H. N. Werkman (Dutch, 1882–1945)
Unlike his countryman and contemporary Theo van Doesburg (Dutch, 1883–1931), a journal editor and proselytizer widely recognized as one of leading figures of international interwar European avant-garde, Hendrik Nicolaas Werkman (Dutch, 1882–1945) remains an insider’s secret; a figure revered among his contemporaries and by a small circle of cognoscenti today. Active in remote Groningen in Northern Holland, Werkman kept abreast of contemporary artistic tendencies such as Expressionism and Constructivism through avant-garde journals and contributed to this transnational discourse through his involvement with the artist’s group De Ploeg (The Plow; founded 1918), his journal The Next Call (1923–1926), and imprint De Blauwe Schuit (The Blue Barge; 1940-1945).
Werkman was a printer by trade and the materials of the printing press—the ink, the paper, the marks of the press—were not only his means but his message. An advocate of truth to media (ink as ink rather than as a representational means), Werkman was a pure modernist in the Greenbergian sense, but for the artist materiality and truth to labor practices were far from apolitical. A member of the Dutch resistance, Werkman was murdered by the Gestapo days before Dutch liberation. Willem Sandberg, Director of the Stedelijk Museum from 1945 to 1963, was the key advocate of Werkman’s oeuvre in the postwar years (see our Sandberg newsletter).
Key sources:
Alston W. Purvis, H.N. Werkman. New Haven, CT: Yale University Press, 2004.
Dieuwertje Dekkers, Anneke de Vries, Jikke van der Spek, H.N. Werkman: het complete oeuvre. Rotterdam: Nai, Stichting H.N. Werkman, 2008.
Blad voor Kunst (Magazine for the Arts; Gronigen, 1921–1922)
Het open Veld (The Open Field; Eelderwolde: Bibliofilen-Liga, 1923)
The Next Call (Gronigen, 1923–1926)
Bureau Claxon (Werkman’s Advertising Agency)
De Ploeg (The Plow; Artists’ Group Founded 1918)
De Blauwe Schuit (The Blue Barge; Groningen publisher, 1940-1945)