“Blockade” or “Siege” of Leningrad: A Circulating Exhibition of 1943–1945
During the Second World War, for almost two and a half years, the city of Leningrad (present-day St. Petersburg) was under blockade. From September 1941 through January 1944, it was encircled by German and Finnish forces, subjected to air and artillery bombardments, and deprived of access to food and other resources, leading to the deaths of more than 1,000,000 residents. The forty-one photographs presented here depict daily life, work, and military operations in the city during the blockade. Some of the images were reproduced in the Information Bulletin of the Embassy of the Union of Soviet Socialist Republics in 1943. It appears that the current set was compiled from various sources, possibly including this Bulletin, by the short-lived non-governmental organization the American Russian Cultural Association (ARCA) for the purposes of display in the United States.
Formed in New York in 1942 under the honorary presidency of the Russian-born artist, spiritualist, and peace activist Nicholas Roerich (1874–1947), ARCA held as its primary aim "a mutual enlightenment and cultural exchange between the people of Russia and America." According to its annual reports, the organization’s advisory board included cultural luminaries such as Charlie Chaplin, Ernest Hemingway, Roman Jakobson, and Rockwell Kent. ARCA generated exhibitions, lectures, and other programming from its New York headquarters, until its dissolution upon Roerich’s death in 1947. Its numerous circulating exhibitions were presented in libraries, schools, art associations, and department stores across the United States. Two photographic exhibitions, respectively titled “Siege of Leningrad” and “Blockade of Leningrad,” traveled widely in 1943, 1944, and 1945. It is likely that the following forty-one photographs derive from some iteration of one of these two circulating ARCA shows.
Each of these prints, now in the Merrill C. Berman Collection, retains its original mat. Each mat bears pinholes at the upper corners, an adhered slip of paper with a typewritten English-language caption on the recto, and ARCA’s stamp and handwritten numbers in pencil on the verso. These numbers, which may relate to the sequence of the prints’ original presentation, suggest certain thematic groupings—such as military preparedness and operations, daily life, and arts and culture in the besieged city—and have been used as the organizing principle for the current presentation.
This online exhibition was compiled by Madeline Collins with essential research provided by Nailya Alexander.
Notes on the Objects and Their Original Presentation
The forty-one gelatin silver prints in this online exhibition are consistently mounted with mats measuring 10 x 13" (25.4 x 33 cm) and mat windows between 4 7/8 x 7 7/8" (12.4 x 20 cm) and 5 5/8 x 9" (14.3 x 22.9 cm). Each mat has pinholes in the upper corners, suggesting its original mode of presentation.
An adhered slip of paper with a typewritten, descriptive, English-language caption is affixed to each mat below the window. For this online presentation, in the interest of visibility, each work is presented without its original mat and typed caption, which is transcribed in the rollover text.
The verso of each mat bears a stamp reading “AMERICAN RUSSIAN CULTURAL ASS’N., INC.” located in the upper center of the mat when it is oriented vertically. The verso of each mat also bears several numbers. Rapidly written, somewhat disorderly numbers in graphite or orange pencil, sometimes preceded by the letter “W,” may be related to ARCA’s original presentation. These numbers have been used as the organizing principle for this presentation and are transcribed in the caption for each work. More orderly numbers, also written in graphite on the versos and preceded by “ANON” and “SK,” are likely the marks of a later collector and are not transcribed here.