598306167319-KN34HV91MGDYOW9ROT7N/JS_5D_4908-1.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259609243-G0DUTFG6W5RSU60A52JV/JJ_60D_04052.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Poster: We disposed of the Tsars on Earth, and now we are getting rid of the ones in Heaven. Archangel Gabriel was sent from God into a city...to speak to Virgin Mary...and on the way back to Heaven he brought with him, for information, 10 copies of the journal Atheist, 1922 Lithograph 38 3/4 x 26 1/4” (98.4 x 66.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259674339-4LWCSG7DN6JCLQC8YG5F/Cheremnykh_03.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Mikhail Mikhailovich Cheremnykh (1890–1962) Advertisement: Subscription for the year 1930 for Atheist at the Workbench, an anti-religious journal of the Moscow Committee of the All-Union Communist Party [of Bolsheviks]. I. N. Stukov, General Editor. Published twice a month, c. 1929 Lithograph 20 1/4 x 29 3/8” (51.4 x 74.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259633376-XHD6X6M0HYS4EBNHBI1J/JJ_60D_03664.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Poster: I am an Atheist. A subscription is open for 1925 for Atheist at the Workbench, a monthly anti-religious satirical journal printed in color, 1924 Lithograph 27 1/2 x 18 3/4” (69.9 x 47.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259648942-QA11O9HPMQCFNF9QYYYO/JS_5D_3374.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Poster: Fifth Year of Publication. Subscribe to Atheist at the Workbench,  1927 Lithograph 27 3/4 x 21 3/16” (70.5 x 53.8 cm) Editorial Note: The figure represents the three-headed giant of monotheism: the Islamic Prophet Mohammed, the Christian God the Father, and a Jewish Kabbalist.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Portfolio cover for Bezbozhnik u stanka, V, 1923-1927 (Five Years of Atheist at the Workbench), [1927] Letterpress adhered to cardboard Closed: 14 1/2 x 11” (36.8 x 27.9 cm); open: 14 1/2 x 22 7/8” (36.8 x 58.1 cm)</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) 1917-1927: Tenth Anniversary of the Bolshevik Revolution [Text:] “Nowadays both in Europe and in Russia any defense or justification of the idea of God—even the most refined and best-intentioned—is a justification of reaction.” —Lenin Editorial note: Lenin’s quote is from a letter he wrote from Krakow, Poland, to the Soviet writer Maxim Gorky, then residing on the Italian island of Capri, in the second half of November 1913.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text below:] Christ [as quoted in Matthew 11:28]: “Come unto me, all you who are weary and burdened!” Women: “Our diligent Protector, you are our Father.” Kulak [wealthy farmer] and bourgeois (speaking out of Jesus Christ’s pockets): “While their Protector turns their heads, we’ll ride in the Lord’s pocket.”</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] The highest achievement of human culture—at the domestic market. [Text below:] CAPITAL. Marx is outdated. It is not the dictatorship of the proletariat but the class collaboration. Kautsky and Jesus Christ will explain it to you right now. Editorial note: Karl Kautsky (1854–1938) was a Marxist theorist, leader of the German Social Democratic Party, and one of the leading figures of the organization of socialist and labor parties known as the Second International. He maintained that Christianity was originally a revolutionary organization that proclaimed a liberation from poverty which was to take place not in Heaven, but on Earth.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] Oxygen and hydrogen free [Text below:]  And God said: “Take the stars down, kids, because it’s day now, and you can put them back in the evening. And the evening and the morning were the fourth day.” (Genesis: 18) [King James Version, Genesis 1:19]</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883 1946) [Text above:] In Cultured Europe. [Text below:] My children, you’ll be hanged tomorrow— Glory to You, O Lord! But today, in the name of our merciful Jesus Christ, you must reconcile with the authority against which you had rebelled. Take Communion and enter into eternal life.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] To each his own. [Text below:] Heaven is for them; Earth is for us.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text above:] Picture Puzzle [Text below:] Which one is an atheist?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597846895056-D1KPLT7F0HXTRNNKRKOY/JS_5D_4782.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text above:] The Family Turnip [Text below:] Our grandma lures our mother to Mass, and so each Sunday we have to act as if we’re living in the Russian folktale “The Enormous Turnip.” Father took hold of Mother, the Komsomol [The All-Union Leninist Young Communist League] member took hold of Father, the Pioneer took hold of the Komsomol member, the Oktiabrenok [a member of the Little Octobrists] took hold of the Pioneer. And as for our cat, he was born an atheist. They pulled and pulled…But will they be able to pull it up? Editorial note: The “The Enormous Turnip” is a Russian folktale in which a grandfather plants a turnip which grows so large that he cannot pull it up himself. Successively more people are recruited to help, until they finally pull the turnip up together.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Nikolai Kogout (1891–1959) [Text below:] [A short poem noting that a capitalist has a house of God under the glass, which seems to imply that he controls the church to his own ends.]</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Nikolai Kogout (1891–1959) [Text above:] After the Confession [Text below:] Priest: “I take the world’s sins on myself.” Editorial note: The bag of the priest depicted here is full of money. Either those who have just confessed have had their pockets picked, or their pockets are empty because of their donations to the church.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text below:] The Lord created the Heavens and the Earth in six days, and on the seventh day he created a priest. And then Lord rested, while the priest finished the rest.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Mechislav Dobrokovsky (1895–1938) [Text above:] A Prophet of the Twentieth Century [Text below:] Nechaev-Mal’tsev, owner of glass factories in Gus’ Khrustal’nyi, was building a church to stupefy the workers. When, during the 1906 strike, the workers demanded that a club be built, the owner replied: “That church will be your club.” His prophecy has now come true.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text below, left]: Without God [Text below, right]: Life with God in the Godly world</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] The World Revolution is Spreading Out in Three Columns [Text below:] England / USSR / China</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Title page (?) for the portfolio Bezbozhnik u stanka, V, 1923-1927 (Five Years of Atheist at the Workbench), [1927] Editorial note: This bespectacled old man wears both the turban of a mullah and the vestment of a Christian. He appears repeatedly within the portfolio and is identified as Bog (God). This image originally appeared on the cover of the journal Bezbozhnik u stanka (Atheist at the Workbench), vol. 3, no. 11 (1925). The manner in which the figure presents two issues of the journal suggests that this sheet may have served as the title page of the current portfolio.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] God is Spirit / Compressor is an Air Pump [Text below:] Farewell, Russian Orthodox believers, I am gone.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text below:] Priest: Don’t bemoan your heavy burden, because a great reward is prepared for you in Heaven.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] Good and Evil are Crying Together [Text below:] Women used to support us quite a lot, but now even they went over to the Soviets [Text in image, on red banner:] Woman / The Soviets</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] Everything is in the Hand of God [Text below, under each figure, left to right:] Baptist / The Merchant [Ivan Andreevich] Goliaev: “One’s own cart is not a burden. All of us are brothers to our God.” Editorial note: In the 1920s, Ivan Andreevich Goliaev, a sectarian from the town of Balashov, was Chairman of the Central Council of Baptists and a member of the cooperative “Brotherly Help.” Renovationist / Metropolitan [Aleksandr Ivanovich] Vvedensky: “I am [supporting] only our Lord and nobody else. As for the NEPmen [Russian businessmen during the New Economic Policy], Kulaks [wealthy farmers], and others, here our interests unexpectedly align.” Editorial note: From 1923 to 1946, Aleksandr Ivanovich Vvedensky (1889-1946) was Head of the Living Church movement, also known as the “obnovlencheskaia” or Renovationist Church, which was intended to reform the Russian Orthodox Church. Vvedensky was considered a heretic by the Russian Orthodox Church. Staryi pop / Old Priest: “Every priest should support his local benefactor. I am supporting the Lord without thinking twice.” The Bride of Christ / [Ivan M.] Tregubov: “What a disgrace! Why does everyone confuse me with the merchant Goliaev and with the priests? I am not at all like them.” Editorial note: In the early 1920s, Ivan M. Tregubov, an employee of the Commissariat of Agriculture, was a self-appointed religious sectarian leader. Starting immediately after the Bolshevik Revolution of 1917, he promoted the idea that sectarian communities were compatible with the new Socialist regime. In July 1919 he published an article in the leading Party newspaper Pravda advocating cooperation between Bolsheviks and sectarians in building Communism. In 1925, he also contributed to the newspaper Bezbozhnik (Atheist). However, Tregubov’s sectarian program allowed the Kulaks [wealthy farmers] the freedom to rent land and hire labor and advocated for free foreign trade and the accumulation of private property. The Council of the Soiuz voinstvuiushchikh bezbozhnikov (Militant Atheists) severely criticized Tregubov’s program, calling it a “political capitalist program of the Kulaks.”</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] Kulaks [wealthy farmers], NEPmen [Russian businessmen during the New Economic Policy], profiteers, and others have appointed their representative. [Text below:] They have appointed a decent deputy for communication with foreign kingdoms.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] Why the Bourgeois need Christian Trade Unions. [Text below:] Christ is leading the strikebreakers: My children, help our dear brother in Christ who suffers because of these wretched strikers.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text above:] NEPman’s Prayer [Text below:] Oh Lord, if you can, please help me, a sinner. Help me, Lord, to cheat and circumvent this hated Soviet regime. Editorial note: NEPmen were Russian businessmen during the New Economic Policy.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text above:] By the Iberian Mother of God Chapel in 1914 [Text below:] Oh Lord, save thy people…Victory for our most orthodox Emperor! Editorial note: This work depicts Russian people praying by the Iberian Mother of God Chapel, built in 1669 to enshrine the miracle-working icon next to the walls of the Kremlin in Moscow. The chapel was located at the main entrance to Red Square. According to a popular custom, everyone heading for Red Square or the Kremlin visited the chapel to pay homage at the shrine. The date “1914” in the title of this work may be a reference to the contrast between the pretense of public piety and the brutal reality of sending citizens to the slaughter in WWI.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Nikolai Kogout (1891–1959) [Text above:] This is how God tried to bring electricity to a village. [Text below:] And this is how the village got electricity.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Nikolai Kogout (1891–1959) [Text on the church:] Shearing and shaving goats and rams [Text below:] He is such a rogue, he is very dexterous. He shaves five sheep at once.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) and Mechislav Dobrokovsky (1895–1938) [Quote, upper left:] “It is, therefore, a profound truth that Socialism is the natural enemy of religion. Through Socialism alone will the relations between men in society, and their relations to Nature, become reasonable, orderly, and completely intelligible, leaving no nook or cranny for superstition. The entry of Socialism is, consequently, the exodus of religion.”—Karl Marx [British Socialist Party Manifesto, 1911] [Quote, upper right:] “The modern class-conscious worker, reared by large-scale factory industry and enlightened by urban life, contemptuously casts aside religious prejudices, leaves heaven to the priests and bourgeois bigots, and tries to win a better life for himself here on Earth.” Lenin [“Socialism and Religion,” Novaia zhizn’ (New Life), no. 28 (December 3, 1905)]</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text below]: Servant of God / Communist Party candidate</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text above:] Who will Win? [Text below, left:] Without God [Text below, right]: With God</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text below:] Cooperation of social classes with nature, or the earthly path to the Kingdom of God. Editorial note: This work was also distributed as a large-scale poster with a different caption (see below).</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] Clean up your mess [Text below:] Antipka [the boy in the Red Army uniform]: “Pretty much because of you I worked on a subscription. That’s enough for now. I have to go to school while you, an old man, should clean up your mess.” [Text in image, on wall:] Subscribe to 1926 Atheist at the Workbench [Text in image, beside boy:] “I am an Atheist”</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text below:] He took off his blindfold, and on it there was an image of “Spas” [the Savior Not Made by Human Hands]. Editorial note: The icon of “the Savior Not Made by Human Hands”—also known as “the Mandylion,” “the Image of Edessa,” the Spas nerukotvornyi, or the Holy Visage—is by tradition the earliest icon and relic of the Christian churches. Like Veronica’s Veil, it was a cloth on which Christ’s face was miraculously imprinted rather than being painted or created through human effort. We are grateful to Dr. Karen Kettering, a specialist in icons, for providing this information.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text below:] New York, December 25 (radio): He is born, born, born! New and original! The highest achievement of human culture! A PERFECTLY IMMACULATE CONCEPTION! American imperialism (a Virgin) gave birth to Coolidge, the SAVIOR OF THE WORLD! Emmanuel Coolidge! May the word of God come true: “Behold the virgin will give birth to a son and his name will be Coolidge.” (Emmanuel) (Isaiah 7:14). Glory to God and World Peace! (Song of angels). THE STRENGTH OF THE WORLD IS GUARANTEED. It won’t cost you much. Editorial note: This sarcastic text refers to Calvin Coolidge (1872-1933), President of the United States from 1923 to 1929. For the Soviet authorities, the United States was a symbol of all that was regressive and reactionary in the capitalist world. As a result, in their work Soviet artists often demonized the United States as a land of fat capitalists, militarism, and racial injustice, among other evils.</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above, God:] “Do you feel better now, Granny?” [Text below, Granny:] “Yes, I do, dear Lord. I can’t feel my legs at all, they’re frozen.”</image:caption>
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      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text below:]  Jesus said: “These five loaves will be enough for 50,000 to eat…they won’t ask for more.” Editorial note:  The “Feeding of the 5,000”—whereby Jesus is said to have fed 5,000 people with just five loaves of bread and two fish—is the only miracle recorded in all four gospels: Matthew 14:13-21; Mark 6:31-44; Luke 9:12-17; John 6:1-14.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597846588839-3PSAWP3NRHULJP3CXOW7/JS_5D_4747.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] Everyday life [Text in image, upper left:] Drunk citizens are not sold anything.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597846662501-6INYLQX2SR3DOV0PO4UV/JS_5D_4749.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] Confession [Text below:] Confession was not invented for nothing. It is through your confession that your every thought will reach the ears of the district policeman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597846878747-JR7DOLWMWBR2PVFPJQCO/JS_5D_4781.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text above:] Young Pioneer’s Page [Text below:] Young Pioneers don’t believe in God Editorial note: The Pioneer Organization was a mass youth organization for children age ten to fifteen in the Soviet Union. It operated between 1922 and 1991, when it was dissolved with the collapse of USSR. The main symbols of Young Pioneers were their red ties and badges, which featured a profile of Lenin. Among their rituals were the Pioneer salute, the Young Pioneers’ parade, and the raising of the flag.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597846928700-Y33CB6WBP8AHQ7PN9EC2/JS_5D_4799.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text below:] Red and White Head Scarves Editorial note: On the right, a woman in a red head scarf is holding the official Soviet newspaper Komsomol’skaia Pravda (Komsomol Truth); on the left, a woman in a white head scarf is putting up a poster reading “Christ is Our Teacher.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597847077321-4EXZE6MP00X3MVJSUGH1/JS_5D_4817.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Nikolai Kogout (1891–1959) [Text below:] “God, get out of here!”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597847540546-5WUVM2UY24UG57IQR4TB/JS_5D_4831.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Nikolai Kogout (1891–1959) [Text above:] Religion is a brake on the development of agricultural machinery [Text below:] [A short poem noting that, if one would remove his long caftan and not carry candles, it would be easier to plow the land.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597851196511-88OP0GCDW5QXCLQVZ5BN/JS_5D_4795.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Mechislav Dobrokovsky (1895–1938) [Words in image, left to right:] Warmth / Life / Weather / Food / Light [Text below:] The sun gives light, warmth, and food to the planet Earth. Life on Earth depends on the sun. The sun determines the weather on our planet. God (confused): “Where does this colossus come from? Nowhere in my religious books is it written about. The atheists all lie. Amen, amen—let it all fall to pieces.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597851356045-782LRKX3SFKQZVRA756Z/JS_5D_4841.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text above:] A riddle for an old man [Text below:] So many womenfolk and not one of them is praying. What is this place I’ve come to?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597851414085-N1YOQCFM9YU50GB16JPD/JS_5D_4851.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Aleksandr Deineka (1899–1969) [Text above:] The Power of the Soviets [Text below:] Under the leadership of the working class [Text within image:] Lenin. We are building socialism under the leadership of the proletariat in union with the poor peasants and the middle-income peasants. Industrialization, cooperation. Reduction of prices! A regime of economics! The Power of the Soviets. The Red Army! To battle against bureaucracy, the Kulak [wealthy farmers], and the priest!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597851465980-EXA2C0SHSIHGU39Q8WJ9/JS_5D_4859.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) [Text above:] Christ’s Mystery [Text below:] It’s better to kill flesh but to save soul</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1598025009355-69AMPWU5RON567Q1YJHE/JS_5D_4908.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Poster: The Triumph of Christianity, 1923 Lithograph on paper on japan 28 1/8 x 41” (71.4 x 104.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1598025021971-DTTVZ48UX038XZ6SXETR/JS_5D_4909.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Poster: Savior of the World, [before 1927] [Text below:] Follow me into the bosom of my father and He will give you eternal life. Christ is risen! Easter of the lord. Easter: God brings Christ from death to life. Lithograph on paper 28 5/8 x 42 3/4” (72.7 x 108.5 cm) Editorial note: This work appeared in the 1927 portfolio with a different caption (see above).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1598025033857-5VQFQWOLOG1QGH5Q8GOA/JS_5D_4907.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Poster: Christ is risen!, 1931 [Text below:] Capital: Well, I have crushed them enough! I fear the working cattle may riot! It is time to allow a divine fog to descend! Let's pour sacred oil over their hearts! Christ is Risen! Let's embrace each other and forgive each other all sins, voluntary and involuntary. All people are brothers! Priests, lower the curtain of "Christ's resurrection." Lithograph on paper 29 1/4 x 41 3/4” (74.2 x 100 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259705534-WCY6A8OKT9CB7KP1ZRD3/JJ_60D_4613.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Cover of Atheist at the Workbench, vol. 7, no. 20 (Moscow; 1929), reprinted as single sheet with English “handwritten” translation: In accomplishing the program for the great works of Socialist upbuilding let us, on the Twelfth Anniversary of the October Revolution, snatch from the hands of our Class enemies their poisonous weapon, religion, and throw it into the garbage can. Lithograph 14 x 10 1/4” (35.6 x 26 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259794835-32S7HA80OF4UW3756MSX/JJ_60D_4585.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Cover of Atheist at the Workbench, vol. 9, no. 8 (Moscow; April 15, 1931), reprinted as single sheet with English “handwritten” translation: We shall fulfill and more than fulfill the Industrial Financial Plan for the 3rd decisive year [of the 5 Year Plan]! Long live the international proletarian revolution! Lithograph 15 x 11” (38.1 x 27.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259722814-EN9H1ZC830VWJQ4GO8RV/JJ_60D_4586.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Cover of Atheist at the Workbench, vol. 7, no. 22 (Moscow; 1929), reprinted as single sheet with English “handwritten” translation: The Five Year Plan — This is a Practical Plan for Annihilation in the Fight against Religion / Jehovah, God, Allah: Long live the Five Year Plan! Lithograph 14 x 10” (35.6 x 25.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259813695-6GJ51LRX82Y8RK35LPN3/JJ_60D_4578.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Cover of Atheist at the Workbench, vol. 9, no. 13 (Moscow; July 1, 1931), reprinted as single sheet with typeset English translation: Like Lenin to grasp technical knowledge, this is to know how to completely remove obstacles to the speedy upbuilding of Socialism and the liquidation of religion — its irreconcilable enemy. The Red soldier is carrying two books under his arm, one marked “Lenin” the other “Technology.” He is spearing a minute person marked “God.” This picture might well be called “The Pride of Man.” Lithograph 16 1/4 x 10 3/8” (41.3 x 26.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259741587-0NYXH8P8UFTX2WLBQCYO/JJ_60D_4594.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Cover of Atheist at the Workbench, vol. 8, no. 11 (Moscow; June 1, 1930), reprinted as single sheet with English “handwritten” translation: With the steam shovel of socialistic upbuilding we will throw everything that hinders our victorious progress toward Communism into the garbage pile: Kulak, Priest, The Gospel, Church, GOD Lithograph 14 3/4 x 10 1/2” (37.5 x 26.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259830363-SE563L4ZDSZXUZKF8A3D/JJ_60D_4621.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Cover of Atheist at the Workbench, vol. 9, no. 17 (Moscow; September 1, 1931), reprinted as single sheet with English “handwritten” translation: Long live International Youth Day! Long live the International Proletarian Revolution! Down with Capitalism and its faithful bearers of arms—Religion and Social—Fascism! Lithograph 14 x 10 1/4” (35.6 x 26 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259861697-8XNT8MNO78IYVVI1PNP2/Moor08.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Moor (1883–1946) Poster: Christmas with poem by N. Gorlov below, 1921 Lithograph 28 x 42 1/8” (71.1 x 107 cm) Editorial note: The imagery contrasts the pilgrimage of the Three Kings and other privileged figures toward Bethlehem in the East (above), with the movement of workers, peasants, and Red Army troops toward the Red Star of the revolutionary cause (below).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259956801-2EEAI52S91Q50BVFRV4S/JS_5D_4609.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Designer unknown Poster: Church Valuables have been Delivered for the Volga Region via the 7 “verst” Train, c. 1922 Lithograph 13 3/8 x 23 3/4” (33.9 x 60.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259877780-LMCPHVOQRKB6ZJ99PHWK/JJ_60D_03957.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Ivanovich Mel’nikov (1889–1966) Poster: The silver and gold decorations were paid for by hard-earned kopecks. Why are you—monks and other religious figures—protecting the church’s wealth? You should give all church’s wealth to the peasants dying of hunger., 1922 Lithograph 42 1/8 x 28” (107 x 71.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259984169-KLUKBM3W53NWSSCK16MJ/JJ_60D_03488.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Kukryniksy. This name is a conflation of names of the three-man collective: Mikhail Vasilievich Kupreyanov (1903–1991); Porfirii Nikitich Krylov (1902–1990); and Nikolai Aleksandrovich Sokolov (1903–[1999 or 2000]) Poster: A Drowning Man, a poem by Demian Bednyi, 1931 Lithograph 41 1/2 x 27 3/4” (105.4 x 70.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597259900694-Y5OYVW14XHHU4UJAWTKK/JJ_60D_04051.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Dmitrii Ivanovich Mel’nikov (1889–1966) Poster: Take the Gold from the Churches and Save Us!, 1922 Lithograph 24 1/2 x 36 3/4” (62.2 x 93.3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1597260036822-PSGO1VXCRLPP698D7CT5/JJ_60D_3190.jpg</image:loc>
      <image:title>Early Soviet Anti-Religious Propaganda:</image:title>
      <image:caption>Mikhail Razulevich (1904–1993) [Untitled], n.d. Gelatin silver print with gouache and pencil on paper 18 1/6 x 12 3/4” (46.1 x 32.4 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/e-mcknight-kauffer-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605565606631-IL92DLHY8L3RE3J1H15G/BPEthyl-banner-2.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524483828-YYFS8MHWS6UZE022KTBJ/kauff81.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: London Underground, 1934 Gelatin silver print, gouache, ink, and pencil on board, with tracing paper overlay marked in pencil (not visible here) 15 x 10 5/8" (38.1 x 27 cm) Note: This study, an early example of Kauffer's use of photomontage, is unusual in that it combines designs for both the London Underground (above) and Shell (below).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524558617-BRT6OPEU91D04CV8RCMY/kauff83.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: Lubrication by Shell, 1934 Ink and pencil on paper, adhered to board 12 x 9" (30.5 x 22.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524679786-AQAB460K2XGPC8U11RXG/kauffer_official.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Official for Winter. Double Shell Lubricating Oil, 1936 Lithograph 30 x 45" (76.2 x 11.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524514415-A4UQ1HBG9V6W8JWKM8RN/kauff58.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study, 1934 Ink and pencil on paper, adhered to board 12 x 9" (30.5 x 22.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524607376-USWX23LG9L7WUIIPUA7K/_MG_5025.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: Triple Shell Lubricating Oil, c. 1930s Offset lithograph 19 x 12 15/16” (48.3 x 32.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524700604-Y9OLK6MJQZTMYV6CR4VE/JJ_60D_02305.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Maquette: New Shell Lubricating Oils, 1937 Gouache on paper 15 x 23 1/2" (38.1 x 59.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524543477-Z40EV394OT31UAIU6F1B/kauff59.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: Lubrication by Shell, 1934 Ink and pencil on paper, adhered to board 11 1/2 x 8 7/8" (29.2 x 22.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524658240-N2ZU9X8CKT6WB4SAYTR4/_MG_5024.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: Lubrication by Shell, c. 1930s Offset lithograph 12 x 8 1/4" (30.5 x 21 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524722248-MCU95VG06ZKH5CO7HV4M/JS_5D_5229.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: The New Shell Lubricating Oil, 1937 Lithograph 10 3/4 x 24 1/2" (27.5 x 62.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524740156-LZ3L4IQ7ISXLWNK85TXG/kauff66.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: For Pull Use Summer Shell, 1930 Ink, gouache, and pencil on paper 17 3/4 x 11 11/16" (45.1 x 29.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524754289-UJBIIXFTQ5T942PJ70TJ/kauff65.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: For Pull Use Summer Shell, 1930 Gouache on paper 15 3/16 x 10 1/2" (38 x 27 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524779205-QHFMSNAB0J71AXPS04BL/kauff57.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study, 1935 Ink and gouache on paper 7 3/16 x 10 1/2" (18.3 x 26.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524798928-OB5V8GBQV97XOEBNC0C1/kauff68.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: Shell, 1932 Airbrushed ink, gouache, and pencil on paper 16 x 11" (40.5 x 28 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524886044-XTTSQXJR8BG1XY2O0XUL/JS_5D_5186.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: International Aero Exhibition 1929. Shell, 1929 Lithograph 30 x 45" (76.2 x 114.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524815938-4WDV70CUNUXR5X1BVDZU/kauff61.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study, 1932 Airbrushed ink, gouache, and pencil on paper 9 3/4 x 9 7/8" (24.8 x 25.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524921093-S5CUXV2WFSYO6CKAGAWT/JS_5D_4382.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Aeroshell Lubricating Oil. The Aristocrat of Lubricants, 1932 Lithograph 30 x 44 1/2" (76.2 x 113 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524829793-3E7KFSP99H6Q3RPESIEZ/kauff60.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: Aeroshell, c. 1932 Photomechanical reproduction (possibly photostat) and pencil 10 x 7 7/8" (25.4 x 20 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524939133-4N3A0LVOGLCPDO6ZVJKK/JS_5D_5207.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Lubrication by Shell. Miles-Whitney Straight, 1937 Lithograph 29 11/16 x 44 11/6" (75.4 x 113.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604524996616-PXZXC721QXU71YWHCUM9/kauff78.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: Listen to This. You Can Be Sure of Shell, 1933 Pencil on tissue paper 13 x 8 1/2" (33 x 21.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525063501-0I7LB5H2CBZ3QYMZ260A/kauff88.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study, 1934 Ink and pencil on paper 9 3/8 x 9 11/16" (23.8 x 24.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525011015-7GUAKDHZ7T6ILYYASOKE/kauff75.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: Now Listen to This. You Can Be Sure of Shell, 1933 Pencil on tissue paper 13 x 8 3/8" (33 x 21.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525077707-O2PZZPWTXF5VNEBNG92R/kauff67.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study, 1934 Ink, gouache, and pencil on board 14 1/4 x 10 7/8" (36.2 x 27.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525037491-453N1HTXF4LAGX2961CI/kauff72.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: Listen to This. You Can Be Sure of Shell, 1933 Pencil on tissue paper 13 x 8 3/8" (33 x 21.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525095670-LLEU1PXL95XMNG4J2YHB/_MG_5028.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Study: The Micrometer Proves that Shell Saves Engine Wear. You Can Be Sure of Shell, c. 1930s Offset lithograph 14 1/2 x 9 1/4" (36.8 x 23.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525115841-TM349H3A1XSFXXVUK3KU/JS_5D_5175.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Maquette: Magicians Prefer Shell. You Can Be Sure of Shell, 1934 Airbrushed gouache, ink, and pencil on board 10 3/8 x 15 1/2" (26.4 x 39.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525131723-DPW4GE628PSH9FF1DMMC/JS_5D_5177.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Maquette: Recommended for Winter. Double Shell Lubricating Oil, 1933 Gouache, pencil, and cut paper on board 17 3/4 x 22 3/8" (45 x 57 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525150245-TPIB0DJWO0ZWGDRU8YND/JS_5D_5178.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Maquette: Aladdin the Best Paraffin, 1933 Airbrushed gouache, pencil, and cut paper on board 17 3/4 x 22 3/8" (45 x 57 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525179879-L43V603NL9C8MD1F8F4O/JS_5D_4380.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Magicians Prefer Shell. You Can Be Sure of Shell, 1934 Lithograph 29 7/8 x 44 3/4" (75.9 x 113.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525233548-WG32XGO56UV1T8CWX2EG/JS_5D_5184.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Merchants Prefer Shell. You Can Be Sure of Shell, 1933 Lithograph 29 1/2 x 43 1/2" (74.9 x 110.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525331586-983G87P4P4E9EWIY0R73/JS_5D_5210.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Ask for BP. Not Just Ethyl, 1933 Lithograph 29 7/8 x 45" (75.9 x 114.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525430239-VNI1ZMWKHL2I5QCHJ2YH/JS_5D_5238.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: The New Forest. See Britain First on Winter Shell, 1931 Lithograph 29 1/4 x 44" (74.3 x 111.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525201177-FODR6YIVW8H6Q6HGGU5Y/JS_5D_5209.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Actors Prefer Shell. You Can Be Sure of Shell, 1935 Lithograph 30 x 45" (76.2 x 114.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605123778043-I80ZNYUCIMOZIID9LPO3/kauff38.jpeg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: You Can Be Sure of Shell, 1931 Lithograph 30 11/16 x 44 5/8" (77.9 x 113.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525352728-1EOXN1AD56GPMSZPZA3J/kauffer_always_first.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Shell is Always First, 1935 Lithograph 30 x 45" (76.2 x 114.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525461306-TLVWUT92UQDTABV9ZV9Y/kauffer_landmarks.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: To Visit Britain's Landmarks. Dinton Castle, 1936 Lithograph 30 x 45” (76.2 x 114.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525217903-TTXCRK7G8A2KX2CDK4SY/JS_5D_5181.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Explorers Prefer Shell. You Can Be Sure of Shell, 1935 Lithograph 30 x 45" (76.2 x 11.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525313488-T3JRT9L653H9AXG8TAUR/Kauffer_TVO.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: TVO for Maximum Draw-bar Pull, 1938 Lithograph 30 x 45" (76.2 x 114.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525385385-Y4GMBN0FSCCFEY1IMV3S/JS_5D_5239.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Shell For Go For Shell. You Can Be Sure of Shell, 1938 Lithograph 29 3/4 x 45" (75.6 x 114.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605123799582-CD2SRCZH5GPNG7R47B1U/JS_5D_5574.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: From October to May. Winter Shell, 1939 Lithograph 30 x 45" (76.2 x 111.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605136417324-BQO4ZYE94M5ZPZY5F0PJ/JJ_60D_2579.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Marly Horses sculpture, Place de la Concorde, Paris, c. 1933 Gelatin silver print 6 x 8” (15.2 x 20.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604525640856-P3Z056TFW7PC42DCHAHO/JF_5D_4147.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Maquette: BP Ethyl Anti-Knock Controls Horse-Power, c. 1933 Gelatin silver print, cut paper, and airbrushed gouache on board 30 3/8 x 21 1/2" (77.2 x 54.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604526126829-75CM2FY2XWVBVPIKWYKJ/JF_5D_4146.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Maquette: BP Ethyl Anti-Knock Controls Horse-Power, 1933 Gelatin silver print, cut paper, and airbrushed gouache on board 21 1/2 x 30 3/4" (54.7 x 77.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605125424584-SMY6KSTKAK1VVSJ4FRMG/JS_5D_5498.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Marly Horses sculpture, Place de la Concorde, Paris, c. 1933 Gelatin silver print 6 x 7 7/8” (15.2 x 20 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605124960234-BEB8ASDBMPH5BNGDYXQ8/JS_5D_5176.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Maquette: BP Ethyl Anti-Knock Controls Horse-Power, 1933 Gelatin silver print, cut paper, and airbrushed gouache on board 15 1/2 x 21 1/4" (38 x 54.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604526144754-3HJUL752YF2S24P5L0M7/JS_5D_5228.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: BP Ethyl Anti-Knock Controls Horse-Power, 1933 Lithograph 10 14/16 x 23 14/16" (27.5 x 60.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605125724355-Q3JX667W3Z7LMSHIJ9AC/JS_5D_5497.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Marly Horses sculpture, Place de la Concorde, Paris, c. 1933 Gelatin silver print 6 x 7 7/8” (15.2 x 20 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605278705367-OL6PI9OTQGME7VIA227E/JS_5D_5499.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Photographer unknown Photograph of poster: BP Ethyl Anti-Knock Controls Horse-Power of 1933, n.d. Gelatin silver print 4 3/4 x 8 1/2" (12.1 x 22 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604526161498-I6W2H2SWXO4RISNOIHAX/image-asset.jpeg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: BP Ethyl Anti-Knock Controls Horse-Power, 1933 Lithograph 30 x 45" (76.2 x 114.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528264535-YYYIVGIBDPVJZTEQYA5G/_MG_7005.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Help Wounded Human Beings. Help To Send Medical Aid To Spain, 1937 Lithograph 30 x 20" (76.2 x 50.8 cm) Client: Spanish Medical Aid Committee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528580184-PVWDNCBVM87ZC2937VWG/_MG_7007.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Greece Fights On, 1942 Lithograph 32 x 23 7/8" (81.3 x 60.6 cm) Client: Greek Office of Information</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605278267202-COE6R3RFN2PDAFMTN1K4/_MG_3345.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Target No 1. New York City. Protect it Enroll Now, 1943 Lithograph 39 3/8 x 29 5/8" (100 x 75.2 cm) Client: Office of Civilian Defence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528702848-CG301E2G3ZOO0OCXV8LT/_MG_3349.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Yugoslav People Led by Tito, 1941–1944, 1944 Lithograph 24 3/4 x 19 1/4" (62.8 x 48.9 cm) Client: United Committee of South-Slavic Americans</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528748154-OGFIKH4HFD9MLSOAD3X7/JS_5D_4414.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Maquette: The United Nations, 1945 Gouache on paper 16 3/4 x 14" (42.5 x 35.6 cm) Client: The United Nations</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605125976304-V9M6OF7INCDE64PJ2GXE/JS_5D_5530.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: ARP: Air Raid Precautions. Calling You, 1938 Lithograph 29 7/8 x 19 7/8" Note: This poster, one of two Kauffer produced in England for the Air Raid Precautions Department, was also issued in a smaller size, 15 x 10" (38.1 x 25.4 cm), by London Transport.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605125843749-KUGAA24U3ZB5A8ZW1GBB/JS_5D_5170.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Xairete Nikomen. Greek War Relief Association, 1943 Lithograph 15 1/2 x 11” (39.4 x 27.9 cm) Client: Greek War Relief Association</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528669137-9F2LSC1I1VCTMICS9HBV/JS_5D_5247.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Civil Aeronautics Administration. Speeds the War, 1943 Lithograph 40 x 28 1/2" (101.6 x 72.4 cm) Client: Civil Aeronautics Administration</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528715267-CXYOIP5E2G50QIJ6PXO4/JJ_60D_02931.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: CIO Supports Red Cross, c. 1944 Lithograph 32 x 22" (81.3 x 55.9 cm) Client: Congress of Industrial Organizations</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528308454-C7C3MCNCLTJ6C4VOVMYF/JS_5D_0560.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Libertad de Cultos (Freedom of Worship), 1942 Lithograph 39 7/8 x 27 7/8" (101.2 x 70.9 cm) Client: Co-Ordination of Inter-American Affairs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528632858-4S1RLAEQB7E62KWZUF1B/JS_5D_5230.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Norway Fights On, 1943 Lithograph 22 1/2 x 16" (57.2 x 40.6 cm) Client: American Friends of Norway</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528682944-QBU26IMX3L39VRMEE816/_MG_3348.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Watch Out For Fires. CAA War Training Service, 1943 Lithograph 43 3/4 x 31 5/16" (111.1 x 79.5 cm) Client: Civil Aeronautics Administration</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528729100-QR7D168ZP2C0Q5PZD52I/JS_5D_5171.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Give, 1945 Lithograph 10 1/4 x 6 7/8" (26 x 17.5 cm) Client: American Red Cross Note: In his 2005 Kauffer monograph, Haworth-Booth writes of this design, “Millions of copies of this poster were printed in a variety of different sizes, down to postcards. They were distributed for posting on wall panels, sides of lorries, bulletin boards in schools, churches and public buildings, in the interiors of trains, buses and stores, as well as on giant outdoor hoardings [billboards] on highways and city streets. The design was no doubt a potent factor in the highly successful Red Cross appeal. Kauffer received a 'Certificate of Honor' from the American Red Cross in 1945.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604529811550-Q5C8Z10Z6JG6GS503YUZ/JS_5D_5442.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Catalogue cover: Posters by E. McKnight Kauffer. New York: The Museum of Modern Art, 1937 Lithograph 10 x 7 1/2" (25.4 x 19.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528906595-7X5LIC7MNNCT15VSOKO7/JS_5D_4417.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Catalogue cover: Organic Design in Home Furnishings. New York: The Museum of Modern Art, 1941 Lithograph 10 x 7 1/2" (25.4 x 19.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528916628-ZID56B98IKTJO06BZGYE/_MG_5020.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Join the Diamond Jubilee. Metropolitan Museum of Art, 1945 Lithograph 10 7/8 x 21" (27.6 x 53.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528936897-ZWM5X7CQ7EVQ4N2YA0NC/JS_5D_5162.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: The Greatest Show on Earth. Ringling Bros and Barnum &amp; Bailey, 1942 Lithograph 20 x 29" (50.8 x 73.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604528952479-EW3AUAYPWBAJSBPIBUHP/JS_5D_5163.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Ringling Bros and Barnum &amp; Bailey Present Holidays, 1943 Lithograph 20 x 29" (50.8 x 73.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605126029143-S84RTB5H30FX83BB9NI2/kauff37.jpeg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Subway Posters Perform Daily Before 5 Million Pairs of Eyes, 1947 Lithograph 45 1/4 x 29 9/16" (114.9 x 75.1 cm)  Note: In his 2005 Kauffer monograph, Haworth-Booth notes that this design, which was also printed as a mailer and as a magazine advertisement, won an award from the Art Directors' Club of New York and was included in poster exhibitions in Austria and Japan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604529893181-W6Q1INCNN51X7CG1N9GK/JS_5D_5345.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: A Subway Poster Pulls, 1949 Lithograph 45 1/2 x 30 1/4" (115.6 x 76.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604529926699-3T8EX6YW7E197GUFF21V/JS_5D_5246.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Mexico. Festivals Old and New, 1949 Lithograph 42 x 28" (106.7 x 71.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604530017450-6OMSRRCL5B6XZRAHRUDX/kauffer003.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: American Airlines to Boston, 1953 Lithograph 11 1/2 x 7 3/16" (29.2 x 18.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604530044432-JEGGRSHTPPKKRIDORM0P/JS_5D_5244.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: American Airlines. All Europe, 1948 Lithograph 39 7/8 x 30" (101.3 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604529936503-D8TKG87L3AAF4N8PLFVX/_MG_3347.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: Ireland. Fly Pan American, 1953 Lithograph 41 5/8 x 28 3/16" (105.7 x 71.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604529988311-ZI5K05MJL0SVZJGB93G7/JS_5D_5248.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: American Airlines. Washington, 1948 Lithograph 39 3/4 x 30" (101 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604529952374-SOZBLXUDAH2T36OC7SZL/kauffer004.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: American Airlines. East Coast, 1948 Lithograph 11 15/16 x 7" (30.3 x 17.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604530029817-42PSCAHDW05BVIB6BF2A/kauffer001.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Poster: American Airlines to Chicago, 1950 Lithograph 13 3/8 x 7 1/16" (34 x 17.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605135812606-LU5XB5HKEVOEBIGTCYZD/JS_5D_5436.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Alexey Brodovitch (American, born Russia. 1898–1971) Periodical: Portfolio: The Annual of the Graphic Arts, vol. 1, no. 1 (Winter 1950), cover Offset lithograph on paper 12 7/8 x 9 7/8" (32.7 x 25.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604530124198-ALPCXG7KV2XARFN727RS/JS_5D_5440.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Portfolio: A Magazine for the Graphic Arts, vol. 1, no. 1 (Winter 1950), pp. [32-33]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604530094225-S3ALI358XX1NU6Z1MZ6P/JS_5D_5438.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Portfolio: A Magazine for the Graphic Arts, vol. 1, no. 1 (Winter 1950), pp. [18-19]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604530107488-C7NPJRTYSF90DL45JUZT/JS_5D_5439.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Portfolio: A Magazine for the Graphic Arts, vol. 1, no. 1 (Winter 1950), pp. [20-21]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605135634247-DXWI4G5XFAXZXFQJS86L/JS_5D_5325.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>Designer unknown Catalogue: E. McKnight Kauffer: Memorial Exhibition. London: Percy Lund, Humphries &amp; Co. Ltd., 1955 11 x 8 1/2" (27.9 x 21.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604530154695-4ZXSEE312ZQCLZXT0WOX/JS_5D_5326.jpg</image:loc>
      <image:title>E. McKnight Kauffer: Shell Oil and Return to America</image:title>
      <image:caption>E. McKnight Kauffer: Memorial Exhibition. London: Percy Lund, Humphries &amp; Co. Ltd., 1955, frontispiece</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/e-mcknight-kauffer-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604501615726-02PKTH96ZWU9UBJCIVEU/Birds+top-banner.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505019864-S5OW0RLISLR9LMQAWOXL/Birds+top.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Top section of three-part poster: Soaring to Success! Daily Herald—the Early Bird, 1918 or 1919 Lithograph 39 1/4 x 59 1/2" (99.7 x 151.1 cm) Note: The first stage of this work is a woodcut that Kauffer made in 1917. The design was purchased by the printer Francis Meynell, who used it in a poster campaign to launch the newspaper Daily Herald in March 1919. The work shown here, with the date “1918” printed at upper right, is the top third of the poster, which Kauffer gave to The Museum of Modern Art, New York, on the occasion of his retrospective exhibition there in 1937. It was later acquired by the Merrill C. Berman Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505088312-0KYAQ2PDXIG60YLWE3FZ/_MG_3360.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Exhibition of Modern Art. The London Group. Nov 1 to Nov 29, 1919 Lithograph 29 3/4 x 19 11/16" (75.6 x 50 cm) Note: In 1916, shortly after his arrival in London, Kauffer joined and began exhibiting with the London Group, a group of avant-garde British painters. The following year, he became Secretary, and produced invitations, catalogue covers, and exhibition posters until he resigned from the group in 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1605018379874-NG6UQVN28KGDDNPS8T5U/Kauffer_vigil-square.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Vigil the Pure Silk, 1919 Lithograph 31 5/8 x 23 1/8" (80.3 x 58.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505101424-2QR6DCROJ4VHA4PU7WCW/JS_5D_4381.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Eno’s Fruit Salt. “First Thing Every Morning,” 1924 Lithograph 29 15/16 x 19 15/16" (76 x 50.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505065657-9GG26GWUGZRK2SLF6DFC/JS_5D_4906.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Vigil the Pure Silk for Lovely Frocks, 1921 Lithograph 30 x 20" (76.2 x 50.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604679796635-YVBN9W23M19955TGXH6V/6352538_white+square.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Eno’s Fruit Salt. “First Thing Every Morning,” 1924 Lithograph 120 x 81” (306 x 206 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604960342583-KMZ0CMY4CSOR5O0MFUUJ/JS_5D_5327.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Cover of the book: The Art of the Poster: Its Origin, Evolution and Purpose, Arranged and edited by E. McKnight Kauffer. London: Cecil Palmer, 1924 12 1/2 x 9" (31.6 x 22.9 cm) closed 12 1/8 x 17 1/2" (30.8 x 44.5 cm) open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505146654-HTAJP32G23EY071SDR6J/JS_5D_5331.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Spread from The Art of the Poster, 1924 Note: This spread shows, at left, Kauffer’s poster: The "Rocket" of Mr. Stephenson of Newcastle, 1829, at the Museum of Science, South Kensington, 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505164105-6QYJ4H4XOYA856M1PHKR/JS_5D_5332.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Spread from The Art of the Poster, 1924 Note: This spread shows, at lower right, Kauffer’s poster: Soaring to Success! Daily Herald—the Early Bird. This poster was printed in two sizes: the larger size (the top portion of which is shown above) has eight birds; while the smaller size, reproduced here, has seven.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505187106-2K9DZVR9ERPRXNBOXSDC/JS_5D_5161.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Gloves Cleaned. Eastman and Son, 1926 Lithograph 22 1/2 x 16 1/2" (57.2 x 41.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604690162421-5T506VWRMWQ2V58X2G7W/023777-1.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Bookmark, recto and verso: Eastman &amp; Son. The London Dyers and Cleaners for Over 120 Years, 1923 Lithograph 2 x 8” (5 x 20.2 cm) Note: According to Webb, this bookmark was included as an insert with the December 1923 issue of the periodical Commercial Art. The cover of this issue was designed by Kauffer, and the issue included a review of Kauffer’s work from the late 1910s and early 1920s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505243331-I06RAX8YMUDHY0H3ZP28/_MG_3361.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Eastman and Son. The London Dyers and Cleaners, 1927 Lithograph 21 1/8 x 15 3/4" (53.7 x 40 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505384658-QWD6D86Q6F4NTVWZ66U6/JS_5D_5492.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Designer unknown (header by E. McKnight Kauffer) Cover of booklet: Eastmans Dye Works Gazette, No. 12 Vol. 14., January 1933, 1933 Lithograph 8 3/4 x 5 1/2" (22.2 x 14 x cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505475831-Y8BJV7IVJXWQG9U5H52E/JS_5D_5211.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: The North Downs, 1916 Lithograph 29 1/2 x 20" (74.9 x 50.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505511903-7S0HW8ZZJCLIP7M5G30P/JS_5D_5216.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Winter Sales Are Best Reached by Underground, 1924 Lithograph 39 1/4 x 24 3/8" (99.7 x 61.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609265354098-1BL09QYDYT0NRVW544QI/JS_5D_5760.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Chingford by Bus, 1920 Lithograph 30 x 19 3/4” (76.2 x 50.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505569224-LXNFG8GHPZH26CF0TLRV/JS_5D_5243.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Summertime Pleasures by Underground, 1925 Lithograph 39 x 24" (99.1 x 61 cm) Note: This is one of a trio of seasonal posters by Kauffer that appeared in the London Underground in 1925: two posters titled Summertime Pleasures by Underground–one of which is shown here–that flanked a horizontal poster titled Whitsuntide in the Country.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505489795-70RH3SWS94PGO3P28V6S/_MG_3940.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Winter Sales Are Best Reached by Underground, 1921 Lithograph 39 1/2 x 24 1/2" (100.3 x 62.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505648705-GK8HXQLJTNGOVZJIXLYA/JS_5D_5164.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: From Winters Gloom to Summers Joy, 1927 Lithograph 40 x 25" (101.6 x 63.5 cm) Note: This poster was included in the 1936 exhibition Cubism and Abstract Art at The Museum of Modern Art in New York. Founding director Alfred H. Barr, Jr. had been collecting and teaching Kauffer’s work since the late 1920s and would arrange a retrospective exhibition of Kauffer’s posters at the Museum in 1937 (see catalogue in Part II of this exhibition).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505733462-YCKO9GY71JQ37X8WV6YW/JS_5D_5215.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: London Museum of Practical Geology, 1922 Lithograph 40 1/8 x 24 7/8" (101.9 x 63.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505986006-UPBXZ1PROA4U6NULSSCC/JS_5D_5165.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: The Indian Museum. Book to South Kensington, 1925 Lithograph 40 x 24 3/4" (101.6 x 62.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604626312832-LF4S8ILNYFLJHS636KBT/JS_5D_0341.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: London History at the London Museum, 1923 Lithograph 40 x 24 3/4” (101.6 x 62.9 cm) Note: This poster, which features an image of the Great Fire that swept through London in 1666, was reissued by London Transport for the three hundredth anniversary of the Great Fire in 1966.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506003183-VF5YFUXTDEQWNDG3TDBO/JJ_60D_6946.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Exhibition. Native Art From British Columbia, 1929 Lithograph 39 7/8 x 24 1/2" (101.3 x 62.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604505963356-WD9UOKT0EUVYKY813IEW/JS_5D_5167.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: The Wallace Collection. Book to Bond Street, 1925 Lithograph 40 x 24 3/4" (101.6 x 62.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506044035-PGKBX19MMQKXVP6NRPQ6/JS_5D_5235.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Season Tickets Weekly. From This Station, 1927 Letterpress and lithograph on paper 39 11/16 x 24 9/16" (100.8 x 62.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506090764-VCCGIPK62C2Y8RXJQX8T/JS_5D_5237.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Piccadilly Extension. Finsbury Park to Arnos Grove, 1932 Lithograph 39 3/4 x 24 5/8" (101 x 62.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506057735-4V86QVS5DXI16Q0PEEH9/JS_5D_5187.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Cheap Return Tickets. From This Underground Station, 1927 Lithograph 39 3/4 x 24 3/4" (101 x 62.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506106357-MDRJG0BCUXQ57A6QSZG3/kauffer10scan.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Shop Between 10 and 4. The Quiet Hours, 1931 Lithograph 40 x 25" (101.6 x 63.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506071754-W43MUT4NA41NMLALX3CT/B137.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Power. The Nerve Centre of London’s Underground, 1931 Lithograph 39 3/16 x 24 3/4" (99.5 x 62.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506448267-JTO1NVZBVQ4J7RHO6KND/JS_5D_5214.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Play Between 6 and 12. The Bright Hours, 1931 Lithograph 40 1/8 x 24 7/8" (101.9 x 63.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604684728769-4IGSMPSZGBC2YRH2SYHQ/JS_5D_5182.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Great Western to Devon's Moors, 1933 Lithograph 39 1/2 x 24 1/4" (100.3 x 61.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506528783-U3SZAW5IWQH4X68O830Q/JS_5D_5242.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Spring in the Village, 1936 Offset lithograph 39 1/2 x 24 3/4" (100.3 x 62.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506474566-P6T97ZI435610BD3KCEG/_MG_3342.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: News of Evening Classes…, 1935 Lithograph 40 x 25" (101.6 x 63.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506544627-PKJKV7UMLXDHFESV8FI3/JS_5D_5212.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Motor Show. Earls Court, 1937 Lithograph 40 x 25" (101.6 x 63.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604506494783-1R8FBME6WSW91NGYNXHY/JS_5D_3796.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Special Areas Exhibition. Ticket Hall at Charing Cross Station, 1936 Lithograph 39 1/2 x 24 1/2" (100.3 x 62.2 cm) Note: This poster is an example of Kauffer’s use of photomontage in his work for the London Underground and advertises an exhibition in the Charing Cross Underground station, part of which Frank Pick had begun to use as an exhibition hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604507690076-U3LB0ETWQNE3Z93N5P4S/JS_5D_4424.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Stop on India Nonskid Tyres and Feel the Difference, 1935 Lithograph 27 x 17 11/16" (68.6 x 44.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604507779533-3CZD35S2RXGKW0BZ0U8K/Kauff39.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Tea Drives Away the Droops Says Mr. T. Pott, 1936 Lithograph 30 x 20" (76.2 x 50.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604507720157-JED7RB7U7XNGSDZ2JX5L/JS_5D_5227.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: News Chronicle. Schools Exhibition. Dorland Hall, 1937 Lithograph 28 15/16 x 19" (73.5 x 48.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604507821909-WO49LC3ESIMWW8HWFB61/JS_5D_5233.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Festival of Music for the People (FMP), 1938 Lithograph 30 x 20" (50.5 x 76 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604507756986-HFELN6IYNOK1CBZCBU43/JS_5D_5213.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: News Chronicle. Schools Exhibition. Dorland Hall, 1937 Lithograph 30 x 20" (76.2 x 50.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604507839378-960VTZXBKM47NCKMQ50G/JS_5D_5225.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Bottom section of poster: London Music Festival. London Transport Serves Them All, 1939 Lithograph 16 3/4 x 19 3/16" (42.5 x 50.5 cm) Note: This is the bottom section of the poster, which in its entirety included the festival schedule and the phrase “London Transport Serves Them All” (not seen here). This is the last poster Kauffer designed for London Transport before he left England for the United States in July 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604507892713-T1UVT0ILIBGWRDAYQ2BZ/_MG_5041.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Quickest Way by Air Mail, 1935 Lithograph 29 7/8 x 20" (75.9 x 50.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508119929-105CCQQ6OXURFHB6GENY/JS_5D_5190.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Outposts of Britain. A Postman in Northern Ireland, 1937 Lithograph 29 x 36 1/4" (73.7 x 92.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508167014-JD1EHHS8NJDD645CKEJX/JS_5D_5189.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Outposts of Britain. A Postman in the Pool of London, 1937 Lithograph 29 x 36 1/4" (73.7 x 92.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604507915168-BNHUPLRDUNVYNERFPLIP/JS_5D_4396.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Letter Mails by Air, 1937 Lithograph 29 5/8 x 20" (75.2 x 50.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508134989-SJIGLPK0UD8YGSA99JUL/JS_5D_5188.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Outposts of Britain. A Postman in Northern Scotland, 1937 Lithograph 29 x 36 1/4" (73.7 x 92.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508093343-MLY6HPDGA5KCZ1CGVK99/JS_5D_5208.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Post During Lunch Hour, 1937 Lithograph 30 x 20" (76.2 x 50.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508149568-A2KE3IHLIAUWO6UP5HJA/JS_5D_5191.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Outposts of Britain. Posting Box at Land’s End, 1937 Lithograph 29 x 36 1/4" (73.7 x 92.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508268699-J926GI0GN0XRAFNOT3VO/JJ_60D_02471.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Book dust jacket: BBC Handbook, 1928 Lithograph 7 3/4 x 4 7/8" (19.7 x 12.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508281735-22QV9QRM4CH19PVD927U/JJ_60D_02474.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Book dust jacket: BBC Handbook, 1929 Lithograph 7 3/8 x 4 7/8" (18.7 x 12.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508305697-V3DY0BXXSE7VLZYX5FZW/JJ_60D_2958.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Invitation: Fortnum and Mason. Spring 1933 Collection, 1933 Lithograph 6 x 7" (15.2 x 17.8 cm) closed 6 x 12 1/2" (15.2 x 31.8 cm) open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604626236938-3KTM2NHS906PQ96QNBQC/JJ_60D_7051.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Invitation: Fortnum and Mason Spring and Summer Collection, c. 1933 Lithograph 5 7/8 x 7" (14.9 x 17.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508335261-3EVMZ2L68FMOHST1KJ79/JJ_60D_7055.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Invitation: Fortnum and Mason. Spring Spring Spring, n.d. Lithograph 5 x 6 15/16" (12.7 x 17.6 cm) closed 5 x 10 1/4" (12.7 x 26 cm) open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508355716-EUX012AMP6G67VL2YD4X/_MG_5018.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: W &amp; A Gilbey Rubicon Australian Burgundy, 1933 Lithograph 10 x 20" (25.4 x 50.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508372753-HZTT9GXM13ENK904TKO0/_MG_5019.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Poster: Gilbey’s Invalid Port, 1933 Lithograph 10 x 20" (25.4 x 50.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508384368-6S3I9M82M3ITUDQ8GSV4/JJ_60D_2963.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Booklet: W &amp; A Gilbey Ltd. Wines. Spirits, 1933 Lithograph 6 x 6 7/8" (15.2 x 17.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508396935-NXG2E4LT9TTEPKZHOJ3M/JJ_60D_7044.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Calendar: August 1933 (Colas Terolas Alphastic), 1933 Lithograph and letterpress 3 3/4 x 8 7/8" (9.5 x 22.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508408675-AYQWJ3R0HKTHRMH0DF2K/JJ_60D_7042.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Calendar: December 1933 (Leads a great industry. Made by Colas Products Ltd), 1933 Lithograph and letterpress 3 3/4 x 8 7/8" (9.5 x 22.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508435229-GY1TIX1PNVTNEXGKU8PF/JJ_60D_7038.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Calendar: January 1934 (World-wide organisation), 1934 Lithograph 3 3/4 x 8 7/8" (9.5 x 22.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604626760679-IEH5O7BK1EDOD6XCFNMS/kauffer00.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Designer unknown (logo by E. McKnight Kauffer) Cover of booklet: The Film Society Programme. The 103rd Performance 14th Season, 1938 Letterpress 9 5/16 x 7 3/8" (23.7 x 18.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604626779288-RU7DZUMHPP12P3IY5OXR/kauffer02.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Designer unknown (logo by E. McKnight Kauffer) Cover of booklet: The Film Society. Thirteenth Annual Report, 1938 Letterpress 10 1/16 x 7 7/8" (25.6 x 20 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604626796974-W36GMFK1POYZXXPNA4L8/kauffer03.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Designer unknown (logo by E. McKnight Kauffer) Cover of booklet: The Film Society. 1938–39 Fourteenth Season, 1938 Letterpress 7 1/2 x 4 3/4" (19.1 x 12.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604508526769-WKI56JIOU7XDS7M5VZ6P/JJ_60D_2951.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Brochure: Tourist class in Orient Liners, 1930s Lithograph 9 x 8" (22.9 x 20.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604509216523-S7N8AWXI2UXMKVJ21SRR/JJ_60D_2964.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Invitation: Orion, 1935 Lithograph 5 x 7" (12.7 x 17.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604509161258-0MAD46RZY6RII6G16E97/JJ_60D_2954.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Brochure: The New Orient Liner. Orcades, c. 1937 Lithograph 9 x 8" (22.9 x 20.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604509242008-XIZVQHWAOLFY0YF7YSXJ/JJ_60D_7027.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Brochure: Orion. The New Orient Liner, c. 1935 Offset lithograph 9 x 8" (22.9 x 20.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604509191087-UYG1YNZAXYW3PUGE6HT3/_MG_5023.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Flyer: Orient Line. A Voyage to Australia, 1930s Offset lithograph 11 15/16 x 7 5/8" (30.3 x 19.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604509261868-BYG7AXOL6E97IYLGT828/JJ_60D_7056.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Brochure: Orient Line Cruises, 1935 Lithograph 5 1/4 x 3 1/4" (13.3 x 8.3 cm) folded 10 1/2 x 6 1/2" (26.7 x 16.5 cm) open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604509284398-VEABV1T5M0EVXDM3UCH5/JJ_60D_7052.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Card: With Best Wishes for the New Year from E. McKnight Kauffer, 1930s Lithograph 5 x 7 1/2" (12.7 x 19.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604509346414-FQJI22FF1VACFV6URCRL/JJ_60D_1518.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Card: 1940. With Best Wishes for the New Year from E. McKnight Kauffer, 1940 Lithograph 6 1/4 x 7" (15.9 x 17.8 cm) Note: Kauffer also used a version of this design in his cover for the January 1940 issue of the London edition of Harper’s Bazaar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604509296330-TQK2W3ZJ6B42WCC6AOZB/JJ_60D_7022.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Card: Jack and Olivia Beddington Send Best Wishes for Xmas and for 1934, 1934 Lithograph 6 3/4 x 8 7/8" (17.1 x 22.5 cm) Note: As Director of Publicity for Shell, Jack Beddington was one of Kauffer’s most important clients in the 1930s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1604509325051-JJ7YEGI8EMDEGSM1O3EI/JJ_60D_7018.jpg</image:loc>
      <image:title>E. McKnight Kauffer: The London Years</image:title>
      <image:caption>Card: 1934. A Project for Nineteen Thirty-Four with Best Wishes from E. McKnight Kauffer, 1934 Lithograph 6 3/4 x 9" (17.1 x 22.9 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/dmitrii-bulanov</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182768893-BDZ4MA0FT2NOJVASV65Q/JS_5D_5453.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Poster: Vsia reklama v tramvaiakh pereshla iz vedeniia sevpechati (All Advertising on the Trams has been Transferred from the Sevpechat’), 1926 Lithograph 23 11/16 x 16 3/4” (60.2 x 42.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182864978-LZXOGXB1M1R50Y1JMZ2A/JJ_60D_03628.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Poster: Nasha tsel’: podniav kul’turnyi uroven’ rabochego, priblizit’ mirovuiu revoliutsiiu (Our Goal: To Make a World Revolution Reality by Raising the Cultural Level of a Worker), 1927 Lithograph 37 x 25 7/8” (94 x 65.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182946023-OPH6TXGVC4C7Q3JH7R7Q/JS_5D_5460.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Poster: Zheleznodorozhnik pomni: bespereboinye perevozki—osnova uspeshnogo vypolneniia piatiletki narodnogo khoziaistva v chetyre goda (Railroad Worker: Remember that Uninterrupted Shipping Operations are the Foundation of the Successful Fulfillment of the Five-Year Plan of the National Economy in Four Years), 1931 Lithograph 40 x 27 3/4" (101.6 x 70.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182811150-HCYI9P14H93H0YJU5C13/JS_5D_5458.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Poster: Uznikam kapitala—nasha bratskaia pomoshch! (Our Fraternal Help to Prisoners of Capital!), 1927 Lithograph 28 x 20 3/4” (71 x 52.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182889271-TN6UXX10GAUJY9JZ5F31/JS_5D_4426.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Poster: Paevaia kopeika—kooperativnyi rubl’ berezhet (Shared Kopeck Saves the Cooperative Ruble), 1930 Lithograph 29 1/8 x 41 3/8” (74 x 105.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182958907-5X2YG9C5HU2HB952UPKM/JJ_60D_03975.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Poster: Piatiletka kadrov obshchestvennogo pitaniia (Five-Year Plan Targets for Training of Specialists for Public Canteen System), 1931 Lithograph 28 1/8 x 40 1/2” (71.4 x 102.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182824089-9MVR8OE7VOKP45FVPE2G/JS_5D_5455.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Poster: Reklama v tramvae chitaetsia ezhednevno millionom liudei (Tram Advertisements are Read Daily by Millions of People), 1926 Lithograph 24 x 30 1/4” (61 x 76.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182903971-58OTEHSQD680TN4KMNBR/JS_5D_5457.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Poster: Zoologicheskii sad: Zoosad popolnen redkimi ekzempliarami zverei (Zoo: The [Leningrad] Zoo Has Been Replenished with Rare Specimens of Wild Animals), 1927 Lithograph 21 x 28 7/16” (53.3 x 72.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182844645-GJ1OFVHTJV7CHTZWW11F/boul04lg.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Poster: Pomoshch’ bortsam revoliutsii—luchshii venok na mogilu parizhskikh kommunarov (Helping the Revolutionary Fighters is the Best Wreath on the Grave of the Paris Communards), 1928 Lithograph 29 5/16 x 22” (74.5 x 55.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182924275-XMHY9VW403OWZBGEKEI4/JS_5D_5459.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Poster: Zoosadom poluchena novaia bol’shaia partiia zverei (The [Leningrad] Zoo Has Just Received a Large New Group of Wild Animals), 1930 Lithograph 41 1/4 x 28 1/2” (104.8 x 72.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609182973158-SV8HF7RCNXU49TN3Z8O0/JS_5D_0253.jpg</image:loc>
      <image:title>Dmitrii Bulanov</image:title>
      <image:caption>Book cover design: A. Kholodov, Svistul’kiny zhenikhi (Penny Whistle’s Grooms), 1925 (published in 1926) Gouache on paper 11 1/16 x 8 3/4" (28.1 x 22 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/blockade-or-siege-of-leningrad</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609345145945-QGOPZ8QHS5TVIPKY8Z76/JS_5D_4626-banner.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343314752-AU2T1BO9S2JEWQIV8GAK/JS_5D_4641.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609346430715-C6FZ3ZU5P1LV6FOMNY0V/JS_5D_5721-1.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343341177-JUZFSY4SONEJRVCMK63V/JS_5D_5720.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343397433-YNBIF8G4HE35JIPHQPCW/JS_5D_4640.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"A belt of ack-ack guns girdles the city, day and night watchfully ready to repulse enemy air pirates" Note: This photograph was reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics, no. 66 (June 22, 1943), under the section heading "On Guard Day and Night!," with the caption "Leningrad is ringed by powerful anti-aircraft guns, the gunners on the alert day and night for the German air pirates." Verso, lower right (graphite): W1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343462858-83JHQIDTB4SHPV6PX9FK/JS_5D_4624.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Observation man on the river embankment" Verso, lower right (graphite): W4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343545267-O8REJMR30AIZIRWIJNBT/JS_5D_4650.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>[Sergei Strunnikov (Russian, 1907–1944)] "Commandant patrol checking credentials" Verso, upper left (graphite): W9</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343425211-U4ADVENV3MNXRUU2XS6J/JS_5D_4662.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Observation scout at his post" Verso, lower right (graphite): W2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343481296-NJ5ZFD5ILE02CWG8LMHN/JS_5D_4639.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Carrying a gas-bag for barrage balloons" Verso, lower right (graphite): W7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343577512-QNK3BKNULSW013YCDJSU/JS_5D_4648.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"An A.R.P. observation post" Verso, lower right (graphite): W10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343443100-SRG4OX3BTQX2ROAHU3Y5/JS_5D_4663.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"The Neva in December" Verso, lower right (graphite): W3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343498864-4G04KT6L2Q84L6F8P73V/JS_5D_4626.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Automatic-rifle men guarding Kirov Bridge" Note: This photograph was reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics, no. 66 (June 22, 1943), under the section heading "On Guard Day and Night!," with the caption "Red Army men with automatic rifles patrol the Kirov Bridge over the Neva." Verso, lower right (graphite): W8</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343621771-55XQV0P0W8A8OQVGWNQS/JS_5D_4649.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Many Leningrad girls have joined the volunteer fire fighter brigades.  They successfully combat fires caused by enemy shells and fire-bombs" Verso, lower right (graphite): W11</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343651242-9R7KAOJCLKQGDJ38XNZS/JS_5D_4651.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"The city's morning toilet.  Clearing the streets of snow" Note: This photograph was reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics, no. 66 (June 22, 1943), under the section heading "Leningrad Stands!," with the caption "During the winter the streets of the city were cleaned and new-fallen snow removed by young boys and girls." Verso, upper left (graphite): 12</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343665452-BGJCRBUF32XT25AB3H57/JS_5D_4652.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"'Come on, let's dig a trench!'" Note: This photograph was reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics, no. 66 (June 22, 1943), under the section heading "Lives, Works and Fights," with the caption "Young street-cleaners." Verso, lower right (graphite): W13</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343709423-N2E8ZSY7PLEC3HYI1467/JS_5D_4664.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Winter's day in Leningrad" Verso, lower right (orange pencil): 14</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343732726-OQZJT1899A7XJ4URA2DU/JS_5D_4643.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Leningrad war factories produce formidable weapons of war" Verso, lower right (graphite): W15</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343752850-0ML1U83JRLXH7LEKAKB6/JS_5D_4635.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"This motor, assembled at a Leningrad plant, will be installed in one of the heavy guns defndeding the city's approaches" Verso, lower right (graphite): 16</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343767830-Q4WTDSCVPDL5DT85ON56/JS_5D_4636.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Damaged in action, this tank will soon be repaired and return to battle" Verso, lower right (graphite): 17</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343794159-48GM4VDE7NYYO3K6DURC/JS_5D_4628.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Dawn is near.  From the printing shop the fresh newspapers will go to the dispatch department and then be delivered to the numerous booths throughout the city" Verso, lower right (graphite): 18</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343805544-D6K6A5Y1RZWHWN0BJ2LV/JS_5D_4629.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Front line men can buy their papers without having to queue up" Verso, lower right (graphite): 19</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343827438-I6BXYHZABKPTJXDHO4L9/JS_5D_4630.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"St. Isaac Cathedral" Verso, lower right (graphite): 22</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609343986944-FYCM4URWISXFQ9BRABDQ/JS_5D_4659.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Thousands of patriots give their blood for wounded Red Army men" Verso, lower right (graphite): 27</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344004746-0MJ8ALVECSERDZJCMMGJ/JS_5D_4660.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Administering electro-therapy in a naval hospital" Verso, lower right (graphite): 28</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344024525-TNVWDV27GSOSMGMIC025/JS_5D_4645.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"The city has carefully covered and camouflaged the statue of Lenin" Verso, lower right (graphite): 29</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344041469-EEOT4KXTY96WTKI60AXR/JS_5D_4625.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Armed guard at the Winter Palace" Verso, lower right (graphite): W30</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344068082-LLL660BIK89L2LWL1FMH/JS_5D_4631.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Through all these grim days cultural life continued in the front line city of Leningrad.  In December the Lengrad [sic] City Theatre gave the premiere of the ballet 'Esmeralda'." Note: La Esmeralda, which was staged thirty-one times during the blockade, was performed in a theater without heat and with an almost exclusively female cast, as so many men were away at war. Verso, lower right (graphite): W31</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344137856-N6RH9A0R17G2T1FJ2M2S/JS_5D_4656.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"The outstanding poet Nikolai Tikhonov, of Leningrad, he has been awarded a Stalin Prize for his verses dedicated to his heroic native city" Note: This photograph was reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics, no. 66 (June 22, 1943), under the section heading "The Glorious City of Lenin," with the caption "Nikolai Tikhonov, Leningrad poet." Verso, upper right (graphite): 35</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344081812-Y0ZNBXJ7MOXLRA2FHK6D/JS_5D_4655.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"The play 'Wide Stretches the Seq' [sic] was written and staged in Leningrad during the blockade" Verso, lower right (graphite): W33</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344151018-9620U5VCLCIG1O16UP8Q/JS_5D_4658.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>[Sergei Strunnikov (Russian, 1907–1944)] "Since the outbreak of war the writer Vsevolod Nishnevsky [sic] has been working as a special war correspondent on the Leningrad Front" Note: This photograph of the writer Vsevolod Vishnevsky was reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics, no. 66 (June 22, 1943), under the section heading "The Glorious City of Lenin," with the caption "The noted seaman-author Vsevolod Vishnevsky." Verso, upper right (graphite): 36</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344108044-X7X0YFA5WK9LVOF2EV5Y/JS_5D_4653.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"There are always many readers in the Leningrad libraries" Note: This photograph was reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics, no. 66 (June 22, 1943), under the section heading "Leningrad Stands!," with the caption "Throughout the blockade the libraries remained open, crowded with eager students and readers." Verso, lower right (graphite): W34</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344167332-T2QLFKDGH4LUOMBW6J31/JS_5D_4657.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"One of the most talented Leningrad painters, A.V. Serov, working on a canvas depicting a heroine Russian woman It is called 'The Last Bullet' and shows a Russian partizan girl who is surrounded by the enemy" Note: This photograph was reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics, no. 66 (June 22, 1943), under the section heading "The Glorious City of Lenin," with the caption "A. V. Serov, famous Leningrad painter, at work."  Verso, upper right (graphite): 37</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344186762-40E55NG3B6UG7AC2KFYW/JS_5D_4641.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"The approaches to Leningrad are vigilantly guarded" Verso, upper right (graphite): 38</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344200362-DOG8YZBCNKO1RCSFK7MR/JS_5D_4647.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Anti-tank obstacles erected on the city's outskirts" Verso, lower right (graphite): W39</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344215716-26KIOY1S7Q78V50JM7ZM/JS_5D_4627.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Sentry post on the Neva embankment" Note: This photograph was reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics, no. 66 (June 22, 1943), under the section heading "On Guard Day and Night!," with the caption "Guarding the banks of the Neva." Verso, lower right (graphite): W40</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344249737-9MEGORBZ4EATE1Y0NH5G/JS_5D_4637.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"The guns of one of the Red Navy Baltic warships which guard Leningrad" Verso, upper right (graphite): 41</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344299842-COV5YD9DOMAK7YL2DW47/JS_5D_4654.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Red Navy men of the Baltic fleet" Verso, lower right (graphite): 44</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344266878-QS2ZG1C5LI3NTRDG7ZW9/JS_5D_4632.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Standing watch on board a warship" Verso, upper right (graphite): 42</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344280242-DQS6U51878LG2IW8NWZ8/JS_5D_4633.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Torpedo gunners on board a submarine" Verso, lower right (graphite): 43</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344322540-3WTTOITVTLANN6KAC6SN/JS_5D_4642.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"A battery of the guards preparing to shell the enemy positions" Verso, lower right (graphite): 45</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344342886-JYE0NJEARCISXBX1DKWB/JS_5D_4634.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Guards gunner loading a shell" Verso, lower right (orange pencil): 46 Verso, lower right (graphite): 40 or 46</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344358722-WUP621RO4XEELU3EN47U/JS_5D_4646.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Setting out on offensive combat assignment!" Verso, lower right (graphite): 47</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344376119-3YOCSKT8C72I1MSJD8BA/JS_5D_4644.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"Hero of the Soviet Union, A. Stepanov" Note: This photograph was also reproduced on a postcard issued by the Voenizdat SSSR (Military Publishing House) in 1942 with the Russian caption: "Comrade Stepanov, a fearless pilot of a squadron of a fighter regiment, made 48 flights during the period from September 7 to October 31, 1941. During this time, he destroyed 3 enemy tanks, 5 cargo vehicles, 8 motorcycles, 50 deliveries, and up to 600 Nazi infantrymen. On September 8, he blew up a large enemy gas storage with a direct bomb hit." Collection Blavatnik Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344394223-LN39V576GJ8NQ0WRGQ8F/JS_5D_4638.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>"German mine dump captured by the Red Army"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1609344412802-Z48HFEQ3Y7JRCW6JUCO7/JS_5D_4661.jpg</image:loc>
      <image:title>“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945</image:title>
      <image:caption>Elizaveta Mikulina (Russian, [life dates unknown]) "Senior Red Cross nurse A. Kozlova sees that wounded men receive meals on time. Photo by E. Mikulina" Note: This photograph, the only one in the group whose caption credits the photographer, was reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics, no. 44, (April 27, 1943), alongside an article on "Soviet war medicine," with the caption: "As a result of efficient medical and hospital care, 70 per cent of the Soviet wounded return to the ranks."</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/about-us</loc>
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    <lastmod>2025-04-25</lastmod>
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  <url>
    <loc>https://mcbcollection.com/visualization-of-data-in-the-soviet-union</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1626185558889-BKG4PSY6G00006SEJ0S8/anonru67+banner2.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993417354-6HV1JMCW6NDXZAMPWTR3/JS_5D_3104.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster: Manifest Tsentral’nogo Ispolnitel’nogo Komiteta Soiuza SSSR (Manifesto of the Central Executive Committee of the USSR), 1927 Lithograph 28 1/4 x 42 3/4” (71.8 x 108.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1626270417030-DWROMTHKXVD4KCUYDTYB/JJ_60D_9880.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster with the full text of the Soviet Constitution: Konstitutsiia: Osnovnoi zakon SSSR (Fundamental Law of the USSR), c. 1924–1925 Lithograph 28 1/4 x 42 5/8” (71.8 x 108.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1626270435007-6FO0NFJ32AF9GIOOCOK1/JJ_60D_9869.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster: Konstitutsiia SSSR (Constitution of the Soviet Union), 1926 Lithograph 28 3/8 x 42” (72 x 106.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993445382-MF638WSQU3LXYICIO7PV/JJ_floor_9921.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster: Kratkii otchet Rostovo-Nakhichevanskogo Gorodskogo Soveta Rabochikh i Krasnoarmeiiskikh Deputatov za 1924–25 god (A Brief Report of the Rostov-Nakhichevan City Council of Workers and Red Army Deputies for 1924–25), 1925 Lithograph 28 3/8 x 42 3/8” (72.1 x 107.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993465893-6ISTD3VHAAGJ5XIO1YIE/JJ_floor_9913.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster: Stennoi otchet Piatigorskogo Tsentral’nogo rabochego kooperativa za 1927–28 khoziaistvennyi god (Wall Report of the Pyatigorsk Central Cooperative of Workers for the Business Year 1927–28), c. 1928 Lithograph 28 1/4 x 42 1/2” (71.8 x 108 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993499266-NXOZVIRLD3OMUFPNIXT4/JJ_floor_9903.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster: Otchet Adygeiskogo Oblispolkoma Sovetov Rabochikh, Krestianskikh i gorodskikh deputatov, 1927–1930 (Report of the Adyghe Regional Executive Committee of the Council of Workers, Peasants, and Mountain Deputies, 1927–30), c. 1930 Lithograph 29 1/8 x 41 1/8” (74 x 104.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993541659-R39BGBLFOBKKJE1N3QTX/jf_2392.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster: Topguzhpovinnost’ po guberniiam po 1-oe iiulia 1920 g. (Draft Animal Transport Duty by Province, up to July 1, 1920), 1921 Lithograph 20 1/8 x 13 3/4” (51.1 x 34.9 cm) Note: 1917–1921 was a period of severe famine, economic crisis, and an acute shortage of fuel. Due to the limited means of transportation available to the state, all transport of fuel, military, food, and similar important cargo to cities and railways was entrusted to the peasantry in the form of the forced labor service. The acronym Topguzhpovinnost’ (Draft Animal Transport Duty) described the obligation of peasants to provide animals to the state for transport needs, as well as their own time as drivers or herders. This duty was compulsory for men aged 45–50 years, and women aged 18–40.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993609894-RW2B473NKW07QXSL43R5/JS_5D_5460.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Dmitrii Bulanov (Russian, 1898–1942) Poster: Zheleznodorozhnik pomni: bespereboinye perevozki—osnova uspeshnogo vypolneniia piatiletki narodnogo khoziaistva v chetyre goda (Railroad Worker: Remember that Uninterrupted Shipping Operations are the Foundation of the Successful Fulfillment of the Five-Year Plan of the National Economy in Four Years), 1931 Lithograph 40 x 27 3/4” (101.6 x 70.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993710134-PP2UUKKHLNRQJRSMOJNE/MoMA+pull+3.png</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Elena Semenova (Russian, 1898–1986) and Lydia Naumova (Russian, 1902–1986) Poster: Kazhdyi rabochii dolzhen zorko sledit’ za tem kak snizhaetsia sebestoimost’ izdelii na ego predpriiatii (Every Worker Must Keep a Keen Eye on How the Net Cost of Production Is Lowered at Their Workplace), 1929 Lithograph 28 5/8 x 42 5/8” (72.7 x 108.3 cm) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993560925-H847Q1L4EMTWYPI2VUQ3/JJ_floor_9922.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Nikolai Pomansky (Russian, 1887–1935) Poster: Gornaia promyshlennost’ SSSR za 5 let (Mining Industry of the USSR Over 5 Years), c. 1926 Lithograph 42 5/8 x 28 1/2” (108.3 x 72.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993632661-KNSJ5BJP8ND333ODA8M8/jf_2396.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster: Piatiletka v chetyre goda. Tiazheloe mashinostroenie—osnova industrializatsii. Turbiny i kotly—baza energetiki SSSR (The Five Year Plan in Four Years. Heavy Engineering is a Basis for Industrialization. Turbines and Boilers—the Power Industry Base of the USSR), 1933 Lithograph 28 3/4 x 20 3/8” (73 x 51.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993746475-WH9EGG7GTWUX11AASDWW/jf_2395.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster: Vypolnenie Promfinplana za 1930 god (Implementation of Industrial Financial Plan for 1930), c. 1931 Lithograph 18 3/4 x 28 1/2” (47.6 x 72.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993582616-7ZCU616L199HYY3065B5/Lavinsky_03.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Anton Lavinsky (Russian, 1893–1968) Poster: Eksport-Import SSSR (Soviet Import and Export Trade), 1926 Lithograph 41 3/4 x 26 1/2” (106.1 x 67.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993672105-QBU4JQLJHE21PDBVC4TS/blank.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993770929-WLILD67M3OKBYP1FC135/anonru47.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster: Education Profsoiuznaia set’ massovogo politprofprosveshcheniia (Trade Union Network of Mass Professional Political), n.d. Lithograph 27 5/8 x 37 5/8” (70.2 x 95.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993804211-1B1XYYSUQ02A772ERY5W/JS_5D_3897.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Attributed to Nikolai Dolgorukov (Russian, 1902–1980) Maquette for journal cover: Zinov’evets (Follower of Zinoviev), no. 2 (Petrograd; 1926), c. 1926 Gelatin silver print with gouache and ink on paper 10 7/8 x 7 11/16” (27.6 x 19.5 cm) Note: Grigory Zinoviev was a leading Bolshevik revolutionary best known for his role as the head of the Comintern (Communist International), who took part in attempts to secure Germany as a communist country in the early 1920s. The posters behind the standing figure (likely Zinoviev himself) refer to the state of economies in other countries: at left “Economic Situation of Germany in 1925-26”; center “The Economic Situation of England in 1925”; and at right "America and Europe.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624993832318-NVDZ20QQ1ZQJ8GSV4Y05/JJ_60D_1553.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Vasili Elkin (Russian, 1897–1991) Book cover: N. Popov-Sibiriak, Mezhdunarodnyi zhilishchnyi kongress v Parizhe, 1928 (International Housing Congress in Paris, 1928). Moscow: Izdanie Mossoveta, 1928 Lithograph 9 1/2 x 6” (24.1 x 15 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1626186375672-9H5SLQ34S5ZCRV2KZWTD/3.png</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Novyi Lef, no. 3 (1927)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994683407-5SO9CI2L92Y8W2UBCJ5H/JJ_60D_04369.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 1: Severnyi i iuzhnyi soiuzy rabochikh 70-kh godov: predshestvenniki rabochei partii (Northern and Southern Workers’ Unions of the 1870s: Predecessors of the Workers’ Party)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994949226-IPQNL32UD6B55PJ371YM/JJ_60D_04372.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 4: “Ekonomizm” i “Iskra” (“Economism” and “Iskra”)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624995019243-YRIUWXRUCRNHS1CC9TZP/JJ_60D_04134.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 7: 1905–9 ianvaria (January 9th, 1905)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079393886-5D0IRSH0XQZKTMJYKUZE/JJ_60D_04136.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 11: 1906–1907 g.g. (The Years 1906–1907)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079465392-2E3XZ3WIG7G9QS8AWFZV/_MG_6239.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 15: 1917 Fevral’skaia revoliutsiia (The February Revolution, 1917)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079550484-V5MWHM2E7CPKQN5H7M8I/JJ_60D_04139.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 18: 1918 Pervoe polugodie (The First Six Months, 1918)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079640487-XANLS38IQA92QD7XZPIA/JJ_60D_04368.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 22: 1920 Okonchanie grazhdanskoi voiny (The End of the Civil War, 1920)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079700221-AE3R441WPWZUB8YLR813/_MG_6248.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 25: 1924 Smert’ Lenina (The Death of Lenin, 1924)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994701393-JISFEVN48V8C3ZG5J52E/JJ_60D_04370.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 2: Ot gruppy “Osvobozhdenie truda” do “Soiuzov bor’by,” 1883–1894 (From the “Liberation of Labor” Group to the “Unions of Struggle,” 1883–1894)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994966905-9NVK5A8USOZHZPITRGQS/JJ_60D_04373.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 5: Rabochee dvizhenie v nachale 900-kh godov (The Workers’ Movement at the Start of the 1900s)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625078193105-31C3K91XBDJ4VKMXI9EK/MoMA+pull+4.png</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 9: 1905—Oktiabr’: sovety rabochikh deputatov (1905—October: Soviets of the Workers’ Deputies)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079421303-X5STLKN0FT71UUP7XM98/JJ_60D_04137.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 12: Ross. Sots.-Dem. Rab. Partiia v gody reaktsii, 1907–1911 (The Russian Social-Democratic Workers’ Party in the Years of Reaction, 1907–1911)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079503904-WGDHRGH6345TPMZZ9G9C/_MG_6240.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 16: 1917 Ot fevralia k oktiabriu (From February to October, 1917)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079592585-26NQPFL8HO2NF1KE85VD/JJ_60D_04140.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 20: 1919 v sovetskoi Rossii (1919 in Soviet Russia)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079662384-GR1VF3EV0TVDS97O8UWO/_MG_6246.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 23: 1921–22 Nachalo NEPa (The Beginning of NEP, 1921–22)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994846666-YEJVGJY58ARPGXD774NY/JJ_60D_04371.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 3: Soiuzy bor’by za osvobozhdenie rabochego klassa. 1-yi s”ezd Ross. Sots.-Dem. Rab. Partii. 1894–98 (Unions of Struggle for the Liberation of the Working Class. The First Congress of the Russian Social-Democratic Workers’ Party. 1894–98)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994990168-E958WRF1DHBYFQ9503AT/JJ_60D_04385.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 6: II s”ezd Ross. Sots.-Dem. Rabochei Partii (1903) (The Second Congress of the Russian Social-Democratic Workers’ Party [1903]). Vozniknovenie bol’shevizma i men’shevizma (The Appearance of Bolshevism and Menshevism).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624995049971-XEH0037OEPUB5VZTNT67/JJ_60D_04135.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 10: 1905 Vooruzhennoe vosstanie noiabr’–dekabr’ (Armed Rebellion, November–December 1905)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079440542-F4DUTPZNUOO9GP0XGGSD/JJ_60D_04138.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 13: Epokha “Zvezdy” i “Pravdy,” 1911–1914 (The Epoch of Zvezda and Pravda, 1911–1914)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079526300-MFTNLMQ88F2GQ873GBNP/_MG_6241.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 17: 1917 Oktiabr’skaia revoliutsiia (The October Revolution, 1917)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079612828-8AVVZPOT7V3S37ATZYVM/JJ_60D_04367.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 21: 1919 Sovetskaia Rossiia v belogvardeiskom okruzhenii (Soviet Russia Encircled by the White Guard, 1919)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079678998-TQTTHUTDN7LCU1SUU63I/_MG_6247.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster no. 24 (possibly Uzbek): [translation pending]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079751846-JZIORR6LW4YB24493L8P/B138.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Gustav Klutsis (Latvian, 1895–1938) and Sergei Sen'kin (Russian, 1894–1963) Poster: Aktiv uchis’. Ispol’zui leto dlia ucheby. Idi za sovetom v iacheiku (Party Activists, Study. Use Summer to Study. Go to the Communist Cell for Advice), 1927 Lithograph and halftone 28 x 20 5/8” (71.1 x 52.3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079825128-EHCO7I1KPNE4Y3EILVUN/054_Klutsis_The+Development.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Gustav Klutsis (Latvian, 1895–1938) Poster: Razvitie transporta –odna iz vazhneishikh zadach po vypolneniiu piatiletnego plana (The Development of Transportation is One of the Important Tasks for Fulfilling of the Five-Year Plan), 1929 Lithograph 28 3/4 x 20 1/8” (73 x 51.1 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079780617-MASOCXKOYXJDO7H0RRYO/KLUT29_scan.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Gustav Klutsis (Latvian, 1895–1938) Maquette for Plan sotsialisticheskogo nastupleniia (Plan for Socialist Offensive) magazine spread from 30 dnei (30 days), no. 11, 1929 Cut-and-pasted gelatin silver prints, printed and painted paper with gouache on paper 13 7/8 × 19 1/8″ (35.3 x 48.6 cm) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079767158-D97JUH0AUFRIDAP67UGV/klut14.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Gustav Klutsis (Latvian, 1895–1938) Poster: Usiliiami millionov rabochikh, vovlechennykh v sotsialisticheskoe sorevnovanie, piatiletku prevratim v chetyrekhletku (Through the Efforts of Millions of Workers Engaged in Socialist Competition, We Will Turn the Five-Year Plan into a Four-Year Plan), 1930 Lithograph 41 1/8 x 29 1/8” (104.4 x 73.9 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625079803728-K8HY9TTY0NX9HSA4EDFQ/JJ_60D_06279.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Gustav Klutsis (Latvian, 1895–1938) Magazine spread: Plan sotsialisticheskogo nastupleniia (Plan for Socialist Offensive) from 30 dnei (30 days), no. 11, 1929 Lithograph 10 1/4 × 13 3/4" (26 x 34.9 cm) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080084168-6SSVXDBTCPFOV4AGRLBS/KLUT03lg_scan.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Gustav Klutsis (Latvian, 1895–1938) Poster: Stroitel’stvo sovkhozov i kolkhozov – eto stroitel’stvo sotsializma v derevne (The Building of Soviet Farms and Collective Farms is the Building of Socialism in the Countryside), 1930 Lithograph 41 5/16 x 28 7/8” (104.9 x 73.3 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080480667-VL53XS9K0ZK4RTSMC88E/JJ_60D_04113.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 1: Mezhdunarodnoe profdvizhenie do voiny (The International Trade Union Movement Before the War) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080460454-E57L89KKYSGRUUHKB80R/JJ_60D_04116.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Poster no. 4 (Ukranian): 2-y Kongress Profinterna (Second Congress of the Red International of Labor Unions) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080387981-6FPDMIX9ARHMHH1ZKCF3/JJ_60D_04119.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 7: Tikhookeanskii sekretariat (The Pan-Pacific Secretariat) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080341506-F7WHZYOLCNEP2W5ZWXCR/JJ_60D_04125.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 10: Profdvizhenie v Anglii (The Trade Union Movement in England) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080308322-U4RQ4PXKGMCHBWTKISW3/JJ_60D_04128.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 13: Profdvizhenie v Germanii (The Trade Union Movement in Germany) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080291083-944IPMLT092A9TE1I7CF/JJ_60D_04131.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Poster no. 27: 1926—Bor’ba opozitsionnogo bloka protiv partii (Fight of the Opposition Block against the Party)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080496983-9JCV8V2MW9ZKJ4HUGVRX/JJ_60D_04114.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 2: Mezhdunarodnoe profdvizhenie vo vremia voiny (The International Trade Union Movement During the War) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080445674-CNTC57P1ACDZQH06SYYJ/JJ_60D_04117.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 5: Amsterdamskii international (The Amsterdam International) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080402888-H5QHDOQEAFU882Q10XBE/JJ_60D_04120.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 8: Zhenshchina v profdvizhenii (Women in the Trade Union Movement) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080357278-HILAXT7M1BJVX2V2G6S8/JJ_60D_04126.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 11: Profdvizhenie vo Frantsii (The Trade Union Movement in France) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080323453-WS99NXBSH9LY8E8ZVCQW/JJ_60D_04129.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 14: Profdvizhenie v Germanii (The Trade Union Movement in Germany) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080513378-HTUIR93XEGNYAC9WE0ZI/JJ_60D_04115.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Poster no. 3: 1-yi Kongress Profinterna (First Congress of the Red International of Labor Unions)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080430880-65O5AX3TZXWISM9CHA9Y/JJ_60D_04118.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 6 (Ukranian): Amsterdamskii international (The Amsterdam International) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080416518-BBOQZB2CNC3TIOSA6Z0U/JJ_60D_04124.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 9: Profdvizhenie v Anglii (The Trade Union Movement in England) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080371170-Y454I7HIONQ0CCB7CJT5/JJ_60D_04127.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Lydia Naumova (Russian, 1902–1986) Poster no. 12: Profdvizhenie vo Frantsii (The Trade Union Movement in France) Formerly the Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080269600-CABYBRXTENPVFI5KJHXN/JJ_60D_04130.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Poster no. 26: 1925—Industrializatsiia SSSR (1925—Industrialization of the USSR)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080565415-CA2WBA5OPYHHFRSD06XF/jf_2403.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster no. 6: Pishchevaia promyshlennost’ (Food Industry)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080617221-ILIPE7W9SUGAWDBQ31PV/jf_2405.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster no. 10: Proizvodstvo elektroenergii (v mln.kvt.-chas) (Power Generation [in million KWh])</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080688520-E19X9XXA1ZT1ATQ6DC93/jf_2400.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster no. 18: Raspredelenie vlozhenii v osnovnye fondy po otrasliam narodnogo khoziaistva (v milliardakh rublei, v tsenakh sootvetstvueshchego goda) (Distribution of investments in fixed assets by branches of the national economy [in billion rubles; prices of the corresponding year])</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080580170-WPY4FMUU0B62DY7C5KIB/jf_2401.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster no. 7: Vsego vlozhenii za piatiletie (Overview of total investments in the Five-Year Plan)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080635731-SVDYSH6WPWGTPHJV0OY8/jf_2402.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster no. 14: Metallopromyshlennost’ (Metal Industry)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080712616-623LTNON1QO80DCRLI1W/jf_2398.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster no. 19: Vlozheniia v narodnoe khoziaistvo v sopostavlenii s narodnym dokhodom (v milliardakh rublei) (Investments in the National Economy vs. National Income [in billion rubles])</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080601202-A7ER3DY1QFG6584BMSMK/jf_2399.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster no. 8: Khimicheskaia promyshlennost’ (Chemical Industry)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080657752-D7H96UOBVXXNLWCMGWBA/jf_2404.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster no. 15: Toplivnaia promyshlennost’ (Fuel Industry)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625080745030-VCCM58BI7MWII2JJC4GJ/IMG_3673.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Designer unknown Poster no. 22: Raspredelenie vlozhenii po sektoram narodnogo khoziaistva (Distribution of Investments by Sectors of the National Economy)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625235903378-DI2LZXI714G0TKPBP72I/JJ_60D_3499.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Gerd Arntz (German, 1900–1988) Order form for Otto Neurath, Gesellschaft und Wirtschaft. 100 farbige Tafeln. Bildstatistisches Elementarwerk des Gesellschafts- und Wirtschaftsmuseums in Wien (Society and Economy. 100 Color Plates. Elementary Pictorial Statistics of the Museum of Society and Economy in Vienna), 1930 Lithograph 12 1/16 x 23" (30.6 x 58.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625862643137-7BPW9VEZ9N8JT7J5MM1L/JJ_60D_3502.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Photographer unknown Photograph reproduced on the verso of the order form for Gesellschaft und Wirtschaft picturing visitors to an exhibition prepared by the Museum of Society and Economy at an unidentified venue, with display stands likely by Josef Frank.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625840257748-XYDXI2I99W34XKEKQIY2/blank.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625683949116-SQGM1ZVA7IJ4UTI7NVNK/JS_5D_6611.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Outer box</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625843407138-N46DG2RY3NXLKMDA5AZ6/JJ_60D_4882.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Title page</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625684058785-Q72Q2PJZ5XKQF35PC85Q/JS_5D_6614.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Plate 20: (Russian Empire) USSR Population</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625684768933-E6FMICL0RK9SWWCD2P0N/JS_5D_6613.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Plate 13: Cultures of the Americas c. 1500</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625683966261-RQSNK8ZIOO279BDO33IS/JS_5D_6612.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Portfolio cover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625684004978-WZOSGZCMY7O6MN2W1NWX/JS_5D_6616.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Plate 32: Western and Central European Import Trade</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625684603893-ULXC3VI4F34780596E5W/JS_5D_6618.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Plate 77: Working Men and Women c. 1920</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625684792190-88AXE7WI301FLTBSYSF6/JS_5D_6615.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Plate 26: Military Forces in Modern Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625840273411-6E7WT2JRGSAJHT5WZ04Y/blank.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625684032028-IJVIWLNLM0B33HTYXAV2/JS_5D_6617.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Plate 34: Forests of Eurasia</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625684652803-MF4JCPC5WIELT7XQSS52/JS_5D_6620.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Plate 86: Employees in the USSR</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625684817691-W2VMT5PRRZ1UJOJIEJ99/JS_5D_6619.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Plate 81: Social Components in Vienna</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1626184143915-F7ESJLPMTINXVDSY1X41/JJ_60D_3799.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Peter Alma (Dutch, 1886–1969) Cover of Wendingen (Amsterdam), vol. 11, no. 9 ([August] 1930). Issue devoted to Beeldstatistiek, Sociologische Grafiek (Pictorial Statistics, Social Graphics) Lithograph 13 1/8 x 13 1/4” (33.3 x 33.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1626184006015-QCKBEAQ5LMMVFPMY8Z8B/spread1.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>pp. 2-3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1626184042965-AQLM2X0IYLWM1NX75NO4/spread2.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>pp. 6-7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625844597653-EQIHFZDQTDGLV4BUO9B6/infographics_scan_1.jpeg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Employees of the Izostat Institute, Moscow, summer 1933 Standing, left to right: Tschicherian, Son, Korotkov, Peter Alma, Ushakova Seated, left to right: Tapleninov, Shatov, Gerd Arntz, Kurganov Photo: Gerd Arntz / Arntz Heirs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625236525377-FMZHHZ4V5DWOLMZRRNLW/jf_2391.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Nikolai Kochergin (Russian, 1897–1974) Poster: Krizis kapitalizma. Zamiraet promyshlennost’ kapitalisticheskikh stran (The Crisis of Capitalism Brings Industry to a Standstill in Capitalist Countries), 1931</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625236837403-RFXPZBYADY5O83N51LQ6/jf_2390.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Nikolai Kochergin (Russian, 1897–1974) Poster: Krizis kapitalizma. Razvalivaetsia kapitalisticheskaia avtopromyshlennost’. Sokrashchenie vypuska avtomobilei v 1931 g. sravnitel’no s seredinoi 1929 g. v protsentakh: SShA, Germaniia, Italiia, Frantsiia (Capitalism in Crisis. The Collapse of the Capitalist Car Industry since [the Wall Street Crash of] 1929. Decrease in car production in 1931 compared to mid-1929 by percent: USA, Germany, Italy, France), 1931</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625236748930-HZHVVSDWSX0SU5SOKXE5/jf_2387.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Nikolai Kochergin (Russian, 1897–1974) Poster: My peregoniaem! (We surpass!), 1931</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1625236807786-SDB2DS347RXR2Y84626B/jf_2389.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Nikolai Kochergin (Russian, 1897–1974) Poster: Drognula kapitalisticheskaia Angliia (Capitalist England Trembled), 1931</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1626139619631-7HM4X2VQ53KL2IXA74BB/anonru67+copy.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>Designer unknown Poster: Dadim SSSR krolich’e miaso. Uluchshim pitanie trudiashchikhsia (We Will Produce Rabbit Meat for the USSR. We will improve workers’ nourishment), c. 1932 Lithograph 42 1/16 x 27 9/16" (107 x 70.2 cm) Publisher: Institut Izostat (Izobrazitel’noi statistiki; Institute for Visual Statistics), Moscow</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994511017-KPTI7IFUMA9M30P7JVVF/JJ_60D_3752.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Slipcover and cover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994567346-5YSOPNU6KPX2CX9OKN9J/JS_5D_1337.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Cover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994277012-8ETAZVU22DS2OU5OZB8B/JS_5D_1339.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>Title page</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994305678-7DFAEXYYN9UC2S96ABZL/JS_5D_1343.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics</image:title>
      <image:caption>pp. 20–21</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994329651-6SX01973XD3L4E1FOS7J/JS_5D_1345.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>pp. 42–43</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1624994348911-FM68BLVB0A3Q4YSLL0EE/JS_5D_1344.jpg</image:loc>
      <image:title>Visualization of data in the Soviet Union, 1920s-30s: Informational Posters and Pictorial Statistics - Make it stand out</image:title>
      <image:caption>pp. 132–133</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/virtual-views-engineer-agitator-constructor</loc>
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    <loc>https://mcbcollection.com/newsletter-sign-up</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-03-16</lastmod>
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  <url>
    <loc>https://mcbcollection.com/jan-tschichold-designer-theorist-collector</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617653534916-YBDL3U7FIO1OF4SBNPC2/Tschic06-banner3.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027373277-4HQ9O3S5ZQIYXXHMCZU7/JJ_60D_03123.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Schule für Tanzkultur Choreographische Leitung: Lasar Galpern (Laser Galpern School of Dance), c. 1926 Letterpress 17 3/4 x 11 3/4" (45.1 x 29.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027309971-RU4ZM4SZODSAFE4EBOP4/_MG_0511.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Stationery: Ivan Tschichold, Leipzig, [before 1926] Letterpress 4 1/8 x 5 3/4” (10.5 x 14.6 cm) Note: In 1923, the artist changed his first name from the typically German “Johannes” to “Iwan” (Ivan) as an expression of sympathy for the Soviet Revolution; in 1926, he would again change his first name, from Iwan to the more pan-European “Jan.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617629684380-S6158QPPC50TW3O9078C/JJ_60D_00384.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Cover of brochure advertising the Emil Gerasch print studio: Merken Sie sich bitte: Die Reklamemesse (Take note: The Advertising Trade Fair), 1927 Letterpress 9 1/4 x 13 1/8” (23.5 x 33.3 cm) Note: The logo on the back cover at lower left is not designed by Tschichold.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027391958-BXDAS9H0WQW72ESJSEEU/JS_5D_5583-1.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Stationery: Lasar Galpern, c. 1926 Lithograph 7/8 x 1 1/2" (2.2 x 3.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027340163-VM0VTGOBUMZY2DZ38WRS/JJ_60D_00382.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Stationery: Nina Chmelowa, Moskau, 1924 Letterpress 10 1/8 x 7 7/8” (25.7 x 20 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027247410-JS6B4MVG3QMLA533789Y/JJ_60D_00385.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from brochure advertising the Emil Gerasch print studio: Merken Sie sich bitte: Die Reklamemesse (Take note: The Advertising Trade Fair), 1927</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027416942-L9SUS7ZXWZE2LJCV5WMX/JS_5D_5583-2.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Stationery: Kurt Herrmann, c. 1920s Lithograph 7/8 x 1 1/2" (2.2 x 3.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617629623545-OTM2M4N89JYQM9XQU7G5/JJ_60D_00384-crop.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Back cover of brochure advertising the Emil Gerasch print studio: Merken Sie sich bitte: Die Reklamemesse (Take note: The Advertising Trade Fair), 1927</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027592864-6RMSL63OMPQ8FF9QKD57/JJ_60D_00379.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Catalogue: Graphische Werbekunst. Internationale Schau Zeitgemässer Reklame. Städtische Kunsthalle Mannheim (Graphic Advertising Art. International Show of Contemporary Advertisements. Städtische Kunsthalle Manheim), 1927 Lithograph 8 9/16 x 6” (21.8 x 15.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027567604-YNH8KRF215LAJ4FJUR77/JJ_60D_03114.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Lotterie. Der Ausstellung Muenchen 1927: Das Bayer.[ische] Handwerk (Lottery. Exhibition in Munich 1927: Bavarian Craft), 1927 Letterpress 33 1/8 x 23 5/8" (84.1 x 60 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027606109-SJDXYOFD41PDLB0NCWMD/B109.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Graphische Werbekunst. Internationale Schau Zeitgemässer Reklame. Städtische Kunsthalle Mannheim (Graphic Advertising Art. International Show of Contemporary Advertisements. Städtische Kunsthalle Manheim), 1927 Lithograph 34 3/4 x 24 5/8” (88.3 x 62.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617631160767-MOWD3J8UV9MY4CDBGQUY/_MG_0507.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Card: Edith Kramer, before March 31, 1926 Letterpress 4 1/16 x 5 13/16” (10.3 x 14.8 cm) Note: The Leipzig-born Maria Mathilda Edith Kramer (1905–1986) was trained as a journalist. She changed her surname upon her marriage to Tschichold on March 31, 1926, and functioned as a full collaborator in the development and expression of his theoretical work.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027623818-9345WSVB61RANG8TJ3YK/JJ_60D_03116.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Lichtbildervortrag der Direktor des Bauhauses in Dessau: Walter Gropius. Neues Bauen (Lecture by the Director of the Bauhaus Dessau: Walter Gropius. Modern Architecture) (June [sic] 22, [1926]), 1926 Letterpress 17 x 26 3/4" (43.5 x 67.7 cm) Note: This lecture took place on the 22nd of July, not June, 1926.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617631174172-3VARV9EMLLVCRRM02V7N/_MG_0508.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Card: Edith Tschichold, after March 31, 1926 Lithograph 2 15/16 x 4 1/8” (7.5 x 10.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027659447-TWNTK246BVCZ47OP6SNR/B111.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Die Frau ohne Namen, Zweiter Teil (The Woman Without a Name, Part Two), 1927 Photolithograph 48 3/4 x 34” (123.8 x 86.4 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027709517-7NWP5D1F20SNK4AO13LF/B110.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Buster Keaton in “Der General,” 1927 Offset lithograph 47 1/4 x 33 1/16” (120 x 83.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027724012-9GMRZBKFY6T9G8A1VT48/Tschic10.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Norma Talmadge in Kiki, 1927 Letterpress 49 11/16 × 33 1/4 in. (126.2 × 84.5 cm) Formerly Merrill C. Berman Collection; now Cooper Hewitt, Smithsonian Design Museum, New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027678984-3X7NHAUZE5VCFWKJFJCG/Tschic04_Die_hose_scan_crop.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Die Hose (The Trousers), 1926 or 1927 Offset lithograph 47 1/8 x 33 1/8" (119.7 x 84.1 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027822782-LMOZTKAIA3YW402J7AR4/Tschic14_Piquedame_scan_crop.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Pique Dame (The Queen of Spades), 1927 Lithograph and letterpress 46 7/8 x 33 1/16” (119.1 x 84 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027748190-AWRPINLQ7G886P1X3EIS/JJ_60D_03112.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Bottom half of poster: Henny Porten in Violantha, 1927 Lithograph and letterpress 24 3/8 x 32 7/8” (61.9 x 83.5 cm) Note: This appears to be only the bottom half of the poster, which was printed in two sheets and measures in full 47 1/4 x 33” (120 x 83.6 cm). An example of the full poster is in the collection of the Kunstbibliothek, Staatliche Museen zu Berlin—Preußischer Kulturbesitz, Berlin.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027694760-QECXBYI7LI7F16WG44LA/tschich16.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Nacht der Liebe (The Night of Love), 1927 Lithograph and letterpress 46 5/8 x 32 15/16” (118.4 x 83.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027838803-3ZGVT5LHZ8RMFVXVGK9U/Tschic09_Die_Kameliendame_scan_crop.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Die Kameliendame (1926 United States release as Camille), 1927 Photolithograph and letterpress 46 5/8 x 32 15/16" (118.4 x 83.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027871633-B0PR7FHUQHYDTV3YRC6X/JJ_60D_03118.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Film-Festwochen in München (Film Festival in Munich), 1928 Letterpress 16 3/8 x 23 5/8" (41.6 x 60 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027887960-H6AY3UU6CEP52D4XT5XD/JJ_60D_03106.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Johanna Von Orleans (French release as La Passion de Jeanne d’Arc), 1928 Letterpress 23 5/8 x 33 1/8” (60 x 84.1 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027905408-LVRAS8VZ7BXOETN1W49G/JJ_60D_03110.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster for the lecture: Dsiga Werthoff. Was ist Kino-Auge? (Dziga Vertov. What is Cinema-Eye?), 1929 Lithograph 21 1/4 x 31 1/4" (54 x 79.4 cm) Note: This poster advertises a lecture to be given by the Russian filmmaker Dziga Vertov on his concept of Kino-Glaz, or “Cinema-Eye,” which was also the name of his landmark film released in the Soviet Union in 1924.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027949359-Q78OO5OVE1XMDN9EXSSG/JJ_60D_03101.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Max Beckmann: Gemälde 1920–28 mit Leihgaben aus Museums- und Privatbesitz (Max Beckmann: Paintings 1920-28 with Loans from Museums and Private Collections), 1928 Letterpress 23 1/2 x 32 7/8” (59.7 x 83.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617028028195-VNSOVTFJTBVMATHX90EJ/JJ_60D_01800.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Ausstellung Vincent Van Gogh: 100 Handzeichnungen aus holländischem Privatbesitz (Vincent Van Gogh Exhibition: 100 Drawings from Dutch Private Collections), 1928 Letterpress 46 3/4 x 32 7/8” (118.8 x 83.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617027990952-AOVW0R5VIGDLYG4GYDEG/JJ_60D_03104.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Ausstellung Künstlerselbstbildnisse unserer Zeit (Exhibition of Artists’ Self-Portraits of Our Time), 1928 Letterpress 32 1/4 x 33” (81.9 x 83.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617028004855-A0UG8CLEC6GTJFRYDMZ7/JJ_60D_01804.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Ausstellung Emil Nolde: Gemälde aus den Jahren 1910–26 (Emil Nolde Exhibition: Paintings from the Years 1910–26), 1928 Letterpress in two parts 33 x 46 1/4" (83.8 x 117.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617028686848-PGBJPCJUISAJGR1L9RP1/Tschic11_Die_Konstruktiviten_scan_crop.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Die Konstructivisten (The Constructivists), Kunsthalle Basel, 1937 Photolithograph 49 x 35 1/2” (124.5 x 90.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617028708825-7L7C5KW9OBV1MXM3ZUEC/104+The+Professional.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Poster: Ausstellung: Der Berufsphotograph: Sein Werkzeug—Seine Arbeiten (Exhibition: The Professional Photographer, His Tools—His Work), Gewerbemuseum Basel, 1938 Photolithograph 25 1/8 x 35 13/16" (63.8 x 91 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1619202510307-H0MCU3X38841C9OUIZ84/JJ_60D_00381.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Catalogue: Ausstellung: Der Berufsphotograph, Sein Werkzeug—Seine Arbeiten (Exhibition: The Professional Photographer, His Tools—His Work), Gewerbemuseum Basel, 1938 Letterpress and offset lithograph 8 1/4 x 5 7/8" (21 x 14.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617641595183-GIJIJDYMXBLD7RH2VV40/JJ_60D_00393.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Cover of Typographische Mitteilungen. Sonderheft: Elementare Typographie (Typographic Studies. Special issue: Elemental Typography), vol. 22, no. 10 (Leipzig: Bildungsverbandes der deutschen Buchdrucker, October 1925) Letterpress 12 1/8 x 9 1/8" (30.8 x 23.1 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029071540-X05MUMLDSJH7B5HHAESH/JS_5D_6053.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Typographische Mitteilungen. Sonderheft: Elementare Typographie (Typographic Studies. Special issue: Elemental Typography), vol. 22, no. 10 (Leipzig: Bildungsverbandes der deutschen Buchdrucker, October 1925): 194–195</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029086689-ZZFL22SXTXGU6KZZK7OM/JS_5D_6054.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Typographische Mitteilungen. Sonderheft: Elementare Typographie (Typographic Studies. Special issue: Elemental Typography), vol. 22, no. 10 (Leipzig: Bildungsverbandes der deutschen Buchdrucker, October 1925): 206–207</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617629806279-19I2SIAT87G823YX7LFR/JS_5D_6060.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Cover of Die Neue Typographie (The New Typography). Berlin: Verlag des Bildungsverbandes der deutschen Buchdrucker, 1928. Lithograph 8 1/4 x 6 x 1/2" (21 x 15.2 x 1.3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029241924-ODLJXR6GOY8BNWQT0D60/JS_5D_6058.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Die Neue Typographie (The New Typography). Berlin: Verlag des Bildungsverbandes der deutschen Buchdrucker, 1928, pp. 96–97.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029196775-BSXZN4PIV1TMQR3N50N4/JS_5D_6056.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Die Neue Typographie (The New Typography). Berlin: Verlag des Bildungsverbandes der deutschen Buchdrucker, 1928, title page.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029258681-BI51EUT8FVWQKJU79YUY/Tschic_Die_Neue_Typographie_scan.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Die Neue Typographie (The New Typography). Berlin: Verlag des Bildungsverbandes der deutschen Buchdrucker, 1928, pp. 214–215.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029219384-OM8ESAU1UODSIYCUTRFV/JS_5D_6057.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Die Neue Typographie (The New Typography). Berlin: Verlag des Bildungsverbandes der deutschen Buchdrucker, 1928, pp. 54–55.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029312979-ZGNXN0K86A6UVDER32RX/JS_5D_6059.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Die Neue Typographie (The New Typography). Berlin: Verlag des Bildungsverbandes der deutschen Buchdrucker, 1928, pp. 226–227.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617652517412-EJTKU3MS9MSGWCSQ2JT7/JJ_60D_00375.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>German-language prospectus and order for the book Franz Roh and Jan Tschichold, eds. Foto-Auge (Photo-eye), 1929 Offset lithograph and letterpress 5 3/8 x 4” (13.6 x 10.1 cm) Note: While the announcements were issued in three different languages, the book itself was published as a single, tri-lingual edition: Franz Roh and Jan Tschichold, eds. Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-eye: 76 photoes [sic] of the period. Stuttgart: F. Wedekind, 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029533734-RN50KU24IG4FL6LBU71X/JS_5D_6047.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>English-language prospectus and order for the book Franz Roh and Jan Tschichold, eds. Photo-eye, 1929 5 3/8 x 12” (13.6 x 30.4 cm), unfolded (front)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617652535812-8COAHHK53J5J4ERSM92N/JJ_60D_00376.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>French-language prospectus and order for the book Franz Roh and Jan Tschichold, eds. Œil et photo (Photo-eye), 1929 Offset lithograph and letterpress 5 3/8 x 4” (13.6 x 10.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029548015-34DLF158WVC4PE9JSBMN/JS_5D_6048.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>English-language prospectus and order for the book Franz Roh and Jan Tschichold, eds. Photo-eye, 1929 5 3/8 x 12” (13.6 x 30.4 cm), unfolded (back)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617653196629-5UXWXUV7ANLV67TC2OVP/JJ_60D_00377.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>English-language prospectus and order for the book Franz Roh and Jan Tschichold, eds. Photo-eye, 1929 Offset lithograph and letterpress 5 3/8 x 4” (13.6 x 10.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617717693024-FHFHEVQRL2HUNWMI9EZK/JS_5D_6184.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Prospectus (with photograph by Max Burchartz) for the book Franz Roh and Jan Tschichold, eds. Foto-Auge / Œil et photo / Photo-eye, 1929 Offset lithograph and letterpress 7 5/8 x 5 3/8” (19.4 x 13.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617629876999-DE097FMUBHYM3BGSARVT/Moholy05-1.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Cover of L. Moholy-Nagy: 60 Photos. Fototek, no. 1. Franz Roh, series editor. Berlin: Klinkhardt &amp; Biermann, 1930. Photolithograph 9 7/8 x 6 7/8 x 1/8” (25.1 x 17.5 x .3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617629915441-UQ7Z2M79V1YQX9ULDY72/Moholy04-1.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Cover of Aenne Biermann: 60 Photos. Fototek, no. 2. Franz Roh, series editor. Berlin: Klinkhardt &amp; Biermann, 1930. Photolithograph 9 7/8 x 6 7/8 x 1/8” (25.1 x 17.5 x .3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029630456-S1VQI8JBA5ESIIDGAZE2/JS_5D_6050.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Spread from L. Moholy-Nagy: 60 Photos. Fototek, no. 1. Franz Roh, series editor. Berlin: Klinkhardt &amp; Biermann, 1930, pp. 72–73 Note: At right is a list of eight planned volumes of Fototek, including future issues on photomontage and on El Lissitzky’s photographic work. Ultimately, only the first two volumes—included here—were published.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617630005942-FQYX7CG5IEYLKMUPQWMO/JS_5D_6158.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Cover of Eine Stunde Druckgestaltung (A Lesson in Printing Design). Stuttgart: F. Wedekind, 1930. Letterpress and lithograph 11 5/8 x 8 3/8” (29.5 x 21.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617208957112-XK4A2NO0EADIDE6MZGOG/JS_5D_6163.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Eine Stunde Druckgestaltung (A Lesson in Printing Design). Stuttgart: F. Wedekind, 1930, pp. 48–49.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617208921143-GH97INX6HJC7IBBDPSTB/JS_5D_6161.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Eine Stunde Druckgestaltung (A Lesson in Printing Design). Stuttgart: F. Wedekind, 1930, pp. 44–45. Note: Tschichold’s poster Ausstellung Künstlerselbstbildnisse unserer Zeit (Exhibition of Artists’ Self-Portraits of Our Time) of 1928, pictured at lower right, appears in this exhibition, above.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617208970133-P6HM1IG9TMR401XMMLIS/JS_5D_6164.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Eine Stunde Druckgestaltung (A Lesson in Printing Design). Stuttgart: F. Wedekind, 1930, pp. 50–51.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617208935763-WWEINRG9BTKW7XQTXTDL/JS_5D_6162.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Eine Stunde Druckgestaltung (A Lesson in Printing Design). Stuttgart: F. Wedekind, 1930, pp. 46–47.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617208980884-DKD994YXSXDO505Q6YUP/JS_5D_6165.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Internal spread from Eine Stunde Druckgestaltung (A Lesson in Printing Design). Stuttgart: F. Wedekind, 1930, pp. 82–83.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029666234-X3350OB4UVJP46KDH8AG/JJ_60D_00391.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Cover of Typografische Entwurfstechnik (Techniques of Typographic Design). Stuttgart: F. Wedekind, 1932. Letterpress and lithograph 11 5/8 x 8 1/4" (29.5 x 21 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029700166-XVX1YMAUBPFGURZGGX81/JJ_60D_00392.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Back cover of Typografische Entwurfstechnik (Techniques of Typographic Design). Stuttgart: F. Wedekind, 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029721019-ZKTFZPBN2FWZU1Q5H2G4/JJ_60D_00390.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Cover of Druk Nowoczesny (Modern Printing). Lotz: Vocational School no. 10, 1938. Letterpress and lithograph 11 1/2 x 8 1/8” (29.2 x 20.6 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029770960-5DLTBZ7H79H2BC57LVU5/JJ_60D_03120.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Jan Tschichold (1902–1974) Poster: Plakate der Avantgarde: Ausstellung der Sammlung Jan Tschichold (Posters of the Avant-Garde: Exhibition of the Collection of Jan Tschichold), Graphisches Kabinett, Munich, 1930 Letterpress 16 5/8 x 23 1/2” (42.2 x 59.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617630058811-ZD9CERY5EA7N2LNQV1JP/JS_5D_5996.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Jan Tschichold (1902–1974) Cover of the catalogue Plakate der Avantgarde: Ausstellung der Sammlung Jan Tschichold (Posters of the Avant-Garde: Exhibition of the Collection of Jan Tschichold), Graphisches Kabinett, Munich,1930 Letterpress 8 1/4 x 5 7/8” (21 x 14.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617029809297-UCHD4OVERH0BXBEJGXB7/JS_5D_5998.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Jan Tschichold (1902–1974) Interior of the catalogue Plakate der Avantgarde: Ausstellung der Sammlung Jan Tschichold (Posters of the Avant-Garde: Exhibition of the Collection of Jan Tschichold), Graphisches Kabinett, Munich, 1930</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617631440984-CUFQXU7U3Y8MS4YW9ULC/_MG_1157.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Aleksandr Rodchenko (1891–1956) Cover of Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF: Journal of the Left Front of the Arts), no. 3. Moscow: Gosizdat (State Publishing House), 1928 Letterpress and halftone 8 7/8 x 6” (22.5 x 15.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617631456758-0JDLH42U4OS90ANL85SC/_MG_1154.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Aleksandr Rodchenko (1891–1956) Cover of Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF: Journal of the Left Front of the Arts), no. 5. Moscow: Gosizdat (State Publishing House), 1928 Letterpress and halftone 9 x 6” (22.9 x 15.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1617645649133-BHVJG7V23Q8EP7FIUKKM/_MG_1155.jpg</image:loc>
      <image:title>Jan Tschichold: Designer, Theorist, Collector</image:title>
      <image:caption>Aleksandr Rodchenko (1891–1956) Cover of Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF: Journal of the Left Front of the Arts), no. 10. Moscow: Gosizdat (State Publishing House), 1928 Letterpress and halftone 9 x 6” (22.9 x 15.2 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/posters-of-the-spanish-civil-war</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621014037354-TH6DKKME9O9LG37M0RS5/JF_5D__6246-2.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001445069-MP1F8QC0N4PQ4YWKWCRU/JF_5D__2976.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Augusto (Augusto Fernández Sastre) (Spanish, 1887–1975); photograph possibly Robert Capa (American, born Hungary. 1913–1954) Poster (in English): What Are You Doing to Prevent This?, 1937 Lithograph 31 1/2 x 22 1/8" (95.1 x 56 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001530015-PP7IDE8DN77P41X93FLE/JF_5D__2978.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster (in English): Madrid: The "Military" Practice of the Rebels. What Europe Tolerates or Protects; What Your Children Can Expect, c. 1936 Lithograph 26 x 19 5/8" (66 x 49.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001605426-XJLZ1B8NU2QHNHOZENVN/JF_5D__6256.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster (in French): Madrid, ville martyre: Boletín Internacional de la Federación Española de Trabajadores de la Enseñanza, sección catalana-U.G.T. [Unión General de Trabajadores], numero 1, Barcelone, janvier 1937 (Madrid, Martyred City: International Bulletin of the Spanish Federation of Teachers, Catalan Section-U.G.T. [General Union of Workers], number 1, Barcelona, January 1937), 1937 Lithograph 20 1/2 x 27 3/4" (52.1 x 70.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001684739-5XCITSDNJ3QRU4WRTE6U/JF_5D__6296.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster: Antes campesinos pobres, famélicos, ahora el campesinado trabaja y és feliz. La guerra significa que las tierras que hoy tienen los campesinos, no les serán quitadas por los caciques y los señoritos (Before, Poor Farmers, Famine; Now, the Farmer Works and He's Happy. The War Means That the Land Now Owned by the Farmers Will Not Be Taken by the Political Leaders and Playboys), [1936–1939] Lithograph 39 5/16 x 26 3/4" (99.9 x 67.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001961072-LTBEWYSL3W8ENMBD6E0H/JJ_60D_064780.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Michel Adam (pseudonym of Joan Colom Agusti) (Catalan, 1879–1964 [or 1969]) Poster (in Catalan): Llegiu! Treball: diari dels treballadors de la ciutat i del camp (Work. Urban and Rural Workers’ Daily. Read It!), 1936 Lithograph 39 1/4 x 27 1/2" (99.7 x 69.9 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621002055865-0JO10I3LW9K25FIVDMNQ/JF_5D__6308.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Amado Mauprivez Oliver (Catalan, 1896–1996) Poster: La garra del invasor italiano pretende esclavizarnos (The Claw of the Italian Invader Intends to Enslave Us), [1936] Lithograph 38 3/4 x 27 7/16" (98.4 x 69.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621002113828-BYTPRVQ7KD0V36EGG64Z/JF_5D__6247.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster (in Catalan): La veritat del 6 Octubre (The Truth about October 6th), [1934 or later] Lithograph 17 5/8 x 12 5/8” (44.8 x 32.1 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621002195516-Z1SKV1G7CPP4GV8DZCEB/JF_5D__6318.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Coves [life dates unknown] Poster (in Catalan): Avant! Tots com un sol home (Onward! As One), 1936 Lithograph 39 1/4 x 27 9/16" (99.7 x 70 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621006447048-PN1B619RS2D9II8B0UBK/JF_5D__6249.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>J. Bauset [life dates unknown] Poster (in Catalan): ¡Campesino, la revolución te dará la tierra (Farmer, the Revolution Will Give You the Land), 1936–1937 Lithograph 13 x 9 5/8” (33 x 24.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621006496213-HFVC5VKJTLKJZK7TS0LM/JF_5D__6258.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Eduardo Pérez Vicente (Spanish, 1909–1968) Poster (in Catalan): Els caiguts et necessiten!—ajuda el! (The Fallen Need Help), 1937 Lithograph 25 5/8 x 17 3/4" (65.1 x 45.1 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010221547-TUCKE4BOWMUJLRGS7YR2/JF_5D__6317.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Coves [life dates unknown] Poster (in Catalan): Vencerem pel bé del Proletariat Mundial (We Will Win for the Good Of the Worldwide Proletariat), 1936 Lithograph 39 1/4 x 27 9/16" (99.7 x 70 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010316219-3Y5KU8E03ZXO0HJTZZE6/JS_5D_4390.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Josep Renau (Spanish, 1907–82) Poster: Pueblos de Levante! Los hijos, las madres y las compañeras de los héroes de Madrid no deben perecer bajo la metralla y el fuego de los aviones fascistas. Facilitad su evacuación! Haced un hueco cariñoso! (People of Levante! The Children, the Mothers, and the Friends of the Heroes of Madrid Should Not Perish under the Shrapnel and Fire of the Fascist Planes. Facilitate Their Evacuation. Give Them a Warm Corner in Your Home), [1936–1939] Lithograph 66 x 43 3/4” (167.6 x 111.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010389982-OY9J3FRK0V79CD1B8MB8/JF_5D__6248.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Ricard Obiols (Catalan, 1894–1967) Poster: Alerta!! Vigila a los que escuchan las radios facciosas y propagan noticias falsas (Alert!! Keep an Eye on Those Who Listen to Fascist Radio and Spread False News), c. 1937 Lithograph 18 7/8 x 13 3/8” (47.9 x 34 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010457459-KF7PVG3RQFMPW5VEMA30/JF_5D__6299.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Lluís García Falgas (Catalan, 1881–1954) Poster (in Catalan): Setmana de l'Exèrcit Popular (People's Army Week), [1937] Lithograph 39 3/8 x 27 5/8" (100 x 70.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010568695-FYM0W45BI2YA5V5YMPGG/JS_5D_6312.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Juan Antonio Morales (Spanish, 1909–1984) Arriba España, Los Nacionales (The Nationals), 1936 Lithograph 44 3/4 x 32 1/4” (113.7 x 81.9 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010680987-HFY0CMCJYHG028QUS4O3/JF_5D__6297.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Pere Catalá-Pic (Catalan, 1889–1971) Poster (in Catalan): Aixafem el feixisme (Let’s Crush Fascism), 1937 Lithograph 39 7/16 x 27 9/16" (101 x 71.4 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001478120-AIY6QI9GUACXJ6N7KUDH/JF_5D__6321.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Augusto (Augusto Fernández Sastre) (Spanish, 1887–1975); photograph possibly Robert Capa (American, born Hungary. 1913–1954) Poster: ¿Que haces tu para evitar esto? (What Are You Doing to Prevent This?), 1937 Lithograph 31 1/2 x 22 1/8" (95.1 x 56 cm)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621006036197-5V0FUNXX50ZA7UHFGDY9/JF_5D__6323.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Cas Oorthuys (Dutch, 1908–1975) Poster (in Dutch): Bombardement. Zoo sterven kinderen in Madrid. Zwijgt het wereldgeweten? (Bombing. That's How Children Die in Madrid. Is the World’s Conscience Silent?), [1936–1937] Lithograph 33 5/8 x 21 7/8" (85.4 x 55.6 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001657086-UM1P35M6BKFDZEQSGC4U/JF_5D__6257.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster: ¡Acusamos de asesinos a los facciosos! Niños y mujeres caen inocentes. Hombres libres, repudiad a todos los que apoyen en la retaguardia al fascismo. He aquí las víctimas (We Charge the Rebels as Assassins! Innocent Children and Women Die. Free Men, Repudiate All Those Who Support Fascism in the Rearguard), [1936–1939] Letterpress 20 1/2 x 26" (52.1 x 66 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001705885-H5DREOHSZ3STTCFJTY6J/JF_5D__6289.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster (in Catalan): Barcelona ha estat canonejada pel feixisme invasor. Joves! per a la victòria (Barcelona Has Been Bombarded by a Fascist Invasion. Young Men! For Victory), [n.d.] Lithograph 27 1/2 x 19 5/8" (69.9 x 49.8 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001991987-WSSEVE3TZODNTWWW57IO/JF_5D__6300.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster: Por el bienestar, la felicidad y la libertad del pueblo español, lucha el ejercito popular (The People's Army Fights for the Well-being, Happiness, and Freedom of the Spanish People), [1937] Lithograph 39 3/8 x 27 5/8" (100 x 70.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621002074286-LY5PJN2CYZTSWQBV3G8P/JF_5D__6295.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster (in Catalan): Per la llibertat de Catalunya, ajudeu Madrid (For the Freedom of Catalonia, Help Madrid), c. 1937 Lithograph 40 x 27 3/4" (101.6 x 70.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621258856254-YQ3DXEQD7DZU68MS7N47/JF_5D__6301.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown; possibly Lorenzo Goñi Suárez (Spanish, 1911–1992)] Poster (in Catalan): 11 de Setembre. Jornada de redrecament d’afirmacio, d’esperit collectiu i voluntat de triomf (September 11th. A Day of Rectification, Affirmation, Collective Spirit, and the Will to Triumph), c. 1937–1938 Lithograph Two sheets, together: 54 1/4 x 39 1/4” (137.7 x 99.6 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621002211862-K0SV7QN9H652OTM9NRZK/JF_5D__6316.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Carles Fontserè (Catalan, 1916–2007) Poster (in Catalan): U.G.T. [Unión General de Trabajadores] Avant! (U.G.T. [General Union of Workers], Onward!), [1936] Lithograph 39 3/8 x 27 1/2" (100 x 69.9 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621006464974-S2I222USC9ABEFG7WTV7/JF_5D__6291.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster (in Catalan): Qui ets tu?...No podra viure sense la llibertartat...La raiz intima de Cataluña... [quotations from Catalan president Lluís Companys and Spanish politician Juan Negrín], [1936 or 1938] Lithograph 39 3/4 x 27 7/8" (101 x 70.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010112124-Y9KI5HWQZ9XS8EK0CZ7U/JF_5D__6244.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Eduardo Pérez Vicente (Spanish, 1909–1968) Poster (in Catalan): Conseil de Sanitat de Guerra. Compreu aquest segell (War Health Council. Buy This Stamp), 1937 Lithograph 19 1/4 x 13 7/16” (48.9 x 34.1 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010253964-LSJXU1JYIM4Z3OCDCTTS/JF_5D__6298.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>José Bardasano (Spanish, 1910–1979) Poster: JSU [Juventudes Socialistas Unificadas]. Conferencia Nacional de Juventudes Socialistas Unificadas (JSU [United Socialist Youth]. National Conference of Unified Socialist Youth), 1937 Lithograph 39 1/8 x 27 5/8" (99.4 x 70.2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010344599-5DJJ9PLGXLK8GL56NEON/JF_5D__6303.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster: Ferroviarios: arrollemos al fascio (Railway Workers: Let's Run Down Fascism), [1936] Lithograph 43 3/8 x 30" (110.2 x 76.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010414069-JRS8LESU68MZ3D2MI2AX/JF_5D__6304.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Paco Ribera [life dates unknown] Poster (in Catalan): Fill, Madrid et necessita! Tot pel Madrid heroic! Diada Internacional de la Dona Antifeixista, Diumenge dia -7- a les deu del mati. Totes les dones a la Monumental (Son! Madrid Needs You. Give Your All to Heroic Madrid! The International Day of the Anti-fascist Woman, Sunday the 7th at 10 Am. All Women Are Invited to the Monumental), [1936–1939] Lithograph 39 3/8 x 28 3/8" (100 x 72.1 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010485903-D2J5FNJAW3WI0HQQIA8F/JF_5D__6320.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Jaume Juez i Castella (Xirinius) (Catalan, 1906–2002) Poster (in Catalan): El Pillatje deshonra el Triomf, eviteu-lo! U.G.T [Unión General de Trabajadores] (Looting Undermines Our Victory, Avoid It! U.G.T. [General Union of Workers]) Lithograph 39 1/2 x 27 5/8" (100.3 x 70.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010592036-4VC7P45PGWGU73Y36T2B/JF_5D__6319.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Salinas [life dates unknown] Poster: Ha entrado la España de Franco! (Franco’s Spain Has Broken Through!), 1938 Lithograph 38 x 26 7/8" (96.5 x 68.3 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001499549-5LVT5Q42KAIG1F6CFKAN/JF_5D__6250.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Augusto (Augusto Fernández Sastre) (Spanish, 1887–1975); photograph possibly Robert Capa (American, born Hungary. 1913–1954) Poster (in French): ¿Que fais-tu pour empêcher cela? (What Are You Doing to Prevent This?), 1937 Lithograph 15 1/2 x 10 3/4” (39.4 x 27.3 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001569974-UDXT1ZAWLK6HEMIJ7SPX/JF_5D__6302.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster: ¡Asesinos! ¿Quién al ver esto, no empuña un fusil para aplastar al fascismo destructor? Niños muertos en Madrid por las bombas facciosas. Víctimas inocentes de esta horrible guerra desatada por los enemigos de España (Assassins! Who, Seeing This, Would Not Wield a Rifle to Crush Destructive Fascism? Children Killed in Madrid by Factional Bombs. Innocent Victims of This Horrible War Unleashed by the Enemies of Spain), [1936] Lithograph or rotogravure 39 5/16 x 26 9/16" (99.9 x 67.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001643855-VU356QV2YIIBW2596OEY/JF_5D__6312.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Antsolvi [life dates unknown] Poster (in Catalan): Nens! Adquiriu el carnet d'Ajut Infantil de Reraguarda i amb 10 cts. setmanals ajudareu a canviar la vida dels vostres companyons que ho necessiten (Children! Purchase the Rearguard Children's Aid Card for 10 cts. Weekly, and Help Change the Lives of Your Classmates in Need), [1936] Lithograph and rotogravure 21 3/8 x 33" (54.3 x 83.8 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621001722213-35NGFU2GM31PNW2F8OVD/JF_5D__6259.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown; possibly Manuel Monleón (Catalan, 1904–1976)] Poster: Próximamente: Umbral, semanario de la nueva era (Coming Soon: Umbral [The Threshold], the Weekly [Periodical] of the New Era), c. 1937 Lithograph 24 1/2 x 18 7/8" (62.2 x 47.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621002016628-VIN7TRZCNLJX7GNO5M50/JF_5D__6246-2.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster (in Catalan): Ciutadà! Els infants que trobaràs pels carrers de Barcelona que portin un braçal amb l’escut de la ciutat, són alumnes de les “escoles populars”—la Comissió de Cultura de l’Ajuntament et demana que vetllis per ells (Citizens! The Children You Will See on the Streets of Barcelona Wearing a Bracelet with the City’s Coat of Arms Are Students from the Public Schools—the City Council’s Culture Commission Asks You to Look After Them), c. 1937 Lithograph 19 5/8 x 13 1/4” (49.9 x 33.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621002093662-VKVQJYBYZMJBC9815P6F/JF_5D__6292.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Jacint Bofarull i Foraster (Catalan 1903–1977) Poster (in Catalan): Els Aixafarem!!! ...amb l'Exercit Popular (We Will Crush Them!!! ...with the People's Army), 1937 Lithograph 39 7/16 x 27 9/16" (100.2 x 70 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621002167641-8A4E63PKTPHAUS6NYJBV/JF_5D__6314.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster (in Catalan): La Rambla serà diari de la joventut. Front, treball, cultura, esport, política, esplai (La Rambla Will Be a Journal for Young People. The Front, Work, Culture, Sport, Politics, Leisure), [1938] Lithograph 37 1/4 x 25 1/8" (94.6 x 63.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621002232338-6GINKHIJHXPMNGXRPQCV/JF_5D__6307.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster (in Catalan): Tot per a la guerra! Sindicat de Treballadors de Duanes U.G.T. [Unión General de Trabajadores] (Everything for the War! Customs Workers Union U.G.T. [General Union of Workers]), [n.d.] Lithograph 39 1/2 x 27 5/8" (100.3 x 70.2 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621006478372-TXPDLQYI2WHJFTCLF75R/_MG_6909.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Antonio Cabrera [life dates unknown] Poster: Votad pro amnistia. Votando al Frente Popular (Vote for Amnesty. Vote for the Popular Front), [n.d.] Lithograph 10 7/8 x 7 3/8" (27.6 x 18.7 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010134753-VJPK6QLR9YNDPPI4K1CK/JF_5D__6255.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster: Ayudad con vuestros donativos, la humanitaria obra de la cruz roja (Help the Humanitarian Work of the Red Cross With Your Donations), [n.d.] Lithograph 19 x 25 3/8" (48.3 x 64.5 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010276595-J7ETAPGQ4NKEULY8GZLC/JF_5D__6315.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Rafel Tona (Catalan, 1903–1987) Poster (in Catalan): Per a aixafar el feixisme, ingresseu a l’aviacio (To Crush Fascism, Join the Air Force), [1936] Lithograph 39 1/2 x 27 1/2" (100.3 x 69.9 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010368058-7GWBOJ0YPLRO4N5SN8BQ/JF_5D__6294.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>Antonio Bisquert (Spanish, 1906–1990) Poster: ¡Por el orden republicano! Respectad la propriedad de los pequeños comerciantes é industriales (For order in the Republic! Respect the Property of Small Businesses and Industries), c. 1936 Lithograph 39 3/8 x 27 11/16" (100 x 70.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010433967-CNIT4GRGTHN08Z90N116/JF_5D__6254.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster (in Catalan): Catalans: adquiriu les deu series de segells d’ajut a Euscadi! (Catalans: Buy the Ten Series of Aid Stamps in Euscadi!), c. 1938 Lithograph 30 1/4 x 21 1/2" (76.8 x 54.6 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010505959-25WPSK0JKK5CK3WRM8TQ/JF_5D__6252.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>[Designer unknown] Poster: Conferencia de la J.S.U. [Juventudes Socialistas Unificadas] de Barcelona (Conference of the J.S.U. [Unified Socialist Youth] of Barcelona), [n.d.] Lithograph 12 7/8 x 8 15/16” (32.7 x 22.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1621010830799-P162E69BWZLO18ISMR35/JF_5D__6293.jpg</image:loc>
      <image:title>Posters of the Spanish Civil War - Make it stand out</image:title>
      <image:caption>José Bardasano (Spanish, 1910–1979) Poster: URSS: Suscripción nacional pro "Komsomol." Todos sentimos la solidaridad. Tu donativo (USSR: National Subscription for Komsomol. We All Experience Solidarity—Your Donation), [1936-1939] Lithograph 39 1/8 x 27 3/4" (99.4 x 70.5 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/vladimir-mayakovsky</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6e36d1db-c0e7-4f68-a680-8420151c7f4e/JS_5D_7248.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cd9f4063-c955-4912-a008-a9539b747435/Mayakovsky_06.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Vladimir Mayakovsky Poster: Ne dlia deneg rodivshiisia (Not Born for Money), 1918 Lithograph 46 3/4 x 31 1/2” (118.7 x 80 cm) Note: Based on Jack London’s 1909 book Martin Eden, this film was directed by Nikandr Turkin and produced by the Neptune Film Company. Mayakovsky wrote the script and had the starring role opposite Lily Brik.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a628fbf6-9ec9-4bb7-8aff-80e415747b11/Mayakovsky_03.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Vladimir Mayakovsky Poster: Misteriia-Buff (Mystery Bouffe), play by Vladimir Mayakovsky, Communal Theater of Musical Drama, Petrograd (November 8, 1918), 1918 Lithograph with watercolor additions 36 1/8 × 29″ (91.7 x 73.7 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York Note: Misteriia-Buff was Mayakovsky’s second play. It was directed by Vsevolod Meyerhold with sets by Kazimir Malevich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/79f1596c-2501-40f7-9296-c970498b7b1b/JJ_60D_02876.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Vladimir Mayakovsky, image and text ROSTA poster (Petrograd): Na pol’skii front! Pod vintovku! Migom! Esli byt’ ne khotite pod panskim igom (To the Polish Front! Hurry Up! Get Your Guns! Unless You Want to Be under Polish Oppression!), 1920 Lithograph 20 7/8 × 27 7/8″ (53 x 70.8 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3b4a57b0-e67c-4a22-99ed-e2353dfa5612/JS_5D_6962.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Ivan Maliutin (Russian, 1891–1932), text by Vladimir Mayakovsky ROSTA poster (Moscow): Na pol’skii front (To the Polish Front) / Krepnet kommuna pod pul’ roem. Tovarishchi, pod vintovkoi sily utroim! (The Commune is Growing Stronger Under the Bullets. Comrades, Let’s Triple Our Strength under the Rifle!), 1920 Lithograph 22 7/16 x 19 1/8” (57 x 48.6 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Vladimir Mayakovsky, image and text ROSTA poster (Moscow): Ukraintsev i russkikh klich odin—da ne budet pan nad rabochim gospodin! (Ukrainians and Russians Have a Common War Cry—Polish Gentry Will Not Be Master of the Worker!), 1920 Lithograph 25 3/8 x 25 7/8” (64.5 x 65.7 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Ivan Maliutin (Russian, 1891–1932), text by Vladimir Mayakovsky ROSTA poster (Moscow): Svobodu zasluzhivaet tol’ko tot, kto ee s vintovkoi otstaivat’ idet (Only He Who Fights for Freedom Deserves It), 1920 Lithograph 17 3/4 x 19 1/4” (45.1 x 48.9 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Vladimir Mayakovsky, image and text ROSTA poster no. 535 (Moscow), 1920 Lithograph 35 3/4 x 28 1/8” (90.8 x 71.4 cm) 1. Comrades! Go on the defensive like that. 2. If you don’t want to help the Baron! 3. Do you want to work, not fight? 4. Do you want?! So you need to try to defeat the White Guards.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9f5ac226-9186-416b-8308-68ee33e5713d/JS_5D_6979.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Ivan Maliutin (Russian, 1891–1932), text by Vladimir Mayakovsky ROSTA poster (Moscow): Gde rabota, idite tuda: Pervoe maia—prazdnik truda (Go Where the Work Is: First of May Is a Holiday of Labor), 1920 Lithograph 25 3/8 x 17 5/8” (64.4 x 44.8 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0968ca28-18c2-4480-a4f9-13ff92b7eb27/_MG_1040.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky Wrapper: Nasha Industriia (Our Industry) and Krasnaia Moskva (Red Moscow) caramels, from the Krasnyi Oktiabr’ (Red October) factory, Mossel’prom, Moscow, 1923 3 1/4 x 3” (8.3 x 7.6 cm) Lithograph In springtime, the earth is black, / Fluffed up like cotton wool. / Grain elevator, give larger seed / To the ploughed field.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky Poster: Galoshi Rezinotresta (Rubber Trust Galoshes), 1923 Lithograph 28 3/16 x 19 13/16” (71.6 x 50.3 cm) Buy! / People of the East! / The best galoshes, brought by camel. / Rezinotrest</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/483ff776-d1b2-49d3-af9c-a54c4081421f/_MG_1129.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky Maquette for poster: Mossel’prom Stolovoe maslo (Mossel’prom Cooking Oil), 1923 Gouache, ink, pencil, and cut paper on paper 33 x 23″ (83.8 x 58.4 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York Cooking oil / Attention working masses / Three times cheaper than butter! More nutritious than other oils! / Nowhere else than at Mossel'prom.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/67f7af4d-7872-4568-ad9e-a676600d35bb/_MG_1033.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky Packaging: Pechen’e “Zebra” (Zebra cookies), from the Krasnyi Oktiabr’ (Red October) factory, Moscow, 1923 or 1924 Lithograph 13 7/8 x 5 11/16” (26 x 14.5 cm) The zebra was hot / Running around in Africa / But now he's baked / By Mossel’prom in a factory / Looking at that Zebra / The Menshevik gets sad / Is it from him / That they took that striped beauty.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky Wrapper: Nasha Industriia (Our Industry) and Krasnaia Moskva (Red Moscow) caramels, from the Krasnyi Oktiabr’ (Red October) factory, Mossel’prom, Moscow, 1923 3 1/4 x 3” (8.3 x 7.6 cm) Lithograph Don’t stand there on the bank of the river / Until old age, / It’s better to throw a bridge / Over the river.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky Poster: Galoshi Rezinotresta (Rubber Trust Galoshes), 1923 Lithograph 27 1/2 x 19 3/4” (70 x 50.2 cm) Galoshes of the Rubber Trust. / Simply a delight! / Worn / North, west, south, and east.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky Poster: Mossel’prom Stolovoe maslo (Mossel’prom Cooking Oil), 1923 Letterpress 26 7/8 × 19 5/8″ (68.3 x 49.8 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York Cooking oil / Attention working masses / Three times cheaper than butter! More nutritious than other oils! / Nowhere else than at Mossel'prom.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/710a2dfa-9de7-47d7-ad77-7dc2202a67b0/RODC_LABEL_SCAN_01.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky Wrapper: Nasha Industriia (Our Industry) and Krasnaia Moskva (Red Moscow) caramels, from the Krasnyi Oktiabr’ (Red October) factory, Mossel’prom, Moscow, 1923 3 1/4 x 3” (8.3 x 7.6 cm) Lithograph Here, with this very generator / One can move the mountain / And relieve our misfortune.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8855f2ad-18be-4844-a1ec-0a917c8703b7/white.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/eee29ec0-d667-4a25-9862-5ea4473fddff/_MG_1130.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky Maquette for poster: Chaeupravlenie (Tea Directorate) cocoa, c. 1924 Pencil and gouache on paper 33 1/8 × 23 1/2″ (84.1 x 59.7 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York Comrades, don’t argue! / Soviet citizens will become stronger in sport. / It is our might, it is our right. / And where is the strength? / In this cocoa.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Book cover and illustrations: Vladimir Mayakovsky, Pro eto: ei i mne (About This: To Her and To Me) Moscow-Petrograd: Gosizdat (State Publishing House) and LEF Publishing House, 1923 Letterpress and halftone 9 1/8 x 6” (23.1 x 15.4 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Book cover and design: Vladmimir Mayakovsky, Dlia golosa (For the Voice) Moscow-Berlin: Gosudarstvennoe izdatel’stvo, 1923 Letterpress 7 3/8 x 5 1/4” (10 x 13.3 cm) Note: Dlia golosa was intended to be read aloud. Lissitzky’s design, employing tabbed pages, emphasizes the concrete qualities of printed letters on the page.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Book cover and illustrations: Vladimir Mayakovsky, Razgovor s fininspectorom o poezii (Conversation with a Tax Collector about Poetry) Tiflis: Zakkniga, 1926 Letterpress and halftone 6 7/8 x 5 1/16” (17.4 x 12.7 cm) What if I am / Simultaneously / The leader / And the servant / Of my people? / My mouth, / The working class’s / Megaphone. / My rhyme / Is a slogan. / My rhyme / Is a keg / Of dynamite.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Book cover and illustrations: Vladimir Mayakovsky, Sergeiu Eseninu (To Sergei Esenin) Tiflis: Zakkniga, 1926 Letterpress and halftone 6 3/4 x 5 1/16” (17.5 x 13 cm) You have gone / (As they say) / To a better world. / Bullshit. […] No, Esenin, this isn’t a joke. / There’s a lump in my throat. […] Our planet / Was poorly designed / For happiness. / We must snatch delight / From days to come. Note: Mayakovsky wrote this book in homage to the poet Sergei Esenin, who died by suicide in 1925.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Book cover: Vladimir Mayakovsky, Sifilis (Syphilis) Tiflis: Zakkniga, 1926 Letterpress and halftone 6 5/8 x 5 1/16” (15.8 x 12 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Book cover: Vladimir Mayakovsky, No. S: Novye stikhi (New Verse) Moscow: Federatsiia, 1928 Letterpress 7 x 10 1/2” (18.1 x 26.7 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Photomontage illustration for Pro eto (Mayakovsky pictured), repr. opp. p. 12 From the cable crawled scratching jealousy, a monster from troglodytic times.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Spread for Dlia golosa showing tab for Marsh (March)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Illustration for Razgovor c fininspektorom o poesii, repr. opp. p. 14</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Illustration for Sergeiu Eseninu, repr. opp. p. 6</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Illustration for Sifilis, repr. opp. p. 6</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Frontispiece and title page of No. S: Novye stikhi</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Photomontage illustration for Pro eto (Mayakovsky pictured), repr. opp. p. 36 I catch my balance, wavering frantically.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Spread for Dlia golosa showing tab for Nash marsh (Our March)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Back cover of Razgovor c fininspektorom o poesii</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Back cover of Sergeiu Eseninu</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Illustration for Sifilis, repr. opp. p. 10</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Designer unknown Poster (Ukranian): Kontsertova Zalia Budkomosu, vul. Revolutsii, liutoho vystupliat dva poiety chetver: Vladimir Maiakovsky ta [...] (Concert Hall of the House of Communist Education, Two poets will perform: Vladimir Mayakovsky and [...]), c. 1927 Lithograph (one half of a two-piece poster) 13 1/2 x 40 5/8” (34.3 x 103.2 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Book cover: Vladimir Mayakovsky, Maiakovskii ulybaetsia, Maiakovskii smeetsia, Maiakovskii izdevaetsia (Mayakovsky Smiles, Mayakovsky Laughs, Mayakovsky Jeers) Moscow-Petrograd: Krug, 1923 Lithograph 6 7/8 x 4 7/8" (17.4 x 12.4 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Book cover: Vladimir Mayakovsky, Khorosho! Oktiabr’skaia poema (Good! An October Poem) Moscow-Leningrad: Gosudarstvennoe izdatel’stvo, 1927 Letterpress 8 1/4 x 5 5/16” (20.9 x 13.4 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Book cover: Vladimir Mayakovsky, Parizh (Paris) Moscow: Moskovskii rabochii, 1925 Letterpress and halftone 6 3/4 x 5” (17.4 x 13 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Nikolai Il’yin (Russian, 1894–1954) Book cover: Vladimir Mayakovsky, Slony v komsomole (Elephants in the Komsomol) [Moscow]: Molodaia gvardiia, 1929 Letterpress 7 x 4 1/2” (17.8 x 11.4 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Grigorii Bershadsky (Russian, 1895–1963) Book cover: Vladimir Mayakovsky, Letaiushchii proletarii (The Flying Proletariat) Moscow: Avioizdatel’stvo-Aviakhim, 1925 Letterpress 9 x 6 1/8” (22.9 x 15.5 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Designer unknown Book cover: Vladimir Mayakovsky, Kak delat’ stikhi (How Are Verses Made); “Ogonyok” Library series, no. 273 Moscow: Aktsionernoe Izdatel’skoe obshchestvo “Ogonyok,” 1927 Letterpress 5 3/4 x 4 1/2” (14.6 x 11.4 cm) Rhythm is the fundamental force, the fundamental energy of verse. You can’t explain it, you can only talk about it as you do about magnetism and electricity. Note: The small-scale, inexpensive “Ogonyok” Library series made books by Russian authors such as Anton Chekov, Maxim Gorky, and Ilya Ehrenburg, as well as foreign authors such as Jack London, Mark Twain, and Émile Zola, available to a broad readership. Mayakovsky’s essay, published as no. 273 of the series and probably written between March and May of 1926, is directed against clichés in poetry and literary criticism.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Inside front cover of Kak delat’ stikhi</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Inside back cover of Kak delat’ stikhi</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Vladimir Mayakovsky, 1924 Gelatin silver print 11 1/4 x 8 7/8" (28.6 x 22.5 cm) Formerly Merrill C. Berman Collection</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Vladimir Mayakovsky, 1924 (photographic enlargement; date of print unknown) Gelatin silver print 14 5/16 x 11 1/4” (36.4 28.6 cm) Note: This is a tightly cropped print of an image in which Mayakovksy is seen to be holding Lily Brik’s dog Scottie at Lily and Osip Brik’s dacha in Pushkino. An uncropped version of the image was reproduced in the article A. Rodchenko, “Meeting with Mayakovsky (Excerpts from Memory),” Sovetskoe foto (Soviet Photo), no. 4 (April 1940), p. 4, with the caption: V. V. Mayakovsky (1924), Photo: A. Rodchenko.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Boris Ignatovich (Russian, 1899–1976) Vladimir Mayakovsky, Red Square, 1928 (date of print unknown) Gelatin silver print 13 x 5 3/4” (33 x 14.6 cm) Note: This is detail of a wider image of Red Square in which Mayakovsky is seen among other figures.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksei Levin (Russian, 1893–1967), text by Vladimir Mayakovsky (Russian, 1893–1930) Poster: Gosizdat: Gosudarstvennoe izdatel’stvo (State Publishing House), 1924 Lithograph 42 x 28” (106.6 x 71 cm) All books intended for students in the new academic year, published by Gosizdat.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Varvara Stepanova (Russian, 1894–1958), text by Vladimir Mayakovsky (Russian, 1893–1930) Poster: GIZ/Gosizdat: Gosudarstvennoe izdatel’stvo (State Publishing House), 1925 Lithograph 40 x 28” (101.5 x 71 cm) Remember GIZ! This logo is a source of Knowledge and Light. Everybody should know the addresses of its stores and warehouses.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/09f441c9-426a-48f1-8901-238c359065e6/Maiak08.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksei Levin (Russian, 1893–1967), text by Vladimir Mayakovsky (Russian, 1893–1930) Poster: Gosizdat: Gosudarstvennoe izdatel’stvo (State Publishing House), 1924 Lithograph 42 1/4 x 27 3/4” (107.3 x 70.5 cm) Every newcomer to the city pines for a spiritual drink. In a Gosizdat shop, you will find any book or textbook in a flash.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Varvara Stepanova (Russian, 1894–1958), text by Vladimir Mayakovsky (Russian, 1893–1930) Poster: GIZ/Gosizdat: Gosudarstvennoe izdatel’stvo (State Publishing House), c. 1925 Lithograph 40 3/8 x 27 5/8” (102.6 × 70.2 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York. The literate will improve the farm economy. Teach your children with Gosizdat textbooks.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksei Levin (Russian, 1893–1967), text by Vladimir Mayakovsky (Russian, 1893–1930) Poster: Subscribe to Rabochaia Moskva (Workers’ Moscow) for 1925, 1924 Lithograph 41 7/8 x 28” (106.4 x 71.1 cm) Workers, what should you read? Of course, the newspaper Workers’ Moscow. Subscription open for 1925.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky (Russian, 1893–1930) Poster: Profsoiuz (Trade Union). MGSPS (Moscow City Council of Professional Unions), “Labor and Book,” 1924–1925 Letterpress and halftone 9 3/8 x 14” (24 x 35.6 cm) If you became disabled at work, Profsoiuz provides relief.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cc86dd94-b1fe-4d73-b8dd-118e01844d08/_MG_0720.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky (Russian, 1893–1930) Poster: Profsoiuz (Trade Union). MGSPS (Moscow City Council of Professional Unions), “Labor and Book,” 1924–1925 Letterpress and halftone 14 x 9 3/8” (35.6 x 24 cm) The worker alone is weak. Profsoiuz is a defense against the employer’s clutches.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky (Russian, 1893–1930) Poster: Profsoiuz (Trade Union). MGSPS (Moscow City Council of Professional Unions), “Labor and Book,” 1924–1925 Letterpress and halftone 9 3/8 x 14” (24 x 35.6 cm) Limbs broken like branches by the machine. Profsoiuz recommends machine grids for protection.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956), text by Vladimir Mayakovsky (Russian, 1893–1930) Poster: Profsoiuz (Trade Union). MGSPS (Moscow City Council of Professional Unions), “Labor and Book,” 1924–1925 Letterpress and halftone 9 3/8 x 14” (24 x 35.6 cm) I am a member of the trade union. The trade union will ensure that I don’t become unemployed.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Prospectus: Lef (Left Front of the Arts), no. 1 (March 1923) Letterpress (single sheet) 8 7/8 x 5 5/8” (22.5 x 14.3 cm) Note: A total of seven issues of Lef: Zhurnal levogo fronta iskusstv (Lef: Journal of the left front of the arts) were published between March 1923 and January 1925. Mayakovsky acted as managing editor. The logo and all covers were designed by Rodchenko.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Valentina Kulagina (Russian, 1902–1987) and Gustav Klutsis (Latvian, 1895–1938) Book cover: A. Kruchenykh, Lef Agitki (Lef propaganda): Mayakovsky, Aseev, and Tretiakov. Moscow: All-Russian Union of Poets, 1925 Letterpress 7 1/4 x 5 1/2” (18.4 x 14 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Prospectus: Lef (Left Front of the Arts), no. 2 (May 1923) Letterpress and halftone (two sheets, folded and stapled, pages uncut) 9 1/8 x 6 1/8” (23.2 x 15.5 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Journal cover: Novyi Lef (New Lef), no. 1 (January 1927) Halftone and letterpress 9 x 6” (22.9 x 15.2 cm) Note: After a hiatus of two years, Lef returned as Novyi Lef: Zhurnal levogo fronta iskusstv (New Lef: Journal of the left front of the arts). A total of twenty-two issues of Novyi Lef were published between January 1927 and December 1928. Mayakovsky acted as managing editor in 1927 (nos. 1–12) and for part of 1928 (nos. 1–7), and was succeeded by Tretiakov (nos. 8–12). All covers were designed by Rodchenko.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Poster: Otkryta podpiska na 1924 god na illustrirovannyi zhurnal Levogo Fronta Iskusstv (Lef), 2-i god izdaniia (Open subscription to Lef, the illustrated journal of the Left Front of the Arts, for the year 1924, second year of the publication). Editorial staff B. I. Arvatov, N. N. Aseev, O. M. Brik, B. A. Kushner, V. V. Mayakovsky, S. M. Tretiakov, c. 1924 Lithograph 26 7/8 x 20 7/8” (68.3 x 53 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Journal cover: Novyi Lef (New Lef), no. 7 (July 1928) Halftone and letterpress 8 7/8 x 6” (22.5 x 15.2 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Nisson Shifrin (Russian, 1892–1961) Book cover: Vladimir Mayakovsky, Kem byt’? (What to Become?) Moscow: Gosudarstvennoe izdatel’stvo, 1930 Lithograph 8 3/4 x 7 1/2” (22.5 x 19.3 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Nisson Shifrin (Russian, 1892–1961) First page of Kem byt’? n.p. My years increase, I will be seventeen. Where do I work then, what do I do?</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Nisson Shifrin (Russian, 1892–1961) Last page of Kem byt’? n.p. While turning the pages, take note—All jobs are good, choose and follow your taste!</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Aleksei Gan (Russian, 1889–1942) Poster: Vystavka rabot Vladimira Maiakovskogo (Exhibition of the work of Vladimir Mayakovsky), Book Museum of the State Lenin Library, Moscow (1931), 1931 Lithograph and letterpress 25 1/2 x 18 1/8” (64.8 x 46 cm) Note: The photograph reproduced on this posthumous poster was taken by Abram Shterenberg the previous year at Mayakovsky’s retrospective exhibition Twenty Years of Work, Klub Pisatele, Moscow.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Varvara Stepanova (Russian, 1894–1958) Book cover: Vladimir Mayakovsky, Groznyi smekh: Okna ROSTA (A Menacing Laughter: The ROSTA Windows). K. Solyadzhin, ed. Moscow and Leningrad: State Publishing House, 1932 Letterpress and halftone 9 9/16 x 8 1/16” (24.2 x 20.5 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Konstantin Bor-Ramensky (Russian, 1900–1942) Book cover: Vasilii Kamenskii, Iunost’ Maiakovskogo (Mayakovsky’s Youth) Tiflis: Zakkniga, 1931 Letterpress and lithograph 7 x 5 x 1/4” (17.8 x 12.7 x .6 cm) Note: This cover design appropriates earlier imagery, including Rodchenko’s 1924 photographic portrait of Mayakovsky (center), Rodchenko’s January 1928 cover of Novyi Lef (New Lef), no. 1 (left), and Lissitzky’s 1927 cover for Khorosho! Oktiabr’skaia poema (right).</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Designer unknown Poster: Mayakovsky ot LEFa k RAPPu (Mayakovsky from LEF [Left front of the arts] to the RAPP [Russian Association of Proletarian Writers]), presentation by Osip Brik, Club of the Moscow State University, c. 1935 Lithograph 24 1/2 x 17 1/2” (62.2 x 44.5 cm)</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/859d54f4-4221-425c-9d7a-c94c2bee39bf/JS_5D_7133.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Varvara Stepanova (Russian, 1894–1958) Title page of Groznyi smekh.</image:caption>
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      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Illustration for Iunost’ Maiakovskogo, repr. opp. p. 24. Image caption: Vasilii Kamenskii, drawing by V. Mayakovsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/bf5905ef-4d99-46e5-885f-76d95bf91e68/JJ_60D_03699.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Designer unknown Poster: Vystavka rabot Aleksandra Mikhailovicha Rodchenko (Exhibition of Work by Aleksandr Mikhailovich Rodchenko), State Literary Museum, Moscow (1962), 1962 Lithograph 28 1/2 x 40 1/8" (72.4 x 101.9 cm) Note: The photograph reproduced pictures, from left to right, Dmitrii Shostakovich (composer), Vladimir Mayakovsky (playwright), Vsevolod Meyerhold (theater director), and Aleksandr Rodchenko (costume designer), working on the production of Mayakovsky’s Klop (The Bedbug) in 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/44602266-e76a-4c83-be4e-66eeca6066b4/Screen+Shot+2021-11-19+at+2.42.15+PM.png</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ea30bcb7-2971-43eb-b6d6-3ddcb3b541ce/JS_5D_7267.jpg</image:loc>
      <image:title>Vladimir Mayakovsky: - Make it stand out</image:title>
      <image:caption>Varvara Stepanova (Russian, 1894–1958) Spread from Groznyi smekh.</image:caption>
    </image:image>
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    <lastmod>2022-09-09</lastmod>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Fig. 1. Jan Tschichold. Guide for the production of letters and invoices in format DIN 676, 1932 (originally reproduced in Die Neue Typographie 1928, p. 119, Tschichold revised this guide and printed it as this two-page stand-alone item). Letterpress and tracing paper, 16 5/8 x 11 3/4” (42.2 x 29.8 cm)</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Fig. 2. Deutscher Normenausschusses (German Standards Committee), Paper Format DIN 476 (second edition, July 1925) as reproduced in Jan Tschichold, Die Neue Typographie (The New Typography) (Berlin: Verlag des Bildungsverbandes der deutschen Buchdrucker, 1928), p. 105.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Fig. 3. Details from letterheads by Herbert Bayer (left three) and Max Burchartz (right three) announcing the use of A4 paper.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ccb35ab9-4e9b-4a7e-a579-c748f2aa2c6e/Screen+Shot+2022-07-01+at+1.44.11+PM.png</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Fig. 4. Aleksandr Rodchenko, Six sheets of Dobrolet letterhead perforated at top.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8bf70343-724a-4e30-b755-52aa9c17ebf6/scan_il_futurismo.jpeg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Fig. 5. Detail of F.T. Marinetti’s Il Futurismo letterhead, 1925–1931, showing the paper manufacturer’s “EXTRA STRONG” watermark.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7afb4b11-1a12-4c00-9571-1675f0a559c0/scan_mouvement_dada.jpeg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Fig. 6. Detail of Tristan Tzara’s Mouvement Dada letterhead, 1920, showing the paper manufacturer’s “NEW ERA BOND” watermark.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Josef Hoffmann (Austrian, 1870–1956) and Koloman Moser (Austrian, 1868–1918) Letterhead: Wiener Werkstaette, Nevstiftgasse 32 (Wien 7), c. 1912 Lithograph 10 1/8 x 6 3/4” (27 x 17.5 cm) Letter date: August 10, 1912 Addressee: Josef Ehrig</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0ada0905-c12e-484d-8b96-9da83e147246/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7d996eee-b67d-43f9-ae59-530a32b48d66/JJ_60D_9657.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Designer unknown Letterhead: Ça Ira: Administration-Redaction, Eeckeren, c. 1920–1923 Letterpress 10 3/8 x 8 1/4” (26.3 x 21 cm)</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Designer unknown Letterhead: Ça Ira: Revue mensuelle d’art et de critique, Eeckeren-Anvers, c. 1920-1923 Letterpress 10 3/4 x 8 1/4” (27.3 x 21 cm) Watermark: Stronc Bank</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Designer unknown Envelope: Éditions Ça Ira, Eeckeren-Anvers, c. 1920-1923 Letterpress 4 7/8 x 6” (12.3 x 15.2 cm)</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e235c0ab-25a6-460d-9d98-6f6e4e0bc5d8/JS_5D_8848.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Karel Teige (Czech, born Bohemia. 1900–1951) Letterhead: Disk: Internacionální Revue, c. 1923 Lithograph 11 3/8 x 9” (29 x 22.8 cm) Note: The journal Disk, edited by three members of the Devětsil group—Jaromír Krejcar, Jaroslav Seifert, and Karel Teige—appeared in two issues: no. 1 (Prague, 1923) and no. 2 (Prague and Brno, 1925). Graphically, and in its subtitle and address, this stationery reflects the first issue.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (American, born Bohemia [now Czech Republic]. 1897–1976) Letterhead: Svaz Československeho Dila (SČSD; Association of the Czechoslovak Werkbund), Prague, c. 1928 Letterpress Format A4: 11 3/16 x 8 1/4” (29.7 x 21 cm) Colophon: [lower right] Normalisovaný formát A 4 210 x 297 Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (857.2019)</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (American, born Bohemia [now Czech Republic]. 1897–1976) Letterhead: Baba výstavni výbor (Baba Exhibition Committee), Prague, 1931 Letterpress mounted in presentation book, Dopisni papiry a tiskopisy (stationery and forms) Format A4: 11 1/2 x 8 1/4” (29.7 x 21 cm) Colophon: [lower right] Normalisovaný formát A 4 210 x 297 Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (857.2019) Note: An exhibition of the Czechoslovak Werkbund’s Baba Housing Estate in the Dejvice district in Prague was presented in September 1932.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6ba5770f-e432-4fcd-a195-cd7bb84f96c2/JS_5D_8846.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Karel Teige (Czech, born Bohemia. 1900–1951) Envelope: Disk: Internacionální Revue, c. 1923 Lithograph 5 x 6 1/4” (12.5 x 16 cm)</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (American, born Bohemia [now Czech Republic]. 1897–1976) Letterhead: Svaz Československeho Dila (SČSD; Association of the Czechoslovak Werkbund), Prague, c. 1930 Letterpress Format A4: 11 3/4 x 8 1/4” (29.7 x 21 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (857.2019)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/363235d4-061a-4038-8645-729d6d7ce9ca/JS_5D_7162.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (American, born Bohemia [now Czech Republic]. 1897–1976) Design for letterhead: Žijeme: Obrázkový magazin dnešní doby, Prague, 1931 Ink on paper Format A4: 11 3/4 x 8 1/4” (29.8 x 21 cm) Colophon: [cut-and-pasted printed text, lower right] Normalisovaný formát A 4; 210 x 297 Note: Published in Prague between 1931 and 1933, the journal Žijeme (For Life or We Live) was the organ of the Czechoslovak Werkbund.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1810eefe-309a-4880-9e53-f17fa932d9de/_MG_6027b.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (American, born Bohemia [now Czech Republic]. 1897–1976) Postcard: Svaz Československeho Dila (SČSD; Association of the Czechoslovak Werkbund), Prague, c. 1928 Letterpress 4 7/16 x 6 1/8” (11.2 x 15.5 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (857.2019)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/36b8ad70-b6c5-4dd3-a080-bc402f6c0c12/_MG_6029.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Ladislav Sutnar (American, born Bohemia [now Czech Republic]. 1897–1976) Letterhead: Václav Petr (P), Prague, before 1939 Letterpress 8 1/4 x 5 3/4” (20.9 x 14.6 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (857.2019) Note: Václav Petr was a Prague-based book publisher.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/718af112-3b99-4f8a-9ee7-32b9fd425b91/JS_5D_8867.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Designer unknown (possibly Otakar Mrkvička [Czech, 1898–1957]) Letterhead: Carbonia, Příbram, c. 1930 Lithograph 12 1/2 x 9 1/2” (30 x 23 cm) Letter date: January 15, 1930 Sender: Vojta Stach and Jan Pašek, Carbonia Addressee: Dear sir, dear friend Note: In 1930, the Czechoslovak mining company Carbonia published a book of traditional mining songs (Hornické písně), transcribed by František Forst. The book, designed by Otakar Mrkvička, was sent to supporters and shareholders of Carbonia accompanied by this form letter.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9259d23a-43aa-40ad-8ce7-d41399f80797/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Tristan Tzara (French, born Romania. 1896–1963) Letterhead: Mouvement Dada, Paris, [March or April] 1920 Letterpress on paper 10 5/8 x 8 1/4” (27 x 21 cm) Watermark: NEW ERA BOND Note: The letterhead is printed on pale blue paper watermarked “NEW ERA BOND,” possibly brought back to France from New York by Francis Picabia. Its earliest known usage was in April 1920.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Auguste Herbin (French, 1882–1960) Design for letterhead: Galerie L’Effort Moderne (Léonce Rosenberg), Paris, c. 1918 [Gouache on paper mounted on wood] 10 1/8 x 1 3/4” (25.7 x 4.4 cm) Note: In January 1918, the gallery moved to its location at 9, rue de la Baume, 8 ème arrondissement. Two months later, in March 1918, it presented a one-man exhibition of the work of Herbin.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Auguste Herbin (French, 1882–1960) [Folder or proof for letterhead]: Galerie L’Effort Moderne (Léonce Rosenberg), Paris, c. 1918 Ink (possibly pochoir) 11 1/4 x 8 7/8” (28.6 x 22.5 cm), folded Printed text: Upper right, Herbin (French): “In support of wealth born from joy, power, and generosity; against sumptuousness born from selfishness, lies, and easy assignments.” Lower edge, Rosenberg (French): “Art has always sought, not to reconstruct an aspect of NATURE, but to construct plastic equivalents; as a result, art becomes an aspect [of nature] created by the SPIRIT.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b85f2f0d-1130-47a1-b626-aa4e9bedcd2c/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3d1cfe4c-ce03-4dd8-a571-d94b8c38c857/JS_5D_2532.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Herbert Bayer (American, born Austria. 1900–1985) Envelope: Herbert Bayer (HB), Weimar, c. 1925 Paper with lithographic seal 4 1/2 x 6 11/16” (11.1 x 16.8 cm) Letter date: January 19, 1925 (postmark) Sender: Bayer, Weimar, Bauhaus Addressee: Hermann Haupt / Kunstgewerbeschule Giebichenstein / Halle o. S. Note: Karl Hermann Haupt (German, 1904–1983) studied at the Kunstgewerbeschule Giebichenstein in Halle between 1920 and 1923, and then at the Bauhaus Weimar in the Winter semester 1923/1924. By 1925 he had returned to his native Halle.</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Herbert Bayer (American, born Austria. 1900–1985) Letterhead: Das Bauhaus in Dessau, 1926–1927 Letterpress Format A4: 11 5/16 x 8 3/16” (28.6 x 20.7 cm) Watermark: Manila / Schreibmaschinen Colophon: [lower left] bauhausdruck Bayer / din a4 1. 26. 3000 Printed text: [lower edge (German)] “We use all lower case letters to save time. In addition, why 2 alphabets when one suffices? Why write with upper case letters, when one can’t speak with them?”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/496cf297-ae6d-48e7-bba7-882ae8f43903/JS_5D_2569.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Herbert Bayer (American, born Austria. 1900–1985) Letterhead: Kreis der Freunde des Bauhauses (Circle of Friends of the Bauhaus), Dessau, 1925 Letterpress Format A4: 11 5/8 x 8 3/16” (29.5 x 20.7 cm) Watermark: Manila / Schreibmaschinen Colophon: [lower left] 10. 25. 500. / din a 4 / Bauhaus / bayer Printed text: [lower edge (German)] We use all lower case letters to save time. In addition, why 2 alphabets when one suffices? Why write with upper case letters, when one can’t speak with them?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3e9d929d-9d47-4ed4-9ea5-37c4ef40da3d/JS_5D_2578.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Herbert Bayer (American, born Austria. 1900–1985) Letterhead: Der Direktor, Das Bauhaus in Dessau, 1925 Letterpress Format A4: 11 9/16 x 8 1/4” (29.2 x 20.8 cm) Colophon: [lower left] bauhausdruck bayer / din a 4 Printed text: [lower edge (German)] “Search for simplified orthography. 1. From various new options, this orthography is recommended for the writing of the future. See the book Sprache und Schrift [Languages and Writing] by Dr. [Walter] Porstmann (Berlin: Verein Deutscher Ingenieure, 1920); 2. Our writing doesn’t lose anything through the use of small letters, rather it is easier to read and to learn, simply more economical; 3. Why should there be two symbols for a single letter, for example “a” and “A”? One letter one sign. Why two alphabets for a word? Why the double amount of letters, when half suffices?”</image:caption>
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      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Herbert Bayer (American, born Austria. 1900–1985) Letterhead: Kreis der Freunde des Bauhauses (Circle of Friends of the Bauhaus), Dessau, c. 1928 [Carbon] copy with ink corrections and stamp Format A4: 11 1/4 x 8 1/4” (28.6 x 21 cm) Colophon: [lower left] bauhausdruck bayer din a4 2. 27. 1000 Letter date: October 22, 1928 Sender: Ernst Kallai Addressee: Architekt J. E. Koula, Prague</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8d96b2dd-6de3-44bc-9ed2-d01f5119616f/JS_5D_7221.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Designer unknown (possibly Herbert Bayer [American, born Austria. 1900–1985]) Letterhead: Dr. Walter Porstmann, Berlin, 1920s Letterpress Format A4: 11 3/4 x 8 1/4” (29.8 x 21 cm) Watermark: Colambo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/798a19fe-9da6-4aa4-81e7-cc4a08ee9d01/JS_5D_2589.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Designer unknown Envelope: Bauhaus Dessau Drucksache (printed matter), 1925–1932 Lithograph 4 1/2 x 6 3/8” (11.2 x 16 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ba8ed617-3dad-4b2d-b20f-84e57a727fdb/JS_5D_2577.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Possibly Mies van der Rohe (American, born Germany. 1886–1969) Letterhead: Bauhaus Berlin, 1933 Letterpress Format A4: 11 5/16 x 8 3/16” (29.2 x 20.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/33bf6bc7-caa7-4f3e-9aad-0df0ac4e6269/JS_5D_2621.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Joost Schmidt (German, 1893–1948) Letterhead: Joost Schmidt, Berlin, c. 1933 Lithograph Format A4: 11 11/16 x 8 1/4” (29.5 x 20.7 cm) Watermark: 1528 - Feldmühle - 1528 / Special - Bank - Post Note: Schmidt’s logo, which appeared in the upper right corner of his Bauhaus exhibition poster of 1923, was reutilized for the artist’s personal stationery upon his move to Berlin in 1933.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/144b1d6a-6065-48d7-9b03-a66a70b53021/JS_5D_2623.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Joost Schmidt (German, 1893–1948) Calling card: Joost Schmidt, Berlin, c. 1933 Lithograph 2 15/16 x 3 3/8” (7.3 x 8.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/58306a5f-81da-4eae-81c9-68dba9001e45/_MG_2083.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Letterhead: Veshch / Objet / Gegenstand, Berlin, 1922 Letterpress on laid paper 3 7/8 x 8 7/8” (9.8 x 22.5 cm) Note: This letterhead for the tri-lingual journal Veshch / Objet / Gegenstand, edited by El Lissitzky and Ilya Ehrenberg and published in Berlin in two issues (three numbers) in 1922, appears to have been cropped from an original full-sized sheet. For a full-sized example, see Lupton and Cohen 1996, p. 32.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5b102766-b24f-4a7c-9156-52e35fe6fb76/JJ_60D_4403.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Edmund Kesting (German, 1892–1970) Letterhead: Der Weg: Neue Schule für Kunst (The Path: New School for Art), Leitung Edmund Kesting, Dresden, c. 1926 Letterpress with ink stamp and signature 11 1/4 x 8 7/8” (28.5 x 22.5 cm) Watermark: Colambo Letter date: January 12, 1926 Sender: Edmund Kesting Note: Kesting founded the private school Der Weg (The Path or The Way) in Dresden in 1919. This form letter announces the opening of a Berlin branch of the school, under the direction of Lothar Schreyer. Both schools would be closed in 1933.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/296602b9-675e-4c3b-b02a-6e61c2b2f0c8/JS_5D_6293.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Likely Georg Trump (German, 1896–1985) Letterhead: Ring “Neue Werbegestalter” (NWG), Hannover, c. 1928 Lithograph Format A4: 11 3/8 x 8 1/8” (28.8 x 20 cm) Watermark: EMC / 1804 Note: “Vorsitzender [Chairman]: Kurt Schwitters,” together with his home address, appear on this letterhead and envelope, leading some to speculate that the stationery design was his.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c093f06d-d409-4e22-8d63-ec8820230594/trump55.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Georg Trump (German, 1896–1985) Letterhead: Bielefelder Aktiengesellschaft für Mechanische Weberei (MW), c. 1930s Letterpress Format A4: 11 3/16 x 8 3/16” (28.4 x 20.7 cm) Watermark: EMC / 1804</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a1623e51-c933-4d34-8648-2b4cc7c6bcf5/trump49.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Georg Trump (German, 1896–1985) Letterhead: I. Bansi, Bielefeld, c. 1925–1929 Letterpress Format A4: 11 9/16 x 8 3/16” (29.3 x 20.7 cm) Watermark: 1528 - Feldmühle - 1528 / Special - Bank - Post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/789b5805-319b-4021-b256-895fe60317d0/JS_5D_6288.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Likely Georg Trump (German, 1896–1985) Envelope: Ring “Neue Werbegestalter” (NWG), Hannover, c. 1928 Lithograph 6 3/8 x 4 1/2” (16.1 x 11.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0e4dba7e-3118-42cc-bce9-75f4aaca44c7/trump61.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Georg Trump (German, 1896–1985) Envelope: Bielefelder Aktiengesellschaft für Mechanische Weberei (MW), Bielefeld, c. 1930s Letterpress 4 1/2 x 6 3/8” (11.3 x 16 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a19c1541-5d4f-4444-a8e1-712555563182/trump45.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Georg Trump (German, 1896–1985) Invoice: Kunstgewerbehaus Paul Oehlmann (OE), Bielefeld, c. 1925–1929 Lithograph Format A4: 11 1/4 x 8 1/4” (28.5 x 20.9 cm) Watermark: EMC / 1804</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5c76653c-4efc-406f-8915-e2b6d1e83e74/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/73e2e0f9-7302-4ded-8f2e-39948179ff4c/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cf3e94dd-f2d4-443f-803a-432335817c5b/trump50.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Georg Trump (German, 1896–1985) Letterhead: H. Berthold AG, Schriftgiesserei und Messinglinienfabriken, Berlin, after 1918 Letterpress Format A4: 11 9/16 x 8 3/16” (29.3 x 20.7 cm) Watermark: 1528 - Feldmühle - 1528 / Special - Bank - Post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/54802058-0fa9-405c-a11c-fa7d6415e429/JS_5D_7225.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Werbe-Bau: Max Burchartz (German, 1887–1961) and Johannes Canis (German, 1895–1977) Letterhead: Westdeutsche Treuhandgesellschaft (West German Trust Company), Canis &amp; Co., Bochum, c. 1924 Letterpress 11 3/4 x 8 1/4” (29.8 x 21 cm) Watermark: Velvet Post / 582 Colophon: [lower left] DINformat A 4 / 210 : 297 / Vordruck nach / DIN. 676.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f2bac815-affe-41e6-9181-b41b5967f140/JS_5D_8170.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Werbe-Bau: Max Burchartz (German, 1887–1961) and Johannes Canis (German, 1895–1977) Letterhead: Werbe-Bau: Max Burchartz / J. Canis, Bochum, c. 1925 Letterpress Format A4: 11 5/8 x 8 1/4” (29.5 x 20.9 cm) Colophon: [lower left] DINformat A 4 / 210 : 297 / Vordruck nach / DIN 676. Letter date: February 12, 1925 Addressee: Dr. W. Benedict, Duisburg Note: This is a form letter accompanying Werbe-Bau brochure.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a83c4889-941b-4700-bd7b-de5d4e4b58c8/JS_5D_6203.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Max Burchartz (German, 1887–1961) Letterhead: Theater der Stadt Münster (TM), Der Intendant, 1926–1927 Lithograph Format A4: 11 1/2 x 8 1/4” (29.2 x 20.7 cm) Watermark: Manila / Schreibmaschinen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/68634e32-09ac-4f2f-908a-fa82efc8c34d/JS_5D_6197.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Johannes Canis (German, 1895–1977) Letterhead: Fabriken Fortschritt GmbH (Progress Factories), Freiburg im Breisgau, 1932 Letterpress Format A4: 11 7/16 x 8 1/8” (29 x 20.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/fc15336f-953e-4c8d-acc1-435034be6b08/JS_5D_6245.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Werbe-Bau: Max Burchartz (German, 1887–1961) and Johannes Canis (German, 1895–1977) Envelope: Westdeutsche Treuhandgesellschaft (West German Trust Company), Canis &amp; Co., Bochum, c. 1924 Letterpress 5 13/16 x 9 1/4” (14.7 x 23.4 cm) Addressee: Gustav Kaufmann, Etagengeschäft, Bochum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/81040167-073d-47cb-a945-866bd5a562cf/JS_5D_7224.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Werbe-Bau: Max Burchartz (German, 1887–1961) and Johannes Canis (German, 1895–1977) Letterhead: Werbe-Bau: Max Burchartz / J. Canis, Bochum, c. 1926 Letterpress Format A4: 11 1/2 x 8 1/4” (29.2 x 20.9 cm) Watermark: Manila / Schreibmaschinen Colophon: [lower left] 8. 25. 5000 / Din A 4 (Din 676)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d8038e03-bf44-401f-9243-c8d37652b46f/JS_5D_6217.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Max Burchartz (German, 1887–1961) Envelope: Theater der Stadt Münster (TM), 1926–1927 Lithograph 4 3/8 x 6 1/4” (11.1 x 15.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3e7dab6a-569f-4923-b0b2-5055bd5dd60f/JS_5D_6198.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Johannes Canis (German, 1895–1977) Letterhead: Fabriken Fortschritt GmbH (Progress Factories), Freiburg im Breisgau, 1932 Letterpress Format A4: 11 7/16 x 8 1/8” (29 x 20.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6f06349d-e5c5-48c7-b1c8-af6966367657/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3ad0e8da-c119-449a-b90c-cd1eaf40792d/JS_5D_8169.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Werbe-Bau: Max Burchartz (German, 1887–1961) and Johannes Canis (German, 1895–1977) Letterhead: Werbe-Bau: Max Burchartz / J. Canis, Bochum, c. 1926 Letterpress Format A4: 11 5/8 x 8 1/4” (29.5 x 20.9 cm) Watermark: Manila / Schreibmaschinen Colophon: [lower left] 8. 25. 5000 / Din A 4 (Din 676) Letter date: April 11, 1926 Note: This is a form letter accompanying Werbe-Bau brochure.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/88bc3e5d-06e8-4aad-80ef-517be5dc84b9/JS_5D_6216.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Max Burchartz (German, 1887–1961) Postcard: Theater der Stadt Münster (TM), 1926–1927 Lithograph 4 x 5 5/8” (11.7 x 14.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a5227b30-f1a7-4164-8b7d-09bcf96296a6/JS_5D_7226.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Johannes Canis (German, 1895–1977) Letterhead: Fabriken Fortschritt GmbH (Progress Factories), Freiburg im Breisgau, 1932 Letterpress Format A4: 11 1/2 x 8 1/4” (29.2 x 20.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2b6f83da-dfb6-4afc-8fe9-cdacb5ec0dec/JJ_60D_00184.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Designer unknown Letterhead: Bund das neue Frankfurt (dnf) e. v., Arbeitsgemeinschaft für modernen Film (Working Group for Modern Film), c. 1931 Letterpress Format A4: 11 1/8 x 8 1/8” (28.2 x 20.6 cm) Watermark: Manila / Schreibmaschinen Note: Dr. Joseph Ganter led the Das neue Frankfurt’s Arbeitsgemeinschaft für modernen Film (Working Group for Modern Film). The journal Das Neue Frankfurt announced the screening of member Ella Bergmann-Michel’s, Wo wohnen alte Leute? (Where do the Old People Live?), a fifteen-minute film on the Mart Stam’s recently completed Budge-Stiftung retirement home in Frankfurt (Das Neue Frankfurt, no. 5 [1931]: 58).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0088211d-51b9-435f-970e-b578f6520070/JJ_60D_9138.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Robert Michel (German, 1897–1983) Letterhead: Samenhaus Kahl (Kahl Seed Shop), Frankfurt, after 1924 Letterpress 11 1/4 x 8 7/8” (28.5 x 22.5 cm) Watermark: Velvet Post / 582</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a0070e7d-34c9-4add-bc59-0f9c6bba8afb/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6a12a68e-9910-418a-9ea1-6eab5127af46/JJ_60D_00170.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Robert Michel (German, 1897–1983) Invoice: Samenhaus Kahl (Kahl Seed Shop), Frankfurt, after 1924 Letterpress Format A4: 11 3/4 x 8 1/4” (29.8 x 20.9 cm) Letter date: July 7, 1943 Addressee: Jean Kofler, Bad-Homburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/fd3ce217-2fde-4cad-99d9-840c7d6723fa/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9eb1ccf4-2fed-4faf-b46a-d2c0948c594c/JJ_60D_9116.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Robert Michel (German, 1897–1983) Postcard: Samenhaus Kahl (Kahl Seed Shop), Frankfurt, after 1924 Letterpress 3 7/8 x 6 1/4” (9.8 x 15.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4cbc8e4a-545a-495b-a164-468439dce3b4/JS_5D_8206.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Kurt Schwitters (German, 1887–1948) Envelope: Merz Werbezentrale (Merz Advertising Agency), Drucksache (printed materials), Hannover, 1924 Letterpress (single folded sheet) 9 1/4 x 11 1/2” (23.4 x 29.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5000c4cc-ec85-4490-a8fd-b1e2a9402697/JJ_60D_4377.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Kurt Schwitters (German, 1887–1948) Invoice: H. Bahlsens Keks-Fabrik (Biscuit Factory), Hannover, c. 1929 Lithograph 11 x 8 5/8” (27.9 × 21.9 cm) Invoice date: July 9, 1930 Addressee: Firma Hans Feil, Delikatessen, Klagenfurt Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (658.2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/36bdacf5-4d49-47f1-aa5c-d4df8ecc2b9c/JJ_60D_4302.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Kurt Schwitters (German, 1887–1948) Postcard: Dammerstock-Siedlung, Die Gebrauchswohnung (Dammerstock Housing Estate, The Functional Dwelling), Karlsruhe, 1929 Letterpress 4 1/8 × 5 7/8” (10.5 × 14.9 cm) Letter date: October 17, 1929 (postmark) Addressee: Director Hannes Meyer, Bauhaus, Dessau Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (671.2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cb605745-68ac-479b-9706-b0fdb37d5eca/JJ_60D_4370.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Kurt Schwitters (German, 1887–1948) Questionnaire: Städtisches Tuberkulosekrankenhaus Heilstätte Heidehaus (State Tuberculosis Hospital, Sanitorium Heidehaus), Hannover, 1929 Letterpress 11 3/4 × 8 1/4” (29.8 × 21 cm) Colophon: [lower left] 591. 29. 2000 Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (668.2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8df163d5-4edc-4e1b-9177-5421589397a1/JS_5D_1263.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Label: El Lissitzky, [Locano, Switzerland], 1924 Letterpress 3 1/4 x 4 5/8” (8.2 x 11.7 cm) Note: According to Peter Nisbet, labels such as this were used by the artist for numbering Prouns (Nisbet 1987, p. 190 [1924/17b]). For an example of matching letterhead, see Lupton and Cohen 1996, p. 30.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a0070e7d-34c9-4add-bc59-0f9c6bba8afb/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0dac30e4-d981-4efc-a183-ddebcb11d2c1/JS_5D_7314.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Kurt Schwitters (German, 1887–1948) Envelope: H. Bahlsens Keks-Fabrik (Biscuit Factory), Hannover, c. 1929 Letterpress 6 1/2 x 5 1/8” (16.5 x 13 cm) Letter date: August 28, 1934 (postmark) Addressee: Firma Albin Heidrich, Freiberg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e8384564-6a38-4315-8007-b72f71b1b57d/_MG_6050.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Kurt Schwitters (German, 1887–1948) Envelope: Dammerstock-Siedlung, Die Gebrauchswohnung (Dammerstock Housing Estate, The Functional Dwelling), Karlsruhe, 1929 Letterpress 4 1/2 × 6 3/8” (11.5 × 16.2 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (655.2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/53e981f6-2f89-47f7-ac69-6dee4afef21a/JJ_60D_4381.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Kurt Schwitters (German, 1887–1948) Stationery: Stadtisches Wohlfartsamt (State Welfare Office), Hannover, c. 1930 Letterpress 5 7/8 × 8 1/4” (14.9 × 21 cm) Colophon: [lower left] Form. 125 / 16a. 29. 1000. Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (678.2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1f6424bd-0743-4d06-8d58-8373f2da8a31/_MG_2087.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Letterhead: Günther Wagner, Hannover and Vienna, 1924 Lithograph 11 1/4 x 8 5/8” (28.5 x 21.9 cm) Watermark: Cresco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/fd3ce217-2fde-4cad-99d9-840c7d6723fa/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/10448a5d-2e69-4eb7-8216-53a3d0b717ae/JJ_7D_9263.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Kurt Schwitters (German, 1887–1948) Postcard: H. Bahlsens Keks-Fabrik (Biscuit Factory), Leibniz-Keks (cookies), Hannover, c. 1929 Letterpress 4 1/8 × 5 3/4” (10.5 × 14.6 cm) Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (661.2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1995a255-5223-4524-9c42-0ce565adac6d/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6788b631-83e8-48be-a567-6cb3e0b236f5/JJ_60D_4378.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Kurt Schwitters (German, 1887–1948) Envelope: Städtisches Tuberkulosekrankenhaus Heilstätte Heidehaus (State Tuberculosis Hospital, Sanitorium Heidehaus), Hannover, c. 1929 Letterpress: 4 15/16 × 7 3/4” (12.5 × 19.7 cm) Colophon: [lower left] 677.29.3000. Formerly Merrill C. Berman Collection; now The Museum of Modern Art, New York (670.2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5e39bd9d-c161-480f-b3dd-3dbc6fe0f59b/JJ_60D_3984.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>El Lissitzky (Russian, 1890–1941) Letterhead: Günther Wagner, Hannover and Vienna, 1924 Lithograph 11 1/4 x 8 5/8” (28.5 x 21.9 cm) Letter date: May 1926 Sender: Günther Wagner (printed signature) Note: Form letter requesting evaluation of Pelikan carbon paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7de0db14-beb2-4d4e-86de-f7ac6f9424f8/JJ_60D__2856.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Walter Dexel (German, 1890–1973) Letterhead: Neue Reklame (New Advertising), Dr. Dexel, Jena, c. 1924 Letterpress Format A4: 11 5/8 x 8 1/4” (29.5 x 20.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/020e952d-ada5-4df6-915b-5cebecdd3057/JJ_60D_2683.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Walter Dexel (German, 1890–1973) Letterhead: Neue Reklame (New Advertising), Dr. Dexel, Jena, c. 1925–1926 Letterpress Format A4: 11 5/8 x 8 1/4” (29.5 x 20.9 cm) Watermark: Manila / Schreibmaschinen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0ab3331f-2a56-4f52-98f5-8dc335c93de3/JJ_60D__2852.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Walter Dexel (German, 1890–1973) Letterhead: Kunstverein Jena, Prinzessinnenschlösschen, Jena, c. 1927 Letterpress Format A4: 11 5/8 x 8 1/4” (29.5 x 20.9 cm) Watermark: Manila / Schreibmaschinen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e44fb66c-7c46-443c-bfaf-41b5af4c3eee/JJ_60D_00382.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Jan Tschichold (Swiss, born Germany. 1902–1974) Letterhead: Nina Chmelowa, Moskau, 1924 Letterpress 10 1/8 x 7 7/8” (25.7 x 20 cm) Watermark: Lloyd / Post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2ce4ea10-e744-45a5-8f74-fc709e3ddafb/JJ_60D_00388.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Jan Tschichold (Swiss, born Germany. 1902–1974) Letterhead: Edith Tschichold, Munich, after 1926 Letterpress Format A4: 11 5/8 x 8 1/8” (29.5 x 20.6 cm) Watermark: Mediator Bank / OH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ccf1cf99-7d06-4d49-be5f-f9177127982e/JS_5D_7218.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Hendrikus Th. Wijdeveld (Dutch, 1885–1987) Letterhead and envelope: H. Th. Wijdeveld, Architect, B.N.A., Amsterdam, 1920s Letterhead: letterpress, 11 1/8 x 8 1/4” (28.2 x 20.9 cm) Watermark: Amstel - Bank Envelope: lithograph (with gold ink), 5 x 6” (12.7 x 15.2 cm) Letter date: December 8, 1929 (postmark) Addressee: C. J. J. G. Vosmaer, Leiden Note: Carel Johannes Jacob Gualtherus Vosmaer (1907–1986) was a collector in Leiden. See Zwart’s Wijnu letterhead and envelope also addressed to Vosmaer below.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d326ed4c-a8da-4abf-b485-4838847da5c2/JJ_60D_8332.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Christa Ehrlich (Dutch, born Austria. 1903–1995) Letterhead: NV Zilverfabriek (NV Silver Manufacturers), Voorschoten, after 1927 Letterpress 10 3/4 x 8 3/8” (27.3 x 21.2 cm) Watermark: Hollandsch normaal 3 Letter date: January 25, 1939 Addressee: N.V. Leidsche Goud en Zilverhandel, Leiden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/652e65a2-a210-45cf-9d41-3cfaaaa43c51/JJ_60D_6940.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Fré Cohen (Dutch, 1903–1943) Letterhead: Gemeente-Electriciteitswerken (Municipal Electric Works), Amsterdam, 1933 Letterpress 11 x 8” (28 x 20.2 cm) Letter date: March 13, 1933 Addressee: A. C. Diepeveen, Amsterdam</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/938487ac-505c-405e-91b6-d9e7b4d822a9/JS_5D_7220.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Jan Wils (Dutch, 1891–1972) and Piet Zwart (Dutch, 1885–1977) Letterhead: Jan Wils, Architect, B.N.A., Voorburg, 1920 Letterpress 10 7/8 x 8 3/8” (27.6 x 21.2 cm) Watermark: Hollandsch normaal 3 Letter date: May 14, 1926 Addressee: F. M. Huebner, Der Haag Note: Wils designed the logo; Zwart the typographic layout of the stationery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/10859b68-3819-4d36-b09d-5bb749ac74c4/JJ_60D_7142.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Vilmos Huszár (Dutch, born Hungary. 1884–1960) Order form: N.V. Bruynzeel’s Deurenfabriek (Door Factory), Zaandam, 1920 Letterpress Format A4: 11 1/2 x 8 1/4” (29.2 x 20.9 cm) Letter date: November 3, 1930 Addressee: N.V. Koniklijke Hollandsche Lloyd, Amsterdam</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a5ba2486-2783-4c32-985b-133fbe2cc5b0/JJ_60D_3694.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Vilmos Huszár (Dutch, born Hungary. 1884–1960) Envelope: N.V. Hollandsche Deurenfabriek. C.[ornelius] Bruynzeel en Zonen, Zaandam, 1920 Letterpress with [glue stain] 4 1/8 x 9 9/16” (10.4 x 24.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/306814f4-b20d-4004-b87a-396ef5b2682f/JJ_60D_2770.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Theo van Doesburg (Dutch, 1883–1931) Envelope: De Stijl: Orgaan der Nieuwe Beelding (NB), Leiden, c. 1921 Lithograph 4 15/16 x 6 1/8” (12.5 x 15.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7c0afedf-cc2e-4647-9dae-340dfb682fd1/JJ_60D_2771.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Theo van Doesburg (Dutch, 1883–1931) Postcard: De Stijl: [Orgaan der Nieuwe Beelding] (NB), Clamart, c. 1926 Lithograph 3 5/8 x 5 5/8” (9.2 x 14.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4dbfb818-c2e8-4755-bd6e-ddedca79fd70/JJ_60D_2698.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Theo van Doesburg (Dutch, 1883–1931) [Mailing label]: De Stijl: [Orgaan der Nieuwe Beelding] (NB), Périodique / Druckwerken (periodical / printed matter), Leiden and Clamart, c. 1926 Letterpress 6 1/4 x 14 1/2” (15.8 x 36.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/248b93f3-f5e3-4c42-a0d4-ca65704e4b76/JS_5D_0755.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Vilmos Huszár (Dutch, born Hungary. 1884–1960) Letterhead: Rijkstelegraaf, Radiobrieftelegram (State Telegraph, Radio Telegram), Scheveningen, 1931 Lithograph Format A4: 11 ½ x 8” (29.2 x 20.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d8d96941-3cd3-47f5-80b2-b9a00efc22fd/JS_5D_0758.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Vilmos Huszár (Dutch, born Hungary. 1884–1960) Envelope: Dienst P.T.T. (Netherlands Post, Telegram, and Telephone Service), Radiobrieftelegram (radio letter telegram), Scheveningen, c. 1931 Lithograph 8 1/4 x 4” (21 x 10.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9edd4762-ecd0-4d35-a06e-f7c4429aa878/JS_5D_0756.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Vilmos Huszár (Dutch, born Hungary. 1884–1960) Envelope: Dienst P.T.T. (Netherlands Post, Telegram, and Telephone Service), Radiobrieftelegram (radio letter telegram), Scheveningen, 1931 Lithograph 6 x 4 1/4” (15.2 x 10.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/31422510-bf5f-40db-9ea9-7441176bfe8c/JJ_60D_04949-.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Bernard Romein (Dutch, 1894–1957) Letterhead and envelope: N.V. Drukkerij en Advertentiebureau, Reclame, Rotterdam, [1920s] Both: lithograph Letterhead: Format A4: 11 1/2 x 8 1/4” (29.2 x 20.9 cm) Envelope: 9 x 4 1/8” (23.1 x 10.4 cm) Note: As a young man in Rotterdam in the 1920s, Wilhelm De Kooning worked under Romein, a commercial designer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/23921bb3-9424-4264-a329-f3f26586f02e/JJ_60D_04993.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Paul Schuitema (Dutch, 1897–1973) Invoice: A.J.A. Heetman Glasbewerking (Glass Works), Rotterdam, c. 1930 Letterpress Format A4:- 11 1/2 x 8 1/4” (29.2 x 20.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/25cc03d8-f1ad-4de9-baa0-4b6c5e2230f6/JJ_60D_04951-.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Bernard Romein (Dutch, 1894–1957) Letterhead and envelope: N.V. Drukkerij en Advertentiebureau, Reclame, Rotterdam, [1920s] Both: lithograph Letterhead: Format A4: 11 1/2 x 8 1/4” (29.2 x 20.9 cm) Envelope: 9 x 4 1/8” (23.1 x 10.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/67ca8e10-bb09-48ae-812e-0c13b919e92c/JJ_60D_04992.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Paul Schuitema (Dutch, 1897–1973) Letterhead: A.J.A. Heetman Glasbewerking (Glass Works), Rotterdam, c. 1930 Letterpress Format A4:- 11 1/2 x 8 1/4” (29.2 x 20.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/dff00620-7df4-43a0-9552-98e3865acf6e/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/18e522b7-7241-4973-a377-7fb9f537c2f0/JJ_60D_04973.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Paul Schuitema (Dutch, 1897–1973) Envelope: Berkel, Rotterdam, c. 1927 Letterpress 5 1/2 x 8 1/4” (13.9 x 20.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a987c0f8-f51f-4eac-bf1d-32bade981ebd/JJ_60_D_3943.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Piet Zwart (Dutch, 1885–1977) Envelope: Wij nu! Vereeniging Experimenteel Tooneel (We Now, Experimental Theater), Den Haag, 1925–26 Letterpress 4 1/2 x 6 3/8” (11.4 x 16.2 cm) Letter date: April 14, 1926 (postmark) Addressee: Heer C. J. J. G. Vosmaer, Leiden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/18b000b1-a73a-4e2b-bddf-8cd1a47778ee/_MG_6799.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Piet Zwart (Dutch, 1885–1977) Invoice: Fortoliet, Utrecht, c. 1925 Lithograph Format A4: 11 1/2 x 8 3/16” (29.2 x 20.8 cm) Watermark: VJB</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cf52e8bc-049e-4912-8151-da3fae915537/_MG_5563.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Henny Cahn (Dutch, 1908–1999) Postcard: Henny Cahn, Leidschendam, 1938 Letterpress 4 3/16 x 6” (10.6 x 15.2) Letter date: October 12, 1938 (postmark) Addressee: Jan Tschichold, Basel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f725615d-6d11-4775-9f9d-8c3be93a9c9a/JJ_60_D_3940.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Piet Zwart (Dutch, 1885–1977) Letterhead: Wij nu! Vereeniging Experimenteel Tooneel (We Now, Experimental Theater), Den Haag, , 1925–26 Letterpress 11 1/2 x 8 1/4” (29.2 x 21 cm) Letter date: April 14, 1926 Addressee: C. J. J. G. Vosmaer, Leiden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d070efb0-0956-4959-8a03-96ab82efcc14/_MG_6777.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Piet Zwart (Dutch, 1885–1977) Envelope: Fortoliet, Utrecht, 1926 Lithograph 4 1/2 x 6 3/8” (11.4 x 16.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/53d92870-20c2-4735-b1d8-8862254a795e/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a8cff4f9-8162-42a3-a862-a120c14a9402/JS_5D_0663.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Piet Zwart (Dutch, 1885–1977) Letterhead: Piet Zwart, Wassenaar, c. 1968 Letterpress Format A4: 11 3/4 x 8 1/8” (29.8 x 20.6 cm) Letter date: January 8, 1968 Addressee: Dick Dooijes, Amsterdam Note: For this later letterhead, Zwart reprised his personal logo—a “P” and a black square—that had appeared on his stationery of the 1920s. For an example, see Lupton and Cohen 1996, p. 47.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a8c7e21f-3a9f-4008-aa17-cf767bde6026/JS_5D_1190.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Filippo Tommaso Marinetti (Italian, 1876–1944) Letterhead: Il Futurismo: Rivista Sintetica, Rome, 1925–1931 Lithograph 11 x 8 5/8” (27.9 x 21.9 cm) Watermark: EXTRA STRONG Sender: Marinetti Note: The journal Il Futurismo: Rivista Sintetica (Futurism: A Synthetic Review) appeared between 1922 and 1931; first in Milan and from 1925 in Rome. Giacomo Balla’s drawing Il Pugno di Boccioni (Boccioni’s Fist), c. 1915, reproduced here, appeared on various iterations of Marinetti’s stationery from 1918 through the late 1930s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/871d9131-7ca5-4f96-99d2-c05abd463834/JS_5D_0359.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Likely Anton Giulio Bragaglia (Italian, 1890–1960) Envelope: Bragaglia: Teatro Sperimentale degli Indipendenti (Independent Experimental Theater), Rome, c. 1922–1936 Letterpress 3 5/8 x 5 3/8” (9.3 x 13.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/713c8ea1-d5a1-41b5-bcda-ac580983c7a0/JS_5D_0357.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Likely Anton Giulio Bragaglia (Italian, 1890–1960) Envelope: Centro Studi Bragaglia (Bragaglia Study Center), Rome, [c. 1950s?] Letterpress with ink stamp 4 7/8 x 6” (12.3 x 15.3 cm) Note: Bragaglia’s archives were held at the Centro Studi Bragaglia until the 1980s. As this envelope carries Anton Giulio Bragaglia’s name on the flap, it was likely in use prior to his death in 1960.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/df223d95-9ceb-4954-a2d5-00acb448bf47/JJ_60D_00233.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Bruno Munari (Italian, 1907–1998) Letterhead: Pittori (painters) R + M (Ricas + Munari), Milan, 1930s Lithograph 11 x 8 6/8” (27.9 x 21.8 cm) Watermark: Atlantic Super Strong Sender: Munari Addressee: Ing. Silvestri</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5d145b87-a04b-4194-a946-7ce6ed42d0f7/JJ_60D_00234.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Bruno Munari (Italian, 1907–1998) Envelope: Pittori (painters) R + M (Ricas + Munari), Milan, 1930s Lithograph 5 x 6 1/8” (12.7 x 15.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/51da79bc-f622-4499-a555-aef0192b60f5/JJ_60D_2676.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Aleksandr Rodchenko (Russian, 1891–1956) Letterhead: Dobrolet: Rossiiskoe aktsionernoe obshchestvo Dobrovol’nogo vozdushnogo flota (Russian Joint Stock Company of the Voluntary Air Fleet), Moscow, 1923 Letterpress on perforated paper (at top) 6 1/2 x 8” (16.5 x 20.3 cm) Note: According to Lupton, while Rodchenko was responsible for the logo, the typography was likely determined by a commercial typographer (Lupton and Cohen 1996, p. 20).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8e3f455c-0bfb-48be-897f-def002c33251/JS_5D_3960.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Nikolai Sedelnikov (Russian, 1905–1994) Letterhead: Za tekhnicheskuiu knigu (For the Book on Technology), Moscow, c. 1933 Lithograph 8 1/8 x 5 3/4” (20.7 x 14.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/bc662f2f-0c4d-448b-8568-c95b460c4d1a/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ded9082e-73e5-4f37-b782-6ca0888ae100/JJ_60D_8805.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Nikolai Sedelnikov (Russian, 1905–1994) Letterhead: Gosudarstvennoe tekhniko-teoreticheskoe izdatel’stvo (State Technical-Theoretical Publishing House), Moscow, c. 1933 Letterpress 11 1/8 x 7 5/8” (28.3 x 19.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/36524283-8295-4bb7-859d-5c69d5297556/blank.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2d5ad703-d3a6-4d91-9d30-4cf405ecf764/JJ_60D_8830.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Nikolai Sedelnikov (Russian, 1905–1994) Letterhead: Gosudarstvennoe tekhniko-teoreticheskoe izdatel’stvo (State Technical-Theoretical Publishing House), Moscow, c. 1933 Letterpress on coated paper 5 3/4 x 8 1/4” (14.6 x 21 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/79c8367b-3bf5-4bc1-a669-7eead80c9267/JJ_60D_2632.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Possibly Tristan Tzara (French, born Romania. 1896–1963) Letterhead: Mouvement Dada Zurich, c. 1918–1919 Letterpress 5 1/2 x 8 1/2” (13.2 x 21.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5f9495ac-1432-4378-a8d4-085a5c6dc2d2/JJ_60D_6367.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Lester Beall (American, 1903–1969) Letterhead: Lester Beall (LB), Brookfield Center, Connecticut, c. 1952 Perforated paper and letterpress 10 1/2 x 7 1/4” (26.6 x 18.4 cm) Watermark: Cranes Crest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/600db3eb-bd0e-4a4f-a4af-b8cfdfa04c53/JJ_60D_6365.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Lester Beall (American, 1903–1969) Letterhead: Lester Beall Designer, Brookfield Center, Connecticut, c. 1952 Embossed paper and letterpress 11 x 8 1/2” (29.2 x 21.5 cm) Watermark: Parson’s L’Envoi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ca1611fa-2196-493f-9c84-aaa233b49817/JS_5D_7227.jpg</image:loc>
      <image:title>A4: Letterheads of the 1920s and the 1930s - Make it stand out</image:title>
      <image:caption>Designer unknown Letterhead: The Museum of Modern Art, New York, c. 1940s Letterpress on laid paper 10 7/8 x 8 1/2” (27.6 x 21.5 cm) Watermark: Fine Flax Paper / Ecusta Paper Corp / USA</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/alfred-dietrich-kleyhauer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-05</lastmod>
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  </url>
  <url>
    <loc>https://mcbcollection.com/vasilii-elkin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-11-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3ae55d63-06be-4e4d-897b-56699b9df244/_MG_5708.JPG</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>[Possibly Elkin] Maquette for book cover: De la construction d’habitations dans l’USSR (Moscou: Conseil de Moscou des deputés ouvriers et soldats de l’Armée rouge, 1928), c. 1928. Cut-and-pasted gelatin silver prints and gouache on paper 7 7/8 x 6 1/8" (20 x 15.6 cm) Note: The building pictured is Moisei Ginzburg’s Gosstrakh apartment building, Moscow, completed 1926.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7763550f-1c1d-4bf5-ae4f-0fcf2907c60c/JJ_60D_02192.jpg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Maquette for book cover: M.[ikhail] I.[vanovich] Kalinin, Vypolniaem zavety Lenina (We Make Covenants of Lenin) (Moscow: Partizdat, 1934), 1934 Gouache, ink and cut-and-pasted gelatin silver print on paper 8 1/2 x 6 1/8” (21.5 x 15.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f7e865e4-3fdd-4e32-85bf-80c843ba6a91/Elkin05.jpeg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Maquette for book cover: L. M. Varkovitskaia, 400 svidetelei: Otryvok iz povesti “Tovarishch Liuksemburg” (400 witnesses: Excerpt from the story “Comrade Luxemburg”) (Moscow: Izdatel’stvo TSK MOPR SSSR, 1931), c. 1931 Gouache and halftone photographs on paper 7 x 9 11/16” (17.8 x 24.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/02d17e6f-442a-4b41-94f8-867a0e6dd37d/_MG_5707.JPG</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>[Possibly Elkin] Book cover: De la construction d’habitations dans l’USSR (Moscou: Conseil de Moscou des deputés ouvriers et soldats de l’Armée rouge, 1928), 1928 Letterpress 9 1/16 x 6 1/4" (23 x 15.8 cm) Note: The building pictured is Moisei Ginzburg’s Gosstrakh apartment building, Moscow, completed 1926.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ae5daf62-9b32-44de-a9f5-00a6ba68b46a/JJ_60D_02194.jpg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Book cover: M.[ikhail] I.[vanovich] Kalinin, Vypolniaem zavety Lenina (We Make Covenants of Lenin) (Moscow: Partizdat, 1934), 1934 Lithograph 8 1/2 x 6 1/8” (21.5 x 15.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8ea9b7f5-b5a3-40ee-b370-c7d371d8055e/JJ_60D_02200.jpg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Maquette for book cover: 5 in 4 (5 in 4 Years), 1933 Cut-and-pasted gelatin silver print, gouache, and colored pencil on paper 7 5/8 x 11” (19.4 x 27.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/22268c2c-fb52-4e3e-bd11-8e901168b4a2/JJ_60D_05245+copy.jpg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Gustav Klutsis and Vasilii Elkin Periodical cover: Stroitel’stvo Moskvy (Building Moscow), no. 1 (1929) Offset lithograph and letterpress 11 3/4 x 8 7/8” (29.8 x 22.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/252dab41-ff55-48e7-963b-debf793b1b1d/JJ_60D_05246+copy.jpg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Gustav Klutsis and Vasilii Elkin Periodical cover: Stroitel’stvo Moskvy (Building Moscow), no. 2 (1929) Offset lithograph and letterpress 11 3/4 x 8 7/8” (29.8 x 22.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f1684147-79ad-45c2-9bea-1e3dc1a720b5/Elkin08.jpeg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Maquette for poster: Da zdravstvuet Krasnaia Armiia—vooruzhennyi otriad proletarskoi revoliutsii! (Long Live the Red Army—the Armed Detachment of the Proletarian Revolution!), c. 1932 Cut-and-pasted gelatin silver prints and gouache on paper 11 11/16 x 8 5/16” (29.7 x 21.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/397b5d28-adeb-427c-9bfc-ce4b986194ae/Elkin01.jpeg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Poster: Kazhdyi kolkhoznik, kazhdaia brigada, kazhdaia MTS dolzhny znat’ plan bol’shevistskogo seva (Each Peasant, Each Brigade, Each MTS Should Know the Plan of the Bolshevik Sowing), c. 1931 Lithograph 39 1/2 x 27 7/8” (100 x 70.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/51edea77-4f99-40bf-b25d-14c55f29fd23/JJ_60D_02195.jpg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Related to Elkin’s poster: Profsoiuzy—na bor’bu za vstrechnyi [plan] v 10 mln. ton chuguna (Trade Unions, fight for the counter plan of producing 10 million tons of pig iron), 1932, c. 1932 Gouache, ink, cut-and-pasted gelatin silver print, and pencil on paper 8 7/16 x 3 7/16" (21.4 x 8.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/40e59dc3-1991-4083-93eb-2a3530844b87/anonru61.jpeg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Poster: Novaia obstanovka—novye zadachi khoziaistvennogo stroitel’stva (New Challenges for the Economic Development), 1931 Lithograph and letterpress 40 7/8 x 29 1/4" (103.8 x 74.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/bee4cec4-f3c3-4c10-a959-760ee551dbb7/Elkin07.jpeg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Poster: Da zdravstvuet Krasnaia Armiia—vooruzhennyi otriad proletarskoi revoliutsii! (Long live the Red Army—the armed detachment of the proletarian revolution!), 1932 Lithograph 51 3/8 x 33 7/8” (130.5 x 86 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2c7139e7-fb45-4970-a10d-badadc396a11/JJ_60D_06305.jpg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Documentary photograph showing Elkin’s poster with variant text: Batraki Bedniaki vmeste s aktivom seredniakov sozdavaite initsiativnye gruppy po organizatsii kolkhozov (Poor peasants in collaboration with the most active group of mid-income peasants [“seredniaki”] should organize collective farms), c. 1931, photograph date unknown Gelatin silver print 6 x 4 1/2” (16 x 11.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ac172c02-ba8b-452e-9a10-a55141eacb58/JJ_60D_02197.jpg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Related to Elkin’s poster: Profsoiuzy—na bor’bu za vstrechnyi [plan] v 10 mln. ton chuguna (Trade Unions, fight for the counter plan of producing 10 million tons of pig iron), 1932, c. 1932 Offset lithograph 8 7/16 x 3 7/16" (21.4 x 8.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c244eccb-7dc2-4edc-bafb-165db7082957/Elkin03.jpeg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Poster: My dogoniaem i peregoniaem kapitalisticheskie strany v rezul’tate razvitiia sovkhozov i perekhoda bol’shinstva trudiashchegosia krest’ianstva na put’ kollektivizatsii (We are catching up with and overtaking the capitalist countries as a result of the development of “sovkhoz” [state farms] and transition of most of the peasants to the path of collectivization), c. 1932 Lithograph 21 5/8 x 15 5/8" (54.9 x 39.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/eaf3aab3-7cd0-42c8-9274-a39c39d025a9/JJ_60D_06304.jpg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Documentary photograph showing enlargement of Elkin’s poster Da zdravstvuet Krasnaia Armiia—vooruzhennyi otriad proletarskoi revoliutsii! (Long live the Red Army, 1932—the armed detachment of the proletarian revolution!) on a building façade, photograph date unknown Gelatin silver print 8 1/2 x 6” (21.5 x 15.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d2c4c893-e378-405d-8972-d4b79223c39c/blank.jpg</image:loc>
      <image:title>Elkin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7e450ada-259f-4087-826c-2ae08faa1a25/blank.jpg</image:loc>
      <image:title>Elkin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b4f66f18-ccc2-49bd-8f9d-6911d45317f5/Elkin02.jpeg</image:loc>
      <image:title>Elkin</image:title>
      <image:caption>Poster: Likvidiruem  besprizornost’ avtotransporta, dadim avtomobiliu oborudovannyi Garazh (Let’s eliminate “homelessness” of automobile transportation, let’s put an automobile into the fully equipped garage), early 1930s Lithograph 23 1/2 x 15 9/16" (59.6 x 39.5 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/bahlsen</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-19</lastmod>
    <image:image>
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    </image:image>
    <image:image>
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  </url>
  <url>
    <loc>https://mcbcollection.com/black-artists</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-21</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/lester-beall</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/91aa0d58-ef29-46f7-88c2-884ce1b8a406/JS_5D_12318+photo.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Arnold Newman Portrait of Lester Beall, 1950 Gelatin silver print 9 1/2 x 6 1/2” (24.75 x 16.75 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8e6a6435-2e4e-4ee8-b16a-9742e6c7b6e2/JS_5D_8566.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Light. Rural Electrification Administration, 1937 Silkscreen 40 x 30” (101.6 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7f4c7c1b-4105-4f6c-ba96-cd7cbc63caa2/JS_5D_3392.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Heat—Cold. Rural Electrification Administration, 1937 Silkscreen 40 x 30” (101.6 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8aaf015f-4118-49f6-9491-a2f2eacd232a/JS_5D_8563.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Running Water. Rural Electrification Administration, 1937 Silkscreen 40 x 30” (101.6 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/82d35125-c56a-4551-b3a1-510ba1b03c4b/Beall07.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Rural Electrification Administration, 1937 Silkscreen 40 x 30” (101.6 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e395d73b-9ae0-4bdb-8545-5f6669e1339a/JS_5D_8564.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Wash Day. Rural Electrification Administration, 1937 Silkscreen 40 x 30” (101.6 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/af8cdcfe-371d-4df8-a2ea-02113d0acf44/JS_5D_3393.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Farm Work. Rural Electrification Administration, 1937 Silkscreen 40 x 30” (101.6 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a9ef97ff-26ba-4dd2-9bf3-7f0b207fd0d1/JS_5D_8565.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Radio. Rural Electrification Administration, 1937 Silkscreen 40 x 30” (101.6 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/74b309c6-0fd8-4d18-aefe-a6eb3c60e793/Beall04.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: It’s Fine for Us. Rural Electrification Administration, 1939 Silkscreen 40 x 30” (101.6 x 76.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/fbda01d2-d197-4b28-95b3-8148e12e6c5c/JS_5D_8964.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Maquette for (unrealized) poster: It Mustn’t Happen Here: Buy Defense Bonds, Freedom Pavilion, New York World’s Fair (1939/1940), c. 1939 Gouache, pencil, and cut- and-pasted gelatin silver prints and paper 27 1/2 x 19 1/2” (69.8 x 49.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7e3f7f55-5ea6-4f60-9004-e1469cf9bffb/JS_5D_3394.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Slums Breed Crime. United States Housing Authority, 1941 Lithograph 39 1/2 x 29 1/8” (100.3 x 73.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f6b54b1d-8825-491a-a264-7b0a1beb431f/JS_5D_10634.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Cross out Slums. United States Housing Authority, 1941 Lithograph 39 3/4 x 29 1/2” (101 x 75cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ea69b65e-0fc8-465b-9a87-7876a7286010/JJ_60D_02584.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: S.S. United States, United States Lines, c. 1952 Lithograph 29 7/8 x 21 7/8” (76 x 55.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/42ad22d0-4252-4f3f-a473-4c7319bf4be9/JJ_60D_02586.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: S.S. America, United States Lines, c. 1952 Lithograph 29 7/8 x 21 7/8” (76 x 55.5 cm)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for the Chicago Tribune: Consider Chicago!, [1934] Lithograph, mounted on board 16 3/4 x 11 3/4” (42.5 x 30 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b0833b9f-4f83-4a31-bd6d-e9f4b9544290/JS_5D_0261.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement proof for the Chicago Tribune: Apartments in All Neighborhoods to Suit All Tastes, 1930s Lithograph 11 5/8 x 8 3/8” (29.6 x 21.4 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e82e81a6-a2b0-4880-b7a9-6c3a9314c387/JS_5D_0264.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for the Chicago Tribune: Apartments in All Neighborhoods to Suit All Tastes, 1930s Lithograph 12 3/4 x 8 3/8” (32.3 x 21.3 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/93c21c6c-059c-4cb4-bed5-1186efe8565a/JJ_60D_6368.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Book: 15 Drawings prepared for the Chicago Tribune Travel Bureau by Lester Beall, 1934 [Letterpress] 7 1/8 x 6 5/8 x 1/4" (18 x 17 x .5 cm), closed</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/856545ad-9510-4dd7-a293-9acccc477cda/JS_5D_12322.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for the Chicago Tribune: Consider Chicago!, 1934 Lithograph, mounted on board 16 x 11 5/8” (40.5 x 30.25 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/130168ae-3f23-46a2-96b3-6483f2031df2/JS_5D_0266.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for the Chicago Tribune: Apartments in All Neighborhoods to Suit All Tastes, 1930s Lithograph 11 5/8 x 7 3/4” (29.6 x 19.8 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7a786cd6-6fba-4cf9-a016-d0620d091c05/JS_5D_0267.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for the Chicago Tribune: Apartments in All Neighborhoods to Suit All Tastes, 1930s Lithograph 11 3/4 x 8 3/8” (29.9 x 21.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d54d9952-7f9c-4aa9-95e8-6fb4b20e0c9e/JS_5D_12300.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>7 1/8 x 13 (18 x 33 cm), open</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/dbe3fa5f-482a-4ebb-80cf-ad704d09337f/JJ_60D_6328.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for the Chicago Tribune: 52% Greater, 1934 Lithograph, mounded on board 12 1/2 x 9 3/4” (31.75 x 25 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/77ff2163-b0b2-46ce-b1cf-2f1c5718774b/JS_5D_0265.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for the Chicago Tribune: Apartments in All Neighborhoods to Suit All Tastes, 1930s Lithograph 11 3/4 x 7 3/4” (29.9 x 19.7 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4e35eac7-97f6-44e8-b096-32d8274f9624/JS_5D_0262.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for the Chicago Tribune, 1930s Lithograph 7 1.8 x 6 1/2” (16.6 x 18 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0f49dc28-8e9e-44f6-8ee5-c942fdb4b967/JJ_60D_6325.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for the Chicago Tribune: 62% Greater, 1934 Lithograph, mounted on board 12 1/2 x 10” (32 x 25.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f5ec906f-6661-4f06-adbe-1e904f7b383c/JS_5D_0263.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for the Chicago Tribune: Apartments in All Neighborhoods to Suit All Tastes, 1930s Lithograph 12 3/4 x 8 3/4” (32.1 x 21.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ab2409b9-ff1e-4113-84b9-6c447f36271c/JJ_60D_6338.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for Narragansett Ale: Look!, 1938 Lithograph 12 5/8 x 10” (32 x 25.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/81b6768c-c988-4d5b-a84e-7ae71c047fd4/JJ_60D_6336.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for Narragansett Ale: Extra!, c. 1938 Lithograph 12 1/2 x 9” (32 x 23 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2e55c3df-0586-4982-8ea4-f47ebfd85623/JJ_60D_6337.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for Narragansett Ale: Whistle!, c. 1938 Lithograph 12 x 9 1/2” (30.5 x 24 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/40f13ae7-1b09-42b1-a9e3-e712580f1a6e/JJ_60D_01813.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Time, The Weekly News Magazine, 1939 Offset lithograph, mounted on card 21 3/4 x 17 1/4” (55.5 x 44 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f9a985e8-c5c3-4f3a-91cd-55a9a1d349cd/JJ_60D_01812.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Time, The Essential Weekly to Read, To Advertise In, 1939 Offset lithograph, mounted on card 22 1/4 x 16 3/4” (56.5 x 42.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/90814ca5-4e2c-43d6-b7f6-d17525854358/JJ_60D_6334.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for Collier’s Magazine: Hitler’s Nightmare!, 1939 Lithograph, mounted on board 13 1/2 x 10 1/2” (34 x 27 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/888c9d94-d27d-439d-843b-f3a7a6458cc5/JJ_60D_6241.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Advertisement for Collier’s Magazine: Will There Be War, 1939 Lithograph, mounted on board 13 3/8  x 10 3/4” (34 x 27.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/254ff806-db12-45a0-9fe7-327c6daaa818/JJ_60D_6242.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Poster: Museum of Modern Art Competition for National Defense Posters, [1941] Lithograph, mounted on board 9 x 15 1/8” (23 x 38.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/67506957-a6a0-4da3-be6d-43b0d35bb2d3/JJ_60D_6243.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Flyer: MoMA Competition for Printed Fabrics, [1947] Lithograph, mounted on board 10 3/4 x 16 1/4” (27.5 x 41 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/28857c5f-982c-4b6e-aa10-12f420eef0f4/JJ_60D_6346.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Publication: Annual Art Directors Club of Advertising Art (produced between February 15, 1938 and February 15, 1939). Exhibition committee included Lester Beall, 1939 Lithograph 11 x 8 1/2” (28 x 21.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/778ee62d-af17-4bab-9c47-abde7f84a75e/JJ_60D_6237.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Flyer: Fourth Lithographic Awards Competition (1954), 1954 Lithograph, mounted on board 11 7/8 x 8 3/4” (30 x 22 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/62e03362-45c4-48c8-928c-f4adb22ea2ad/JJ_60D_6238.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Leaflet: 8th Annual Meeting of Packaging Institute (November 25–-26, 1946), 1946 Lithograph, mounted on board 9 1/8 x 12 1/8” (23 x 31 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/78738c48-52a7-4775-afa6-62c41c86c874/JJ_60D_6235.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Flyer or Proof: Experiment with Words: A Conversation at Martin on Satellites, Systems and Things to Come, [n.d.] Lithograph, mounted on board 11 x 8 1/4” (28 x 21 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7461c00c-dae9-4389-8db0-833d60dfb0d9/JS_5D_0268.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical (cover proof): Publishers Weekly, vol. 15, no. 3 (January 18, 1947), 1947 Lithograph 13 1/4 x 10 1/4” (37.7 x 25.8 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a84184d4-8c35-4153-8077-cf67780869c1/JJ_60D_6234.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical Cover: Modern Packaging (June 1956), 1956 Lithograph, mounted on board 11 1/8 x 8 1/4” (28 x 21 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8f49e66e-24f9-43d6-9df9-716e07e3b9df/JJ_60D_6236.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Brochure: ORS: For the Operating Room Supervisor and Nurse, c. 1953 Lithograph, mounted on board 8 7/8 x 12” (22.5 x 30.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e73afa43-9aa8-4db3-a8b8-acc2dd3592da/JJ_60D_6351.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical: Photo Engraving, no. 1 (1938) Lithograph 10 1/2 x 8 1/2” (27 x 21.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3d5816ba-53e4-48f1-9e9d-b1f45aa47af4/JJ_60D_6352.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical: Photo Engraving, no. 7 (1938) Lithograph 10 1/2 x 8 1/2” (26.5 x 21.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ff0e96de-a656-44a0-8a34-199e3efd2ea6/JJ_60D_6349.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical: Photo Engraving, no. 2 (1938) Lithograph 10 1/2 x 8 1/2” (26.5 x 21.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/edac5d2b-e666-4756-8fd3-3270ae419f52/JJ_60D_6350.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical: Photo Engraving, no. 3 (1938) Lithograph 10 1/2 x 8 1/2” (26.5 x 21.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c8829b10-b4fd-4f4f-b824-0a85b185d2b9/JJ_60D_6347.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical: Photo Engraving, no. 5 (1938) Lithograph 10 1/2 x 8 1/2” (26.5 x 21.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d7a63308-849f-46d3-aa44-a5e75551d0ea/JJ_60D_6332.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical: What’s New, no. 31 (October 1939) Lithograph 12 1/2 x 9 3/4” (31.2 x 25 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/462b36f3-178c-4a4d-8457-ec529cfb1d5f/JJ_60D_6330.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical: What’s New, no. 45 (February 1941) Lithograph 12 1/2 x 9 3/4” (32 x 25 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e91711fc-16f2-49c8-b8ce-75d13d6aef58/JJ_60D_6355.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical: Scope: Basic Science Review, no. 11, vol. 2 (October 1949) Lithograph 11 1/4 x 9” (28.5 x 23 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/936d70db-bc49-49bc-ba11-5b78b471483f/JJ_60D_6353.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical: Scope: Basic Science Review, vol. III, no. 2 (December 1950) Lithograph 11 1/4 x 9” (28.5 x 23 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5a8a3a11-e393-4179-b4b5-72e583f32bc7/JJ_60D_6357.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical: Scope: Basic Science Review, vol. III, no. 3 (May 1951) Lithograph 11 1/4 x 9” (28.5 x 23 cm)</image:caption>
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      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>[Periodical proof]: Scope: Basic Science Review, Orthoxicol [1950s] Lithograph, mounted on board 11 1/4 x 17 1/2” (28.5 x 44.5 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/57881aad-d446-4450-a6df-8ebede1a562c/JJ_60D_6369.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Periodical (cover): PM: An Intimate Journal of Production Managers, Art Directors, and Their Associates, vol. IV, no. 3 (November 1937). Special issue on Lester Beall, 1937 [Linocut] 7 7/8 x 5 3/8 x 1/4” (20 x14 x 1.25 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f15831e1-a72e-429a-96a0-4a44ecc873ed/JJ_60D_6360.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Exhibition Catalogue: A Guide to Lester Beall, A-D Gallery (November 19–December 31, 1945), 1945 Lithograph 7 7/8 x 5 3/8 x 1/16” (20 x 13.75 x .2 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4461a721-32be-40bc-876c-2c57118c578c/JS_5D_12304.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Spread</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1fcc868d-cc5c-4123-8d4f-a71fdf71d0d6/JS_5D_12301.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Spread</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6f25b2e0-1738-48f4-bb1c-12467b69565b/blank.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8a2562b3-a74f-4637-9f55-e542bbe3bb2b/JS_5D_12302.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Spread</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b667ade2-8ddb-48b9-a1fd-8b525e9e9437/blank.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/30db2b89-064d-48ee-ac3e-493575401df3/JJ_60D_6344.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Lester Beall promotion: Poster no. 1. Client: Rural Electrification Administration, US Department of Agriculture [1937], 1940s Lithograph 10 x 8 1/2” (25.5 x 21.75 cm), closed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2869b356-aa31-4e3d-b403-d2a41cfe681f/JJ_60D_6340.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Lester Beall promotion. Magazine no. 1. Client: The Bride’s Magazine [date?], 1940s Lithograph 10 1/8 x 8 1/2” (25.75 x 21.5 cm), closed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a820ce51-b560-4119-9975-e3050fdfdb54/JJ_60D_6342.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Lester Beall promotion. Magazine no. 4. Client: Abbott Laboratories house magazine What’s New [1941], 1940s Lithograph 10 x 8 1/2” (25.5 x 21.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/bf9bd832-b88d-4986-8314-e60e0e5bd0bb/JS_5D_12310.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>10 x 17” (25.5 x 43 cm), open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8c2b603b-8d63-48ad-b35e-df159ef0b9c4/JS_5D_12312.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>10 x 17” (25.5 x 43 cm), open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6595b1da-b9dd-4246-9dbf-f12f70c58411/JS_5D_12314.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>10 x 17” (25.5 x 43), open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/94f6d7dd-9652-4923-ae28-032ccd633ce6/JJ_60D_6365.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Letterhead: Lester Beall Designer, Brookfield Center, Connecticut, c. 1952 Embossed paper and letterpress 11 x 8 1/2” (29.2 x 21.5 cm) Watermark: Parson’s L’Envoi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/18179bed-d0dc-4b1f-b6ef-bde727c6da73/JJ_60D_6362.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Booklet: DF (Dumbarton Farm): A Place in the Country Brookfield Center, CT: Dumbarton Farm, 1958 11 1/4 x 8 11/16” (28.5 x 22.75 cm), closed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/22918711-bec1-40d5-bfee-8372380e3f36/JJ_60D_6358.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Publication: About U.S. Experimental Typography by American Designers, no. 3: The Art of the Automobile. Reprint from Der Druckspiegel, 1960 Lithograph 9 1/2 x 6 7/8” (24 x 17.5 cm), closed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b547a87a-007a-4e54-8852-4364d686cb7c/JJ_60D_6364.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Book: Lester Beall Brookfield Center, CT: Dumbarton Farm, 1962 Lithograph 8 x 8 3/8 x 1/4” (20.5 x 21 x .5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/efef8265-b1d2-4919-9b59-29d9b5715ca6/JJ_60D_6367.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Letterhead: Lester Beall (LB), Brookfield Center, Connecticut, c. 1952 Perforated paper and letterpress 10 1/2 x 7 1/4” (26.6 x 18.4 cm) Watermark: Cranes Crest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a74d9d43-2cf9-4866-a53c-9c6aaea61b4e/JS_5D_12308.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>11 1/4 x 17” (28.5 x 43 cm), open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c3a379a5-62ca-4fd0-8fba-9382e76b475f/JS_5D_12306.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>9 1/2 x 14” (24 x 35.5 cm), open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7098ac74-01de-422d-acff-ad526abe6b6b/JS_5D_12315.jpg</image:loc>
      <image:title>Lester Beall - Make it stand out</image:title>
      <image:caption>Example of Lester Beall (LB) letterhead adhered to the back of Chicago Tribune: Consider Chicago! advertisement of 1934, which was mounted to a board for submission to a competition in the 1950s.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/jankel-adler</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/de8b5725-7edc-419c-962f-34547ef055ee/JJ_60D_02230.jpg</image:loc>
      <image:title>Jankel Adler</image:title>
      <image:caption>Mädchen und Katze (Young woman and cat), 1924 Drypoint 21 x 16 1/4” (53.3 x 41.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f94297e0-f53a-49eb-ac8f-c85a7ee4a448/JJ_60D_02232.jpg</image:loc>
      <image:title>Jankel Adler</image:title>
      <image:caption>Bärtige Jude mit Mutze (Bearded Jew with Hat), c. 1926 (possibly printed later) Drypoint 21 x 16 1/4" (53.3 x 41.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d4bec2e2-1ca1-4821-92dc-42cf9d4bc5a2/JS_5D_4686.jpg</image:loc>
      <image:title>Jankel Adler</image:title>
      <image:caption>Untitled (Faces and Figures), c. 1943 Etching 9 7/8 x 7 7/8” (25 x 20 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3ebd39da-1d04-446c-9633-aed8ec55521f/blank.jpg</image:loc>
      <image:title>Jankel Adler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cb966065-242a-4613-ad71-7c67825ddb3d/JS_5D_4687.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Untitled (Abstract Composition), 1945 Watercolor and gouache on monotype 9 7/8 x 7 7/8” (25 x 20 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3ebd39da-1d04-446c-9633-aed8ec55521f/blank.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3ebd39da-1d04-446c-9633-aed8ec55521f/blank.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3ebd39da-1d04-446c-9633-aed8ec55521f/blank.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a041b8e5-6fb9-4f59-b5a6-6adf3fce989d/JS_5D_4684.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Untitled (Old Woman in the Shtetl), 1925 Oil on board 16 1/2 x 12.4” (42 x 31.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/53c68026-cb77-4294-a486-8cea1acbcedd/JS_5D_4681.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Untitled (Old Roma woman), 1927 Oil and grit on paper laid on board 20 1/2 x 16 1/8” (52 x 41 cm) [Heibel 2016, no. 62]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/be082263-c625-439e-b532-22e55660ad85/JS_5D_4682.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Untitled (Woman), 1928 Watercolor, gouache, sand, glue, and gesso on cardboard mounted on panel 24 1/4 x 17 7/8” (61.5 x 45.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e83569d3-3bca-48ea-be10-75cdc74ce97c/JS_5D_4683.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>The Prophet Jonah, 1941 Oil on board 31 1/8 x 22 7/8” (79 x 58 cm) [Heibel 2016, no. 195]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ec1a77e4-4170-460c-9611-f0a52e675b3c/JS_5D_9606.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Artist, 1927 Oil and sand on canvas 39 1/2 x 25 1/2” (100.4 x 65 cm) [Heibel 2016, no. 52]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3ebd39da-1d04-446c-9633-aed8ec55521f/blank.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3ebd39da-1d04-446c-9633-aed8ec55521f/blank.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3ebd39da-1d04-446c-9633-aed8ec55521f/blank.jpg</image:loc>
      <image:title>Jankel Adler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/cgr</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
  </url>
  <url>
    <loc>https://mcbcollection.com/austria</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/10e2245e-1c8d-4b17-ab3e-ccbcd8e7f981/JF_5D_3886cr.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/belgium</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f33493f1-f3c1-4e41-ae06-96875dad7268/JS_5D_4462.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/czechoslovakia</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b01873ca-1a3c-4088-bf1f-4dff3e5f62e6/JS_5D_10495.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/england</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f2f2cf42-4a0d-4658-bd7f-9e1fbd2dc674/JS_5D_10823.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/france</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/3c9a8c0f-5837-4f9b-a119-23d52a66222a/JJ_60D_3789.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/germany</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/55e518a4-e7b9-4797-821d-a32d242b01f3/Untitled+42.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cc4cd5f3-6c6c-4980-bd4c-5d667b5e884c/B026.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cf717e09-401b-413b-b253-5661e8067131/Untitled+43.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0f28864c-9f0f-4592-9b18-5b16b4c2b678/Untitled+49.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/36917146-353a-460e-940c-27a9e4d91dcd/ring.png</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/holland</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6af49b69-e3bb-47c1-bb17-a01a75bc2694/Untitled.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/hungary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f50b84ba-5364-4999-9070-436ee0d04b40/Screenshot+2024-10-07+at+2.43.35%E2%80%AFPM.png</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/italy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/28d5d144-06ba-4235-8311-61318617ddbb/Untitled+47.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/russia</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/165ec4da-135a-4955-9aed-8692eda7b090/Untitled+44.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/148a6206-eb19-4462-922f-069a055da420/JS_5D_8547.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0696e6ef-4193-4d33-8391-618f68a34390/3.png</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/switzerland</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ccd81382-70fd-4c24-81a0-5bc9691db6db/JJ_60D_01227.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/united-states</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7e9d2cf5-4f43-43e1-9f0a-e44fcd79f5d2/Screenshot+2024-10-11+at+10.21.47%E2%80%AFAM.png</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8c1a7c6f-5e8f-47dd-a518-ed4cdf948515/Rose_Piper.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/international</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8550fe8e-1c87-4d41-9059-ec0180e6d1a3/Untitled+48.jpg</image:loc>
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  <url>
    <loc>https://mcbcollection.com/h-n-werkman</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0ea41c7a-6c4f-4f90-8606-5ddfb095d923/JS_5D_11552.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: Blad voor Kunst (October 1921) Woodcut 12 7/8 x 11 1/4” (32.7 x 28.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5a657ddc-fbf5-48b4-bbc2-300818d42d26/JS_5D_11562.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: Blad voor Kunst (March 1922) Lithograph 12 x 10 3/4” (30.5 x 27.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8ad3e9c1-835d-4887-b1a3-8dbc8975a07b/JS_5D_11557.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: Blad voor Kunst (November 1921) Woodcut 12 1/4 x 11” (31.1 x 27.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/57a9e82e-32f4-4565-b24c-58186c681192/JS_5D_11563.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: Blad voor Kunst (March 1922) Lithograph 12 x 10 3/4” (30.5 x 27.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/aac02982-3453-4c74-8def-72b6ecb4d23f/JS_5D_11559.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: Blad voor Kunst (December 1921) Woodcut 12 1/4 x 10 7/8” (31.1 x 27.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/86c1c59b-5658-4009-a084-57e7100fd320/JS_5D_11560.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: Blad voor Kunst (January 1922) Woodcut 12 x 10 7/8” (30.5 x 27.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e4e27875-36e4-420b-8175-2dd4d749eeb0/JS_5D_4266.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Wobbe Alkema (Dutch, 1900–1984) Book: Het Open Veld (The Open Field) Eelderwolde: Bibliofilen-Liga, 1923 Edition 19 out of 25 Color linocut, 8 x 13” (20.3 x 33 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/591f2cb9-040e-43d1-889d-445292f2c185/JS_5D_4269.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Spread from Het Open Veld (The Open Field) Left: Jan van der Zee, Pierrot. Woodcut Right: H. N. Werkman, Rechtvaardiging (Justification) and typographical arrangement. Linocut 8 x 25 3/4” (20.5 x 65.5 cm), open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d7b4fcb5-f1a4-417c-8e84-0f79469379ac/JS_5D_11540.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: The Next Call, no. 3 (January 12, 1924) Letterpress 10 3/4 x 8 1/2” (27.3 x 21.6 cm), two sheets folded once</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1e2d3114-b8c7-4181-9f25-2b60c2630403/JS_5D_11542.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: The Next Call, no. 6 (November 1, 1924) Letterpress 10 3/4 x 8 1/2” (27.3 x 21.6 cm), one sheet folded four times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/aceb37c1-e1d7-4353-9296-066dec809290/JS_5D_11544.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: The Next Call, no. 7 (February 8, 1925) Letterpress 10 3/4 x 8 1/2” (27.3 x 21.6 cm), one sheet folded three times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/fdd6a114-ee96-4785-8858-dd012068550f/JS_5D_11546.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: The Next Call, no. 8 (February 23, 1926) Letterpress 10 7/8 x 8 1/2” (27.3 x 21.6 cm), two sheets folded once and stapled</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/dfcad127-ef5e-4eff-bb22-f937353e2332/JS_5D_11548.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Periodical: The Next Call, no. 9 (November 8, 1926) Letterpress 13 7/8 x 8 1/2” (35.2 x 21.6 cm), two sheets folded once</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/15759001-3f65-4314-8296-79bff922a7e7/Werkma11.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Flyer: Proclamatie I [Goals for a new Next Call] (October 1932) Letterpress 22 7/8 x 19 1/4” (58.1 x 48.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5860d7e7-92ab-420f-8a8e-3025e35384da/blank.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/af108aba-e909-47b9-ab74-e82a2e45226e/JS_5D_12383.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 21 1/2 x 16 3/4” (54.5 x 43 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ed9893ed-a462-4ad8-8d35-4e39f380e962/JS_5D_12385.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 21 1/4 x 16 3/4” (54 x 43 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/afe73a56-1634-465d-be16-3596ad0d9bcc/JS_5D_12387.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 10 7/8 x 16 7/8” (27.5 x 43 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0d0347b5-96ec-4582-b3c2-f06485583dd4/JS_5D_12388.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 13 3/4 x 16 7/8” (35 x 43 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/86cc363b-016b-4504-9e4d-bd5c1a603c0c/blank.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/42353ee4-f207-4dc3-a5d5-808df025e578/JS_5D_12384.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 21 1/2 x 16 3/4” (54.5 x 43 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/96b31df3-b44d-4e71-9e6d-50b7455c21ab/JS_5D_12386.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 21 1/4 x 16 3/4” (54 x 43 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/54b9ee25-ade8-44f2-814f-04e0565b5eb4/JS_5D_11547.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Back cover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5caa2ca6-fbd0-42b8-a9c3-0ef1c8b8860a/JS_5D_11549.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Back cover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1943ce0d-3868-49c9-83bf-635965c73c58/JJ_60D_7473.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Flyer: Bureau Claxon 1927 Lithograph, 8 1/8 x 13 7/16 (21 x 34 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/95ba12f5-735d-404e-a21f-db107ff94d00/JS_5D_12410.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Book: De Ploeg (Gronigen, 1927) Lithograph with string binding 14 3/8 x 9 1/2 x 1/8&amp;quot; (36.5 x 24.1 cm), 9 leaves with tipped-in plates</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/65da5d3e-fefa-4608-8e30-23635e641c3c/JS_5D_11524.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Exhibition catalogue: P 20 Lustrum Tentoonstelling van schilderijen en zwart-wit werken van leden van “De Ploeg” (Exhibition of black-and-white works by members of The Plow) (September 25–October 10, 1938), 1938 Lithograph, 9 3/4 x 6 3/4” (24.8 x 17.4 cm), 14 leaves</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6c93bf7e-97e3-4ee9-a9a3-c769968cb1ac/JJ_60D_2635.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Ex Libris: Halbo C. Kool, 1931 Letterpress 5 1/2 x 4 ½” (14 x 11 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8103eeee-9b44-46bc-a2d0-b323da072e81/JS_5D_12408.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Exhibition catalogue: Gronigen Kunstkring “De Ploeg” (20 September 29–October 11, 1931), 1931 Lithograph 7 3/4 x 5” (9.8 x 12.5 cm), 6 leaves</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/82154d16-4e19-4cb5-90e6-65976ff52bd6/JS_5D_12382.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Internal spread from P 20 Lustrum showing Werkman’s portrait and listing his works Open: 9 3/4 x 13 1/2” (25 x 34 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d7eaac24-97f4-419c-a5c0-fcf5a788a4c7/JS_5D_11174.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Ex Libris: P.J. Hiemstra, 1936 Lithograph 4 1/2 x 3 1/8” (11.4 x 7.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/da286f84-6b60-4776-b791-c9f26ba4f0f6/JS_5D_12409.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Back cover of the exhibition catalogue: Gronigen Kunstkring “De Ploeg” (20 September 29–October 11, 1931), 1931</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ee486d6a-d1d9-4b19-b694-f4b72c03821c/JS_5D_11528.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Exhibition catalogue: Internationale tentoonstelling von modern kunst te Groningen: Jubileum De Ploeg (International exhibition of modern art in Groningen: Anniversary The Plow) (March 1–19, 1933), 1933 Lithograph 9 5/8 x 6” (24.4 x 15.2 cm), 3 leaves</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2dbb5f0c-298f-4b3f-8dff-0b53141a558b/JS_5D_12148.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Booklet: Two poems by Martis Nijhoff, Holland (1916) and In plaats von foto (Instead of photo; 1941), issued in an edition of 120 for friends of De Blauwe Schuit, December 1942 Ink (stenciled and hand-rolled) on paper 10 3/4 x 8 1/2” (27.2 x 21.6 cm), 2 leaves</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/43b95da6-3635-4d59-89c8-4f2e6ebec3db/JS_5D_4263.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Booklet: Gesprek (Converation), published after works of 1938 for friends of De Blauwe Schuit, March 1942 Lithograph 12 1/4 x 8 3/4” (31.1 x 22.2 cm), two sheets, folded and string bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/96bcae96-fd91-40af-a8a4-136185880ecd/JS_5D_4244.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Calendar: Turkenkalender (Turkish Calendar), published for friends of De Blauwe Schuit, 1942 Lithograph 12 1/2 x 9 3/4” (31.7 x 24.8 cm), 13 leaves</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/80ee6af2-b0c6-4c94-9d61-4f32da925cda/JS_5D_4250.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4bdb89dc-4d1c-4762-897e-d73c1d54bd73/JS_5D_4254.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/935aeaa7-e143-48f7-9a27-362457ede540/JS_5D_4258.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/857969dc-00c0-4df1-8827-076904a970d4/JS_5D_4264.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 17 1/2” (31.75 x 44.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4ffc1534-44bf-4e47-9c7f-87191a41531f/JS_5D_4247.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/70a108c1-dc53-4847-89df-2f06d2d037d0/JS_5D_4251.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/dee3b9de-002b-4ad7-830c-086d78f33aae/JS_5D_4255.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6f35a310-2e19-4e5a-9294-6c372db087be/JS_5D_4259.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9b97f88d-ed65-47b4-bee3-e193c899d883/JS_5D_4265.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 17 1/2” (31.75 x 44.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0a06f284-99dd-4ecc-8ebd-947a8b61d667/JS_5D_4248.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9bf40536-0206-4093-a0f9-9b05bf27bf16/JS_5D_4252.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7aff2de7-0c1b-414e-9a37-de000b64e8c0/JS_5D_4256.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f559120c-ede4-4ffa-b205-746be735dcde/JS_5D_4245.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Back cover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e83f5793-4107-427f-96fc-0e8f6788b1c0/JS_5D_4249.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8f19dbda-b6fe-4071-8ecb-d4a434c257ea/JS_5D_4253.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e58cb4e3-0c79-4660-9fa7-4ab7d2a7ab04/JS_5D_4257.jpg</image:loc>
      <image:title>H. N. Werkman - Make it stand out</image:title>
      <image:caption>Open: 12 1/2 x 19 1/4” (31.75 x 49 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/julius-klinger</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7f3016ff-afdf-41bd-b51b-0411e571770b/_MG_6969.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Palm Silber Cigarre (Palm Silver Cigar, c. 1906 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 27 3/8 x 18 9/16” (69.5 x 47.1 cm) Note: Palm was a Berlin-based tobacconist with shops in major cities throughout Germany.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/605fb19d-f098-4315-8396-4c8d09ba9fba/JS_5D_12423.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Bühne und Brettl (Stage and Scene), 1902 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 55 x 37 1/4” (139.9 x 95 cm) Note: This poster advertises the Berlin-based journal Bühne und Brettl: Illustrierte Zeitschrift für Theater und Kunst (1901–1905).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6398bc1f-8ab3-4af6-8ac7-1e79722c88c1/JJ_60D_064876.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: F. V. Grünfeld: Leinen- und Gebild-Weberei (Linen and Fabric Weaver), Berlin, 1907 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 27 3/4 x 37 3/8” (70.5 x 95 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d27a5490-b1ce-40be-91f3-bf643a6e773d/JS_5D_12421.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Flugplatz Johannisthal (Johannisthal Airfield), Berlin, 1910 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 27 7/16 x 18 9/16” (69.7 x 47.1 cm) Note: Berlin’s first commercial airfield Johannisthal, had opened the previous year, on September 26, 1909.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1591edea-98a9-4592-9797-1174e6080365/JJ_60D_03622.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: 3. Büroausstellung Berlin 1911 (Third Office Exhibition, Berlin 1911), Ausstellungshallen am Zoo, Berlin (February 25–March 5, 1911), 1911 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 28 x 37 1/2" (71.1 x 95.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/df65d8ff-b2aa-4b6c-b456-64002ffef703/JS_5D_4411.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Palm Cigarren (Palm Cigars), c. 1906 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 27 5/8 x 37 1/2” (70.2 x 95.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0c6e3c40-9ea0-4efa-8d09-b310fb0cb883/JS_5D_4409.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Hermanns und Froitzheim, Magdeburg, 1910 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 28 x 37 7/8” (71.1 x 96.2 cm) Note: Hermanns &amp; Froitzheim was a Magdeburg-based men’s clothing store founded in 1877. As a Jewish-owned business, the storefront was assaulted on Kristallnacht (November 9, 1938). For photos, click here and here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1f88b4dd-b314-4442-b152-adb6fe26b731/JJ_60D_064877.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: P. Raddatz &amp; Co: Glas. Porzellan, Haus- und Küchen Geräte (Glass and porcelain household and Printer: Hollerbaum &amp; Schmidt, Berlin kitchen devices), Berlin, 1907 Lithograph 27 3/4 x 37 3/8” (70.5 x 95 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d166e8ba-6dae-4f0c-a362-8f3d4c4c9a0d/JS_5D_4410.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Der Feldherrnhügel: Schnurre in drei Akten (The Commander’s Hill: Opportunist in three acts), Lustspielhaus, Berlin, 1910 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 27 1/8 x 37” (68.9 x 94 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/82c77fe5-5768-4f46-ab4b-42a9d4eaecbf/JS_5D_4412.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Rund um Berlin (Around Berlin), airshow at Johannisthal Airfield, Berlin (August 21 and September 1, 1912), 1912 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 27 3/4 x 37 3/8” (70.5 x 95 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/25b7265f-e4a9-4879-908f-c756d6233169/JJ_60D_064866.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Boa-Lie, 1911 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 13 1/4 x 18 1/4” (33.7 x 46.4 cm) Note: Boa-Lie was a non-alcoholic and low-alcohol drink manufacturer based in Berlin-Charlottenburg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f864064e-72db-4b19-b35e-85b6aa9e5c2d/JJ_60D_064878.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Emil Jacoby “Herz-Schuhe” (Heart Shoes), Berlin, c. 1908 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 27 3/4 x 37 3/8” (70.5 x 95 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a164836a-5439-4d8a-95e6-29ec476ab61e/JJ_60D_064872.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Le Délice: Papier à cigarettes (The delight: cigarette paper), c. 1910 Lithograph 37 1/4 x 24 5/8” (94.6 x 62.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2af4a1c4-f0d0-41b8-ad15-590af935e484/JS_5D_4408.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Müller Extra, Matheus Müller Sektkellerei (Sparkling wine), Eltville-am-Rhein, 1912 Lithograph 27 3/8 x 37 1/4” (69.5 x 94.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/89e663c7-88a6-441f-b59a-8ce618b33651/JJ_60D_064868.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Boa-Lie, 1911 Printer: Hollerbaum &amp; Schmidt, Berlin Lithograph 13 1/4 x 18 1/4” (33.7 x 46.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/68786d6b-33ec-4c7e-9859-f3636100fe5d/JJ_60D_064870.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Lucullus, Tafellikör, Lippstadt, c. 1907 Lithograph 23 1/2 x 17 7/8” (59.7 x 45.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c7c692da-3208-428f-bd02-824b6a278ba7/JS_5D_1168-floor.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Papier à cigarettes (The delight: cigarette paper), c. 1910 Lithograph 48 5/8 x 37 1/4” (123.5 x 97.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c3b2cdb3-7659-4ebf-a859-25c90e9dbcb9/JS_5D_12430.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: III. Internationale Automobilausstellung (Third International Automobile Exhibition), K. K. Gartenbau-Gesellschaft, Vienna (March 14–29, 1903), 1903 Printer: J. Weiner, Vienna Lithograph mounted on canvas 50 x 37 1/4” (127 x 94.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6e44d697-5e1b-4d8a-b3fa-86d778b6ab27/JS_5D_1163-floor.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Wärmestuben Lotterie (Warming room lottery), 1903 Printer: J. Weiner, Vienna Lithograph 48 1/4 x 37 1/2” (122.6 x 95.3 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c3974eae-5807-4837-be9c-0b7917b96b8e/JJ_60D_01962.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: III. Internationale Automobilausstellung (Third International Automobile Exhibition), K. K. Gartenbau-Gesellschaft, Vienna (March 14–29, 1903), 1903 Printer: J. Weiner, Vienna Lithograph 24 7/8 x 13 1/4” (63.2 x 33.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/57d0f4c8-75ca-48af-a5a8-7d3bc4656f1a/JS_5D_1166-floor.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Wiener Kunst Gewerbe Vereins Lotterie (Viennese applied arts association lottery), 1903 Printer: J. Weiner, Vienna Lithograph 37 1/4 x 49 1/4” (94.6 x 125.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/66c82a71-26eb-4328-bee5-fa134858c2c9/JS_5D_12424.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Hochstöger’s Preussische Salon-Kohlen-Ziegel (Hochstöger's Prussian Salon: Coal, Bricks), c. 1914 Printer: J. Weiner, Vienna Lithograph 72 3/8x 37 3/8” (186.5 x 95 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c6dc74d8-690f-4df0-801a-b32766fae25c/JS_5D_1173-floor.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Deutsche Grammophon Aktien-Gesellschaft (German gramophone holding company), c. 1913 Printer: J. Weiner, Vienna Lithograph 73 1/4 x 49 1/4” (186.1 x 125.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d6bd069f-9475-4092-861d-4299269aeabd/JS_5D_1164-composite.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Apollo-Kerzen (Apollo Candles), c. 1911 Printer: J. Weiner, Vienna Lithograph 52 3/8 x 37” (133 x 94 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/42c331a7-2de1-48ac-a171-4f04f56aa732/JJ_60D_064869.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Motorzweirad-Rennen (Motorbike Racing), Praterbahn (May 21), year? Printer: J. Weiner, Vienna Lithograph 21 1/4 x 16 1/2” (54 x 41.9 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e53d99ef-973a-46dd-8643-51e925f8c980/Tabu.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Image source: Julius Klinger: Posters for a Modern Age, Poster House, New York (March 4–August 15, 2021), pp. 60–61.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c1f8fbfd-d2e6-4db0-b704-f30d508ab2df/JS_5D_12422.jpg</image:loc>
      <image:title>Julius Klinger</image:title>
      <image:caption>Poster: Tabu Cigarettenhülsen und Papier: Antinocotin (Tabu cigarette papers and filters: anti-nicotine), c. 1919 Printer: Christoph Reisser’s Söhne, Wien Lithograph 49 3/4 x 37 1/2” (126.5 x 95.25 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/73a7ca35-9eb3-4653-8e4e-f32e5149ca25/JS_5D_4881.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Tabu Cigarettenhülsen und Papier: Antinocotin (Tabu cigarette papers and filters: anti-nicotine), 1919 Lithograph 48 x 36 1/8” (122 x 92 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b30bff01-dab2-4db3-8278-4fccd8444531/JS_5D_1167-floor.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: II. Wiener Internationale Messe (Second Viennese International Fair, March 19–25, 1922), 1922 Printer: J. Weiner, Vienna Lithograph 48 5/8 x 37 1/4” (123.5 x 97.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/128e93b3-ae30-4202-b5f3-1d954e43a1c6/JJ_60D_064874.jpg</image:loc>
      <image:title>Julius Klinger</image:title>
      <image:caption>Poster: Tabu, 1919 Printer: Christoph Reisser’s Söhne, Wien Lithograph 37 3/8 x 20 5/8” (95 x 52.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/88b449cf-c0c8-49a9-baaa-d4d5ad26258c/JS_5D_4884.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: MEM Rasierklingen (M. E. Mayer Parfümerie- und Seifenfabrik, Vienna; razor blades), c. 1917 Lithograph 49 3/4 x 37 1/2” (cm) Note: Mihály Biró also designed posters for MEM (see our newsletter).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/adcf7f7c-8e77-462e-8fbd-9eba124e3171/JJ_60D_064875.jpg</image:loc>
      <image:title>Julius Klinger</image:title>
      <image:caption>Poster: Tabu, 1919 Printer: Christoph Reisser’s Söhne, Wien Lithograph 33 3/8 x 21 3/4” (84.8 x 55.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/46391ebb-f066-4370-8215-73a83e6f9e78/_MG_1205.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: 8. Kriegsanleihe (Eighth War Loan), 1918 Printer: J. Weiner, Vienna Lithograph 37 3/8 x 24 7/8” (94.9 x 63.2 cm) Note: This poster promotes the eighth war loan requested from citizens of the Austro-Hungarian Empire to finance the Empire’s efforts during World War I. Klinger portrays the enemy Allied Powers (Russia, England, etc.) as a ferocious snake or dragon pierced by eight arrows representing the previous loan subscriptions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/da57d4b0-b6fc-4ba8-a946-5aa064f03563/JS_5D_1169-composite.jpg</image:loc>
      <image:title>Julius Klinger</image:title>
      <image:caption>Poster: Tabu Cigarettenhülsen und Papier: Antinocotin (Tabu cigarette papers and filters: anti-nicotine), 1920 Printer: Christoph Reisser’s Söhne, Wien Lithograph 73 1/4 x 49 1/2” (186.1 x 125.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f3dc790c-2288-45cd-8e11-0110aaf78ac8/blank.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c4ed19a6-9911-4dd1-8e39-e449065fadc2/JJ_60D_064873.jpg</image:loc>
      <image:title>Julius Klinger - Make it stand out</image:title>
      <image:caption>Poster: Illustrierte Monatsschrift (Illustration Monthly) Donauland (Verlag J. Roller &amp; Co., Wien), 1917 Printer: Norbertus Wien III, Vienna Lithograph 39 1/4 X 24 1/2” (99.7 x 62.2 cm) Note: This poster advertises a monthly magazine covering the region of the Danube River (pictured), published in Vienna between 1917 and 1921.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/ushin-brothers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/34c8d351-6d68-4fca-ba8a-ef59387235ac/JJ_60D_1419.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin and Aleksei Ushin Maquette for book cover: L. Zheleznov Budem zhit’ radostno bez sorokogradusnoi (Let’s live happily without forty-percent alcohol), c. 1929 Publisher: Priboi, Leningrad Gouache and pencil on paper, 7 1/8 x 9 1/2" (18 x 24 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/832c61f1-fea7-4998-8992-f6b84ab01030/JJ_60D_1311.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin and Aleksei Ushin Maquette for book cover: S. D. Dreiden, Khudozhestvennaia antialkogol’naia khrestomatiia ZA VASHE ZDOROV’E (Artistic anti-alcohol anthology: “To Your Health”), date? Publisher: Priboi, Leningrad Gouache and ink on paper, 8 3/8 x 11" (21.25 x 28 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c02c4664-797e-477f-8046-e014d1262e5f/detail_of_JJ_60D_1467.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/fa00a302-439a-4798-acd9-35aeb408a1a6/detail_of_JJ_60D_1463.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1f3f0b21-1998-475b-a7c0-2be0a2588128/detail_of_JJ_60D_1326.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7ea3a756-ed77-4050-91be-6f6dc76acdf6/detail_of_JJ_60D_1476.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d003ff6b-2549-47d2-b79b-7400dc2f681e/JJ_60D_1318.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Sketch for book cover: T. F. Dombal, Krest’ianskii internatsional (Peasants’ international), 1925 (inscribed verso: August 5, 1925) Publisher: Priboi, Leningrad Gouache and pencil on paper, 7 3/4 x 13 1/2" (20 x 34 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8089d553-45f5-405b-8cd4-21878c005df0/JS_5D_4114.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Maquette for periodical cover: Muzyka i byt (Music and everyday life), no. 1, c. 1927 Publisher: Leningradskaia Pravda, Leningrad Gouache, cut-and-pasted paper, and ink on paper, 10 3/8 x 14 1/4” (27.3 x 36.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/279401b6-726f-4483-8701-098adf7b7465/JJ_60D_1355.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Maquette for film program cover: Oblomok Imperii (Fragment of an empire), c. 1929 Publisher: Teakinopechat’’, Moscow Gouache, ink, and cut-and-pasted gelatin silver print on paper, 14 3/8 x 9 3/8" (36.5x 23.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/754cfb79-d5fa-4f1d-843a-a9e9d16a2d8a/JJ_60D_1296.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Maquette for book cover: T. F. Dombal, Krest’ianskii internatsional (Peasants’ international), c. 1925 Publisher: Priboi, Leningrad Gouache on paper, 9 x 6 5/8" (23 x 17 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/4ed39d5d-6a07-4261-9a2f-64743379e09e/jf_2406.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for periodical cover: Muzyka i byt (Music and everyday life), no. 1, 1927 Publisher: Leningradskaia Pravda, Leningrad Lithograph, 10 3/4 x 14 7/8” (27.3 x 37.8 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9fc2accf-0ad9-447e-b8b0-86b8ccee9995/JJ_60D_1326.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for film program cover: Oblomok Imperii (Fragment of an empire) Publisher: Teakinopechat’, Moscow Lithograph and letterpress, 10 1/8 x 6 3/8" (25.7 x 16.1 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d987e202-50f3-41ea-99cc-ba92410f5749/JJ_60D_1298.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for book cover: T.F. Dombal, Krest’ianskii internatsional (Peasants’ international), 1925 Publisher: Priboi, Leningrad Lithograph, 7 5/8 x 5 1/2" (19.25 x 14 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1ce263dc-62a3-428a-8124-c8b01f508cca/JJ_60D_14884.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Maquette for book cover: V. Rozhitsyn and M. Zhakov, Proiskhozhdenie sviashchennykh knig (The origin of sacred books), c. 1925 Publisher: Priboi, Leningrad Gouache and ink on paper, 8 1/2 x 5 7/8" (21.75 x 15 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d4af12cf-e94c-4041-a019-890016da4c9e/JJ_60D_1409.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Maquette for book cover: S. Ya. Kuport, Chto poseesh’, to i pozhnesh’ (What you sow you will reap), date? Publisher: Priboi, Leningrad Gouache on paper, 9 x 6 1/4" (23 x 16 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1300982c-16b9-4f86-8f08-e4bad8f0ae09/JJ_60D_1407.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Maquette for book cover: Za uchebu (For study), from the series Bibliotechka komsomol’skogo kluba (Library of Komsomol Club), date? Publisher: Priboi, Leningrad Gouache and pencil on paper, 9 1/2 x 6 1/2" (24 x 16.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/786759d5-0674-4e14-b7b1-581b19430b1e/JJ_60D_1413.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Maquette for book cover: G. M. Brefton, Polozhenie rabochikh v indiiskoi promyshlennosti (Position of workers in Indian industry), 1925 Publisher: Priboi, Leningrad Gouache and ink on paper, 9 5/8 x 6 1/2" (24.5 x 16.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c129e248-40db-47bb-a454-c6229e3d0f9c/JJ_60D_1463.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for book cover: Vitalii Avdeev, Press i molot: P’esa v 3kh deistviiakh, s prologom i epilogom (Press and hammer: a play in 3 acts, with a prologue and epilogue), 1925 Publisher: Priboi, Leningrad Letterpress, 7 5/8 x 5 1/4" (19.5 x 13.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cb7b1360-b4cf-4ba8-8437-20582c6a5acf/JJ_60D_1472.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for book cover: N. Matorin, Rabotnitsa! Ukrepliai smychku s derevnei (A female worker! Strengthen the union with the village!), 1926 Publisher: Priboi, Leningrad Lithograph, 7 5/8 x 5 1/2" (19.5 x 14 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/6783a7ec-56ff-46cc-9ee9-37ff2a733cbc/JJ_60D_1477.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for book cover: Mikhail Osokin, Molodye krasnoputilovtsy (Young “krasnoputilovtsy”), date? Publisher: Priboi, Leningrad  Letterpress, 8 x 5 3/4" (20.25 x 14.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/357ee99c-717b-4488-8c4e-1aac2837b1b4/JJ_60D_1357.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for book cover: Smychka khudozhnika i pechatnika—shag na puti k iskusstvu- proizvodstvu (The artist and printer’s bond is a step towards art into production), date? Lithograph, 8 5/8 x 6" (22 x 15 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1f748280-8186-48e9-afcd-53ec232e2219/JJ_60D_1476.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for book cover: N. Ivanov and E. Okun, Za pravdoi ob SSSR (For the truth about the USSR), c. 1925 Publisher: Priboi, Leningrad Lithograph, 7 3/4 x 5 3/4" (19 x 14.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/7b3c5c5b-0370-43af-baa6-be6654b9f9fd/JJ_60D_1469.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for book cover: G.[erbert] Uells (H. G. Wells), Po sushe, moriu i vozdukhu (On the land, sea, and air) Rasskazy o neobychainom (Tales of extraordinary), 1927 Lithograph, 7 3/8 x 5 5/8" (17.75 x 14.25 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1da27e38-588e-49f9-b609-a08f37cd44d9/JJ_60D_1467.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for book cover: N. Matorin, Oktiabr’skaia  revoliutsiia i krest’ianstvo (October Revolution and peasants), 1925 Publisher: Priboi, Leningrad Lithograph, 7 1/2 x 5 3/8" (19 x 13.75 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d0d6a344-d8ed-487b-879d-98867a456e29/JJ_60D_1465.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Nikolai Ushin Proof for book cover: M. Rosenfeld, V peskakh Kara-Kum (In the Kara-Kum desert), 1930 Lithograph, 7 5/8 x 5 1/2" (19.5 x 14 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/d8e10bd5-cc7d-4dd9-9269-1ea970f3c9af/detail_of_JJ_60D_1282.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/cc7e1eb8-e703-4820-826a-bbf5bff88972/JJ_60D_1315.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Sud idet (The jury is coming), date? Lithograph, 11 7/8 x 8 1/8" (30 x 20.75 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/54fa368b-8255-42fd-a0e4-17a1b4c6368c/JJ_60D_04342a.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Maquette for book cover: M. Osipov, Puti rabochego korrespondenta (ot stanka k peru). Ukreplenie sviazi s rabkorami (Path of a working correspondent [from the machine to pen]. Strengthening ties with worker correspondents), c. 1925 Publisher: Kniga, Moscow Gouache, ink, and cut-and-pasted newspaper on paper, 9 1/8 x 6 (23 x 15 cm), irregular</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/17e7db97-e464-4639-9833-e7cefb10a9d9/JJ_60D_1346.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Maquette for film program cover: Nord-ost (Northeast), Cheslav Sabinsky (director), Dmitrii Shcheglov (playwright), c. 1928 Publisher: Teakinopechat’, Moscow Gouache, ink, and cut-and-pasted gelatin silver print on paper, 10 5/8 x 7 1/4" (27 x 18.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a767802a-b707-4d66-a1ff-a465bd3352be/JS_5D_3398.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Maquette for book cover: Bor.[is] Brodiansky, Fedor (Feodor) Nikitin, c. 1929 Cut-and-pasted gelatin silver print and gouache on card stock, 7 1/4 x 5 3/4” (18.4 x 14.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f42a4736-0d0e-41b0-8809-64d0af66b837/JJ_60D_1290.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: B. Didrikhson, Alkogolizm i proizvoditel’nost’ truda (Alcoholism and productivity of labor), 1931 Publisher: Priboi, Leningrad Lithograph, 8 1/8 x 5 1/2" (20.5 x 14 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8a72b958-844f-4bc8-a6a6-6c8ff8fd0478/JJ_60D_1454.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Maquette for periodical cover: Na kooperativnoi stroike, SSSR (At the cooperative construction site, USSR), no. 5, 1931 Cut-and-pasted paper and gouache on paper, 6 1/4 x 4 5/8" (16 x 12 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f0c6ea70-b9ce-423c-87fc-72792648c178/JJ_60D_1317.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Sud idet (The jury is coming), date? Lithograph, 11 7/8 x 8 1/8" (30 x 20.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/5b7d3db0-247f-47fb-adda-ecc132e54b7b/JJ_60D_04342b.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: M. Osipov, Puti rabochego korrespondenta (ot stanka k peru). Ukreplenie sviazi s rabkorami (Path of a working correspondent [from the machine to pen]. Strengthening ties with worker correspondents), 1925 Publisher: Kniga, Moscow Lithograph, 7 7/8 x 5 7/8” (20 x 15 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b661d49e-9199-4cb4-9fd3-3498928a941b/JJ_60D_1343.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for film program cover: Nord-ost (Northeast), Cheslav Sabinsky (director), Dmitrii Shcheglov (playwright), 1928 Publisher: Teakinopechat’, Moscow Lithograph, 9 7/8 x 6 5/8" (25 x 17 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ba253196-18dd-4acd-b93f-33a56004c462/JS_5D_3396.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Booklet cover: Bor.[is] Brodiansky, Fedor (Feodor) Nikitin, 1929 Publisher: Teakinopechat’, Moscow Lithograph, 6 5/8 x 5 1/8” (16.8 x 13 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/26b9555b-71fd-446a-8370-1d571971215c/JJ_60D_1485.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: B. Didrikhson, Alkogolizm i proizvoditel’nost’ truda (Alcoholism and productivity of labor), 1931 Publisher: Priboi, Leningrad Lithograph, 6 1/2 x 4 7/8" (16.5 x 12.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b6efc5dc-6903-46f0-af2e-5e40e95a3889/JJ_60D_1328.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for periodical cover: Na kooperativnoi stroike, SSSR (At the cooperative construction site, USSR), no. 5, 1931 Lithograph, 10 5/8 x 7 5/8" (17 x 19.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/257eee28-6413-4023-867d-86188749234a/JJ_60D_1304.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Sud idet (The jury is coming), date? Lithograph, 8 3/8 x 5 3/4" (21.2 x 14.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/0c14e503-d486-414f-8870-53a0fe06e9fa/JJ_60D_1305.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Maquette for book cover: Viach.[eslav] Shishkov, Peipus-ozero. Povest’ (Lake Peip, a novel), 1925 Publisher: Kniga, Moscow Gouache and ink on paper, 9 1/2 x 6 1/4" (24 x 16 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/e6e22b53-ffe1-447f-aed0-69cad15a2d48/JJ_60D_1434.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Maquette for book cover: V.[ladimir] N.[aumovich] Bill’ -Belotserkovsky, Luna sleva (The moon on the left), c. 1928 Publisher: Gosudarstvennoe izd-vo, Moscow Gouache and ink on paper, 8 x 11" (20.5 x 28 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2aa30099-f51f-44a5-b070-8b9a99e6fc57/JJ_60D_1331.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Maquette for book cover: Dionis Mikhali, Elektricheskoe dal’novidenie i Telegor (Electric remote viewing and Telehor), 1925 Publisher: Kniga, Moscow Gouache on paper, 10 3/4 x 8 3/8" (27.2 x 21.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/30989788-df2a-4f88-9f14-09fd5472ffde/JJ_60D_1435.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Maquette for book cover: M. Konstanten-Veier (Maurice Constantin-Weyer), Shkval (The Squall; from the original French La Bourrasque), c. 1926 Publisher: Priboi, Leningrad Gouache on paper, 9 3/4 x 6 3/4" (25 x 17.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a12c792d-05a1-403f-8a40-ab5557d91045/JJ_60D_1403.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Maquette for book Cover: A.G. Chirkov, Redkii sluchai (A rare case), c. 1928 Publisher: Teakinopechat’, Moscow Gouache and pen on paper, 7 7/8 x 5 7/8" (20 x 15 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1fbe0135-9944-4e1e-86f4-9b7e4c7cb8cf/JS_5D_5604.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Veniamin Girshgorn and Iosif Keller, Sorvanets, Dzho! (Mischievous Joe), 1924 Publisher: Kniga, Moscow Lithograph, 9 3/4 x 6 3/8” (25 x 16.2 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/27bce986-7768-4901-9b00-bb21c25542f0/JJ_60D_1470.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin (cover only, illustrations within by I. Kolesnikov) Proof for book cover: D. O. Kervud (James Oliver Curwood), Staraia doroga (The ancient highway), 1928 Publisher: Leningrad: Vokrug sveta, 1928 Lithograph, 7 1/4 x 5 3/8" (18.5 x 13.75 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/452e314d-a5fe-4148-935b-c855a0ac05ae/JS_5D_5603.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: G. Zinov’ev, Chto takoe Komsomol i chem on dolzhen stat’ (What is the Komsomol and what should it become), 1925 Publisher: Priboi, Leningrad Lithograph, 7 3/8 x 10 3/16” (19 x 26 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/ab2371fd-f9eb-404e-94d5-e563b3d9ba61/JS_5D_5607.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Vladimir Zazubrin, Dva mira. Roman (Two Worlds. A Novel), 1920s Publisher: Gosizdat, Moscow Lithograph, 7 3/4 x 11 3/8” (19.7 x 29 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8f3a463c-2017-4f34-a7f9-a1870230f2b2/JJ_60D_1282.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Mikh.[ail] Shakhnovich, Religiia v bor’be s sovremennoi naukoi (Religion in the fight against modern science), c. 1931 Publisher: Priboi, Leningrad Lithograph, 7 1/8 x 5" (18 x 12.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/97ed69b2-ec3d-4536-9a05-c3c25bd27b46/JJ_60D_1441.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: N. Pospelova, Mirovoi krizis i problemy voin (The world crisis and the problems of war), 1931 Publisher: Priboi, Leningrad Lithograph, 11 3/4 x 9 1/4" (30 x 23.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/fb038e36-4bb3-4e91-b732-38a52d351a5b/JS_5D_5601.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: A. Konan-Doil’ (Sir Arthur Conan Doyle), vol. 1, date? Publisher: “Vokrug sveta” (Around the world) Lithograph, 7 1/4 x 11 1/16” (18.5 x 28 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/421158a8-7049-4b49-b3e5-c8f7298d3ad7/JJ_60D_1479.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: A. Aleksandrov and S. Balukhatyi, Politprosvetrabota: Sistematicheskii ukazatel’ literatury s vkliucheniem otdela po leninizmu (Political education: Systematic index of literature with the inclusion of a section on Leninism), 1925 Lithograph, 8 x 5 7/8" (20.25 x 15 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/737b9021-115b-4a96-8d9c-d98d92d5223f/JS_5D_5602.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Semyon Timoshenko, Miatezh/Myatezh (Mutiny, based on the novel of the same name by Dmitry Furmanov), c. 1928 Publisher: Teakinopechat’, Moscow Lithograph, 9 3/4 x 6 9/16” (25 x 16.75 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/8371fa51-464f-496b-9869-21dae936b802/JJ_60D_1301.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: D. Dubnov and A. Shifrin, Uprazhneniia vdvoem i soprotivleniia (Exercises for two, with elements of competition), 1930 Publisher: Fizkul'tura i sport, Moscow-Leningrad Lithograph, 8 7/8 x 6 1/8" (22.5 x 15.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/2b984ff3-ba1e-491e-b747-585c0a89158a/JJ_60D_1292.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Massovye pesni k 1 maia (Mass Songs for the first of May), date? Publisher: Gosudarstvennoe, Moscow Lithograph, 8 7/8 x 4 5/8" (22.5 x 11.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/c466ceb6-051e-434b-b2c2-0e702c7ed847/JJ_60D_1412.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Yu. Ostrovsky, Umen’shenie i utilizatsiia proizvodstva v liteinom dele (Reduction and utilization of production in the foundry industry), 1932 Lithograph, 9 1/8 x 6" (23 x 15 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/96fe62b7-cf96-48c0-86e3-2eef13d7bbfd/JS_5D_0152.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Book cover: Ya. Brukson, Teatr Meyerholda (Meyerhold’s Theater), 1925 Publisher: Kniga, Leningrad Lithograph, 8 1/4 x 5 5/8" (21 x 14.4 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/865fd6be-e932-4168-9e92-cf966bb9e803/JJ_60D_1458.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Nol’d R. pod razvesistoi kliukvoi (Nold R. under the hanging cranberry), 1929 Publisher: Teakinopechat’, Moscow Lithograph, 6 1/2 x 4 1/4" (16.5 x 11 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/593dc7fe-7c60-4109-9b45-457a4b24a093/JS_5D_5606.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Gerbert Uells (H. G. Wells), Ostrov doktora Moro (The Island of Doctor Moreau), 1928 Publisher: “Vokrug sveta” (Around the world) Lithograph, 7 15/16 x 9 11 11/16” (20.5 x 30 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/b96b7ee3-5a0c-41a3-91fe-27f7aadcf72b/JS_5D_5608.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for periodical cover: Vokrug Sveta (Around the world), no. 12, c. 1930 Lithograph, 12 1/4 x 9 3/8” (31.25 x 24 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/a937aa5d-4852-45b0-bcdb-99791934ec41/JJ_60D_1368.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Dzh. Dos-Passos (John Dos Passos), 42 -aia Parallel’ (The 42nd parallel), c. 1931 Publisher: Gosudarstvennoe izd-vo, Moscow Lithograph, 9 x 12 7/8" (23 x 32.7 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/1183e42a-0873-49a4-b6f6-45fd46de4d1d/JJ_60D_1424.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Flyer: Slushaite! (Listen!) 1-15 ianvaria 1934 (January 1–15,1934) Govoriat Radiostantsii (Radio stations are broadcasting) PB-53 Volna 1224 metr (radio wave 12224 meter) PB-70 Volna 288,6 metr (radio wave 288,6 meter) Leningrad, 1934 Lithograph, 7 x 8 1/2" (18 x 21.5 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/9a39ee03-5c3f-4d37-918e-bfe1eae1a393/JS_5D_5605.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Prof.[essor] Pozdneev, Sovremennyi Kitai (Contemporary China), 1925 Publisher: Gubono, Leningrad Lithograph, 8 5/8 x 6” (22 x 15 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/428155d3-21ea-4b55-951e-80439d9deca9/JJ_60D_1461.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: L. Popova, Po farforovomu zavodu (Regarding a porcelain factory), mid-1920s Publisher: Rabotnik prosveshcheniia, Moscow Lithograph, 7 x 5 1/8" (18 x 13 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/f0408eb1-6fda-440b-b171-132e8e34b487/JJ_60D_1473.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: Vsevolod Vassilievich Chaikovsky, Mladencheskie gody russkogo kino (The early years of Russian cinema), with an introduction by G.M. Boltiansky, 1928 Publisher: Teakinopechat’, Moscow Lithograph, 7 1/2 x 5 3/8" (19 x 13.75 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/497c149c-2917-4ac0-a518-e24879955dc9/JJ_60D_1450.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: B. Kolomarov, Zlodei v kino (Villain in the movie), c. 1930 Publisher: Teakinopechat’, Moscow Lithograph, 6 5/8 x 4 3/8" (17 x 11 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e68e6f8d34bcf00a52fd5a6/300a7c1e-b862-4b0e-afdb-5298ec59fc22/JJ_60D_1418.jpg</image:loc>
      <image:title>Ushin Brothers - Make it stand out</image:title>
      <image:caption>Aleksei Ushin Proof for book cover: S. Vodkin, Novoe v pushkinskoi derevne (New in Pushkin village), 1931 Publisher: Priboi, Leningrad Lithograph, 10 3/8 x 7 1/8" (26.5 x 18 cm)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://mcbcollection.com/books</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
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      <image:caption>Joost Schmidt (1893-1948)</image:caption>
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      <image:title>Home - Artists - Make it stand out</image:title>
      <image:caption>Nikolai &amp; Aleksei Ushin</image:caption>
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    <lastmod>2025-07-02</lastmod>
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